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Vous avez sélectionné:
Theme and Variations in F Minor
avancé
Piano seul
Partitions à imprimer
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Theme and Variations on a Purim Song
Theme and Variations on a Purim Song
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Shoshana Michel
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Theme and Variations on a Puri
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Shoshana Michel
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.818095 Arranged by Shoshana Michel. Concert,Jewish,Standards,World. Score. 14 pages. Shoshana Michel #3422649. Published ...
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Piano Solo - Level 4 - SKU: A0.818095 Arranged by Shoshana Michel. Concert,Jewish,Standards,World. Score. 14 pages. Shoshana Michel #3422649. Published by Shoshana Michel (A0.818095). Shoshana Michel’s arrangement of her Theme and Variations on a Purim Song, based on the song Vayehi Bimei Achashverosh(In The Days of Achashveiroish). It is a fun piece that modulates to different keys and different styles including, classical, ragtime, music box, Baroque and boogie-woogie.You can reference the original video at https://www.youtube.com/watch?v=aBrecihr7N8This sheet music is very close to how it is played on the video but is not note-for-note as minor changes were made to make the piece smoother and cleaner.Level: 7 – Late IntermediateKey Signature: C minor (3 flats), D minor (1 flat), E minor (1 sharp), F minor (4 flats), G minor (2 flats), A minor (no flats or sharps), Bb minor (5 flats)Length: 14 pages (Including title and intro page)Shoshana Michel is an award winning composer/pianist. You can learn more about her and her music at www.ShoshanaMusic.com
$5.95 ≈
5.50€
Sonata in F and C, for Solo Piano
Sonata in F and C, for Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Mike Strand, ASCAP <
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Mike Strand, aka Michael M
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Sonata in F and C, for Solo Pi
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Michael M. Strand
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.970714 Composed by Mike Strand, aka Michael M. Strand. Contemporary,World. Score. 37 pages. Michael M. Strand #4829865. P...
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Piano Solo - Level 4 - SKU: A0.970714 Composed by Mike Strand, aka Michael M. Strand. Contemporary,World. Score. 37 pages. Michael M. Strand #4829865. Published by Michael M. Strand (A0.970714). By Mike Strand, ASCAP This sonata is in the style of Ludwig von Beethoven, whom this composer has studied and greatly admires.The audio sample is taken from Movement 3: The end of variation 2, all of variation 3 (rock), and the beginning of variation 4 (rag). Movement 1 This is the result of my experimenting with the first movement of Beethoven’s piano sonata no. 23 op. 57. The Beethoven sonata’s overarching tonality based on F minor evokes a mood of darkness and despair. I used the time signature 4-4 instead of Beethoven’s 12-8, and my sonata introduces a new set of themes and motifs with tonality F major. These modifications posed interesting problems in figuration and modulation and changed the mood of the piece. Movement 2 This is a slow movement that might be characterized as minimalistic. The player should accentuate the right-hand octaves corresponding to the gradually unfolding melody. Movement 3 This is a theme with five variations, among which are rock, rag, and swing.
$5.00 ≈
4.62€
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Flavio Regis Cunha
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Beethoven: 7 Variations on 'Go
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Stand...
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Piano Solo - Level 4 - SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Standards. Score. 12 pages. Flavio Regis Cunha #6712473. Published by Flavio Regis Cunha (A0.597602). It probably comes as a surprise to many to know that Beethoven wrote variations on the current British national anthem, as well as on a jingoistic tune sung every year at the BBC Proms. But indeed he did. In 1803 he was approached by George Thomson, a civil servant living in Edinburgh who was passionate about collecting folk songs from his own country. He wanted Beethoven to compose six sonatas on Scottish melodies-a project which never materialized, but which started a business relationship that lasted until 1820. For Thomson, Beethoven completed some 150 arrangements of Scottish, Welsh and Irish folk songs (including Auld lang syne). Towards the end of 1803, he sent him these two sets of variations for piano, saying they weren’t too difficult and hoping they would have much success.Concerning the 7 Variations on ‘God save the King’, WoO78, Beethoven made the comment that he wanted to ‘show the English what a blessing they have’ with that tune. We don’t really know who wrote it, but it became very popular in 1745 when it started being sung at Drury Lane and Covent Garden to celebrate the putting-down of the Jacobite rising. It travelled over to the Continent where in 1795 it became the royal anthem of Prussia (‘Heil dir im Siegerkranz’).It makes a great theme for variations, and Beethoven has a lot of fun with it. If ever you needed proof of humour in his music, here it is. After some counterpoint in variation 1, he gives us some nimble fingerwork to deal with before an expressive minor-mode variation that can also be played a bit tongue-in-cheek. He changes metre for variation 6, a perky march, and stays in that time signature for variation 7. A lot of the difficulty of this piece depends on the tempo you choose at this point. The coda is inspired: a brief cadenza-like descent of F major broken chords leads us into a solemn return of the theme, but with some piquant and mischievous harmonies. The final allegro brings the work to a bravura conclusion.
$4.99 ≈
4.61€
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