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Vous avez sélectionné:
The Theatre
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1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septime regrettent!!!, Petite Valse,Ftes galantes, and Prlude ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
¥282.73
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prlude,Premire Fanfare, and La Mort de Cordlia,Toomai des lphants, Rodrigue et Chimne: Prlude l?acte 1p. Le Martyre de Saint Sbastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
¥282.73
In The Theatre
In The Theatre
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Andrew Mc Donald
#
In The Theatre
#
Andrew Mc Donald
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.842043 Composed by Andrew Mc Donald. Contemporary. Score. 4 pages. Andrew Mc Donald (Macka Records) #3557107. Published b...
(+)
Piano Solo - Level 4 - SKU: A0.842043 Composed by Andrew Mc Donald. Contemporary. Score. 4 pages. Andrew Mc Donald (Macka Records) #3557107. Published by Andrew Mc Donald (Macka Records) (A0.842043). In The Theatre is a piece of piano music meant for the theatre or cinema experience. Imagine sitting with your friends sipping a coke and munching on popcorn that goes everywhere on the floor as you take in the relaxing piano music. As you eagerly wait for the movie you can't help thinking you want to learn the piano too.
$4.99 ≈
¥36.22
Theme from Swan Lake (Op. 20, No. 10)
Theme from Swan Lake (Op. 20, No. 10)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Peter Ilyich Tchaikovsky
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Mario Stallbaumer
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Theme from Swan Lake
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Mario Stallbaumer
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1376081 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Mario Stallbaumer. Classical,Romantic Perio...
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Piano Solo - Level 4 - SKU: A0.1376081 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Mario Stallbaumer. Classical,Romantic Period. Score. 4 pages. Mario Stallbaumer #960646. Published by Mario Stallbaumer (A0.1376081). With this sheet music, you can play the famous theme from Tchaikovsky's Swan Lake on the piano!It's an accurate, carefully created piano arrangement for experienced players.Tchaikovsky completed the ballet in 1876 (original title: ЛебедиÌное оÌзеро), it premiered the following year at the Bolshoi Theatre in Moscow. Although it wasn't successful at first, over time it became one of the most famous ballets ever written!The most popular theme from the piece appears at the beginning of Act 2 (No. 10, titled Scène).Today, this hauntingly beautiful piece is considered one of Tchaikovsky's greatest compositions, and one of the most well-known classical works of all time. A fantastic piece full of complex harmonic and rhythmic changes, the Theme from Swan Lake makes for a marvellous piano piece!If you're interested in seeing more of my arrangements, you can visit my YouTube channel!
$2.99 ≈
¥21.70
By the Sea
By the Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Igor Morozov
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Yury Chugunov and Zellev
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By the Sea
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1291499 Composed by Igor Morozov. Arranged by Yury Chugunov and Zellev. 20th Century,Film/TV,Holiday,Jazz,Wedding. Score....
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Piano Solo - Level 4 - SKU: A0.1291499 Composed by Igor Morozov. Arranged by Yury Chugunov and Zellev. 20th Century,Film/TV,Holiday,Jazz,Wedding. Score. 4 pages. Zellev Music #882139. Published by Zellev Music (A0.1291499). Key Signature: G majorTime Signature: 4/4Tempo: Moderate tempo (77)Difficulty: Advanced IntermediateMorozov (1913-1970) graduated in Moscow conservatory 1936 and Composed in various genres, especially for children. State Prize of the USSR, 1948. Director in many theatres in the USSR and other socialist countries.
$4.00 ≈
¥29.04
PETER PAN (a new & original music album)
PETER PAN (a new & original music album)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Dennis A
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PETER PAN
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Tyne Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.999338 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Score. 48 pages. Tyne Music #5820845. Pu...
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Piano Solo - Level 4 - SKU: A0.999338 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Score. 48 pages. Tyne Music #5820845. Published by Tyne Music (A0.999338). PETER PAN is the 4th in this series of 'Bespoke Music Albums' (https://www.tynemusic.com) I wrote by request for my friends Charlotte & Donna, the Producer/Directors of 'We Are Theatre.(http://www.wearetheatre.co.uk) - Each songbook was composed from their own libretto and based on well known classical children's stories. Each of the songs is based around the story and main characters. (Pinocchio is a ready-made album of new & original songs, tailor-made for you to add your own libretto)These are the song titles:- 1) Neverland 2) Make it So 3) I Wish I Could Fly 4) Another Boy Like Me 5) A Pirate’s Life 6) Captain Hooj’s Lament 7) All Play - No Work 8) With Angel’s Wings 9) The Finale SongPLEASE NOTE: If you wish to use the actual book to produce PETER PAN, you must first contact:-
$14.00 ≈
¥101.62
Entradora [piano solo]
Entradora [piano solo]
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Juan MarÃa Solare
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Entradora [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.596546 Composed by Juan MarÃa Solare. 20th Century,Jazz,Latin,World. Score. 6 pages. Juan Maria Solare #4276305. Publi...
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Piano Solo - Level 4 - SKU: A0.596546 Composed by Juan MarÃa Solare. 20th Century,Jazz,Latin,World. Score. 6 pages. Juan Maria Solare #4276305. Published by Juan Maria Solare (A0.596546). Entradora -- Milonga for solo piano, music by Juan MarÃa SolareComposed in Bremen, Germany, from 10 to 13 November 2018. Duration: around 2'15. Premiere by Juan MarÃa Solare on 8 January 2019 at the theatre of the university of Bremen (recital Neue -und alte- Innigkeit, New -and old- intimism). Video by the composer in his private Studio: https://www.youtube.com/watch?v=4f89TCd3di8About the title:- First of all, entradora is an adjective that can be applied to a femenine noun. (In Spanish you have different declinations for masculine and femenine adjectives). The masculine version is entrador.- Second, entradora can understood in this context as a substantivized adjective, i.e. a word that is actually an adjective, but is used as if it were a noun, like if I say Now I will play 'Entradora'. (for a scientific explanation check yor favorite English grammar book).- Third, entradora is a wink to Argentine composer Julián Plaza, who used one-word adjectives as title of several of his milongas and tangos, for instance Nocturna, DanzarÃn, Melancólico, Melancólica, Sensiblero, Nostálgico, Disonante, Dominguera, Expresivo, Futura, Instrumental, Juguetón, Paseandera, Payadora, Solemne, Temperamental - and possibly others that I am not aware of.- And fourth, the meaning of the word entradora in the coloquial Spanish of Argentina is this one: if applied to a person, is someone that easily makes friends, that wins the trust of the people very easily, who is very charming. I applied to an object (or to a melody) it means that it is easy to grasp, that you remember it immediately (as an earworm), that is accessible and uncomplicated. - Oh, there is a fifth point: are you native (or good) English speaker? After all this explanation do you come to an understandable translation of this word, Entradora? If yes, let me know! (http://juanmariasolare.com/contact.html)
$2.50 ≈
¥18.15
The Mikado Overture
The Mikado Overture
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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Marcus Martin
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The Mikado Overture
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Cornelius Edition
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1421898 Composed by Sir Arthur Seymour Sullivan. Arranged by Marcus Martin. 19th Century,Broadway,Musical/Show,Opera. Sco...
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Piano Solo - Level 4 - SKU: A0.1421898 Composed by Sir Arthur Seymour Sullivan. Arranged by Marcus Martin. 19th Century,Broadway,Musical/Show,Opera. Score. 11 pages. Cornelius Edition (uk) #1003230. Published by Cornelius Edition (uk) (A0.1421898). The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances. The popular overture contains several themes from the opera and makes an attractive piano solo lasting about 8 minutes.
$5.99 ≈
¥43.48
Nojoqui Falls - for Solo Piano
Nojoqui Falls - for Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Emily Nafius
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Nojoqui Falls - for Solo Piano
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Emily Nafius Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.918243 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 4 pages. Emily Nafius Music #599514...
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Piano Solo - Level 4 - SKU: A0.918243 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 4 pages. Emily Nafius Music #5995145. Published by Emily Nafius Music (A0.918243). A modern, meditative original composition, suitable for students and advanced musicians alike.Composer’s Note:Nojoqui Falls (pronounced NAW-ho-wee) is a seasonal waterfall in Santa Barbara County, California, in the interior foothills of the Santa Ynez Mountains. It is the subject of stories from the Chumash, a Native American people who have lived along California’s central coast for thousands of years. When the area experiences extreme drought, sometimes the waterfall reduces to a trickle. But it is a beautiful, shady place with a magical quality, and the water always returns.For interested students or teachers, here are a few pedagogical notes:Pedal ad lib is appropriate for this piece. Unless a player has very large hands, the right hand will need to cover most of the top notes in the bass clef (the C ostinato). This can be a welcome challenge for students, as they will need to balance this with sustaining and shaping the top melody notes. Some of the middle C ostinato notes are indicated as optional, since they are already struck as melody notes during the same beat. (But they are still notated in case another instrument plays the melody.) It might feel awkward to strike some of the other C ostinato notes that are rhythmically nearby, but it can also be a good way to practice leaving that sustained melodic note ringing while striking the same note soon after with a much quieter dynamic, which requires both control and skilled use of the pedal.About the Composer:Emily Nafius is a pianist in Southern California with her musical roots in jazz. As a soloist or sideman, she has performed at numerous music venues around California in an eclectic mix of styles, and recorded with a variety of singer-songwriters and rock bands. Her work as an accompanist spans classical, jazz, and musical theatre, receiving praise for her theatre work as a pianist and ensemble leader. She has maintained a teaching studio for over fifteen years, instructing musicians of all ages.
$3.99 ≈
¥28.96
Acheron - for Solo Piano
Acheron - for Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Emily Nafius
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Acheron - for Solo Piano
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Emily Nafius Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.918241 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 5 pages. Emily Nafius Music #599445...
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Piano Solo - Level 4 - SKU: A0.918241 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 5 pages. Emily Nafius Music #5994455. Published by Emily Nafius Music (A0.918241). A modern, melodic original composition, suitable for students and advanced musicians alike.Composer’s Note:The Acheron is a river in Greece, but it also has a history in Greek myth. While it is known as a river of woe in connection with the mythical Greek underworld, it can have positive connotations when the underworld is reframed as a place for introspection, transformation, and rebirth.For interested students or teachers, here are a few pedagogical notes:This piece is intended to be performed without pedal, but in a legato style. It has an understated and modern quality that older high school and adult students may enjoy. This can be an opportunity for students to work on playing their eighth notes evenly, to strengthen their left hand by holding down the bass note, and to understand and correctly play hemiola. Only a single, initial dynamic marking is included in the text; this piece can be an exercise in looking at the overall structure and using one’s intuition to shape the phrases. There are a few places where fingering is indicated, but the fingering is mostly left up to the player, so that they can work with their teacher to problem-solve-especially if their hand size is small (like the composer’s). About the Composer:Emily Nafius is a pianist in Southern California with her musical roots in jazz. As a soloist or sideman, she has performed at numerous music venues around California in an eclectic mix of styles, and recorded with a variety of jazz musicians, singer-songwriters, and rock bands. Her work as an accompanist spans classical, jazz, and musical theatre, receiving praise for her theatre work as a pianist and ensemble leader. She has maintained a teaching studio for over fifteen years, instructing musicians of all ages.
$3.99 ≈
¥28.96
Flamenco Fantasia
Flamenco Fantasia
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Julia Muench
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Flamenco Fantasia
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NJ Original Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.940755 Composed by Julia Muench. Concert,Contemporary,Folk,Latin. Score. 4 pages. NJ Original Music #4335137. Published b...
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Piano Solo - Level 4 - SKU: A0.940755 Composed by Julia Muench. Concert,Contemporary,Folk,Latin. Score. 4 pages. NJ Original Music #4335137. Published by NJ Original Music (A0.940755). Flamenco Fantasia is a brand new piano piece for advanced intermediate piano inspired by the gypsy flamenco dance tradition. Very helpful for the piano student to be familiar with E major, e minor and B major scales and chords, which can be taught alongside this fiery and exciting piano recital solo.Incorporating the flamenco rhythms of hemiola in 3/4 time, this energetic work requires a specific technique. Spanish style flamenco pieces for piano are hard to find. Composed especially for the advancing intermediate piano student this flavorful and rhythmic piece is a recital hit. Composer Julia Muench draws upon her extensive experience teaching piano and working with flamenco dancers, namely the Alborada Dance Theatre in New Jersey, accompanist for the Academy of Dance Arts in NJ and her own practice of the flamenco dance.
$4.99 ≈
¥36.22
Memory Of Water - solo piano collection
Memory Of Water - solo piano collection
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Hilary Brooks
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Memory Of Water - solo piano c
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Hilary Brooks
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1017894 Composed by Hilary Brooks. 20th Century,Contemporary. Score. 11 pages. Hilary Brooks #6597309. Published by Hilar...
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Piano Solo - Level 4 - SKU: A0.1017894 Composed by Hilary Brooks. 20th Century,Contemporary. Score. 11 pages. Hilary Brooks #6597309. Published by Hilary Brooks (A0.1017894). A collection of piano solos commissioned as underscore to the play Memory of Water by Shelagh Stephenson. Performed by Stellar Quines Theatre Company, directed by Muriel Romanes, for the Scottish premiere of the play in 2004. Listen to an extract of 'Sister on a Swing' performed by the composer - https://soundcloud.com/hilary-brooks-950846279/memory-of-water-sister-on-a-swing
$6.97 ≈
¥50.59
Prelude in Eb, for piano
Prelude in Eb, for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Fernando Britto
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Prelude in Eb, for piano
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Fernando Britto
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1150176 Composed by Fernando Britto. Classical,Contemporary,Film/TV,Romantic Period,Wedding. Score. 5 pages. Fernando Bri...
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Piano Solo - Level 4 - SKU: A0.1150176 Composed by Fernando Britto. Classical,Contemporary,Film/TV,Romantic Period,Wedding. Score. 5 pages. Fernando Britto #750346. Published by Fernando Britto (A0.1150176). This is a prelude for Piano, written between 2020 and 2022. This piece is great for weddings, events, theatre, concert, or just for study.
$12.99 ≈
¥94.29
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