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Vous avez sélectionné:
I Found A Way
expert
Piano seul
Partitions à imprimer
16 partitions trouvées
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1
3 Preludes for a Quarantine for Solo Piano
3 Preludes for a Quarantine for Solo Piano
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Piano seul
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AVANCÉ
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Contemporain
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Anthony Bannach
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3 Preludes for a Quarantine fo
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Anthony Bannach Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published...
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Piano Solo - Level 5 - SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published by Anthony Bannach Music (A0.995184). I hope everyone has been doing well during this crazy time. Originally I wrote these preludes as parts of composing exercises for Alan Belkin's book Music Composition: Craft and Art. They sat around for a bit until during the quarantine when I took a look at them again. I realized that these pieces had a lot of character to them, and they were quite distinct in nature. The first movement is a simple ternary form piece which begins and ends in the key of g minor and has a very neo-romantic tonal space. The B section is a brisk, more straight-forward tonal texture, but has a fun little twist sequencing up near the end of the section. The second movement was composed with the B vs Bb dichotomy functioning as a germinating cell for the rest of the movement's material. More impressionistic and mysterious than the other two movements, it also lacks a more traditional formal structure, instead relying on the development of motivic cells to make the movement cohere together in a logical way. The third movement is also a modified ternary movement, but with the A sections being played at different speeds, and the second A ending having an outro section attached. The B section is also more like a sonata form developmental section (without the required tonic-dominant modulatory feature). This movement is not only tonally very colorful, but also dynamic in regards to tempo, slowing and quickening often, giving the piece a continual sense of renewed spirit. Rather than just release the preludes as seperate pieces, I found that when played in a certain sequence, they represent a progression of mental and spiritual being that many people have, including myself, been going through during this time. As such, I made them into a suite. If it brings you a little bit of joy or excitement during this time (and after this is over), that's all that I can hope for.
$10.00 ≈
9.24€
When I Survey the Wondrous Cross (Hymn Tune: Rockingham)
When I Survey the Wondrous Cross (Hymn Tune: Rockingham)
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Piano seul
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AVANCÉ
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Musique Sacrée
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Anonymous-Harmonized by Edward
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Judith L
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When I Survey the Wondrous Cro
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Maggs
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.821392 Composed by Anonymous-Harmonized by Edward Miller. Arranged by Judith L. Maggs. Christian,Easter,Religious,Sacred....
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Piano Solo - Level 5 - SKU: A0.821392 Composed by Anonymous-Harmonized by Edward Miller. Arranged by Judith L. Maggs. Christian,Easter,Religious,Sacred. Score. 5 pages. Maggs #6323515. Published by Maggs (A0.821392). Although I'd originally planned to arrange the Hamburg tune for this lovely Isaac Watts hymn, which is the tune I've always known, I found myself drawn to the alternate tune: Rockingham. The stately beauty of this tune is a wonderful setting for Watts' hymn words.
$2.99 ≈
2.76€
Wayfarin Stranger / I Need Jesus to Walk with Me (2 for 1 PIANO Arrangements)
Wayfarin Stranger / I Need Jesus to Walk with Me (2 for 1 PIANO Arrangements)
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Piano seul
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AVANCÉ
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Traditional
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Dr Jerry Nelson
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Wayfarin Stranger / I Need Jes
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Jerry Nelson
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.874865 Composed by Traditional. Arranged by Dr Jerry Nelson. Jazz,Spiritual. Score. 14 pages. Jerry Nelson #3627733. Publ...
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Piano Solo - Level 5 - SKU: A0.874865 Composed by Traditional. Arranged by Dr Jerry Nelson. Jazz,Spiritual. Score. 14 pages. Jerry Nelson #3627733. Published by Jerry Nelson (A0.874865). Another of Jerry Nelson's Signature JAZZ arrangements. Receive both levels (4+ and 6) for the price of one! (The AUDIO DEMO is performed at the higher level). Arranged for use with this cool Accompaniment Track with 'Take 6' vocals - #SO.409985. Time: 4:06 Not suitable to be played as a Standalone.DO YOU or a Friend or Student PLAY ONE OF THESE: FL, OB, CL, ASX, TSX, HN, TPT, TBN, VLN, VLA, CEL? Tell them where you found the needle in the haystack. SEARCH: Jerry Nelson (plus the name of Instrument). Visit www.JerryNelsonMusic.com for a FREE 15-song Mega-Medley of Arrangements & Audio Demo!
$4.99 ≈
4.61€
Like a River Glorious with We Shall Walk Through the Valley in style of Chopin
Like a River Glorious with We Shall Walk Through the Valley in style of Chopin
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Piano seul
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AVANCÉ
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Musique Sacrée
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James Mountain and American Sp
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Heather Knezevich
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Like a River Glorious with We
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Songs of Praise
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.914315 Composed by James Mountain and American Spiritual. Arranged by Heather Knezevich. Christian,Praise & Worship,Sacre...
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Piano Solo - Level 5 - SKU: A0.914315 Composed by James Mountain and American Spiritual. Arranged by Heather Knezevich. Christian,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Songs of Praise #6273063. Published by Songs of Praise (A0.914315). This advanced piano arrangement features a hymn (Like a River Glorious) and an American Spiritual (We Shall Walk through the Valley in Peace) on the theme of God's Peace. Written in the style of Chopin's Nocturne in F Major, Op. 15, No. 1, it features a simple melodic line with a LH triplet bass. The middle section changes key and mood as the spiritual begins, with more intensity and motion. The opening section repeats and then continues to the final coda. The piece is suitable for piano solo, church prelude, or recital piece. It reflects on the reassuring peace of knowing God.Like a river glorious is God's perfect peace // Over all victorious in its bright increase;//Perfect, yet it floweth fuller ev'ry day;// Perfect, yet it groweth deeper all the way.//Stayed upon Jehovah, Hearts are fully blest // Finding as He promised, Perfect peace and rest.The spiritual gives the simple, but profound truth that Jesus will help us through the valleys of life.We shall walk through the valley in peace; we shall walk through the valley in peace.Refrain: If Jesus himself shall be our leader, we shall walk through the valley in peace.I am an independent composer, piano teacher, and church pianist. This is one of many arrangements I have written for church. I would love to hear your feedback on my arrangements!
$3.99 ≈
3.69€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano seul
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AVANCÉ
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
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Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
3.69€
Waltz No. 1 (2020)
Waltz No. 1 (2020)
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Piano seul
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AVANCÉ
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Gerald W
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Waltz No. 1
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Gerald W. Gabbard
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1427785 Composed by Gerald W. Gabbard. 21st Century. Score. 6 pages. Gerald W. Gabbard #1008525. Published by Gerald W. G...
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Piano Solo - Level 5 - SKU: A0.1427785 Composed by Gerald W. Gabbard. 21st Century. Score. 6 pages. Gerald W. Gabbard #1008525. Published by Gerald W. Gabbard (A0.1427785). Thank you for your interest in this advanced piano solo piece I composed during the first year of the COVID-19 Pandemic. I found a sense of hope and optimism from performing this light waltz, despite that the vaccine was still many months away at that point and things were looking grim.The waltz is written pretty much in an Intro-A-B-A'-Coda form. While the tempo is listed as “Moderately,” do not play it too quickly. There are some elements of B-flat Lydian interspersed.Regarding articulation: I use tenuto and accent + tenuto marks frequently in my compositions. I tend to use them mostly as indications for the melody and/or notes that should be emphasized or brought out. I never intend the accent + tenuto to be harsh, but it should be stronger than the tenuto alone.This is the first of eight waltzes for piano I composed between September 2020 and April 2024. I intend to have a collection of all eight available for sale in addition to individual pieces. The available recording on Arrange Me and Sheet Music Plus is an export from Finale – not a live performance. I hope you enjoy playing this piece! Gerald Gabbard.
$4.99 ≈
4.61€
It Don't Mean A Thing (Ellingthoven)
It Don't Mean A Thing (Ellingthoven)
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Piano seul
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AVANCÉ
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Jazz
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Duke Ellington
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It Don't Mean A Thing
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Bradley Sowash Music
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SheetMusicPlus
By Duke Ellington. Arranged by Bradley Sowash. Individual Part. 12 pages. Published by Bradley Sowash Music ...
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By Duke Ellington. Arranged by Bradley Sowash. Individual Part. 12 pages. Published by Bradley Sowash Music
Great for encores!
Suppose the great American jazz composer Duke Ellington and classical music giant Beethoven meet in heaven. They would find they have a lot in common. Both epitomize their musical time, place, and culture. Both are powerful pianists widely admired for their improvisational abilities. They decide to collaborate. Beethoven insists on creating the introduction and a cadenza (the point near the end of concertos where the featured musician tries to squeeze in as many notes as possible into a small amount of time). Ellington agrees to handle the main theme allowing room for improvisation along the way. Together, they hammer out a piece sadly destined only for celestial ears unless some mortal can be found to perform it for earthlings. I'm the lucky one they choose. This is the result.
$6.99 ≈
6.46€
Suite for Piano
Suite for Piano
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Piano seul
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AVANCÉ
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Contemporain
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published...
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Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s RusÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂrian melody, and a barely-recognizÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂcital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor SoÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a reÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively secÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂprised the next mornÂing when I went to the muÂsic library and listened to a reÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂcided to base my middle movement (the slow movement) around the theme of BeethoÂven’s scherzo, making it the hidÂden theme for a short set of variations. The end of the movement also contains less direct referÂences to the music of Brahms (very short alluÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00 ≈
11.09€
Il est né
Il est né
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Piano seul
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AVANCÉ
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Noël
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Michael Swedberg
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Terrence Niska
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Il est né
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125770 By Michael Swedberg. By Traditional French Carol. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Sco...
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Piano Solo - Level 5 - SKU: A0.1125770 By Michael Swedberg. By Traditional French Carol. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726510. Published by Niska Music Publishing (A0.1125770). This song has a long history with me. I first wrote a five-part vocal to be sung by the group Five By Design (of which I was a member) back in the late 1990s or early 2000s. Unfortunately, it never found its way in to our repertoire. It sat on my computer for quite a few years before I revised it to be sung as a trio with my brother, Kurt, and his wife, Lorie. I had written a vocal arrangement of the carol for us to sing at some Christmas concerts and a few years later, when putting this album together, I returned to the first chart and adapted it for piano solo. The meter of the song moves back and forth between 3/4 and 2/4 and conveys the joy and hopefulness of the opening lyrics: “He is born, the Divine Child, Play the oboe, resound the bagpipes. He is born, the Divine Child, Let us all sing of his arrival.†It is this combination of instruments that I tried to emulate in the introduction, with the bagpipes in the left hand and the oboes in the right. When the tune proper begins, there is a definite rhythmic vitality that is maintained throughout the prelude as it celebrates the long-awaited birth of Jesus as foretold by the prophets over 4,000 years ago. From start to finish, the influence of both George Winston and Mannheim Steamroller can be heard in the music.
$3.99 ≈
3.69€
Drivin'!
Drivin'!
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Piano seul
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AVANCÉ
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Kathleen Ryan
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Drivin'!
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1206657 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Contemporary,Pop. Score. 11 pages. Indigo Mesa Music LLC #804...
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Piano Solo - Level 5 - SKU: A0.1206657 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Contemporary,Pop. Score. 11 pages. Indigo Mesa Music LLC #804835. Published by Indigo Mesa Music LLC (A0.1206657). Piano solo as composed and performed by Kathleen Ryan on her CD Drivin‘!Kathleen’s notes: “This is a piece written by my car (my first car, the little red Toyota Tercel that considered itself to be a sports car). Back in the day, when my solo performing career was just getting off the ground, I hit the first composing dry spell of my entire life. As I am certainly not prone to exaggeration or wild mood swings, I naturally knew that never again would I compose another piece of music; and, needless to say, I found that a bit depressing.“While driving home from a gig, through the Iowa vastness, I was brooding over the loss of my fledgling career as a musician, when I noticed that my car’s odometer read 22122. I have always loved symmetric numbers! And I quickly realized that 22122 can be notes of the scale, say D-D-C-D-D. I listened to that, then saw that the odometer had turned over to 22123: D-D-C-D-E. The rest, as they say, is history. Oh, the total stops (rests) near the beginning are stop signs; you’ll find several in every midwestern town you are wishing you could speed through! I should also say (because my first car would like me to): whenever in this piece I was a bit stuck for music, all I had to do was get out on the open road and drive a bit and more music would come. Which is the other reason I say the piece was written by my car.“The music travels through a landscape that is totally unexpected, before having a mellow time in the big city that night. (Again, true to life on the road in my first car.)â€Advanced. Must be able to handle syncopation, large reaches, leaps—and perform with attitude.
$5.25 ≈
4.85€
Bagattella n° 1 op. 102
Bagattella n° 1 op. 102
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Piano seul
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AVANCÉ
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Contemporain
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Eraldo Di Addario
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Bagattella n° 1 op. 102
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Eraldo Di Addario
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.991864 Composed by Eraldo Di Addario. Contemporary. Score. 3 pages. Eraldo Di Addario #4579915. Published by Eraldo Di Ad...
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Piano Solo - Level 5 - SKU: A0.991864 Composed by Eraldo Di Addario. Contemporary. Score. 3 pages. Eraldo Di Addario #4579915. Published by Eraldo Di Addario (A0.991864). This Bagattella is very hard to play (I think, I'm a guitarist) but beautiful. You can play it in concert also for money and sell the CD. Always tell I'm the composer and where you found it. If you want to receive news by me, send me your e-mail at compositoreitaliano@gmail.comThanks.
$4.99 ≈
4.61€
Brazil
Brazil
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Piano seul
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AVANCÉ
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The Ritchie Family
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Timothy Stapay/Liberace
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Brazil
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1217783 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Timothy Stapay/Liberace. Film/TV,Jazz,Latin,S...
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Piano Solo - Level 5 - SKU: A0.1217783 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Timothy Stapay/Liberace. Film/TV,Jazz,Latin,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #814316. Published by Timothy Stapay (A0.1217783). This arrangement of Brazil is written as performed by famous piano artist, Liberace. This is the same version that he performed on his emmy-award winning TV. show and in concerts around the world.Aquarela do Brasil (Portuguese: [akwaˈɾɛlÉ du bɾaˈziw], 'Watercolor of Brazil'), written by Ary Barroso in 1939 and known in the English-speaking world simply as Brazil, is one of the most famous Brazilian songs. Ary Barroso wrote Aquarela do Brasil in early 1939, when he was prevented from leaving his home one rainy night due to a heavy storm. Its title, a reference to watercolor painting, is a clear reference to the rain. He also wrote Três lágrimas (Three Teardrops) on that same night, before the rain ended.Describing the song in an interview to Marisa Lira, of the newspaper Diário de NotÃcias, Barroso said that he wanted to free the samba away from the tragedies of life, of the sensual scenario already so explored. According to the composer, he felt all the greatness, the value and the wealth of our land, reliving the tradition of the national panels.WÅ‚adziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:Brazil, where hearts were entertaining JuneWe stood beneath an amber moonAnd softly murmured Someday soonWe kissed and clung togetherThen, tomorrow was another dayThe morning found me miles awayWith still a million things to sayNow, when twilight dims the skies aboveRecalling thrills of our loveThere's one thing I'm certain ofReturn, I will, to old BrazilThen, tomorrow was another dayThe morning found me miles awayWith still a million things to sayNow, when twilight dims the sky aboveRecalling thrills of our loveThere's one thing that I'm certain ofReturn, I will, to old BrazilThat old BrazilMan, it's old in BrazilBrazil, Brazil
$8.99 ≈
8.31€
Winter Storm
Winter Storm
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Piano seul
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AVANCÉ
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J
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Winter Storm
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.744622 Composed by J.S. Bach / Elena Fortin. 20th Century,Classical,Contemporary,Romantic Period. Score. 5 pages. Elena F...
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Piano Solo - Level 5 - SKU: A0.744622 Composed by J.S. Bach / Elena Fortin. 20th Century,Classical,Contemporary,Romantic Period. Score. 5 pages. Elena Fortin #4717613. Published by Elena Fortin (A0.744622). Winter StormYears ago, I played the Bach Prelude in C Minor (BMV 999) in the RCM books. It can now be found in the Level 6 Repertoire Book of the Celebration Series by the Royal Conservatory of Music. As a creative challenge, I thought to myself: What would happen if I took the Prelude, and put it ALL in the left hand. And what would happen if some furious diva decided to play a melody over the top of this prelude? This piece is the result: a fantastic, Chopinesque remix of JS Bach. I stayed true to the Prelude wherever possible, sticking to the glorious harmonies that were explored by his genius. The melody came out stormy–and since I live in Canada, it became the perfect title. Winter Storm.The piece is challenging as a solo recital piece, but well-worth learning if you are a fan of Bach and Chopin. The left hand never stops–and has some challenging leaps and booming bass notes. The right hand is challenged with odd rhythmic subdivisions, 3’s against 2’s being one of my favourites, as well as a challenging 11 against 4 flurry of notes. Further challenges include a RH double note pattern at the end, trills, and ornaments. If you want an extra challenge, you could always play it faster–my speed in the video is conservative, only because I was trying to make sure I got the correct notes! Please visit my website: www.the-piano-studio.com to check out what I'm up to. If you would like to keep up to date with my work, please subscribe to my YouTube Channel here: https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg
$4.99 ≈
4.61€
All The Things You Are
All The Things You Are
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Piano seul
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AVANCÉ
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Jazz
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Jack Leonard with Tommy Dorsey
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Timothy Stapay
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All The Things You Are
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Br...
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Piano Solo - Level 5 - SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #832776. Published by Timothy Stapay (A0.1237260). This arrangement of All The Things You Are is written as performed by piano artist, Liberace. It has an extended introduction based up the theme from Rachmaninoff's 2nd Piano Concerto.All the Things You Are is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.The song was written for the musical Very Warm for May (1939)and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. It appeared in the film Broadway Rhythm (1944) when it was sung by Ginny Simms, and again in the Kern biopic Till the Clouds Roll By (1946), sung by Tony Martin.Popular recordings of the song in 1939 were by Tommy Dorsey and His Orchestra (vocal by Jack Leonard), Artie Shaw and His Orchestra (vocal by Helen Forrest) and Frankie Masters and His Orchestra (vocal by Harlan Rogers). The song has been recorded by a plethora of artists. It is considered a jazz standard.Lyrics:Time and again I've longed for adventure Something to make my heart beat the faster What did I long for? I never really knew Finding your love I've found my adventure  Touching your hand, my heart beats the faster  All that I want in all of this world is you  [Chorus:]  You are the promised kiss of springtime  That makes the lonely winter seem long  You are the breathless hush of evening  That trembles on the brink of a lovely song You are the angel glow that lights a star The dearest things I know are what you are  Some day my happy arms will hold you  And some day I'll know that moment divine When all the things you are, are mineWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
8.31€
Free n° 1 op. 131
Free n° 1 op. 131
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Piano seul
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AVANCÉ
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Contemporain
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Jazz
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Eraldo Di Addario
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Free n° 1 op. 131
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Eraldo Di Addario
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.991870 Composed by Eraldo Di Addario. Contemporary,Jazz. Score. 6 pages. Eraldo Di Addario #4580397. Published by Eraldo ...
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Piano Solo - Level 5 - SKU: A0.991870 Composed by Eraldo Di Addario. Contemporary,Jazz. Score. 6 pages. Eraldo Di Addario #4580397. Published by Eraldo Di Addario (A0.991870). This is a hard piece. You can play it in concert also for money and sell the CD. Always tell I'm the composer and where you found the score. If you want to receive news by me (new releases etc.) please send your e-mail at compositoreitaliano@gmail.comThanks
$6.99 ≈
6.46€
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