Partitions Numériques de French Horn pour Piano seul

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French Horn
Non classifié 117

Piano & claviers
Piano seul 3

Orgue 1
Piano, Voix 1

Guitares
Banjo 2

Voix
Voix duo, Piano 1
Voix Baryton, Piano 1

Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 25
Flûte, Hautbois, Clarinette, Basson 7
Quatuor de Clarinettes: 4 clarinettes 3
Hautbois, Piano (duo) 1
2 Saxophones, Piano 1

Saxophone Tenor et Piano 1

+ 1 instrumentations

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Cuivres
Cor (partie séparée) 166
Cor 148
Cor et Piano 125
Quatuor de cuivres: 4 cors 49
2 Cors (duo) 29

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 27
Ensemble de Cors 13
Quatuor de Cuivres : 2 trompettes, trombone, tuba 13
Quatuor de Cuivres 4
Quatuor de Cuivres: 2 trompettes, Cor, trombone 4
Trompette, Cor (duo) 4
3 Cors (trio) 3
Cor et Harpe 2
2 Trombones (duo) 2
Trombone et Piano 1
Cor et Basson (duo) 1
Cor, Violoncelle (duo) 1
Trombone, Cor (duo) 1
Trompette 1
Trombone 1

+ 15 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 8

Percussions & orchestre
Orchestre 24
Ensemble de cuivres 13
Ensemble Jazz 9
Orchestre d'harmonie 8
Orchestre de chambre 5

Ensemble de Percussions 1
Fanfare 1

+ 2 instrumentations

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3 partitions trouvées

It Came Upon the Midnight Clear

It Came Upon the Midnight Clear #Piano seul #AVANCÉ #Noël #Richard Storrs Willis #Terrence Niska #It Came Upon the Midnight Clea #Niska Music Publishing #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.950926 Composed by Richard Storrs Willis. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #...(+)

Piano Solo - Level 5 - SKU: A0.950926 Composed by Richard Storrs Willis. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6466297. Published by Niska Music Publishing (A0.950926). What if Chopin had written a Christmas carol? It may have sounded something like this. There is a definite pastoral atmosphere to this arrangement, giving it the feeling of one of his Nocturnes. The gently flowing river of the left hand in the first section provides the support for the melody as it weaves its way in and out of the eighth notes of the right hand. The second verse takes a more chordal approach to the music with the tune being played in octaves while the off-beat rhythms provide a french horn-like accompaniment. Suddenly, there is a burst of energy as the chorus rings out in left hand octaves while the right hand gives the impression of a sudden gust of wind. There is a return to the chordal section and ultimately to the flowing river of the opening before a final statement of the melody (though somewhat altered) over a pedal point brings the prelude to a very quiet and peaceful close.

$3.99 ≈ 3.62€

The Last Time I Saw Paris

The Last Time I Saw Paris #Piano seul #AVANCÉ #Classique #101 String Orchestra #Timothy Stapay #The Last Time I Saw Paris #Timothy Stapay #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,...(+)

Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace.Â It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940.Â It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. WÅ‚adziu Valentino Liberace(May 16, 1919 â€“ February 4, 1987) was an American pianist, singer, and actor.Â A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHÐµr trees were dressÐµd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsÂ The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to singÂ I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn

$8.99 ≈ 8.15€

PIANO SONATA

PIANO SONATA #Piano seul #AVANCÉ #Aaron Robinson #PIANO SONATA #Music at Immanuel #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Mus...(+)

Piano Solo - Level 5 - SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Music at Immanuel (A0.1477723). Dedicated to pianist Eric Xi Xin Liang, PIANO SONATA by American composer Aaron Robinson is a programmatic work on a monumental scale. Composed in four movements representing four areas of Maine: Machigonne (Portland), Down East, Malaga Island and Katahdin, each paints a detailed portrait of a specific time and place in the State’s history. Its compositional structure draws heavily on the sights and sounds associated with each region while weaving original themes throughout. Mimesis is used to represent the native calls of the indigenous birds found within the state, such as the phoebe, bobolink and the pileated woodpecker; while hymns, songs and sea shanties are incorporated to represent various time periods. Movement I - MACHIGONNE - Native Americans originally named what is today the Portland peninsula of Maine “Machigonne”, which translates “Great Neck”. The movement quotes several sacred and ritual songs of the Passamaquoddy Tribe of Maine. The struggle between centuries of habitation by the native peoples of the area is represented by the arrival of early settlers and illustrated by juxtaposing hymn tunes and dance music of the past eras.Movement II - DOWN EAST - is the eastern coastal area of the state closely associated with the French territory of Acadia. Replete with historic sea shanties and tunes, the sound of tolling ship and buoy bells, lighthouse fog horns, and ocean winds are intertwined to create a high-spirited journey which culminates in the familiar Shaker tune from Alfred, Maine.Movement III - MALAGA ISLAND - Today an uninhabited reserve, Malaga Island was once the home to an interracial community dating from the 1860s to 1911, when its residents were forcibly evicted by the State. The opening theme represents the remnants of the island in its present state; haunted by the memories and unsettling muted solitude of the past and its historical injustice. A peaceful hymn depicting simpler times becomes slowly unraveled, erupting in a traumatic chaos that is never resolved. A ghostly refrain can be heard in the distance as the movement concludes.Movement IV - KATAHDIN - Mount Katahdin (“Catahdrin”), called “Great Mountain” by the Penobscot Native Americans, is located within the Northeast Piscataquis County, the northern terminus of the Appalachian Trail. The grandeur of its majesty is portrayed by the original themes depicting epic rising and falling passages traversing over centuries. Native Americans believed the mountain to be the home of the storm god Pamola (a place to be avoided), which is characterized by ever-changing major and minor keys within the often times turbulent motifs. The sonata ends in a tonal key: bringing the atonality and discordant change of the work and its representation as a whole to a final resolve.PIANO SONATA lasts approximately 25 minutes.

$9.99 ≈ 9.06€

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