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Vous avez sélectionné:
Be Like That
expert
Piano seul
Partitions à imprimer
64 partitions trouvées
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51
(they Long To Be) Close To You
(they Long To Be) Close To You
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Piano seul
#
AVANCÉ
#
The Carpenters
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Timothy Stapay
#
(they Long To Be) Close To You
#
Timothy Stapay
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1230943 By The Carpenters. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwrite...
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Piano Solo - Level 5 - SKU: A0.1230943 By The Carpenters. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #826633. Published by Timothy Stapay (A0.1230943). This arrangement of Close To You is written as performed by famous piano artist, Liberace.(They Long to Be) Close to You is a song written by Burt Bacharach and Hal David. The best-known version is that recorded by American duo the Carpenters for their second studio album Close to You (1970) and produced by Jack Daugherty. Released on May 14, 1970, the single topped both the US Billboard Hot 100 and Adult Contemporary charts. It also reached the top of the Canadian and Australian charts and peaked at number six on the charts of both the UK and Ireland. The record was certified gold by the Recording Industry Association of America (RIAA) in August 1970. Lyrics:[Verse 1]Why do birds suddenly appearEvery time you are near?Just like me, they long to beClose to you[Verse 2]Why do stars fall down from the skyEvery time you walk by?Just like me, they long to beClose to you[Bridge]On the day that you were born the angels got togetherAnd decided to create a dream come trueSo they sprinkled moon dust in your hair of goldAnd starlight in your eyes of blue[Verse 3]That is why all the girls in town (Girls in town)Follow you (Follow you) all around (All around)Just like me, they long to beClose to you[Bridge]On the day that you were born the angels got togetherAnd decided to create a dream come trueSo they sprinkled moon dust in your hair of goldAnd starlight in your eyes of blue [Verse 3]That is why all the girls in town (Girls in town)Follow you (Follow you) all around (All around)Just like me, they long to beClose to youJust like me (Just like me), they long to beClose to you[Outro]Wha, close to youWha, close to youHa, close to youWha, close to youWha, close to youWha, close to youWha, close to youWhaWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
8.30€
Amazing Grace with And Can It Be - advanced piano solo
Amazing Grace with And Can It Be - advanced piano solo
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Piano seul
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AVANCÉ
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Musique Sacrée
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Traditional American melody &
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Heather Knezevich
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Amazing Grace with And Can It
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Songs of Praise
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.914313 Composed by Traditional American melody & Thomas Campbell. Arranged by Heather Knezevich. Christian,Easter,Praise ...
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Piano Solo - Level 5 - SKU: A0.914313 Composed by Traditional American melody & Thomas Campbell. Arranged by Heather Knezevich. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Songs of Praise #6048169. Published by Songs of Praise (A0.914313). This advanced piano solo features two hymns about God's grace and love. Amazing grace, how sweet the sound that saved a wretch like me! and Amazing love! How can it be that Thou my God shouldst die for me?It begins simply with RH melody and LH arpeggiated bass. After a verse of And Can It Be which climaxes in RH flowing arpeggios, the motif from Amazing Grace returns in a final closing statement. This piece is suitable for piano recitals or church offertories or solos. .
$3.99 ≈
3.68€
That's Life
That's Life
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Piano seul
#
AVANCÉ
#
Jazz
#
Dean Kay, Kelly Gordan
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Luke Koerperich
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That's Life
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Luke Koerperich
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.922075 Composed by Dean Kay, Kelly Gordan. Arranged by Luke Koerperich. Jazz. Score. 5 pages. Luke Koerperich #3904415. P...
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Piano Solo - Level 5 - SKU: A0.922075 Composed by Dean Kay, Kelly Gordan. Arranged by Luke Koerperich. Jazz. Score. 5 pages. Luke Koerperich #3904415. Published by Luke Koerperich (A0.922075). This is an advanced piano rendition of That's Life, made most popular by Frank Sinatra. The melody of this piece follows all three verses in Sinatra's recording, but it is to be played freely and laid back like how a jazz vocalist would sing. This piece would be great fun piece to perform as a solo or as a sing a long with friends.
$2.99 ≈
2.76€
Like a River Glorious with We Shall Walk Through the Valley in style of Chopin
Like a River Glorious with We Shall Walk Through the Valley in style of Chopin
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Piano seul
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AVANCÉ
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Musique Sacrée
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James Mountain and American Sp
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Heather Knezevich
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Like a River Glorious with We
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Songs of Praise
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.914315 Composed by James Mountain and American Spiritual. Arranged by Heather Knezevich. Christian,Praise & Worship,Sacre...
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Piano Solo - Level 5 - SKU: A0.914315 Composed by James Mountain and American Spiritual. Arranged by Heather Knezevich. Christian,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Songs of Praise #6273063. Published by Songs of Praise (A0.914315). This advanced piano arrangement features a hymn (Like a River Glorious) and an American Spiritual (We Shall Walk through the Valley in Peace) on the theme of God's Peace. Written in the style of Chopin's Nocturne in F Major, Op. 15, No. 1, it features a simple melodic line with a LH triplet bass. The middle section changes key and mood as the spiritual begins, with more intensity and motion. The opening section repeats and then continues to the final coda. The piece is suitable for piano solo, church prelude, or recital piece. It reflects on the reassuring peace of knowing God.Like a river glorious is God's perfect peace // Over all victorious in its bright increase;//Perfect, yet it floweth fuller ev'ry day;// Perfect, yet it groweth deeper all the way.//Stayed upon Jehovah, Hearts are fully blest // Finding as He promised, Perfect peace and rest.The spiritual gives the simple, but profound truth that Jesus will help us through the valleys of life.We shall walk through the valley in peace; we shall walk through the valley in peace.Refrain: If Jesus himself shall be our leader, we shall walk through the valley in peace.I am an independent composer, piano teacher, and church pianist. This is one of many arrangements I have written for church. I would love to hear your feedback on my arrangements!
$3.99 ≈
3.68€
Prelude Impressions (for solo piano)
Prelude Impressions (for solo piano)
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Piano seul
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AVANCÉ
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Contemporain
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Paul SanGregory
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Prelude Impressions
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant ...
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Piano Solo - Level 5 - SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant Engraver Music (A0.977031). This set of three pieces is well-suited for advanced students or professional performers who enjoy creating and shaping mood, atmosphere and color on the piano. They were composed to commemorate the 150th anniversary of Claude Debussy’s birth. For that reason, they are based on various composing techniques and aesthetic ideas that he developed. Even so, there was no attempt to make them actually sound like Debussy’s music. In fact, while composing them I often felt like I was looking at Debussy’s techniques through the distorting lenses of music that came after him, but that he had influenced.I - Drifting Through ChangeOne sort of change in this piece comes from the interaction of two repeated rhythmic patterns of different lengths. Episodes of contrasting character then drift in and out of the piece creating more changes. The effect is as if one is floating quietly through empty space, but occasionally drifting past various objects or situations.II - Building CloudsTo me, the opening of this movement sounds like an idea from Debussy’s Nuages that has been turned inside out. Unlike Debussy’s more delicate clouds, however, the clouds of this piece grow turbulent and dramatic. III - Moonless HeathFor this movement, I imagine walking through an open untamed field on a dark moonless night and not being sure what I might be passing by. In terms of color and technique, this piece shows a more obvious relationship to Debussy’s music that the first two. It begins with a simple melody similar to that of his Bruyére, after which a Debussy-inspired ostinato gently moves the music forward. Structurally, the whole piece is an inverted palindrome so that a melody from the beginning returns in retrograde-inversion at the end, becoming a brief quote of Debussy’s music. Performance duration ca. 11 minutes.
$8.00 ≈
7.38€
Etude "Three Hands"
Etude "Three Hands"
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Piano seul
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AVANCÉ
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Peter Saltzman
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Etude "Three Hands"
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Salt Muse, Inc
#
SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1162887 By Peter Saltzman. By Peter Saltzman. This edition: Interactive Dow...
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Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1162887 By Peter Saltzman. By Peter Saltzman. This edition: Interactive Download. Classical,Jazz. Individual part. 8 pages. Duration 196. Salt Muse, Inc #4nxW5iY27ChHy497Z90vlj. Published by Salt Muse, Inc (A0.1162887). Key: F minor.No, it's not really for three hands; it just feels and (at times) sounds like it. This etude was supposed to be an R&B tune. When I first came up with the melody (1992), I tried to write lyrics. But nothing worked. I then tried to make it a band instrumental, with electric guitar taking the lead. Nah, too corny sounding. But I liked the tune. So I persisted and tried it as a solo piano piece. The thing is this: it retains its provenance as a piece for band because the two hands are basically acting as the band. Nothing unusual about that with regard to solo piano: it's always kind of a band or orchestra. What's different here is the left hand is usually playing both the tune and bass line. The right hand, when it joins the party at measure nine, acts like the backup singer (or maybe the guitar that was supposed to take the lead.) Remember that the bottom staff, as indicated, is always 8vb, except for the last measure. And should you take up the challenge to learn this, it is fatiguing but worth the effort.
$4.95 ≈
4.57€
SONATINA PARA PIANO
SONATINA PARA PIANO
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Piano seul
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AVANCÉ
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Lia Cimaglia Espinosa
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Luiz C Teixeira
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SONATINA PARA PIANO
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Luiz C Teixeira
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1425749 By Lia Cimaglia Espinosa. By Carlos Lopez Buchardo. Arranged by Luiz C Teixeira. 19th Century,20th Century,21st C...
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Piano Solo - Level 5 - SKU: A0.1425749 By Lia Cimaglia Espinosa. By Carlos Lopez Buchardo. Arranged by Luiz C Teixeira. 19th Century,20th Century,21st Century,Classical,Latin. Score. 13 pages. Luiz C Teixeira #1006505. Published by Luiz C Teixeira (A0.1425749). Lopez Buchardo's sonatina is likely to be lyrical and expressive, like most of his compositions. Influenced by Argentine folk music and European classical traditions. Lopez Buchardo created a very beautiful and expressive sonatina that deserves the attention of pianists around the world.
$15.00 ≈
13.84€
St. Louis Blues
St. Louis Blues
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Piano seul
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AVANCÉ
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W
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Timothy Stapay
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St. Louis Blues
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1224471 Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standards. Score. 8 page...
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Piano Solo - Level 5 - SKU: A0.1224471 Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #820575. Published by Timothy Stapay (A0.1224471). This arrangement of St. Louis Blues is written as performed by piano artist, Liberace. He performed this on his t.v. show and record albums. The Saint Louis Blues (or St. Louis Blues) is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman, Louis Armstrong, Cab Calloway, Bing Crosby, Bessie Smith, Eartha Kitt, Count Basie, Glenn Miller, Guy Lombardo, Liberace, and the Boston Pops Orchestra (under the directions of both Arthur Fiedler and Keith Lockhart) are among the artists who have recorded it. Lyrics:I hate to see that evening sun go down, I hate to see that evening sun go down, 'Cause my lovin' baby done left this town. If I feel tomorrow, like I feel today, If I feel tomorrow, like I feel today, I'm gonna pack my trunk and make my getaway. Oh, that St. Louis woman, with her diamond rings, She pulls my man around by her apron strings. And if it wasn't for powder and her store-bought hair, Oh, that man of mine wouldn't go nowhere. I got those St. Louis blues, just as blue as I can be, Oh, my man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I love my man like a schoolboy loves his pie, Like a Kentucky colonel loves his rocker and rye I'll love my man until the day I die, Lord, Lord. I got the St. Louis blues, just as blue as I can be, Lord, Lord! That man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I got those St. Louis blues, I got the blues, I got the blues, I got the blues, My man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me, Lord, Lord!Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$7.99 ≈
7.37€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano seul
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AVANCÉ
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
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Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
3.68€
Rachmaninov - Level D - Prelude in C# Minor Arr. - (Key Map Tablature)
Rachmaninov - Level D - Prelude in C# Minor Arr. - (Key Map Tablature)
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Piano seul
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AVANCÉ
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Serge Rachmaninov
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John M
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Rachmaninov - Level D - Prelud
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.984770 Composed by Serge Rachmaninov. Arranged by John M. Honeycutt. 20th Century,Concert. Score. 10 pages. Music Innovat...
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Piano Solo - Level 5 - SKU: A0.984770 Composed by Serge Rachmaninov. Arranged by John M. Honeycutt. 20th Century,Concert. Score. 10 pages. Music Innovators Workshop #4627769. Published by Music Innovators Workshop (A0.984770). Earlier, I hesitated to publish this version that I arranged several years ago. This piece is so very well known and loved that I was concerned that a simpler version would not be well received. I recently changed my mind after playing through this version. This arrangement opens up playing this piece to many pianists who may find the original too daunting a challenge. Players and listeners will find that the arrangement sounds very much like the original. Some listeners may find it a little less full sounding - most won't be able to tell the difference.Here are the differences. (Of course its written on tablature, but that's a different issue.) First, the simpler version is not simple. It is very difficult. It just is not as difficult as the original. Second, it sounds very much like the original. It is a very full arrangement. The whole piece is there. It has not been shortened.The simplification consists mainly of removing some, but not all, of the doubling and tripling of notes. This lightens the feel of the piece just a bit. The recap of the theme at the end is simplified by changing the 4 note chords to 3 note chords, Where the right hand leaves the chords and moves very quickly down to double two bass notes and immediately back up to find the chords again, and again, the arrangement omits these few notes to leave the right hand where it is to play the chords.
$2.00 ≈
1.85€
Etude in Thirds
Etude in Thirds
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Piano seul
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AVANCÉ
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Peter Saltzman
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Etude in Thirds
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Salt Muse, Inc
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1162329 By Peter Saltzman. By Peter Saltzman. This edition: Interactive Dow...
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Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1162329 By Peter Saltzman. By Peter Saltzman. This edition: Interactive Download. Classical,Jazz. Individual part. Duration 80. Salt Muse, Inc #1Kt1tggEQo14rpd3gnKCHn. Published by Salt Muse, Inc (A0.1162329). Key: D major.This one is nothing like Fred Chopin's. Yes, I did learn that one many years ago. But while my etudes as a whole are loosely modeled after his, this piece, composed in 1992, is as stylistically remote from Chopin as he was from, say, Beethoven. My thirds etude is mellifluous., yearning, and deeply lyrical. It doesn't sound like an etude. It sounds like a distant song that just happens to be based on thirds and just happens to be quite difficult to play. Yes, virtuoso, no show-offy. Have fun.
$3.95 ≈
3.65€
Fight Song
Fight Song
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Piano seul
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AVANCÉ
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Pop musique
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Rachel Platten
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Elena Fortin
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Fight Song
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.744629 By Rachel Platten. By Dave Bassett and Rachel Platten. Arranged by Elena Fortin. Pop. Score. 5 pages. Elena Fortin...
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Piano Solo - Level 5 - SKU: A0.744629 By Rachel Platten. By Dave Bassett and Rachel Platten. Arranged by Elena Fortin. Pop. Score. 5 pages. Elena Fortin #6063897. Published by Elena Fortin (A0.744629). Every year, I post arrangements and videos of songs that I consider to be important either in the way they touch listeners, in how they are used, or iif they have stood the test of time. This arrangement is my first one for the 2020-2021 school year.And what a year it has been! With the global pandemic, many are struggling with physical illness or health challenges, personal trial, loss, or life's difficulties. Like many others, in these challenging times, I turn to music. ...like a small boat...sending big waves into motion Fight Song, written by Rachel Platten and Davve Bassett, has become an anthem of faith and belief for any person that is going through a challenge and brings comfort to many. The song was recorded in 2014 and won iHeartRadio's Music Award for Best Lyrics. When I pick songs to arrange, they are often ones that play over and over in my brain. I've been working on this one for several weeks. My arrangement is for the early advanced player. The arrangement starts quite simply but builds and builds into powerful repetitions of the chorus with arpeggios in the left hand and in the right hand and lots of fun crashing chords. It makes use of the powerfull bass end of the piano too! I hope that you enjoy it! If you like this sheet music please check out my other arrangements at SheetMusicPlus. Here is the link to my publisher page: https://www.sheetmusicplus.com/publishers/elena-fortin/10717 You can also check out some of my other videos from my Youtube channel here https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg Please feel free to subscribe if you want to keep up with what I am doing! You can contact me, or see what I am up to on my website https://the-piano-studio.com. Drop by and say hi!
$4.99 ≈
4.61€
Drivin'!
Drivin'!
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Piano seul
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AVANCÉ
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Kathleen Ryan
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Drivin'!
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1206657 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Contemporary,Pop. Score. 11 pages. Indigo Mesa Music LLC #804...
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Piano Solo - Level 5 - SKU: A0.1206657 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Contemporary,Pop. Score. 11 pages. Indigo Mesa Music LLC #804835. Published by Indigo Mesa Music LLC (A0.1206657). Piano solo as composed and performed by Kathleen Ryan on her CD Drivin‘!Kathleen’s notes: “This is a piece written by my car (my first car, the little red Toyota Tercel that considered itself to be a sports car). Back in the day, when my solo performing career was just getting off the ground, I hit the first composing dry spell of my entire life. As I am certainly not prone to exaggeration or wild mood swings, I naturally knew that never again would I compose another piece of music; and, needless to say, I found that a bit depressing.“While driving home from a gig, through the Iowa vastness, I was brooding over the loss of my fledgling career as a musician, when I noticed that my car’s odometer read 22122. I have always loved symmetric numbers! And I quickly realized that 22122 can be notes of the scale, say D-D-C-D-D. I listened to that, then saw that the odometer had turned over to 22123: D-D-C-D-E. The rest, as they say, is history. Oh, the total stops (rests) near the beginning are stop signs; you’ll find several in every midwestern town you are wishing you could speed through! I should also say (because my first car would like me to): whenever in this piece I was a bit stuck for music, all I had to do was get out on the open road and drive a bit and more music would come. Which is the other reason I say the piece was written by my car.“The music travels through a landscape that is totally unexpected, before having a mellow time in the big city that night. (Again, true to life on the road in my first car.)â€Advanced. Must be able to handle syncopation, large reaches, leaps—and perform with attitude.
$5.25 ≈
4.85€
A Week in November - Sally Whitwell
A Week in November - Sally Whitwell
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Piano seul
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AVANCÉ
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Contemporain
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Sally Whitwell
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A Week in November - Sally Whi
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A...
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Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in November… and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democrats’ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their ‘leader’, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesn’t seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, I’m happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, I’d felt that I probably wouldn’t be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Eno’s Oblique Strategies I’ve been able to find my creativity again. Starting a composition ‘habit’ is the best thing I’ve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020
$15.00 ≈
13.84€
Three Pieces for Piano: In Memoriam Beveridge Webster
Three Pieces for Piano: In Memoriam Beveridge Webster
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Piano seul
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AVANCÉ
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Moshe S
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Three Pieces for Piano: In Mem
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ArtsAhimsa
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1253097 Composed by Moshe S. Knoll. 21st Century,Contemporary,Contest,Festival. Score. 51 pages. ArtsAhimsa #846842. Publ...
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Piano Solo - Level 5 - SKU: A0.1253097 Composed by Moshe S. Knoll. 21st Century,Contemporary,Contest,Festival. Score. 51 pages. ArtsAhimsa #846842. Published by ArtsAhimsa (A0.1253097). This is a large scale Tryptich, inspired by Debussy's Suite pour le Piano.It was begun in 2021 and it kept being re-written till 2023.I dedicate this Tryptich to the loving memory of the great American Pianistand pedagoge Mr. Beveridge Webster, who was my last teacher at Juilliard.The first piece is a Prelude, playful but not too carefree, the dance-like atmosphere gets interrupted several times by a serious, contemplativeChorale-like passage.The second piece, Nocturno-Fantasia is a desolated landscape of pain and despair,a reflection of the harsh times the human family has had to endure these last three years.The last movement, is a large-Scale Toccata in the Phrygian Mode, usingirregular time signatures.This Toccata must be played in strict tempo, to highlight those irregular rhythms.Dies Irae is referenced in both the second and third movements, discreetly, just beneath the surface.This Cycle of three can be performed as a unit, or as three separate pieces.It is designed to give virtuosi a new warhorse for competitions, certainlythe Toccata.I do believe this Toccata has great technical value for pianists as an Etude in articulationand rhythm.Beyond this, I hope that this music will express a wide range of human sufferings and aspirations, and that it will deliver an emotional catharsis for all potential listeners.With this composition I am joining the large group of composers who have created New Music these last few years, music testifying to the resilience of the human spirit in the face of adversity.
$30.00 ≈
27.69€
Beneath the Cross of Jesus
Beneath the Cross of Jesus
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Piano seul
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stephen R Dalrymple
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Stephen R Dalrymple
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Beneath the Cross of Jesus
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.818235 By Stephen R Dalrymple. By Elizabeth C. Clephane 1830–1869 (lyrics) and Frederick Charles Maker 1844â€...
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Piano Solo - Level 5 - SKU: A0.818235 By Stephen R Dalrymple. By Elizabeth C. Clephane 1830–1869 (lyrics) and Frederick Charles Maker 1844–1927. Arranged by Stephen R Dalrymple. Contemporary,Sacred. Score. 12 pages. Stephen R Dalrymple #3098321. Published by Stephen R Dalrymple (A0.818235). Beneath the Cross of Jesus ♫ Original piano arrangement by Stephen R Dalrymple ♫ Based on the public domain hymn by Elizabeth C. Clephane 1830–1869 (lyrics) and Frederick Charles Maker 1844–1927 (melody) ♫ In preparing to compose the arrangement I asked myself “What would be the opposite of “Beneath the cross of Jesus I fain would take my stand.†How could I picture that? The opposite of firm footing, stability, taking a stand is vacillating between ideas or chasing numerous ideas. ♫ I pictured the wind scattering leaves and debris, but failing to budge heavy objects, anchored to the ground. ♫ Our culture bids us chase after status, power, money, pleasure, thrills … The problem, of course is that the shelf life of the satisfaction that these things brings is very short. Chasing after status, power, money, pleasure, thrills, etc. is like is like chasing the wind. ♫ Portraying chasing the wind allowed me to use some contemporary classical composition techniques such as polymeter, polytonality, and deliberate dissonance. The first theme suggests the futility and inevitable frustration of chasing the wind. The score opens up to the beauty of a life grounded on the cross of Jesus Christ. ♫ music © 2017 (copyright registered in ‘I See Your Glory’ collection) ♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the composer ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet, 4) Small page piano score for performing from a 10 inch tablet. ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50 ≈
4.15€
Angels We Have Heard On High
Angels We Have Heard On High
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Piano seul
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AVANCÉ
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Noël
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Traditional French Melody
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Terrence Niska
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Angels We Have Heard On High
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.950908 Composed by Traditional French Melody. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishi...
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Piano Solo - Level 5 - SKU: A0.950908 Composed by Traditional French Melody. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6211243. Published by Niska Music Publishing (A0.950908). Based on a traditional French melody, this arrangement of Angels We Have Heard on High runs the gamut from a George Winston-inspired opening to a closing more akin to the grand works of Handel. The driving rhythm of the left hand sets the foundation for the bell-like right hand of the intro. The pulsating energy continues as the melody rings out over the unceasing flow of eighth notes. A sense of unbridled joy permeates the music culminating in a grand finale that is fitting for the coronation of a King! I was drawn to arrange this hymn by memories of singing the wonderful Gloria section at Christmas concerts throughout my school years. There is something almost infectious about the cascade of notes, each melisma feeling like an explosion of happiness that cannot be contained. It is this quality that I tried to capture in my arrangement.
$3.99 ≈
3.68€
Waltz No. 2 (2022)
Waltz No. 2 (2022)
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Piano seul
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AVANCÉ
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Gerald W
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Waltz No. 2
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Gerald W. Gabbard
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1431985 Composed by Gerald W. Gabbard. 21st Century. Score. 3 pages. Gerald W. Gabbard #1012463. Published by Gerald W. G...
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Piano Solo - Level 5 - SKU: A0.1431985 Composed by Gerald W. Gabbard. 21st Century. Score. 3 pages. Gerald W. Gabbard #1012463. Published by Gerald W. Gabbard (A0.1431985). This is the second of eight waltzes I composed between September 2020 and April 2024. This was the second waltz I wrote, and the second during the COVID-19 pandemic. It is a gentle piece with a sense of a dream-like dance. The form is A-B-A'-A-Coda. It starts off in D and centers around the key of D, until the end, when the Coda transports the listener to an ending in G. Think of it like the dancers in the dream disappearing from sight.Regarding articulation: I use tenuto and accent + tenuto marks frequently in my compositions. I tend to use them mostly as indications for the melody and/or notes that should be emphasized or brought out. I never intend the accent + tenuto to be harsh, but it should be stronger than the tenuto alone.I intend to have a collection of all eight waltzes available for sale in addition to individual pieces. The available recording on Arrange Me and Sheet Music Plus is an export from Finale – not a live performance. Note, Finale did not keep the tempo consistent throughout. Do not slow down in the B section staring in mm. 13.I hope you enjoy playing this piece!Gerald Gabbard.
$4.99 ≈
4.61€
Vocalise Op.34-14
Vocalise Op.34-14
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Piano seul
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AVANCÉ
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S
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Yo Matsumoto
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Vocalise Op.34-14
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Yo Matsumoto
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1399399 Composed by S.Rachmaninoff. Arranged by Yo Matsumoto. 20th Century,Classical,Historic,Instructional,Traditional. ...
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Piano Solo - Level 5 - SKU: A0.1399399 Composed by S.Rachmaninoff. Arranged by Yo Matsumoto. 20th Century,Classical,Historic,Instructional,Traditional. Score. 6 pages. Yo Matsumoto #982682. Published by Yo Matsumoto (A0.1399399). I arranged Rachmaninoff's masterpiece Vocalise for solo piano.This work has already been arranged for piano by many great predecessors such as Kocsis, Richardson, and Wilde. On top of that, I tried to devise various ideas, such as transcribing the music so that it was easy to play even for people who don't have large hands like the average Japanese person, making changes to themes that are played over and over again, and incorporating pacing and pacing that would be able to be played confidently at concerts. We are doing so.
$10.00 ≈
9.23€
Music for the Taking Part Four: Closeup
Music for the Taking Part Four: Closeup
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Piano seul
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AVANCÉ
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Michael Bomier
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Music for the Taking Part Four
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862579 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 7 pages. Michael Butkus-Bomier #436299...
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Piano Solo - Level 5 - SKU: A0.862579 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 7 pages. Michael Butkus-Bomier #436299. Published by Michael Butkus-Bomier (A0.862579). 2015 Piano Contest This final movement is based on a concept in atonal music called The Parsimony of Voice-leading. It uses the idea that there can be only one voice or chord-tone that shifts from one iteration or segment to the next. Thus this piece used small variations on simple five-finger positions that are juxtaposed against each other, with the variations being only one note from one to the next within s section, that section to be followed by another set of similar motions, but on a different keyboard shape. The melody is derived from the content of the five-note group below it, often as dyads with an added 1/2 step. Duration about 3 mins. Lots of motion and crunch, like a good musical snack! MP3 MIDI audio. Advanced level at tempo, but Intermediate at a slower pace. MBB.
$3.00 ≈
2.77€
Con Te Partiro (time To Say Goodbye)
Con Te Partiro (time To Say Goodbye)
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Piano seul
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AVANCÉ
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Contemporain
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Andrea Bocelli
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Con Te Partiro
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.744638 By Andrea Bocelli. By Francesco Sartori. Arranged by Arranged by Elena Fortin. Contemporary. Score. 6 pages. Elena...
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Piano Solo - Level 5 - SKU: A0.744638 By Andrea Bocelli. By Francesco Sartori. Arranged by Arranged by Elena Fortin. Contemporary. Score. 6 pages. Elena Fortin #6788601. Published by Elena Fortin (A0.744638). Con te Partiro (Time to Say Goodbye)Music and Lyrics by Francesco Sartori and Lucio Quarantotto. This piece was made famous by Andrea Bocelli and is arranged for advanced pianists by arranger Elena Fortin.This 5 page arrangement is written in the key of D major, with a modulation to the key of A major towards the end of the song. The piece is a beautiful, expressive one and should always be played cantabile (in a singing style).The arrangement explores sweeping arpeggios in the left hand, full chordal textures, rhythm figures of three notes vs. four notes or two notes, and is written in a classical style.Book authors often comment to say that sometimes the characters in their books do the unexpected. I could say the same about this piece! I intended it to be a romantic-style interpretation, but with world events being what they are--the ending asserted itself in a Tchaikovsky-piano-concerto-like style... The ending is full of power and hope.The piece would be appropriate at memorials, church services, and as a recital piece--the pieces I have been choosing to arrange are ones that I consider to be timeless, have deep meaning, and are filled with hope.For other arrangements, please visit my publisher page here: https://www.sheetmusicplus.com/publishers/elena-fortin/10717?aff_id=507765You can keep up to date with my projects on my website: www.the-piano-studio.comPlease subscribe to my YouTube channel here: https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg
$4.99 ≈
4.61€
Easter Parade
Easter Parade
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Piano seul
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AVANCÉ
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Irving Berlin
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Timothy Stapay/Liberace
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Easter Parade
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1211946 Composed by Irving Berlin. Arranged by Timothy Stapay/Liberace. Broadway,Easter,Film/TV,Musical/Show,Standards,Tr...
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Piano Solo - Level 5 - SKU: A0.1211946 Composed by Irving Berlin. Arranged by Timothy Stapay/Liberace. Broadway,Easter,Film/TV,Musical/Show,Standards,Traditional. Score. 10 pages. Timothy Stapay #809498. Published by Timothy Stapay (A0.1211946). Easter Parade by Irving Berlin, is arranged as played by legendary piano showman, Liberace. Here for the first time is the sheet music for this famous song, arranged as performed by Liberace. Now you can learn to play this classic Easter Season song, just like this world-famous pianist.Easter Parade is a popular song, written by Irving Berlin and published in 1933. Berlin originally wrote the melody in 1917, under the title Smile and Show Your Dimple, as a cheer up song for a girl whose man has gone off to fight in World War I.  Berlin resurrected the tune, with modifications, and gave it the now-familiar Easter lyrics for the 1933 Broadway musical revue As Thousands Cheer, in which musical numbers were strung together on the thematic thread of newspaper headlines.In 1942, it was featured in the musical film Holiday Inn, in which it was performed by Bing Crosby. In 1948, it was performed by Judy Garland and Fred Astaire in the musical film Easter Parade, which was constructed around the song.Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics below:[Verse 1]In your Easter bonnetWith all the frills upon itYou'll be the grandest ladyIn the Easter paradeI'll be all in cloverAnd when they look you overI'll be the proudest fellowIn the Easter parade[Chorus]On the avenue, Fifth AvenueThe photographers will snap usAnd you'll find that you'reIn the rotogravureOh, I could write a sonnetAbout your Easter bonnetAnd of the girl I'm takingTo the Easter parade[Chorus]On the avenue, Fifth AvеnueThe photographers will snap usAnd you'll find that you'rеIn the rotogravureOh, I could write a sonnetAbout your Easter bonnetAnd of the girl I'm takingTo the Easter parade
$8.99 ≈
8.30€
Etude 0.5+1.0+1.5+2.0+2.5+3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring, and Intervals
Etude 0.5+1.0+1.5+2.0+2.5+3.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring, and Intervals
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Piano seul
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AVANCÉ
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Michael Bomier
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Etude 0.5+1.0+1.5+2.0+2.5+3.0
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862557 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 7 pages. Michael Butkus-Bomier #2034491. ...
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Piano Solo - Level 5 - SKU: A0.862557 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 7 pages. Michael Butkus-Bomier #2034491. Published by Michael Butkus-Bomier (A0.862557). All six intervals are in play in this toccata-like final selection. The piano can be made to sound many ways, smooth, gleaming bright, jangling and rambunctious, even like a drum with keys. I hope to have covered most of these aspects of the pianistic touch in this set of etudes. The final item uses each interval in turn, then paired with the next-largest unit, moving through the entire group. Then, the right hand moves through all of them with a pedal point, followed by a similar exposition in the left. Arpeggios and chords ring out at the end, in a similar fashion to the summation that is the final Valse in Ravel Noble and Sentimental set. Thanks for looking and listening. look for the complete set to be out later this week. MBB.
$3.00 ≈
2.77€
Toccata In B Flat Minor For Piano
Toccata In B Flat Minor For Piano
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Piano seul
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AVANCÉ
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Thomas R
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Toccata In B Flat Minor For Pi
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Thomas R. Schadl
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.912497 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #3916...
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Piano Solo - Level 5 - SKU: A0.912497 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #3916053. Published by Thomas R. Schadl (A0.912497). Toccata In B Flat Minor, by Thomas R. Schadl, explores rhythmic energy and lyricism. The exposition (bars 1-18) consists of the static rhythm, where the the first beat is accented. The melodic part of the exposition is lyrical and has syncopation that provide contrast to the driving rhythm. The transition exists from bar 19 to 56, but unlike the traditional sonata form where the transition moves on to the second theme in the exposition, the main theme re-appears briefly from bar 57 to 64 and then it moves on to the second theme (bars 65-100). Sonata form includes the development section that involves the working of a theme or themes that were stated in the exposition, but this work does not have a development part; so in its place is the transition that spans from bar 101 to 114, leading to the recapitulation (restatement of the first theme in the exposition). Following the restatement, the second theme comes in at bars 133 to 140 and is restated at bars 157 to 176; transition is inserted at bars 141 to 156. As the piece progresses toward the end, the fragmented portion of the second theme repeats with diminishing sound intensity, followed by a brief transition stated in the first few bars after measure 19. The piece ends with a loud B Flat, after a one bar rest. Anyone planning to analyse this composition will come to realize that since the development section does not exist, one may conclude that the work is composed in a modified sonata form. Toccata In B Flat Minor requires steady rhythmic sense, quick left-hand jump between bass notes to eighth-note passages in the second theme, and a good sense of rhythm when executing four eighth notes against triplets. Slow practice speed is advised in order to master the technical challenges. The piece is suitable for education and concert purposes, and may be performed in silent movies or stage shows.
$9.99 ≈
9.22€
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