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Follow Me
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Vous avez sélectionné:
Follow Me
expert
Piano seul
Partitions à imprimer
21 partitions trouvées
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1
A Change In Me
A Change In Me
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Piano seul
#
AVANCÉ
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Comédie Musicale
#
Alan Menken and Tim Rice
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Lauren Carey Kevin
#
A Change In Me
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Lauren Carey Kevin
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1274047 Composed by Alan Menken and Tim Rice. Arranged by Lauren Carey Kevin. Broadway,Musical/Show. Score. 4 pages. Laur...
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Piano Solo - Level 5 - SKU: A0.1274047 Composed by Alan Menken and Tim Rice. Arranged by Lauren Carey Kevin. Broadway,Musical/Show. Score. 4 pages. Lauren Carey Kevin #866182. Published by Lauren Carey Kevin (A0.1274047). A special piano solo arrangement for the advanced player of this amazing song by Alan Menken and Tim Rice from the stage production of Disney's Beauty and the Beast.Hear me play the arrangement on my YouTube channel @laurencareykevin.Follow me on Instagram @laurencareykevin and check out my website: laurencareykevin.com.
$4.99 ≈
¥36.24
Somebody's Watching Me
Somebody's Watching Me
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Piano seul
#
AVANCÉ
#
Contemporain
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Charles J
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Whimsically Macabre (ASCAP)
#
Somebody's Watching Me
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Stacy Fahrion
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.851093 By Charles J. Rockwell. By Charles J. Rockwell. Arranged by Whimsically Macabre (ASCAP). Contemporary. Score. 3 pa...
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Piano Solo - Level 5 - SKU: A0.851093 By Charles J. Rockwell. By Charles J. Rockwell. Arranged by Whimsically Macabre (ASCAP). Contemporary. Score. 3 pages. Stacy Fahrion #3921109. Published by Stacy Fahrion (A0.851093). A solo piano arrangement of Somebody's Watching Me by Rockwell. This subtle, lyrical arrangement in C# minor is by Stacy Fahrion/Whimsically Macabre Music (ASCAP).You can find more Whimsically Macabre Music in the following places:Facebook page: https://www.facebook.com/WhimsicallyMacabreMusicrecordings: https://whimsicallymacabre.bandcamp.com/YouTube: https://www.youtube.com/user/WhimsicallyMacabreother Whimsically Macabre sheet music: https://pianopronto.com/composers-community/stacy-fahrion/
$4.99 ≈
¥36.24
"THE RIVER IN ME"
"THE RIVER IN ME"
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Piano seul
#
AVANCÉ
#
Kerry Barnes pianist and compo
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Kerry Barnes --- British Femal
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"THE RIVER IN ME"
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kerry barnes
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.969761 Composed by Kerry Barnes --- British Female Composer 1962. Concert,Contemporary,Standards. Score. 8 pages. Kerry b...
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Piano Solo - Level 5 - SKU: A0.969761 Composed by Kerry Barnes --- British Female Composer 1962. Concert,Contemporary,Standards. Score. 8 pages. Kerry barnes #5337059. Published by kerry barnes (A0.969761). A Contemporary Classical Piano Solo.A brand new piece / track for March 2020By Kerry Barnes pianist and composer in UKA RECORDING ARTIST FOR THE FOLLOWING: SPOTIFY, iTUNES, PANDORA, NAMP, WOS RADIO, EPR, ONE WORLD MUSIC RADIO and many more.Kerry is also a CLASSICAL BROADCASTER and CLASSICAL AUTHOR.Was a PIANO TEACHER for over 30 years.
$6.00 ≈
¥43.57
Amazing Grace
Amazing Grace
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Piano seul
#
AVANCÉ
#
Rafael Griffin
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Rafael Griffin
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Amazing Grace
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Rafael Griffin
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1452731 By Rafael Griffin. By Traditional American Melody. Arranged by Rafael Griffin. Christian,Easter,Religious,Sacred,...
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Piano Solo - Level 5 - SKU: A0.1452731 By Rafael Griffin. By Traditional American Melody. Arranged by Rafael Griffin. Christian,Easter,Religious,Sacred,Spiritual. Score. 5 pages. Rafael Griffin #1031974. Published by Rafael Griffin (A0.1452731). John Newton's lyrical summation of the gospel has offered great assurance to countless people who have sung this hymn down through time. It is my hope that you likewise will be inspired as you play this solo piano arrangement of the timeless hymn of faith Amazing Grace, which is set in an easygoing gospel style.To stay updated on all new releases, please follow my social channels!Click here to subscribe to my YouTube channel.Click here to follow me on Facebook.
$6.99 ≈
¥50.76
Silent Night
Silent Night
#
Piano seul
#
AVANCÉ
#
Rafael Griffin
#
Rafael Griffin
#
Silent Night
#
Rafael Griffin
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1389085 By Rafael Griffin. By Joseph Mohr. Arranged by Rafael Griffin. Advent,Christian,Christmas,Holiday,Sacred. Score. ...
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Piano Solo - Level 5 - SKU: A0.1389085 By Rafael Griffin. By Joseph Mohr. Arranged by Rafael Griffin. Advent,Christian,Christmas,Holiday,Sacred. Score. 7 pages. Rafael Griffin #972604. Published by Rafael Griffin (A0.1389085). The beloved Christmas carol, Silent Night, beautifully depicts the hushed, holy reverence surrounding the birth of Jesus Christ. This piano solo arrangement has been given an easy-going, reflective feel with a bit of light swing rhythms. Enjoy playing this classic carol as you reflect on the beauty of that silent night.To stay updated on all new releases, please follow my social channels!Click here to subscribe to my YouTube channel.Click here to follow me on Facebook.
$6.99 ≈
¥50.76
Bond Unbroken
Bond Unbroken
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Piano seul
#
AVANCÉ
#
New Age
#
Contemporain
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Matt Arnett
#
Bond Unbroken
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Matt Arnett Music
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.945547 Composed by Matt Arnett. Concert,Contemporary,New Age. Score. 6 pages. Matt Arnett Music #5952835. Published by Ma...
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Piano Solo - Level 5 - SKU: A0.945547 Composed by Matt Arnett. Concert,Contemporary,New Age. Score. 6 pages. Matt Arnett Music #5952835. Published by Matt Arnett Music (A0.945547). To me, this piece is about journeys. It's about moving on when one part of our lives comes to an end an another begins. As we go, some people stay with us - but others will exit the scene. Bond Unbroken is about the connection that we continue to have with those we have left behind, or that have left us. While they may not continue to play a prominent role in our daily lives, the relationship we have with those we love never really fades away. The performer should take time to reflect on individuals that have influenced their lives in the past.The melody features frequent off-beats and some quarter-note triplets. While the piece is not overly challenging technically, it is fairly difficult rhythmically, and is therefore most appropriate for a more mature player. The piece is about 4:00 in duration.Find more of my work at https://mattarnettmusic.com/, or follow me at https://www.facebook.com/mattarnettmusic/
$2.99 ≈
¥21.71
(they Long To Be) Close To You
(they Long To Be) Close To You
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Piano seul
#
AVANCÉ
#
The Carpenters
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Timothy Stapay
#
(they Long To Be) Close To You
#
Timothy Stapay
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1230943 By The Carpenters. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwrite...
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Piano Solo - Level 5 - SKU: A0.1230943 By The Carpenters. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #826633. Published by Timothy Stapay (A0.1230943). This arrangement of Close To You is written as performed by famous piano artist, Liberace.(They Long to Be) Close to You is a song written by Burt Bacharach and Hal David. The best-known version is that recorded by American duo the Carpenters for their second studio album Close to You (1970) and produced by Jack Daugherty. Released on May 14, 1970, the single topped both the US Billboard Hot 100 and Adult Contemporary charts. It also reached the top of the Canadian and Australian charts and peaked at number six on the charts of both the UK and Ireland. The record was certified gold by the Recording Industry Association of America (RIAA) in August 1970. Lyrics:[Verse 1]Why do birds suddenly appearEvery time you are near?Just like me, they long to beClose to you[Verse 2]Why do stars fall down from the skyEvery time you walk by?Just like me, they long to beClose to you[Bridge]On the day that you were born the angels got togetherAnd decided to create a dream come trueSo they sprinkled moon dust in your hair of goldAnd starlight in your eyes of blue[Verse 3]That is why all the girls in town (Girls in town)Follow you (Follow you) all around (All around)Just like me, they long to beClose to you[Bridge]On the day that you were born the angels got togetherAnd decided to create a dream come trueSo they sprinkled moon dust in your hair of goldAnd starlight in your eyes of blue [Verse 3]That is why all the girls in town (Girls in town)Follow you (Follow you) all around (All around)Just like me, they long to beClose to youJust like me (Just like me), they long to beClose to you[Outro]Wha, close to youWha, close to youHa, close to youWha, close to youWha, close to youWha, close to youWha, close to youWhaWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
¥65.28
Hommage an Ursula [piano solo]
Hommage an Ursula [piano solo]
#
Piano seul
#
AVANCÉ
#
Juan MarÃa Solare
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thus, there are 25 sections
#
Hommage an Ursula [piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pa...
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Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
$4.00 ≈
¥29.05
Duplicitous Heart
Duplicitous Heart
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Piano seul
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AVANCÉ
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Contemporain
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Dakota Anthony
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Duplicitous Heart
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Dakota Anthony
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by Dakota Anthony (...
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Piano Solo - Level 5 - SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by Dakota Anthony (A0.1015500). This is a 5-6 minute long piano solo piece that uses styles from blues, jazz, and contemporary genres. If you have questions please contact me at one of the following:Facebook page- https://www.facebook.com/dakanthony1Email- dakanthony1@gmail.comI write a poem for all of my songs. Hopefully it helps give a little meaning to its purpose!One songIt just takes one song to move myself to another world,And my heart beats faster.One songMakes me feel I can conquer every problem-All the world's disasters.One songIt makes my heart break and mend itself overAnd overAnd overUntil it's a whole new heartWith a whole new stature.One songI hear joy. I hear peace.But it's all for myself.It doesn't even matter.One songI don't know how to share what I hear.One songSo what I hear disappears.One songTurns to none, so I fear,And try to find another one songThat I can hold dear.One song,But it all happens again.One songBreaks a heart that's already bee mendedBy the first one song,And the heart's offended.Now there's two songs;The one song has ended.Two songs Clash and pretend thatTwo songsAre unique but they can't be - insteadTwo songsAffected the same heart.With two songsThe first's uniqueness is upended.Two songsSplit the heartHalf as powerfulAs the start,So I need another two one songsTo double the power.But the result is the same, And the dilution gets stronger.And what was difficult to share initiallyBecomes impossible because my heart isn't free.It's torn into a million piecesEach tied to a one song, each song with the thesisThat I want to share my songs to everyoneBecause of how it broke and mended my heart.But too many songs made my heart hardenedUntil the songs hardly affect a heart - just scar it.By the time I learn how to share any songThey'll all be goneJust the heart's shadow of what it longed to share.So I watch others to see if my one song was a myth.They all have one songs creating the semblance of mended heart.So my one song could only make another heart splitDiluting their one song to half as powerful as its start.
$7.99 ≈
¥58.02
Essence
Essence
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Piano seul
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AVANCÉ
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Contemporain
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Wizkid
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Steve Burks
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Essence
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Steven L. Burks
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.902515 By Wizkid. By Ayodeji Balogun, Okiemute Oniko, Richard Isong, Richard Isong Olowaranti Mbu Isong, Temilade Openiyi...
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Piano Solo - Level 5 - SKU: A0.902515 By Wizkid. By Ayodeji Balogun, Okiemute Oniko, Richard Isong, Richard Isong Olowaranti Mbu Isong, Temilade Openiyi, and Uzezi Oniko. Arranged by Steve Burks. Contemporary. Score. 10 pages. Steven L. Burks #6620083. Published by Steven L. Burks (A0.902515). This arrangement is good for Billboard Hot 100-oriented gigs, piano bars, parties, etc. It provides advanced piano students an opportunity to work on syncopation, polyphony, leaps (left hand), crossing hands, and bi-textural finger coordination (the right hand executes both the melody and aspects of the accompanying harmony). Because the piece is contemporary, it may serve to motivate students who are interested in expanding beyond traditional piano repertoire. Listen to the original recording to get a sense of what's going on; minus a few changes that I deemed necessary to address technical issues, this arrangement follows the recording closely. The duration of the arrangement is approximately 4:23. I am a member of ASCAP. My Instagram & Twitter handle is _steveburks. Contact me at steve@steveburksmusic.com. Thanks for your interest. .
$4.99 ≈
¥36.24
Quiet Nights Of Quiet Stars (corcovado)
Quiet Nights Of Quiet Stars (corcovado)
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Piano seul
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AVANCÉ
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Jazz
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Andy Williams
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Timothy Stapay
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Quiet Nights Of Quiet Stars
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1208466 By Andy Williams. By Antonio Carlos Jobim and Gene Lees. Arranged by Timothy Stapay. Film/TV,Jazz,Latin,Multicult...
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Piano Solo - Level 5 - SKU: A0.1208466 By Andy Williams. By Antonio Carlos Jobim and Gene Lees. Arranged by Timothy Stapay. Film/TV,Jazz,Latin,Multicultural,Standards,World. Score. 8 pages. Timothy Stapay #806578. Published by Timothy Stapay (A0.1208466). My piano cover arrangement of Quiet Nights Of Quiet Stars by Antonio Carlos Jobim.Corcovado (known in English as Quiet Nights of Quiet Stars) is a bossa nova song and jazz standard written by Antônio Carlos Jobim in 1960. English lyrics were later written by Gene Lees. The Portuguese title refers to the Corcovado mountain in Rio de Janeiro.Tony Bennett recorded the first popular English cover of Quiet Nights with new lyrics by Buddy Kaye in 1963.  Numerous English cover recordings then followed sometimes credited to Lees and/or Kaye and Lees, including the Andy Williams recording of the song with English lyrics, reaching #92 in the Billboard Hot 100 and #18 in the Hot Adult Contemporary Tracks chart in 1965. Also receiving air-play, contemporaneously with Andy Williams' recording of Quiet Nights, was Kitty Kallen's version. Her album, titled Quiet Nights, was released by 20th Century-Fox Records in 1964.Lyrics below:Quiet nights of quiet starsQuiet chords from my guitarFloating on the silence that surrounds usQuiet thoughts and quiet dreamsQuiet walks by quiet streamsAnd a window looking on the mountainsAnd the sea, so lovelyThis is where I want to beHere, with you so close to meUntil the final flicker of life's amberI who was lost and lonelyBelieving life was onlyA bitter tragic jokeHave found with youThe meaning of existence oh, my love
$7.99 ≈
¥58.02
Somewhere In Time (Advanced)
Somewhere In Time (Advanced)
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Piano seul
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AVANCÉ
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Film/TV
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John Barry, Various Artists
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Gavin Koh
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Somewhere In Time
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GamesWarp Studios
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Advanced - By John Barry, Various Artists. Arranged by Gavin Koh. Piano Reduction, Score, Sheet Music Single. 4 pag...
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Piano Solo, Piano/Vocal/Chords - Advanced - By John Barry, Various Artists. Arranged by Gavin Koh. Piano Reduction, Score, Sheet Music Single. 4 pages. Published by GamesWarp Studios
Here is my piano solo arrangement of John Barry's Somewhere in Time, as performed by pianist Roger Williams for the 1980 movie of the same name. I have adapted most of the important parts of the score but have left the second verse alone (it's where the orchestra takes over). I hope you enjoy listening to and playing this piece. This piece is at an advanced level.
Do follow me at https://www.facebook.com/gavinkoh1970 to stay updated on my releases.
$4.99 ≈
¥36.24
Prelude 12 in Bb Minor Dorian
Prelude 12 in Bb Minor Dorian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
¥43.50
Prelude 2 in A Minor Aolian
Prelude 2 in A Minor Aolian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden...
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Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
¥43.50
Starlit Waters
Starlit Waters
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Piano seul
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AVANCÉ
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Contemporain
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Dan Phelps
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Starlit Waters
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Phelps Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1017249 Composed by Dan Phelps. 20th Century. Score. 12 pages. Phelps Music #6082609. Published by Phelps Music (A0.10172...
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Piano Solo - Level 5 - SKU: A0.1017249 Composed by Dan Phelps. 20th Century. Score. 12 pages. Phelps Music #6082609. Published by Phelps Music (A0.1017249). Starlit Waters, the 8th track from the debut album Reflections (2010). This is where it all began 'seriously' for me. Written in 1999, this piece won first prize in a composition competition and very much became the start of the journey of the whole album for the following 10 years! This was composed at a time in my life when I was using my pianistic skills to challenge my writing and vice versa. It was also at a time in my creative journey when I liked to cram as many different ideas into a piece of music as I possible could, something which I've been criticised for for my entire professional life (tough cookies I say!). It's definitely no coincidence that my interest in creating 'surprise' with sudden changes in music coincided with having Bohemian Rhapsody on constant repeat when was a kid!
$3.00 ≈
¥21.79
Prelude 4 in D Minor Phrygian
Prelude 4 in D Minor Phrygian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
¥43.50
Prelude 5 in Bb Major Lydian
Prelude 5 in Bb Major Lydian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 5 in Bb Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
¥43.50
Prelude 13 in F# Major Ionian
Prelude 13 in F# Major Ionian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 13 in F# Major Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
¥43.50
Prelude 8 in C Minor Aolian
Prelude 8 in C Minor Aolian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 8 in C Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
¥43.50
Rachmaninoff Piano Concerto No. 2 Op. 18 Concert Transcription for Solo Piano (Second Movement)
Rachmaninoff Piano Concerto No. 2 Op. 18 Concert Transcription for Solo Piano (Second Movement)
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Piano seul
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AVANCÉ
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Classique
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Philip Kim
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Philip Kim
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Rachmaninoff Piano Concerto No
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Philip Kim
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SheetMusicPlus
By Philip Kim. By Sergei Rachmaninoff (1873-1943). Arranged by Philip Kim. 150, 20th Century, Classical, Romantic Period. Score. 14 pages. Philip Kim ...
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By Philip Kim. By Sergei Rachmaninoff (1873-1943). Arranged by Philip Kim. 150, 20th Century, Classical, Romantic Period. Score. 14 pages. Philip Kim #728774. Published by Philip Kim
This is my best transcription so far IMHO. I have loved this concerto for many years but without an orchestral accompaniment the piece feels like one without the significant other. So after searching for a solo piano score for a long time without success I decided to do my own after finding a fan-based arrangement. It wasn\'t a bad arrangement but I felt it was missing a lot of the original piano part. I have done my best to stay faithful to the original piano part without being unplayable. But it is difficult. Unfortunately, I don\'t have a recording of this (it\'ll take me about a year practice to a performance level) but please follow the score along with the original piano and orchestra performance by Evgeny Kissin.
$10.00 ≈
¥72.62
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