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Love Don Folk
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Vous avez sélectionné:
Love Don Folk
avancé
Piano seul
Partitions à imprimer
7 partitions trouvées
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1
Choucoune - Don't Ever Love Me (Piano Solo)
Choucoune - Don't Ever Love Me (Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Piano Notion
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Bobby Cyr
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Choucoune - Don't Ever Love Me
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Bobby Cyr
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.762845 By Piano Notion. By Michel Mauléart Monton. Arranged by Bobby Cyr. Folk,Latin,Multicultural,World. Score. 3 pag...
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Piano Solo - Level 4 - SKU: A0.762845 By Piano Notion. By Michel Mauléart Monton. Arranged by Bobby Cyr. Folk,Latin,Multicultural,World. Score. 3 pages. Bobby Cyr #6040061. Published by Bobby Cyr (A0.762845). Easy Piano SoloChoucoune - Michel Mauléart MontonDon't Ever Love Me - Harry BelafonteYellow Bird - The Mills Brothers
$4.99 ≈
¥35.02
Londonderry Air (Danny Boy)
Londonderry Air (Danny Boy)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Brad Jacobsen
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Brad Jacobsen
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Londonderry Air
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Brad Jacobsen
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1102143 By Brad Jacobsen. By Brad Jacobsen and Irish Folk Melody. Arranged by Brad Jacobsen. Celtic,Classical,Contemporar...
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Piano Solo - Level 4 - SKU: A0.1102143 By Brad Jacobsen. By Brad Jacobsen and Irish Folk Melody. Arranged by Brad Jacobsen. Celtic,Classical,Contemporary,Folk,Irish,New Age. Score. 5 pages. Brad Jacobsen #705545. Published by Brad Jacobsen (A0.1102143). A solo piano arrangement of the well-loved Irish folk song, done in a contemporary new age style, with original elements added. A reflective and relaxing piece from the solo piano album, In the Pines, and available for your listening pleasure on all streaming services.
$4.99 ≈
¥35.02
Vincent (Starry Starry Night)
Vincent (Starry Starry Night)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Don McLean
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Timothy Stapay
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Vincent
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1490922 By Don McLean. By Don McLean. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwrit...
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Piano Solo - Level 4 - SKU: A0.1490922 By Don McLean. By Don McLean. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwriter. Score. 10 pages. Timothy Stapay #1067707. Published by Timothy Stapay (A0.1490922). Vincent (Starry, Starry Night) is a song by Don McLean, written as a tribute to Vincent van Gogh.McLean wrote the lyrics in 1971 after reading a book about the life of Van Gogh. It was released on McLean's 1971 American Pie album; the following year, the song topped the UK Singles Chart for two weeks, and peaked at No. 12 in the United States, where it also hit No. 2 on the Easy Listening chart. Billboard ranked it as the No. 94 song for 1972.Lyrics:StarryStarry nightPaint your palette blue and greyLook out on a summer's dayWith eyes that know theDarkness in my soul.Shadows on the hillsSketch the trees and the daffodilsCatch the breeze and the winter chillsIn colors on the snowy linen land.And now I understand what you tried to say to meHow you suffered for your sanityHow you tried to set them free.They would not listenThey did not know howPerhaps they'll listen now.StarryStarry nightFlaming flo'rs that brightly blazeSwirling clouds in violet haze reflect inVincent's eyes of China blue.Colors changing hueMorning fields of amber grainWeathered faces lined in painAre soothed beneath the artist'sLoving hand.And now I understand what you tried to say to meHow you suffered for your sanityHow you tried to set them free.Perhaps they'll listen now.For they could not love youBut still your love was trueAnd when no hope was left in sight on that starryStarry night.You took your lifeAs lovers often do;But I could have told youVincentThis world was neverMeant for oneAs beautiful as you.StarryStarry nightPortraits hung in empty hallsFrameless heads on nameless wallsWith eyesThat watch the world and can't forget.Like the stranger that you've metThe ragged men in ragged clothesThe silver thorn of bloody roseLie crushed and brokenOn the virgin snow.And now I think I know what you tried to say to meHow you suffered for your sanityHow you tried to set them free.They would not listenThey're notList'ning stillPerhaps they never will.
$8.99 ≈
¥63.10
Song From A Secret Garden (korean Version)
Song From A Secret Garden (korean Version)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Youngok Shin
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Donna Mitchell
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Song From A Secret Garden
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Donna Mitchell Studio
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1140275 By Youngok Shin. By Jinyong Jung and Rolf Loevland. Arranged by Donna Mitchell. Folk,New Age,Pop. Score. 4 pages....
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Piano Solo - Level 4 - SKU: A0.1140275 By Youngok Shin. By Jinyong Jung and Rolf Loevland. Arranged by Donna Mitchell. Folk,New Age,Pop. Score. 4 pages. Donna Mitchell Studio #740531. Published by Donna Mitchell Studio (A0.1140275). Early advanced Piano Arrangement of the lovely and popular song by Rolf Lovland, arranged by Donna Mitchell. 4 pages total to print.
$5.00 ≈
¥35.09
All the Pretty Little Horses ~ Late Intermediate Piano Solo
All the Pretty Little Horses ~ Late Intermediate Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Traditional Lullaby
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Leah Bertram
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All the Pretty Little Horses ~
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Leah Lynn Bertram
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1032492 Composed by Traditional Lullaby. Arranged by Leah Bertram. Children,Concert,Folk,New Age. Score. 6 pages. Leah Ly...
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Piano Solo - Level 4 - SKU: A0.1032492 Composed by Traditional Lullaby. Arranged by Leah Bertram. Children,Concert,Folk,New Age. Score. 6 pages. Leah Lynn Bertram #4882989. Published by Leah Lynn Bertram (A0.1032492). A fresh take on a lovely, traditional lullaby. This late intermediate piano solo begins simply, with a beautiful left hand cross-over that is echoed throughout the piece. With each verse, the song builds in intensity and provides ample opportunity for you or your late intermediate piano students to be expressive with the flowing melody and harmony lines.The origin of this lullaby is not fully known, but is thought to be of African-American origin. The most popular set of lyrics are:Hush-a-bye, Don't you cryGo to sleep, my little babyWhen you wake, you shall haveAll the pretty little horsesDapples and grays, blacks and baysAll the pretty little horses
$4.99 ≈
¥35.02
Yuki-Onna (piano solo)
Yuki-Onna (piano solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Pub...
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Piano Solo - Level 4 - SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99 ≈
¥42.04
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Claude Debussy: Prléude à L'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Reci...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bdier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bdier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
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