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Vous avez sélectionné:
Getting There
avancé
Piano seul
Partitions à imprimer
10 partitions trouvées
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1
Getting Around - Etude #5
Getting Around - Etude #5
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Bruce Dudley
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Bruce Dudley
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Getting Around - Etude #5
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Bruce Dudley
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1252357 By Bruce Dudley. By Bruce Dudley. Arranged by Bruce Dudley. Pop,Rock. Score. 5 pages. Bruce Dudley #846326. Publi...
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Piano Solo - Level 4 - SKU: A0.1252357 By Bruce Dudley. By Bruce Dudley. Arranged by Bruce Dudley. Pop,Rock. Score. 5 pages. Bruce Dudley #846326. Published by Bruce Dudley (A0.1252357). Getting Around (Etude #5) has a driving, straight 8th note feel that is reminiscent of certail 1980's rock bands such as Styx, Van Halen, and Journey. There is a middle section that offers a melodic study for the left hand, with pulsating quartal harmonies in the right hand.
$2.99 ≈
2.76€
All Creatures of our God and King Late Intermediate Piano Solo
All Creatures of our God and King Late Intermediate Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Lasst Uns Erfreuen
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Amanda Tero
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eighth notes vs
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All Creatures of our God and K
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero...
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Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998921. Published by Amanda Tero (A0.1417376). Delight your audience with the All Creatures of our God and King piano solo, designed for late intermediate players. Ideal for church performances or recitals, this piece includes lively triplets in both hands, making it an exciting show-stopper.The late intermediate piano solo of All Creatures of our God and King includes popular elements like fast triplets, octaves, polyrhythms (2 against 3), and a dramatic ending.I arranged All Creatures of our God and King as a traditional hymn with a contemporary flair. The driving triplets give it a “rock†feel while low left hand octaves add depth of sound. There are a lot of patterns which makes this late intermediate solo easier to learn–the challenge is getting it up to speed fluently!For church services, recitals, and spring/summer music events, All Creatures of our God and King late intermediate piano sheet music solo will capture the listeners with delight and excitement.Similar in level to most Level 4-5 piano curricula and ABRSM Level 4.The basic format of All Creatures of our God and King late intermediate piano solo is: introduction, verse, interlude, verse, ending.6 pages. Key of C major.Approx. 2:00 performance time. Musical Elements In All Creatures of our God and King late intermediate piano solo Sheet Music Key of C major Time signature: 4/4 Tempo: fast, exuberant Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, eighth note triplets Note reading: right hand treble clef C4 to C7, left hand bass clef C1 to G4 Ledger lines (up to 5 lines) Harmonic octaves in left hand and right hand Triplets Polyrhythms (2 against 3; eighth notes vs. eighth note triplets) Fermata Practice Tips for All Creatures of our God and King late intermediate piano solo This is an exciting arrangement that the student may be tempted to play faster than possible. Encourage the student to breathe while they play to keep the tempo steady and manageable (I like recommending breathing in for one measure, out for one measure).There may be the temptation to have a heavy pulse for each beat, but focus on phrasing an entire measure or two.If the student struggles to bring out the measure for the first verse, experiment with “shadow playing,†where the student only plays the actual melody notes and “shadow plays†(puts their finger on the key, but doesn’t press down) all other notes.
$5.99 ≈
5.54€
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart, Mozar
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Rob Bushnell
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Andante
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RBMusic
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic ...
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Piano Solo - Level 4 - SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic #6014617. Published by RBMusic (A0.752422). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$9.50 ≈
8.78€
Robot Bluegrass
Robot Bluegrass
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ben Dockery
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Robot Bluegrass
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Ben Dockery
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.693010 Composed by Ben Dockery. Contemporary,Folk,Instructional,Standards. Score. 3 pages. Ben Dockery #3241725. Publishe...
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Piano Solo - Level 4 - SKU: A0.693010 Composed by Ben Dockery. Contemporary,Folk,Instructional,Standards. Score. 3 pages. Ben Dockery #3241725. Published by Ben Dockery (A0.693010). This fast angular piano piece (1 min. 5 sec) is the tenth in a series of impromptus inspired by the sounds of childhood, namely the soundtracks of early 90s video game systems like Nintendo. This composition captures the robotic, computerized quality that was common with many of the 8-bit soundtracks. Although composers were limited to writing thin textures, they often took advantage of the computer's ability to play virtuosic passages that would be nearly unimaginable for a living performer. The texture of this piece is almost entirely monophonic. The velocity of the 16th notes creates the impression of harmony in the same way virtuosic blue-grass flat-picking guitarist can. The greatest challenge to the performer is getting the alternating hands coordinated. Fingerings are important, but more so is deciding which hand to play specific melodic passages. Where these spots seemed most precarious, I provided suggestions. Elsewhere, it is helpful to recognize that any consecutively repeated note is best played with an alternate hand.Follow my work at www.bendockery.comThere you can sign up for my email list and get tons of free music! .
$2.99 ≈
2.76€
Barren Landscape
Barren Landscape
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ann Ruane
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Barren Landscape
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Ann Ruane-Lux Eterna Healing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1410282 Composed by Ann Ruane. Christmas,Holiday,New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #992700. Published...
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Piano Solo - Level 4 - SKU: A0.1410282 Composed by Ann Ruane. Christmas,Holiday,New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #992700. Published by Ann Ruane-Lux Eterna Healing (A0.1410282). There is a stark, mysterious nature to this piece, evoking a curiosity about the shadows. The monotony of the left-hand invites getting lost in thought as you wander. From the collection, Winter Wonder by Ann Ruane.
$3.50 ≈
3.24€
Beyond The Sea
Beyond The Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bobby Darin
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Tobi A Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Sc...
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Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00 ≈
23.12€
Cashew On a Walk
Cashew On a Walk
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Emily Wood
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eswoodmusic@gmail.com).
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Cashew On a Walk
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Emily Sue Wood
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.907115 Composed by Emily Wood. Contemporary,Standards. Score. 4 pages. Emily Sue Wood #50955. Published by Emily Sue Wood...
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Piano Solo - Level 4 - SKU: A0.907115 Composed by Emily Wood. Contemporary,Standards. Score. 4 pages. Emily Sue Wood #50955. Published by Emily Sue Wood (A0.907115). About two minutes long, this charismatic solo piano piece was written for my dog Cashew, who can't go on walks without getting distracted. There are three sections that describe, in musical language, the different stages of Cashew's walk: happy excitement, frantic and angry barking at a much bigger dog, and exhaustion after an agonizing fifteen-minute trek. This short and quirky piece is perfect to teach to an intermediate level pianist. (Facebook page: Music by Emily Wood; eswoodmusic@gmail.com).
$2.25 ≈
2.08€
Bach - Prelude in Eb Minor - WTC-1, No. 8 - (Key Map Tablature)
Bach - Prelude in Eb Minor - WTC-1, No. 8 - (Key Map Tablature)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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John M
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Bach - Prelude in Eb Minor - W
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.984697 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 8 pages. Music Innovators Worksh...
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Piano Solo - Level 4 - SKU: A0.984697 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 8 pages. Music Innovators Workshop #4356299. Published by Music Innovators Workshop (A0.984697). This key map tablature provides an excellent demonstration of how well key maps can handle pieces in which most of the notes are flats. It brings this wonderful piece well within reach of those who have all of the skills necessary to play the piece but have not yet learned how to read pieces with 6 flats. 8 Pages.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00 ≈
1.85€
Bach - Toccata in D Minor - Level C - Arr for Piano - (Key Map Tablature)
Bach - Toccata in D Minor - Level C - Arr for Piano - (Key Map Tablature)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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John M
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Bach - Toccata in D Minor - Le
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.984700 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 8 pages. Music Innovators Worksh...
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Piano Solo - Level 4 - SKU: A0.984700 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 8 pages. Music Innovators Workshop #4357045. Published by Music Innovators Workshop (A0.984700). This is a piano arrangement of the Toccata portion of the famous Toccata and Fugue in D minor. It is notated on a key map tablature. Additionally, this wonderful piece has been simplified by removing some notes, but it has not been shortened. In this arrangement, it is still a wonderful piece for those who have not yet gained the skill to play the full piano arrangement. This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00 ≈
1.85€
Beethoven - The Smaller Rondo in C Major - (Key Map Tablature)
Beethoven - The Smaller Rondo in C Major - (Key Map Tablature)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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John M
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Beethoven - The Smaller Rondo
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.984709 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 10 pages. Music Innovator...
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Piano Solo - Level 4 - SKU: A0.984709 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 10 pages. Music Innovators Workshop #4357661. Published by Music Innovators Workshop (A0.984709). The great piece is notated on a key map tablature.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00 ≈
1.85€
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