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Vous avez sélectionné:
Final Call
expert
Piano seul
Partitions à imprimer
24 partitions trouvées
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1
Morning Call
Morning Call
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Piano seul
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AVANCÉ
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Contemporain
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Ron Sheffer
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Morning Call
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Ron Sheffer
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.787139 Composed by Ron Sheffer. 20th Century,Contemporary. Score. 9 pages. Ron Sheffer #4844855. Published by Ron Sheffer...
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Piano Solo - Level 5 - SKU: A0.787139 Composed by Ron Sheffer. 20th Century,Contemporary. Score. 9 pages. Ron Sheffer #4844855. Published by Ron Sheffer (A0.787139). an optimistic, even whimsical piece, initially set by the beat of a metronome, quickly replaced by two repeating notes that represent the awakening and inner call for action. roaring piano passages create further thrust. they feed on each other and gradually soar in a wonderful energetic dance. the metronome reappears, partially driving the beat, partially attempting to defeat the piano. like history, the finale tells us something about destiny’s humor: it is all bound to happen again.
$8.00 ≈
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Sonata in C minor Op. 111 Final Sonata NEW SETTING !
Sonata in C minor Op. 111 Final Sonata NEW SETTING !
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Piano seul
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AVANCÉ
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Beethoven, L
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Michael Bomier
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Sonata in C minor Op. 111 Fina
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862673 Composed by Beethoven, L. van. Arranged by Michael Bomier. Classical,Concert,Romantic Period,Standards. Score. 46 ...
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Piano Solo - Level 5 - SKU: A0.862673 Composed by Beethoven, L. van. Arranged by Michael Bomier. Classical,Concert,Romantic Period,Standards. Score. 46 pages. Michael Butkus-Bomier #3684169. Published by Michael Butkus-Bomier (A0.862673). GateWay Editions was established to bring Europe's great piano music to players with average-size hands and technique. This piece, which, in the company of Islamey, Gaspard, the Etudes-Tableaux of Rachmaninoff and various Liszt pieces, is at the pinnacle of both interpretive and technical challenges, is now brought into MUCH clearer focus with our new edition. Since the piece is practically a sacred text, no notes have been changed. Period. What HAS been changed is the presentation, especially in the 2nd movement, which is also our audio sample here. The small note-values, the radical time signatures, the measures that often take up an ENTIRE line of commercially-printed music, and the decided lack of cautionary accidentals: all these elements have been pre-decoded, essentially. No more using a hand-lens to see if that mark is a slur or a tie, or both! No more straining to see what note is held over, while the new one strikes. Our setting here, which you can see in the sample, often takes each BEAT, and puts a barline there, along with a common time signature, 3/4, 6/8, 4/4, etc. No smaller fractions, and no vast forest of dots and flags. All the 2nd movement rhythms have been arithmetically expanded, while maintaining their relationships. All the ornamentation, with its hidden melody, has been written out.So, while this piece has not been made any easier to play, it HAS been made vastly easier to read. One might claim that it is now readable at all, whilst the original cannot be deciphered at sight without great mental and visual effort. Please, print this double-sided for best results, as the repeats are either on a single page, or are on facing pages in our formatting. Single-sided gives you that same control, if you wish. Enjoy the masterwork of the Master of Masters! MBB
$19.95 ≈
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Sonata for piano
Sonata for piano
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Piano seul
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AVANCÉ
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Contemporain
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William Grosvenor Neil
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Sonata for piano
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1320814 Composed by William Grosvenor Neil. 20th Century,Classical. Score. 41 pages. TheComposerStudio.Com, LLC #909259. ...
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Piano Solo - Level 5 - SKU: A0.1320814 Composed by William Grosvenor Neil. 20th Century,Classical. Score. 41 pages. TheComposerStudio.Com, LLC #909259. Published by TheComposerStudio.Com, LLC (A0.1320814). Movement I. Light by the Beauty of MusicThis movement opens with a driving energy that does not diminish until the final passages.  The opening theme continues to cycle over accenting sonorities in counterpoint with a 2nd theme that spins forth in perpetual motion.  From here emerges a pair of folk themes in tandem. I quote the Romanian folk song:  On the Freedom Plains along with a counter theme that I composed in a minor mode. I want to thank my Moldovian friend, Natalia Rojcovscaia-Tumaha for inspiring the inclusion of this quote in this movement. This basic cry for freedom among people that have identified with a country where generations have lived and died was the sentiment that I wanted to capture in this music. The movement ends with an unresolved flourish that slowly dies away suggesting the mysterious uncertain nature of music. Movement II. DeliquesceThe second movement is a simple song-like narrative that speaks in short rhythmic open phrases. The music progression in variation form.  All the while, a spinning thread of notes orbits this narrative, eventually cascading into a perpetual motif that ends suspended in space.Movement III.  Light Upon WaterThe third movement continues the perpetual motion of the second movement and transforms into a running tapestry of harmonic statements that build to a euphoric choral declaration.  After a reflective, improvisatory middle section, the cascading perpetual motion of the opening returns. The conclusion of the movement is signaled by what I call a crossing cadence:  the theme in full chordal orchestration is accelerando in the right hand and is retrograde, ritardando in the left hand.  Finally, a short coda finishes the sonata.  © 2022 William Grosvenor Neil  williamneil.net   thecomposerstudio.com  support: thecomposerstudio@gmail.com.
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Dies Irae Dodecaphonic
Dies Irae Dodecaphonic
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Piano seul
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AVANCÉ
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Contemporain
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Publishe...
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Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99 ≈
¥43.59
Jesus Shall Reign Where'er the Sun
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99 ≈
¥36.31
PIANO SONATA
PIANO SONATA
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Piano seul
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AVANCÉ
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Aaron Robinson
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PIANO SONATA
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Music at Immanuel
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Mus...
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Piano Solo - Level 5 - SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Music at Immanuel (A0.1477723). Dedicated to pianist Eric Xi Xin Liang, PIANO SONATA by American composer Aaron Robinson is a programmatic work on a monumental scale. Composed in four movements representing four areas of Maine: Machigonne (Portland), Down East, Malaga Island and Katahdin, each paints a detailed portrait of a specific time and place in the State’s history. Its compositional structure draws heavily on the sights and sounds associated with each region while weaving original themes throughout. Mimesis is used to represent the native calls of the indigenous birds found within the state, such as the phoebe, bobolink and the pileated woodpecker; while hymns, songs and sea shanties are incorporated to represent various time periods. Movement I - MACHIGONNE - Native Americans originally named what is today the Portland peninsula of Maine “Machigonne”, which translates “Great Neck”. The movement quotes several sacred and ritual songs of the Passamaquoddy Tribe of Maine. The struggle between centuries of habitation by the native peoples of the area is represented by the arrival of early settlers and illustrated by juxtaposing hymn tunes and dance music of the past eras.Movement II - DOWN EAST - is the eastern coastal area of the state closely associated with the French territory of Acadia. Replete with historic sea shanties and tunes, the sound of tolling ship and buoy bells, lighthouse fog horns, and ocean winds are intertwined to create a high-spirited journey which culminates in the familiar Shaker tune from Alfred, Maine.Movement III - MALAGA ISLAND - Today an uninhabited reserve, Malaga Island was once the home to an interracial community dating from the 1860s to 1911, when its residents were forcibly evicted by the State. The opening theme represents the remnants of the island in its present state; haunted by the memories and unsettling muted solitude of the past and its historical injustice. A peaceful hymn depicting simpler times becomes slowly unraveled, erupting in a traumatic chaos that is never resolved. A ghostly refrain can be heard in the distance as the movement concludes.Movement IV - KATAHDIN - Mount Katahdin (“Catahdrin”), called “Great Mountain” by the Penobscot Native Americans, is located within the Northeast Piscataquis County, the northern terminus of the Appalachian Trail. The grandeur of its majesty is portrayed by the original themes depicting epic rising and falling passages traversing over centuries. Native Americans believed the mountain to be the home of the storm god Pamola (a place to be avoided), which is characterized by ever-changing major and minor keys within the often times turbulent motifs. The sonata ends in a tonal key: bringing the atonality and discordant change of the work and its representation as a whole to a final resolve.PIANO SONATA lasts approximately 25 minutes.
$9.99 ≈
¥72.69
Forest Green
Forest Green
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Piano seul
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AVANCÉ
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New Age
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Contemporain
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Kathleen Ryan
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Kathleen Ryan
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Forest Green
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1199167 By Kathleen Ryan. By Kathleen Ryan. Arranged by Kathleen Ryan. Classical,Contemporary,New Age. Score. 6 pages. In...
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Piano Solo - Level 5 - SKU: A0.1199167 By Kathleen Ryan. By Kathleen Ryan. Arranged by Kathleen Ryan. Classical,Contemporary,New Age. Score. 6 pages. Indigo Mesa Music LLC #798231. Published by Indigo Mesa Music LLC (A0.1199167). English folk song.I have set this melody in several arrangements; this is actually the most rambunctious of the lot! This is bravura piano playing and not for the faint of heart. The right hand has a long passage of double notes at 16th-note speed. The left hand plays 8th-note many-octave-spanning double notes for much of the arrangement, and then has double notes at 16th-note speed for the final section. To perform this will require a lot of practice and then sheer (relaxed!) bravado.Forest Green is really my all-time favorite melody. I anticipate setting it a dozen or more different ways.For example, this is the melody the English use for the Christmas carol O Little Town of Bethlehem, and I have arranged it more lyrically for that song. Perhaps someday it will make it onto a CD.I have also used this melody for the final section of my arrangement of All Through the Night on Under the Greenwood Tree. That is a far more lyrical arrangement as well.This melody, in a highly arranged version, also makes a cameo in These Hands Held Music, on Passages.All of these arrangements are currently available in pdf. Who knows, perhaps someday I’ll create an entire album of arrangements of Forest Green!~ Kathleen
$5.25 ≈
¥38.20
Loto - Into the sacred path
Loto - Into the sacred path
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Piano seul
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AVANCÉ
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Contemporain
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Guido Mallardi
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Loto - Into the sacred path
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Guido Mallardi
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1022550 Composed by Guido Mallardi. Contemporary. Score. 15 pages. Guido Mallardi #2034573. Published by Guido Mallardi (...
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Piano Solo - Level 5 - SKU: A0.1022550 Composed by Guido Mallardi. Contemporary. Score. 15 pages. Guido Mallardi #2034573. Published by Guido Mallardi (A0.1022550). Perpetuum mobile music structured upon the germination technique. Space and time are the two 'visible' dimensions where this music grows like a plant. But other subdimension are present despite hidden in the flow, and that leads to a kind of fractality. Indeed also the form of the whole piece reflects the tensional shape of the musical cell itself... This music represents the composer's spiritual growth complexity leading to a final catarsis (a mirror of the final section of the piece). This music is dedicated to two people, a mother and her daughter (both tragically dead) who had played a major role in the composer's spiritual rebirth.
$5.99 ≈
¥43.59
Sonata in Symmetry 4th Mvnt: Presto
Sonata in Symmetry 4th Mvnt: Presto
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Piano seul
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AVANCÉ
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Michael Bomier
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Sonata in Symmetry 4th Mvnt: P
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862573 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 12 pages. Michael Butkus-Bomier #43351...
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Piano Solo - Level 5 - SKU: A0.862573 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 12 pages. Michael Butkus-Bomier #433519. Published by Michael Butkus-Bomier (A0.862573). 2015 Piano Contest The final movement of this Sonata has a brief introduction, then takes off in a non-stop flurry of arpeggiated, symmetrical, topographically-mirrored chords in contrary motion. The model here is the final Presto from Chopin's Sonata in Bb minor. The effect is a kind of rapid Minimalism, but with more rapid contrasts of colour than typical modern Minimalist piano. The duration is a bit over four minutes. It is best NOT to use the pedal at ALL, as the chords change so rapidly that there is no real need: the continuity will be there! Not a fast version of the 2nd slow movement, but a unique set of chords that provide min-min, maj-maj, aug-aug contrasts and combinations. MP3 MIDI audio. Advanced level at tempo, could be played considerably slower, for a different but manageable effect. MBB.
$3.50 ≈
¥25.47
Waltz No. 21, Opus 1
Waltz No. 21, Opus 1
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Piano seul
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AVANCÉ
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Grant Dersom
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Waltz No. 21, Opus 1
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Sonive Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1016497 Composed by Grant Dersom. Classical,Contemporary,Romantic Period. Score. 7 pages. Sonive Publishing #5719207. Pub...
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Piano Solo - Level 5 - SKU: A0.1016497 Composed by Grant Dersom. Classical,Contemporary,Romantic Period. Score. 7 pages. Sonive Publishing #5719207. Published by Sonive Publishing (A0.1016497). The powerful Waltz No. 21 is one of the titanic four, final waltzes in Dersom's Opus 1. Featuring a redesign of waltz structure in the main theme: the melody is carried by the bass, the dominant note of the chord is played in the right hand on beats two and three, and the chords typically played on beats two and three are played on beat one.
$1.99 ≈
¥14.48
Sonata for Piano No. 5 "GILT-EDGE"
Sonata for Piano No. 5 "GILT-EDGE"
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Piano seul
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AVANCÉ
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Sean A
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Sonata for Piano No. 5 "G
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Sean A Moore
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1397074 By Sean A. Moore. By Sean A. Moore. 21st Century,Classical,Contemporary. Score. 25 pages. Sean A Moore #980408. P...
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Piano Solo - Level 5 - SKU: A0.1397074 By Sean A. Moore. By Sean A. Moore. 21st Century,Classical,Contemporary. Score. 25 pages. Sean A Moore #980408. Published by Sean A Moore (A0.1397074). GILT-EDGE†is a piano sonata in three movements. The sonata features dissonance, clusters, irregular rhythmic patterns and meters, syncopation, and extremes in textures and dynamics. The work is mostly intervallically/motivically based with the entire keyboard being utilized as a sort of sonic canvas as diverse as the world itself. The first movement, “GILT-EDGEâ€, has the same name as the title of the composition. The movement is emotionally intense, beginning loudly with a forearm cluster crash at the low end of the instrument and with a fast tempo. However, the first movement of the sonata ends slowly, quietly and sometimes dreamlike all while expressing a very dark mood. “Hopewellâ€, the second and somewhat more melodic movement, has a more meditative quality. This movement is inspired by the image of a quiet country road and an uncomplicated way of living that sometimes isn’t always what it seems. The final movement, “Antiochâ€, written on three staves, returns the listener back to the emotional complexities of the first movement. However, this movement does not end quietly. In this short explosive last movement, the sonata reaches its dramatic conclusion.
$12.99 ≈
¥94.52
Prelude in A minor, Op. 1, No. 2
Prelude in A minor, Op. 1, No. 2
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Piano seul
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AVANCÉ
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Michael Swedberg
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Prelude in A minor, Op. 1, No.
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1248123 By Michael Swedberg. By Terrence Niska. 21st Century,Classical. Score. 8 pages. Niska Music Publishing #842686. P...
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Piano Solo - Level 5 - SKU: A0.1248123 By Michael Swedberg. By Terrence Niska. 21st Century,Classical. Score. 8 pages. Niska Music Publishing #842686. Published by Niska Music Publishing (A0.1248123). There is a storm brewing on the horizon and the ship is starting to be tossed about by waves which can be heard rolling in the left hand. The captain calls for the sails to be furled lest they be torn to shreds by the gale force winds. They have endured many storms before, but this is unlike any The Tempest has encountered. The men try to lift their spirits with tales of what has come before and the acts of heroism which have helped them to survive. Their bravado is cut short as the storm intensifies. Lightning flashes across the sky and they realize now that there may be no coming back from this voyage. The swells grow ever larger and cracks can be heard throughout the ship as support beams and masts give way under the tremendous stress. There is no hope of reaching the safety of land as she begins to take on water, but the crew does not abandon their posts…they do not know the meaning of surrender. A final series of cracks can be heard as The Tempest slips beneath the waves into the waiting abyss.
$3.99 ≈
¥29.03
Hommage an Ursula [piano solo]
Hommage an Ursula [piano solo]
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Piano seul
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AVANCÉ
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Juan MarÃa Solare
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thus, there are 25 sections
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Hommage an Ursula [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pa...
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Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
$4.00 ≈
¥29.11
Through Magic Casements
Through Magic Casements
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Piano seul
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AVANCÉ
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Kenneth Hesketh
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Through Magic Casements
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q19046 For piano solo. Composed by Kenneth Hesketh. This edition: Sheet music. Downloadable. Duration 5 minutes. Scho...
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Piano - difficult - SKU: S9.Q19046 For piano solo. Composed by Kenneth Hesketh. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q19046. Published by Schott Music - Digital (S9.Q19046). The title of this work is a reference to the poem Ode to a Nightingale by John Keats. Important images from the poem are freely connected to suggest musical gestures and contours. Such phrases as perilous seas and plaintive anthem placed musically alongside each other give the work a continuity not suggested by the original poem. The topography in the last verse of the poem also finds its way into the work: Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep The resulting work therefore utilises an organic and associative musical form, one that is dramatic and often capricious in nature. The work evaporates at its close - at Keats' instigation - through the words Fled is that music:- do I wake or sleep?. Through Magic Casements was written for William Cale on the occasion of his final recital at the Royal College of Music. © 2009 KH.
$9.99 ≈
¥72.69
La Campanella - Franz Liszt - Piano Solo
La Campanella - Franz Liszt - Piano Solo
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Piano seul
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AVANCÉ
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Classique
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Franz Liszt
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Diamond S Music
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La Campanella - Franz Liszt -
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Diamond S Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.790156 Composed by Franz Liszt. Arranged by Diamond S Music. Classical,Concert,Romantic Period. Score. 19 pages. Diamond ...
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Piano Solo - Level 5 - SKU: A0.790156 Composed by Franz Liszt. Arranged by Diamond S Music. Classical,Concert,Romantic Period. Score. 19 pages. Diamond S Music #5745053. Published by Diamond S Music (A0.790156). La Campanella - Franz Liszt - Piano Solo.La Campanella (The Little Bell) , The third Grande Etude of Paganini in G# minor, S.141. by Franz Liszt. Its melody comes from the final movement of Niccolò Paganini's Violin Concerto No. 2 in B minor, where the tune was reinforced metaphorically by a 'little handbell'. The étude is famous for being one of the most difficult pieces ever written for piano. It is played at a brisk allegretto tempo and features right hand jumps between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note. As a whole, the étude can be practiced to increase dexterity and accuracy at large jumps on the piano, along with agility of the weaker fingers of the hand. Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$6.99 ≈
¥50.86
Resonances
Resonances
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Piano seul
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AVANCÉ
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Contemporain
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J
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Resonances
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J. Ryan Garber
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.966279 Composed by J. Ryan Garber. 20th Century,Concert,Contemporary. Score. 32 pages. J. Ryan Garber #6130779. Published...
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Piano Solo - Level 5 - SKU: A0.966279 Composed by J. Ryan Garber. 20th Century,Concert,Contemporary. Score. 32 pages. J. Ryan Garber #6130779. Published by J. Ryan Garber (A0.966279). Resonances was commissioned by the Tennessee Music Teachers Association and premiered at that organization’s 2003 meeting in Nashville by Mark E. Hussung. The three movements bear titles that describe the compositional process at work in each. The first movement, Radically Disparate Segment Accretion, is made up of five contrasting segments that are added to each other, then subtracted from each other, more or less. Descending Scheme Transformation is based on a simple descending theme that is heard virtually through the entire movement in one form or another. The final movement, Unrelenting Metrical Interferences, is thus titled because of the extensive use of syncopation.
$4.99 ≈
¥36.31
Jingle Bells Around the World (New York Stride)
Jingle Bells Around the World (New York Stride)
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Piano seul
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AVANCÉ
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Noël
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James Pierpont
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Jacob Koller
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Jingle Bells Around the World
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JIMS Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.878778 Composed by James Pierpont. Arranged by Jacob Koller. Christmas,Concert,Jazz. Score. 6 pages. JIMS Music Publishin...
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Piano Solo - Level 5 - SKU: A0.878778 Composed by James Pierpont. Arranged by Jacob Koller. Christmas,Concert,Jazz. Score. 6 pages. JIMS Music Publishing #3629617. Published by JIMS Music Publishing (A0.878778). This is the 5th and final part of my suite called Jingle Bells Around the World. This one was arranged in a slow stride piano style as if someone is playing at a lounge in New York. Key : Eb MajorPages : 6.
$4.99 ≈
¥36.31
Music for the Taking Part Four: Closeup
Music for the Taking Part Four: Closeup
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Piano seul
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AVANCÉ
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Michael Bomier
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Music for the Taking Part Four
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862579 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 7 pages. Michael Butkus-Bomier #436299...
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Piano Solo - Level 5 - SKU: A0.862579 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 7 pages. Michael Butkus-Bomier #436299. Published by Michael Butkus-Bomier (A0.862579). 2015 Piano Contest This final movement is based on a concept in atonal music called The Parsimony of Voice-leading. It uses the idea that there can be only one voice or chord-tone that shifts from one iteration or segment to the next. Thus this piece used small variations on simple five-finger positions that are juxtaposed against each other, with the variations being only one note from one to the next within s section, that section to be followed by another set of similar motions, but on a different keyboard shape. The melody is derived from the content of the five-note group below it, often as dyads with an added 1/2 step. Duration about 3 mins. Lots of motion and crunch, like a good musical snack! MP3 MIDI audio. Advanced level at tempo, but Intermediate at a slower pace. MBB.
$3.00 ≈
¥21.83
8'66"
8'66"
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Piano seul
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AVANCÉ
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Craig Peaslee
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8'66"
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Craig Peaslee Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.944867 Composed by Craig Peaslee. 20th Century,Concert,Contemporary,Ragtime. Score. 29 pages. Craig Peaslee Music #522163...
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Piano Solo - Level 5 - SKU: A0.944867 Composed by Craig Peaslee. 20th Century,Concert,Contemporary,Ragtime. Score. 29 pages. Craig Peaslee Music #5221633. Published by Craig Peaslee Music (A0.944867). Highly influenced by John Cage, 8'66 features compositional practices explored by Cage.Song of the Talpa People calls for the pianist to play the movement while attempting to prevent any of the piano hammers to fall (hit the strings, causing sound); however, due to the tempo marking, human error, and other factors, it is a certainty that the hammers will fall - we simply do not know when, where, and how many of these falls will happen on any given performance. Cage was a pioneer of indeterminant music, a single piece of music that can sound wildly different each time it is heard.In Funeral March for a Deaf Man the written music was lined up directly to a section of Cage's Lecture on Nothing so that whenever a syllable from the speech would be spoken the pianist plays the note(s) that correspond at the same time.The finale, In Futurm, allows for the pianist to perform the piece as originally written.The titles for the three movements are taken from compositions of silent music that predate Cage's 4'33 1. Funeral March for the Obsequies of a Dead Man (1897) by Alphonse Allais (1854-1905). 2. In Gaston Leroux's 1903 novel La Double Vie de Theophraste Longuet, silent concerts are given by the Talpa people. 3. In futurum (1919) by Edwin Schul
$8.66 ≈
¥63.01
13. Inkawu the Monkey
13. Inkawu the Monkey
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Piano seul
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AVANCÉ
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Contemporain
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Louise du Toit
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Louise du Toit
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13. Inkawu the Monkey
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Louise du Toit
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1138763 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 7 pages. Louise du Toit #7...
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Piano Solo - Level 5 - SKU: A0.1138763 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 7 pages. Louise du Toit #739065. Published by Louise du Toit (A0.1138763). Inkawu the Monkey is the thirteenth in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Inkawu the monkey is very naughty and mischievous. Having spent the morning sitting in the sun while some females searched his fur for fleas, he is now in a hilariously expressive mood. Swinging from the branches of a huge African tree, he mocks everything and everybody around him, mimicking a scornful dance with his weird movements and giving the impression of being a funny clown in a circus. When he comes across a car loaded with passengers on a narrow road between the trees, he jumps straight onto the bonnet of the vehicle, pressing his face on the front window and pulling faces to amuse the surprised audience inside. He grins when they feed him oranges through a small opening of a nearly closed window and refusing to leave, he sits on the bonnet for almost an hour, filling up his tummy and satisfying his taste buds with the juicy citrus fruits. When he finally leaps off the car, he continues his merry ragtime dance until he disappears between the trees..
$4.99 ≈
¥36.31
Joy to the World!
Joy to the World!
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Piano seul
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AVANCÉ
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Noël
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George Frideric Handel
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Terrence Niska
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Joy to the World!
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.950929 Composed by George Frideric Handel. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing ...
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Piano Solo - Level 5 - SKU: A0.950929 Composed by George Frideric Handel. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6466301. Published by Niska Music Publishing (A0.950929). I chose to end this collection with another hymn full of hope and glory and joy. Following a raucous opening giving the impression of a grand brass fanfare, the prelude launches into the statement of the tune proper found amongst a flurry of sixteenth note patterns in the right hand that create an inner rhythmic drive over powerful and syncopated left hand octaves. The left hand becomes more animated, yet the rhythmic momentum continues to push the piece forward to its conclusion. There is the sense of timpani beating as the full orchestra comes to bear in a vibrant and unapologetically joyous finale.
$3.99 ≈
¥29.03
Three Pieces for Piano
Three Pieces for Piano
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Piano seul
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AVANCÉ
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Michael S
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Three Pieces for Piano
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Bryson Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.933374 Composed by Michael S. Bryson. 20th Century,Contemporary,Standards. Score. 13 pages. Bryson Music #495011. Publish...
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Piano Solo - Level 5 - SKU: A0.933374 Composed by Michael S. Bryson. 20th Century,Contemporary,Standards. Score. 13 pages. Bryson Music #495011. Published by Bryson Music (A0.933374). An exciting advanced piano solo. Duration: approx. 8 min. 1. Marche Humoresque - an energetic march that includes LH tone clusters. Inspired by the finale of Ravel's Piano Concerto for the LH. People often comment that this movement reminds them of a parade of cartoon characters. 2. Nocturne - begins as a gentle lullaby that builds to a majestic climax before fading away into mysterious chords. The return of the tender opening melody will bring tears to your listeners' eyes. 3. Presto - blurring and frantically playful with a bombastic conclusion to the set. Michael S. Bryson (ASCAP) www.michaelsbryson.com Contact me with any questions: michaelsbryson@gmail.com.
$6.95 ≈
¥50.57
Firebird Suite
Firebird Suite
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Piano seul
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AVANCÉ
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Classique
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Igor Stravinsky
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Firebird Suite
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QuantumSpace234
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1366275 Composed by Igor Stravinsky. Arranged by (This song is actually called Rush Firebird) and QuantumSpace234. Classi...
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Piano Solo - Level 5 - SKU: A0.1366275 Composed by Igor Stravinsky. Arranged by (This song is actually called Rush Firebird) and QuantumSpace234. Classical,Comedy. Score. 63 pages. QuantumSpace234 #930908. Published by QuantumSpace234 (A0.1366275). This is a version of the Firebird Suite finale that is in the style of the popular black MIDI song Rush E. I hope you enjoy.
$4.99 ≈
¥36.31
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