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Vous avez sélectionné:
Des Bach
expert
Piano seul
Partitions à imprimer
38 partitions trouvées
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26
Bachiana Dodecafonica - 6 Preludes and Fugues for Solo Piano
Bachiana Dodecafonica - 6 Preludes and Fugues for Solo Piano
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Piano seul
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AVANCÉ
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Contemporain
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Richard St
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Bachiana Dodecafonica - 6 Prel
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Richard St. Clair
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.939695 Composed by Richard St. Clair and Richard St. Clair. 20th Century,Contemporary. Score. 31 pages. Richard St. Clair...
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Piano Solo - Level 5 - SKU: A0.939695 Composed by Richard St. Clair and Richard St. Clair. 20th Century,Contemporary. Score. 31 pages. Richard St. Clair #3000997. Published by Richard St. Clair (A0.939695). 6 preludes and fugues, each set of prelude and fugue based on a twelve-tone row derived from preludes of J. S. Bach in the Well-Tempered Clavier. Thus, the music has both tonal and atonal features. Total duration: 19 minutes. The MP3 Audio Clip is a computer-generated soundfile.
$18.99
Bach - Jesu, Joy of Man's Desiring (Piano Solo)
Bach - Jesu, Joy of Man's Desiring (Piano Solo)
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Cadenza Editions
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Bach - Jesu, Joy of Man's Desi
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Cadenza Editions
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.570429 Composed by Johann Sebastian Bach. Arranged by Cadenza Editions. Baroque,Christian,Praise & Worship,Sacred,...
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Piano,Vocal,Voice - Level 5 - SKU: A0.570429 Composed by Johann Sebastian Bach. Arranged by Cadenza Editions. Baroque,Christian,Praise & Worship,Sacred,Wedding. Score. 5 pages. Cadenza Editions #4839821. Published by Cadenza Editions (A0.570429). Bach - Jesu, Joy of Man's DesiringBWV 147.
$6.99
Bach: Two Choral Preludes
Bach: Two Choral Preludes
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Wiebauer, Klaus
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Bach: Two Choral Preludes
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Klaus Wiebauer
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1452701 Composed by Johann Sebastian Bach. Arranged by Wiebauer, Klaus. Baroque,Christian,Christmas,Praise & Worship. Sco...
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Piano Solo - Level 5 - SKU: A0.1452701 Composed by Johann Sebastian Bach. Arranged by Wiebauer, Klaus. Baroque,Christian,Christmas,Praise & Worship. Score. 2 pages. Klaus Wiebauer #1031980. Published by Klaus Wiebauer (A0.1452701). Transcription of two choral preludes (Lobt Gott ihr Christen alle gleich and Vom Himmel hoch, da komm' ich her) for piano.
$4.99
(Syncopated) Bach: Preludes and Fugues in C minor and B-flat Major WTC 1, op. 60
(Syncopated) Bach: Preludes and Fugues in C minor and B-flat Major WTC 1, op. 60
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Piano seul
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AVANCÉ
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J
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Sam Post, composer/pianist
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(Syncopated) Bach: Preludes an
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Sam Post, composer/pianist
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.947071 Composed by J.S. Bach, Sam Post. Arranged by Sam Post, composer/pianist. Baroque,Contemporary,Jazz. Score. 12 page...
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Piano Solo - Level 5 - SKU: A0.947071 Composed by J.S. Bach, Sam Post. Arranged by Sam Post, composer/pianist. Baroque,Contemporary,Jazz. Score. 12 pages. Sam Post, composer/pianist #6135335. Published by Sam Post, composer/pianist (A0.947071). Two Preludes and Fugues from the Well-Tempered Clavier, Book 1, arranged in syncopated style.
$17.00
9 Little Preludes, Prealudium
9 Little Preludes, Prealudium
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Piano seul
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AVANCÉ
#
Classique
#
Johann Sebastian Bach
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Johann Sebastian Bach
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9 Little Preludes, Prealudium
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Deniz Akan
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1285000 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Johann Sebastian Bach. Baroque,Classical,Sacred. ...
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Piano Solo - Level 5 - SKU: A0.1285000 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Johann Sebastian Bach. Baroque,Classical,Sacred. Score. 2 pages. Deniz Akan #876127. Published by Deniz Akan (A0.1285000). Written as Glenn Gould played. MuseScore file included. I can send you an mp3 file upon your request.
$2.00
Op. 2, 24 Preludes for Piano Solo
Op. 2, 24 Preludes for Piano Solo
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Piano seul
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AVANCÉ
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Contemporain
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Terrence Niska
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Op. 2, 24 Preludes for Piano S
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Niska Music Publishing
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.950922 Composed by Terrence Niska. 20th Century,Contemporary. Score. 68 pages. Niska Music Publishing #6385283. Published...
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Piano Solo - Level 5 - SKU: A0.950922 Composed by Terrence Niska. 20th Century,Contemporary. Score. 68 pages. Niska Music Publishing #6385283. Published by Niska Music Publishing (A0.950922). 24 Piano Preludes running the gamut from joyous to solemn, calm to dramatic, ominous to hopeful. The primary musical influences are quite diverse. Elements of Bach, Beethoven, Brahms, Prokofiev, Scriabin, Chopin, Sondheim and others are found throughout the collection. This set of preludes was written from 2019-2020. Numbers 3, 11, 21 and 24 were written during the COVID-19 pandemic while all the rest were pre-pandemic compositions.
$15.00
Jesu Joy of Man's Desiring (2 for 1 PIANO Arrangements) Jazz
Jesu Joy of Man's Desiring (2 for 1 PIANO Arrangements) Jazz
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Dr
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Jesu Joy of Man's Desiring
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Jerry Nelson
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.874834 Composed by Johann Sebastian Bach. Arranged by Dr. Jerry Nelson. Baroque,Christian,Instructional,Jazz,Standards. S...
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Piano Solo - Level 5 - SKU: A0.874834 Composed by Johann Sebastian Bach. Arranged by Dr. Jerry Nelson. Baroque,Christian,Instructional,Jazz,Standards. Score. 14 pages. Jerry Nelson #3620363. Published by Jerry Nelson (A0.874834). An audience favorite wherever it's performed. Receive both arrangements (Levels 4+ and 6) for the price of one! (The AUDIO DEMO is performed at the higher level). Perform this Signature arrangement using the fully-orchestrated Accompaniment Track, #SO.407473. Also playable as a Standalone. Time: 2:57. Prefer a SLOWER, rehearsal tempo? Order track #SO.419755 at an attractive price.Do You, a Friend or Student play one of these: FL, OB, CL, ASX, TSX, HN, TPT, TBN, VLN, VLA, CEL? Point them to a Gold Mine of arrangements and tracks. SEARCH: Jerry Nelson (plus the name of Instrument). Visit www.JerryNelsonMusic.com for a FREE 15-song Mega-Medley of Arrangements & Tracks
$4.99
Jesu, Joy of Man's Desiring Advanced Piano Solo
Jesu, Joy of Man's Desiring Advanced Piano Solo
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Piano seul
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AVANCÉ
#
Classique
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Gene Roberson
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Gene Roberson
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Jesu, Joy of Man's Desiring Ad
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Gene Roberson
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1294423 By Gene Roberson. By Johann Sebastian Bach. Arranged by Gene Roberson. 21st Century,Christian,Classical,Early Mus...
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Piano Solo - Level 5 - SKU: A0.1294423 By Gene Roberson. By Johann Sebastian Bach. Arranged by Gene Roberson. 21st Century,Christian,Classical,Early Music,Sacred. Score. 4 pages. Gene Roberson #884811. Published by Gene Roberson (A0.1294423). Arrangement for Recital Worship Service. Non original version Romantic Style not dissing the original. Concert.
$4.99
Jesu, Joy of Man's Desiring
Jesu, Joy of Man's Desiring
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Piano seul
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AVANCÉ
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J
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Roxana Belibou
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Jesu, Joy of Man's Desiring
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SheetMusicPlus
Piano Solo - Advanced - Composed by J. S Bach. Arranged by Roxana Belibou. Christian. 5 pages. Published by Roxana Belibou ...
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Piano Solo - Advanced - Composed by J. S Bach. Arranged by Roxana Belibou. Christian. 5 pages. Published by Roxana Belibou
$4.99
Variations on a theme by Bach, op. 67
Variations on a theme by Bach, op. 67
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Piano seul
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AVANCÉ
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Adrian Gagiu
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Variations on a theme by Bach,
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Adrian Gagiu
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1004687 Composed by Adrian Gagiu. 20th Century,Baroque,Contemporary. Score. 20 pages. Adrian Gagiu #4297891. Published by...
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Piano Solo - Level 5 - SKU: A0.1004687 Composed by Adrian Gagiu. 20th Century,Baroque,Contemporary. Score. 20 pages. Adrian Gagiu #4297891. Published by Adrian Gagiu (A0.1004687). Ten Variations for piano in G major on the bass of the Aria from J. S. Bach's Goldberg Variations, beginning directly with the first variation, which includes the theme in the bass. Neoclassical composition, with some Neo-baroque hints due to the theme, and some subtle allusions to the other great variation cycle, Beethoven's Diabelli Variations. Most of the variations are treated in invertible counterpoint (of course made easier by a more relaxed harmonic language) and, while including all the notes of the theme, transform it a lot through various moods.
$10.95
Bach - Fugue in C - Level E - (Key Map Tablature)
Bach - Fugue in C - Level E - (Key Map Tablature)
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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John M
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6 Pages
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Bach - Fugue in C - Level E -
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.984695 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 6 pages. Music Innovators Worksh...
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Piano Solo - Level 5 - SKU: A0.984695 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 6 pages. Music Innovators Workshop #4356271. Published by Music Innovators Workshop (A0.984695). This is a very interesting 4 voice fugue. I like a lot - but I can't play it on this tablature - even though I can play it on traditional notation. I wonder if it's because I learned to play it first on the traditional notation, or if the complexity of the piece makes the tablature less effective than it is on less complex pieces. Actually, i'm fascinated by the way it looks on the tablature. The weaving of the melody lines is very interesting. It really is a visual work of art! 6 Pages.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00
Gavotte en Rondeau
Gavotte en Rondeau
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach and Olli
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Gavotte en Rondeau
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q21932 Paraphrase of the 3 movements from the Partita in E Major for Violin solo. Composed by Johann Sebastian Bach a...
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Piano - difficult - SKU: S9.Q21932 Paraphrase of the 3 movements from the Partita in E Major for Violin solo. Composed by Johann Sebastian Bach and Olli Mustonen. This edition: Sheet music. Hommage - piano - paraphrase. The Virtuoso Piano Transcription Series. Der finnische Pianist und Komponist Olli Mustonen nimmt das Bachsche Anfangsmotiv und formt daraus ein knappes, harmonisch stark verfremdetes, brillantes und hoch virtuoses Kabinettstück. Downloadable. Op. 8. Duration 1' 15. Schott Music - Digital #Q21932. Published by Schott Music - Digital (S9.Q21932). Key: E major.Ich schrieb diese kleine Paraphrase der Gavotte aus Bachs Partita in E-dur vor zwanzig Jahren. Eigentlich ist sie eine Art doppelte Hommage: auf der einen Seite ist es natürlich ein Tribut an J. S. Bach, dessen wundervolle, geniale Musik sicherlich als eine der höchsten Errungenschaften der Menschheit gelten muss. Auf der anderen Seite – etwas näher zu unserer Zeit hin – wollte ich meine Bewunderung für die virtuosen Pianisten des frühen 20. Jahrhunderts zeigen, deren unglaubliche Aufnahmen mich in den Bann gezogen hatten. Diese Meister der Tastatur – Josef Lhevinne, Sergej Rachmaninov and Josef Hofmann, um nur einige zu nennen – waren Magier und Hexenmeister, die ihr Publikum mit einer nicht enden wollenden Vielfalt an Zaubertricks in Staunen versetzen konnten, zuweilen als wenn sie die Zeit zwischen ihren Fingerspitzen anhielten und dabei die Zuhörer in eine andere Realität hinführten. (Olli Mustonen).
$11.99
Prelude 12 in Bb Minor Dorian
Prelude 12 in Bb Minor Dorian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Prelude 2 in A Minor Aolian
Prelude 2 in A Minor Aolian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden...
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Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 4 in D Minor Phrygian
Prelude 4 in D Minor Phrygian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 5 in Bb Major Lydian
Prelude 5 in Bb Major Lydian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 5 in Bb Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 13 in F# Major Ionian
Prelude 13 in F# Major Ionian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 13 in F# Major Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 8 in C Minor Aolian
Prelude 8 in C Minor Aolian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 8 in C Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Chromatic Prelude in B major
Chromatic Prelude in B major
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Piano seul
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AVANCÉ
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Christopher McWilliams
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Chromatic Prelude in B major
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Christopher McWilliams
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1008279 Composed by Christopher McWilliams. Baroque,Contemporary. Score. 6 pages. Christopher McWilliams #4632439. Publis...
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Piano Solo - Level 5 - SKU: A0.1008279 Composed by Christopher McWilliams. Baroque,Contemporary. Score. 6 pages. Christopher McWilliams #4632439. Published by Christopher McWilliams (A0.1008279). For the Prelude, I have incorporated variations of the iconic chord progression from Pachelbel's Canon in D major and took the liberty to quote three themes from other sources at three distinct points throughout. The first one marks the conclusion from the first movement of Vivaldi's Guitar Concerto in D major. The source for the second borrowed theme is unknown, and the third theme is derived from the song Somedays featured in Paul McCartney's 1997 album Flaming Pie. The main motive of the prelude is loosely based on a rhythmic figure found in a typical prelude by J.S. Bach. Although the harmony is largely diatonic, I have clearly marked key modulations that descend by chromatic steps during the episodes from B major to B major. .
$3.99
Prelude in G Major, WTC Book 2, No. 15 (BWV 884)
Prelude in G Major, WTC Book 2, No. 15 (BWV 884)
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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ed
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Prelude in G Major, WTC Book 2
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.879519 Composed by Johann Sebastian Bach (JS Bach). Arranged by ed. Dennis Frayne. Baroque,Concert,Standards,World. Score...
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Piano Solo - Level 5 - SKU: A0.879519 Composed by Johann Sebastian Bach (JS Bach). Arranged by ed. Dennis Frayne. Baroque,Concert,Standards,World. Score. 4 pages. Presto! It's Music Magic Publishing #6873607. Published by Presto! It's Music Magic Publishing (A0.879519). Prelude in G Major, from the Well-Tempered Clavier (WTC) Book 2, No. 15 (BWV 884) by Johann Sebastian Bach (1685-1750). This music is one of J.S. Bach’s most beautiful preludes and can make a perfect audition piece or recital selection. Includes helpful fingering suggestions.
$3.99
Wait (Verbs 1)
Wait (Verbs 1)
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Piano seul
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AVANCÉ
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Contemporain
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Kathleen Ryan
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Wait
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by...
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Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by Indigo Mesa Music LLC (A0.995799). Verbs is a set of 24 impressionistic preludes for piano left hand alone, composed by Kathleen RyanEach prelude evokes the energy and mood of its title verb. Thus, the preludes utilize a wide range of modern styles and harmonic languages.Wait - to be in readiness or expectation. These preludes hark back to earlier antecedents by Debussy, Rachmaninov, Chopin and J S Bach in their variety and appeal, creating an album rich in contrasts. Ryan’s composing style is eclectic, referencing jazz, contemporary classical, traditional classical, and American folk songs and hymns: Play, for example, is a vibrant anthem, redolent of sacred harp singing, while other Preludes are more contemplative, tender and wistful (Forgive, Bloom). Push is energetic and rumbling, suggesting bustling city life, Bounce scampers playfully around the keyboard with jazzy syncopations and colourful harmonies, and Tangle is redolent of some of Prokofiev’s more introspective ‘Visions Fugitives’. The album closes with the meditative Bless. Frances Wilson, The Cross-Eyed PianistVerbs: 24 Preludes for Piano Left Hand is a fascinating collection of pieces composed by Kathleen Ryan. The project originated in 2006 when [Keith] Porter-Snell asked Ryan to create a set of twenty-four piano preludes for left hand only, one in each key. In her search for a unifying theme, Ryan settled on the idea of verbs, one for each prelude, because a verb conveys a distinct quality of energy and motion. ... Ryan’s eclectic composing style contains elements of jazz, contemporary classical, traditional classical, and her own vision that includes making the piano sing. ... It is hard to believe that these preludes are played with only one hand, as they are full, rich, and sound like they move all over the piano keyboard. All of the titles are one-word verbs and the preludes range in duration from 34 seconds to a little more than four minutes. Some are light and playful and some are more complex and dramatic. All are very different from each other and specific to their individual ‘verbs.’ Kathy Parsons, MainlyPiano.com
$5.25
Prelude in C Minor, WTC Book 1, No 2 (BWV 847)
Prelude in C Minor, WTC Book 1, No 2 (BWV 847)
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Dennis Frayne
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Prelude in C Minor, WTC Book 1
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.879492 Composed by Johann Sebastian Bach. Arranged by Dennis Frayne. Baroque,Concert,Instructional,Standards,World. Score...
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Piano Solo - Level 5 - SKU: A0.879492 Composed by Johann Sebastian Bach. Arranged by Dennis Frayne. Baroque,Concert,Instructional,Standards,World. Score. 5 pages. Presto! It's Music Magic Publishing #6526561. Published by Presto! It's Music Magic Publishing (A0.879492). Prelude in C Minor, from the Well-Tempered Clavier (WTC) Book 1, No. 2 (BWV 847) by Johann Sebastian Bach (1685-1750). This music is one of J.S. Bach’s most enjoyed preludes, and can make a perfect audition piece or a nice Halloween recital selection. Includes helpful fingering suggestions.
$3.99
Prelude and Fugue in G Major, WTC Book 2, No. 15 (BWV 884)
Prelude and Fugue in G Major, WTC Book 2, No. 15 (BWV 884)
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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ed
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Prelude and Fugue in G Major,
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.879521 Composed by Johann Sebastian Bach (JS Bach). Arranged by ed. Dennis Frayne. Baroque,Multicultural,Standards,World....
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Piano Solo - Level 5 - SKU: A0.879521 Composed by Johann Sebastian Bach (JS Bach). Arranged by ed. Dennis Frayne. Baroque,Multicultural,Standards,World. Score. 10 pages. Presto! It's Music Magic Publishing #6873611. Published by Presto! It's Music Magic Publishing (A0.879521). Prelude and Fugue in G Major, WTC Book 2 No. 15 (BWV 884) is one of Johann Sebastian Bach’s most beautiful preludes and fugues. Includes helpful fingering suggestions.
$5.99
Prelude and Fugue in C Minor, WTC Book 1 No. 2 (BWV 847)
Prelude and Fugue in C Minor, WTC Book 1 No. 2 (BWV 847)
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Dennis Frayne
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Prelude and Fugue in C Minor,
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.879491 Composed by Johann Sebastian Bach. Arranged by Dennis Frayne. Baroque,Concert,Instructional,Standards,World. Score...
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Piano Solo - Level 5 - SKU: A0.879491 Composed by Johann Sebastian Bach. Arranged by Dennis Frayne. Baroque,Concert,Instructional,Standards,World. Score. 10 pages. Presto! It's Music Magic Publishing #6534467. Published by Presto! It's Music Magic Publishing (A0.879491). Prelude and Fugue in C Minor, WTC Book 1 No. 2 (BWV 847) is one of Johann Sebastian Bach’s most famous preludes and fugues. Includes helpful fingering suggestions.
$4.99
Smoke Gets In Your Eyes
Smoke Gets In Your Eyes
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Piano seul
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AVANCÉ
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The Platters
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Timothy Stapay
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Smoke Gets In Your Eyes
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,...
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Piano Solo - Level 5 - SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #821814. Published by Timothy Stapay (A0.1225761). Smoke Gets In Your Eyes is arranged as played by piano artist, Liberace.This version is from the rare early album Liberace At Home. Smoke Gets in Your Eyes is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin,[1] on October 13, 1933. On October 30, 1946, Nat King Cole recorded the song in his trio with Oscar Moore on guitar and Johnny Miller on double bass, during a live broadcast from New York City.[10] Cole performed it on television in 1957 for The Nat King Cole Show. Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics below:They asked me how I knewMy true love was trueI of course repliedSomething here inside cannot be deniedThey said someday you'll find all who love are blindWhen your heart's on fire,You must realize, smoke gets in your eyesSo I chaffed them and I gaily laughedTo think they could doubt my loveYet today my love has flown away,I am without my love (without my love)Now laughing friends derideTears I cannot hideSo I smile and sayWhen a lovely flame dies, smoke gets in your eyes(Smoke gets in your eyes, smoke gets in your eyes)Smoke gets in your eyes
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