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I Was With You
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Vous avez sélectionné:
I Was With You
expert
Piano seul
Partitions à imprimer
74 partitions trouvées
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Yesterday, When I Was Young (hier Encore)
Yesterday, When I Was Young (hier Encore)
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Piano seul
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AVANCÉ
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Roy Clark
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Timothy Stapay
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Si...
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Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99 ≈
5.55€
Smoke Gets In Your Eyes
Smoke Gets In Your Eyes
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Piano seul
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AVANCÉ
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The Platters
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Timothy Stapay
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Smoke Gets In Your Eyes
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,...
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Piano Solo - Level 5 - SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #821814. Published by Timothy Stapay (A0.1225761). Smoke Gets In Your Eyes is arranged as played by piano artist, Liberace.This version is from the rare early album Liberace At Home. Smoke Gets in Your Eyes is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin,[1] on October 13, 1933. On October 30, 1946, Nat King Cole recorded the song in his trio with Oscar Moore on guitar and Johnny Miller on double bass, during a live broadcast from New York City.[10] Cole performed it on television in 1957 for The Nat King Cole Show. Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics below:They asked me how I knewMy true love was trueI of course repliedSomething here inside cannot be deniedThey said someday you'll find all who love are blindWhen your heart's on fire,You must realize, smoke gets in your eyesSo I chaffed them and I gaily laughedTo think they could doubt my loveYet today my love has flown away,I am without my love (without my love)Now laughing friends derideTears I cannot hideSo I smile and sayWhen a lovely flame dies, smoke gets in your eyes(Smoke gets in your eyes, smoke gets in your eyes)Smoke gets in your eyes
$8.99 ≈
8.33€
It Came upon the Midnight Clear with adaptations from Chopin's Nocturne Op. 9, No. 2
It Came upon the Midnight Clear with adaptations from Chopin's Nocturne Op. 9, No. 2
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Piano seul
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AVANCÉ
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Richard S
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Renee Hyche McKee
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It Came upon the Midnight Clea
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Renee H. McKee
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.835640 Composed by Richard S. Willis, Frederick Chopin. Arranged by Renee Hyche McKee. Christian,Christmas,Concert,Romant...
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Piano Solo - Level 5 - SKU: A0.835640 Composed by Richard S. Willis, Frederick Chopin. Arranged by Renee Hyche McKee. Christian,Christmas,Concert,Romantic Period,Sacred. Score. 4 pages. Renee H. McKee #5030195. Published by Renee H. McKee (A0.835640). While out on a winter’s walk one evening, I was thinking through the lovely It Came upon the Midnight Clear, and without any warning, Chopin’s exquisite Nocturne in E-flat, Op. 9, No. 2 kind of crept in and curled itself around the Midnight melody and made itself at home. The result is this gentle mashup of these two beauties in a piano solo.Most of us do not have tons of time to practice, but the original Chopin left hand chords and leaps are daunting, so I have modified the bass notes without losing the composer’s harmonic intentions. Also the original time signature of 12/16 has been changed to 6/8, a more familiar friend and is compatible with It Came upon the Midnight Clear. There are some suggested fingerings in a few places. Use pedal at your trained ear’s discretion.I played this piece as a Prelude for our church Christmas Eve Candlelight Service, and the mood that it set was heavenly. Enjoy, and I hope you or your advancing students enjoy playing this at your next holiday event!
$4.99 ≈
4.63€
The Hymns of Charles Wesley - Six piano arrangements of tunes associated with Wesley hymns
The Hymns of Charles Wesley - Six piano arrangements of tunes associated with Wesley hymns
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Piano seul
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AVANCÉ
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Various
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Judith L
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The Hymns of Charles Wesley -
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Maggs
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1124422 Composed by Various. Arranged by Judith L. Maggs. Christian,Religious,Spiritual. Score. 28 pages. Maggs #725168. ...
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Piano Solo - Level 5 - SKU: A0.1124422 Composed by Various. Arranged by Judith L. Maggs. Christian,Religious,Spiritual. Score. 28 pages. Maggs #725168. Published by Maggs (A0.1124422). Pinterest updates Charles Wesley (1707-1788) was the younger brother of John Wesley, founder of the Methodist Church. He was a prolific hymn writer who wrote over 6500 hymns, many of which are still regularly sung today. This collection features 6 of those hymns, using the tunes that are most associated with Wesley’s words. Included are “And Can It Be that I Should Gain,†“‘O For a Thousand Tongues to Sing,†“Love Divine, All Loves Excelling,†“I Want a Principle Within,†“Praise the Lord Who Reigns Above,†and “Jesus, Lover of My Soul†(using both Martyn and Aberystwyth). Each of these arrangements is also published individually on this site.
$9.99 ≈
9.26€
We Gather Together - Vol. 2 - Bradley Sowash
We Gather Together - Vol. 2 - Bradley Sowash
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Piano seul
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AVANCÉ
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Musique Sacrée
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Bradley Sowash
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Bradley Sowash
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We Gather Together - Vol. 2 -
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Bradley Sowash
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1153721 By Bradley Sowash. By Bradley Sowash. Arranged by Bradley Sowash. Christian,Jazz,Praise & Worship,Religious,Spiri...
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Piano Solo - Level 5 - SKU: A0.1153721 By Bradley Sowash. By Bradley Sowash. Arranged by Bradley Sowash. Christian,Jazz,Praise & Worship,Religious,Spiritual. Score. 53 pages. Bradley Sowash #753982. Published by Bradley Sowash (A0.1153721). Best loved hymns and spirituals transformed Arranger’s description The songs in this collection represent some of the best-loved hymns and spirituals in America. Their durability is intriguing. Generations of handing down new renditions have reduced them to their essential qualities. This ‘essence’ offers a composer and musician plenty of room for interpretation and improvisation. Memorable melodies such as these make great material for variations since the listener, knowing the tune so well, can appreciate its changing directions. I also find new vitality by underpinning old songs with modern rhythmic textures: what jazz musicians call the groove. Shorter songs call for original but stylistically similar additional sections. The addition of blue notes, favorite licks, alternative harmonies and improvisations helps me reinterpret this familiar music into nearly original compositions. Having sought to make them my own, I now invite you to do the same. Publisher's description In his unique, rhythmic style, Sowash transforms some of the best-loved hymns and spiritual songs of all time into nearly original selections for solo jazz piano. Chord symbols are included to encourage improvisation and ensemble arrangements. - Augsburg Fortress.
$19.95 ≈
18.49€
I'll Be Seeing You
I'll Be Seeing You
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Piano seul
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AVANCÉ
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Etta James
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Timothy Stapay
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I'll Be Seeing You
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1270685 By Etta James. By Irving Kahal and Sammy Fain. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Sin...
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Piano Solo - Level 5 - SKU: A0.1270685 By Etta James. By Irving Kahal and Sammy Fain. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #863059. Published by Timothy Stapay (A0.1270685). This arrangement of I'll Be Seeing You is written as performed by legendary piano artist, Liberace. It's based on a rare piano solo version rather than thevocal version, that Liberace would often sing on his shows. I'll Be Seeing You is a popular song about missing a loved one, with music by Sammy Fain and lyrics by Irving Kahal.  Published in 1938, it was inserted into the Broadway musical Right This Way, which closed after fifteen performances. The title of the 1944 film I'll Be Seeing You was taken from this song at the suggestion of the film's producer, Dore Schary. The song is included in the film's soundtrack. Lyrics:I'll be seeing you in all the old familiar placesThat this heart of mine embraces all day throughIn that small cafe, the park across the wayThe children's carousel, The chestnut trees, the wishing wellI'll be seeing you in every lovely summer's dayIn everything that's light and gayI'll always think of you that wayI'll find you in the morning' sunAnd when the night is newI'll be looking at the moonBut I'll be seeing youI'll find you in the morning sunAnd when the night is newI'll be looking at the moonBut I'll be seeing you.
$8.99 ≈
8.33€
God Rest You Merry, Gentlemen
God Rest You Merry, Gentlemen
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Piano seul
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AVANCÉ
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Noël
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the second verse the hands hav
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Traditional English Carol
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Terrence Niska
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God Rest You Merry, Gentlemen
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.950925 Composed by Traditional English Carol. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishi...
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Piano Solo - Level 5 - SKU: A0.950925 Composed by Traditional English Carol. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6466293. Published by Niska Music Publishing (A0.950925). Beginning with a dramatic introduction inspired by Bach, this prelude is much darker in tone than most Christmas carols. The first verse has the left hand crossing over to play the single note melody as the right continues the pulsating rhythm established at the start. By the second verse the hands have resumed their normal position, but now the melody is heard among a flurry of notes and must be brought out to the listener. As I was writing this, I had images of A Christmas Carol floating through my mind, particularly when the ghost of Christmas-yet-to-come visits Ebeneezer and convinces him to change his ways. This leads to the change of key from minor to major for the final section with a more Chopinesque feeling to the music as the melody returns to the left hand while the right swirls above.
$3.99 ≈
3.70€
All The Things You Are
All The Things You Are
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Piano seul
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AVANCÉ
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Jazz
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Jack Leonard with Tommy Dorsey
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Timothy Stapay
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All The Things You Are
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Br...
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Piano Solo - Level 5 - SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #832776. Published by Timothy Stapay (A0.1237260). This arrangement of All The Things You Are is written as performed by piano artist, Liberace. It has an extended introduction based up the theme from Rachmaninoff's 2nd Piano Concerto.All the Things You Are is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.The song was written for the musical Very Warm for May (1939)and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. It appeared in the film Broadway Rhythm (1944) when it was sung by Ginny Simms, and again in the Kern biopic Till the Clouds Roll By (1946), sung by Tony Martin.Popular recordings of the song in 1939 were by Tommy Dorsey and His Orchestra (vocal by Jack Leonard), Artie Shaw and His Orchestra (vocal by Helen Forrest) and Frankie Masters and His Orchestra (vocal by Harlan Rogers). The song has been recorded by a plethora of artists. It is considered a jazz standard.Lyrics:Time and again I've longed for adventure Something to make my heart beat the faster What did I long for? I never really knew Finding your love I've found my adventure  Touching your hand, my heart beats the faster  All that I want in all of this world is you  [Chorus:]  You are the promised kiss of springtime  That makes the lonely winter seem long  You are the breathless hush of evening  That trembles on the brink of a lovely song You are the angel glow that lights a star The dearest things I know are what you are  Some day my happy arms will hold you  And some day I'll know that moment divine When all the things you are, are mineWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
8.33€
The Shadow Of Your Smile
The Shadow Of Your Smile
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Piano seul
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AVANCÉ
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Johnny Mandel and Paul Francis
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Timothy Stapay
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The Shadow Of Your Smile
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1215086 Composed by Johnny Mandel and Paul Francis Webster. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Sho...
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Piano Solo - Level 5 - SKU: A0.1215086 Composed by Johnny Mandel and Paul Francis Webster. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #811949. Published by Timothy Stapay (A0.1215086). The Shadow Of Your Smile is arranged as performed by famous jazz artist, Peter Nero. The elegant style of Mr. Nero is on full display in this standard jazz classic. Now you can learn to play it, just as this world-famous pianist did.The Shadow of Your Smile, also known as Love Theme from The Sandpiper, is a popular song. The music was written by Johnny Mandel with the lyrics written by Paul Francis Webster. The song was introduced in the 1965 film The Sandpiper, with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well). It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song. In 2004 the song finished at number 77 in AFI's 100 Years...100 Songs poll of the top tunes in American cinema.  Lyrics Below:The shadow of your smileWhen you have goneWill color all my dreamsAnd light the dawnLook into my eyes, my love, and seeAll the lovely things, you are, to meOur wistful little starIt was far, too highA teardrop kissed your lipsAnd so, so did iNow when I remember springAnd every little lovely thingI will be rememberingThe shadow of your smileYour lovely smile
$8.99 ≈
8.33€
Funf Klavierstucke I sehr langsam
Funf Klavierstucke I sehr langsam
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Piano seul
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AVANCÉ
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Contemporain
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Stephen R Dalrymple
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Funf Klavierstucke I sehr lang
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.818287 By Stephen R Dalrymple. By Arnold Schoenberg. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs)...
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Instrumental Solo - Level 5 - SKU: A0.818287 By Stephen R Dalrymple. By Arnold Schoenberg. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). 20th Century. Individual part. 8 pages. Stephen R Dalrymple #4979561. Published by Stephen R Dalrymple (A0.818287). Fünf Klavierstücke I Sehr Langsam (Opus 23 Number 1) (Five Piano Pieces) by Arnold Schönberg (1874-1951). ♫ This opus was written in 1923. Piece # 1 is written in Schoenberg's atonal style, but is a precursor to his 12 tone pieces. Number 5 in the series was Schönberg’s first published 12 tone composition. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Sequenced by the editor ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.70€
The Last Time I Saw Paris
The Last Time I Saw Paris
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Piano seul
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AVANCÉ
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Classique
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,...
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Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$8.99 ≈
8.33€
Dearest Children, God is Near You
Dearest Children, God is Near You
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Piano seul
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AVANCÉ
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Musique Sacrée
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Christian contemporain
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John Menzies MacFarlane
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Emilee Yates
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Dearest Children, God is Near
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Emilee Yates
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.956562 Composed by John Menzies MacFarlane. Arranged by Emilee Yates. Christian,Contemporary,Praise & Worship,Sacred. Sco...
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Piano Solo - Level 5 - SKU: A0.956562 Composed by John Menzies MacFarlane. Arranged by Emilee Yates. Christian,Contemporary,Praise & Worship,Sacred. Score. 4 pages. Emilee Yates #6516791. Published by Emilee Yates (A0.956562). This arrangement is a musical journey depicting God in our everyday life. It was arranged at a very turbulent time in my life when I wondered if God was really there and if He really cared to help me. When listening to this arrangement you will hear anguish, you will hear a soul who's questioning their worth, you will sense some pain. You will also hear and feel that God has not left this soul alone. He is right there riding the waves of life with us whispering, Dearest child, I am here. Let me help you. Let go of the pain and let the Savior take it from you. This is a musical illustration of God playing an active roll in our real life. Through all the different experiences, the ups and downs, there is beauty. Just like each part of this music plays a part in creating a complete piece, each part of life - turbulent or calm - creates a beautiful existence. .
$4.99 ≈
4.63€
Glory To Your Name
Glory To Your Name
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Piano seul
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AVANCÉ
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Don Hodell Chilcote
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Don Hodell Chilcote
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Glory To Your Name
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Don Hodell Chilcote
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.778771 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Gospel,Jazz,Sacred,Spiritual. Score. 3 pag...
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Piano Solo - Level 5 - SKU: A0.778771 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Gospel,Jazz,Sacred,Spiritual. Score. 3 pages. Don Hodell Chilcote #2911875. Published by Don Hodell Chilcote (A0.778771). Glory To Your Name is for piano solo or ensemble. This is a great funky vibe setting of a beautiful iece that includes a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.
$3.99 ≈
3.70€
Suite for Piano
Suite for Piano
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Piano seul
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AVANCÉ
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Contemporain
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published...
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Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s RusÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂrian melody, and a barely-recognizÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂcital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor SoÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a reÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively secÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂprised the next mornÂing when I went to the muÂsic library and listened to a reÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂcided to base my middle movement (the slow movement) around the theme of BeethoÂven’s scherzo, making it the hidÂden theme for a short set of variations. The end of the movement also contains less direct referÂences to the music of Brahms (very short alluÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00 ≈
11.12€
Calm My Restless Mind
Calm My Restless Mind
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Piano seul
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AVANCÉ
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New Age
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Ann Ruane
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Calm My Restless Mind
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Ann Ruane-Lux Eterna Healing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1308097 Composed by Ann Ruane. New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #897368. Published by Ann Ruane-Lux ...
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Piano Solo - Level 5 - SKU: A0.1308097 Composed by Ann Ruane. New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #897368. Published by Ann Ruane-Lux Eterna Healing (A0.1308097). Let the rich harmonies wash away inner tension and bring calm. Even with the rich texture, it is soothing and helps untie the knots within you.        Refrain: Calm my restless mind. Let me know You’re here. I need to find peace. Calm my restless mind. Let me know You’re here. Lead me to my heart. (From the closing poem of “Fall in Love with the Whispers of Your Heart†Book 2.)From the collection, Inner Mosaic, by Ann Ruane. Perfect for meditation, healing therapies, service prelude/interlude, reflection, and more.
$3.50 ≈
3.24€
Strangers In The Night
Strangers In The Night
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Piano seul
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AVANCÉ
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Frank Sinatra
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Timothy Stapay/Liberace
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Strangers In The Night
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1342176 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay/Liberace. Br...
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Piano Solo - Level 5 - SKU: A0.1342176 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #927698. Published by Timothy Stapay (A0.1342176). Strangers In The Night is here arranged as performed by famous piano artist, Liberace. He played this in concerts around the world and on his piano albums. This piano solo arrangement has all of the sparkle and fiery improvisations that made Liberace famous. Now for the first time, here is the sheet music as played by Liberace.On a personal note: I saw Liberace perform this live at a concert in Chicago, when I was a very, very young piano student. My parents were both Liberace fans and took me to one of his concerts. The memory stayed with me for a lifetime!Lyrics:[Verse 1]Strangers in the night exchanging glancesWondering in the night, what were the chances?We'd be sharing love before the night was through[Verse 2]Something in your eyes was so invitingSomething in your smile was so excitingSomething in my heart told me I must have you[Chorus]Strangers in the nightTwo lonely people, we were strangers in the nightUp to the moment when we said our first hello, little did we knowLove was just a glance away, a warm embracing dance away and[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night[Bridge]Love was just a glance away, a warm embracing dance away[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night [Outro]Dooby-doooby-dooDoob-dooob-doob-dee-daaDaaa-daaa-daaa-daaa-daaa.
$8.99 ≈
8.33€
Elements: Earth, Air, Water, Fire - Solo Piano Suite
Elements: Earth, Air, Water, Fire - Solo Piano Suite
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Piano seul
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AVANCÉ
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Bradley Sowash
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Elements: Earth, Air, Water, F
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Bradley Sowash
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.750160 Composed by Bradley Sowash. 20th Century,Jazz,New Age. Score. 37 pages. Bradley Sowash #1891755. Published by Brad...
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Piano Solo - Level 5 - SKU: A0.750160 Composed by Bradley Sowash. 20th Century,Jazz,New Age. Score. 37 pages. Bradley Sowash #1891755. Published by Bradley Sowash (A0.750160). Ever notice how little contemporary music is available for advanced pianists? It's like you pass level 5 and all you have is the classical canon. Here's an evocative suite you can really dig your teeth into with proven audience appeal. Note: The recording includes bass and drums that were added in the studio. However, the composer intends this suite for solo piano and has performed it many times in that context.. Composer's Comments: ELEMENTS was created during a visit to the Pacific Northwest, where the natural world exhibits an unusual intensity and the elements are quite prominently display. With this music I hope to capture the contrasts between the four elements as well as the dual natures within each of them. Water, for example, is both a source of life and potentially dangerous. Air is both breath and wind. Fire comforts or burns. Only Earth seemed to me continuous and dependable. Level: Advanced Video: https://youtu.be/S-6iWvQcryU?list=PLS-9O7RWuXdc88bLVl4lziJimyUj8s5nW.
$12.95 ≈
12.00€
"39 Variations on an Original Theme in F Major" for piano Op. 98
"39 Variations on an Original Theme in F Major" for piano Op. 98
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Piano seul
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AVANCÉ
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Contemporain
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Gary Noland
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"39 Variations on an Orig
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Freeland Publications
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.980450 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 192 pages. Freeland Publications #3246581. Publ...
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Piano Solo - Level 5 - SKU: A0.980450 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 192 pages. Freeland Publications #3246581. Published by Freeland Publications (A0.980450). Duration: ca. 90 minutes-2 hours. Quite possibly the longest set of piano variations in the entire classical music literature, with the exception, perhaps, of certain sets of variations for piano by Kaikhosru Shapurgi Sorabji. This work ends with a monstrous 35-page long fugue. In the 18th century, Bach composed the Goldberg Variations (30 variations), in the 19th century Beethoven composed the Diabelli Variations (33 variations), in the 20th century Frederic Rzewski composed The People United Will Never Be Defeated (36 variations), and now, in the 21st century, Gary Noland has composed his monumental 39 Variations on an Original Theme in F Major. (There seems to be a pattern of three variations added on for each century). This is a work for adventurous first-rate pianists! Some of the variations are self-contained and may be played separate from the whole.I'm fascinated by your variations. Perhaps a marathon performance with many pianists doing several variations? Could be interesting. RIchard Strauss would have loved it.-Jed Distler, pianist. Sheer genius!!!! Move over Bach!!!!!-Alfred Watson, composer & pianist. Very nice and exciting! I listened [to] both the parts on you tube and I was not bored at all ... impeccable technique with echos (in my opinion) from Bach, Beethoven, Satie up to contemporaries, and many others ... many compliments!!!-Sisto PalombellaOne word: monumental!-Joseph Ford, composerThis is amazing music … Wow!!!-John William BaxterBeautifully put together. Three cheers!-Scott Giles, composerThis is a remarkable set of variations, not only for the immensely imaginative treatment of the theme but also for the vast array of stylistic influences incorporated into the score. One need only listen to five minutes to appreciate the craftsmanship!-Lenny Cavallaro, composerI'm enjoying this very much. I liked the intellectual rigor that underlies it.-John Melcher, composerAmazing work!-Rudolf SchmittLink to Section One: https://www.youtube.com/watch?v=4JQYgBiP388Link to Section Two: https://www.youtube.com/watch?v=UjQLOoPGvII&t=1025s
$30.00 ≈
27.81€
Étude No. 1 "La Danse en Fuite"
Étude No. 1 "La Danse en Fuite"
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Piano seul
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AVANCÉ
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Maxwell Olson
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Étude No. 1 "La Da
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Jake Madeira
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1028034 Composed by Maxwell Olson. Contemporary,Jazz,Latin,World. Score. 7 pages. Jake Madeira #3223163. Published by Jak...
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Piano Solo - Level 5 - SKU: A0.1028034 Composed by Maxwell Olson. Contemporary,Jazz,Latin,World. Score. 7 pages. Jake Madeira #3223163. Published by Jake Madeira (A0.1028034). This étude is one of energetic character with simple, yet powerful melodies and rhythms that create a sense of curiosity. I composed this piece in a simpler form when I was around 17, in my high school music theory class. All of the ideas were there, melody and structure, but what it lacked was experience. It felt flat. So, 5 years later, after I rediscovered the piece, I decided to put some time into adding flavor, excitement, and intrigue. In doing so, I hope that I've created not only a technical challenge that will strengthen your skills, but a fun piece of music that you'll love to play!Split into three parts in an ABA format, this piece features a main theme divided by a softer second theme, both of which provide technical challenges in their own rights. The first focus of this étude is to build stamina in maintaining rapid octave progressions in each hand. This is coupled with quick jumps in the right hand that require precise and deliberate movements to perfect. The second focus is to strengthen control over legato passages in rolling arpeggios, while maintaining a delicate touch for the melody, and exercising the dynamic range of the fingers.In practicing this piece, it is very important to start slowly and with definitive control in all sections! It cannot be stressed enough how much of an impact bad habits can make on the execution of this étude. If you work diligently on finger control and technique, it will stick with you in all of your future endeavors! Be warned though: this is a difficult piano solo. It will take time and effort to learn, however, those efforts will all pay off in the end. Don't let it discourage you. I wish you all luck in learning this étude, and if you have any questions at all, please feel free to email me at walkingreject@gmail.com.
$6.99 ≈
6.48€
Fight Song
Fight Song
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Piano seul
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AVANCÉ
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Pop musique
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Rachel Platten
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Elena Fortin
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Fight Song
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.744629 By Rachel Platten. By Dave Bassett and Rachel Platten. Arranged by Elena Fortin. Pop. Score. 5 pages. Elena Fortin...
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Piano Solo - Level 5 - SKU: A0.744629 By Rachel Platten. By Dave Bassett and Rachel Platten. Arranged by Elena Fortin. Pop. Score. 5 pages. Elena Fortin #6063897. Published by Elena Fortin (A0.744629). Every year, I post arrangements and videos of songs that I consider to be important either in the way they touch listeners, in how they are used, or iif they have stood the test of time. This arrangement is my first one for the 2020-2021 school year.And what a year it has been! With the global pandemic, many are struggling with physical illness or health challenges, personal trial, loss, or life's difficulties. Like many others, in these challenging times, I turn to music. ...like a small boat...sending big waves into motion Fight Song, written by Rachel Platten and Davve Bassett, has become an anthem of faith and belief for any person that is going through a challenge and brings comfort to many. The song was recorded in 2014 and won iHeartRadio's Music Award for Best Lyrics. When I pick songs to arrange, they are often ones that play over and over in my brain. I've been working on this one for several weeks. My arrangement is for the early advanced player. The arrangement starts quite simply but builds and builds into powerful repetitions of the chorus with arpeggios in the left hand and in the right hand and lots of fun crashing chords. It makes use of the powerfull bass end of the piano too! I hope that you enjoy it! If you like this sheet music please check out my other arrangements at SheetMusicPlus. Here is the link to my publisher page: https://www.sheetmusicplus.com/publishers/elena-fortin/10717 You can also check out some of my other videos from my Youtube channel here https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg Please feel free to subscribe if you want to keep up with what I am doing! You can contact me, or see what I am up to on my website https://the-piano-studio.com. Drop by and say hi!
$4.99 ≈
4.63€
Winter Storm
Winter Storm
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Piano seul
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AVANCÉ
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J
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Winter Storm
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.744622 Composed by J.S. Bach / Elena Fortin. 20th Century,Classical,Contemporary,Romantic Period. Score. 5 pages. Elena F...
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Piano Solo - Level 5 - SKU: A0.744622 Composed by J.S. Bach / Elena Fortin. 20th Century,Classical,Contemporary,Romantic Period. Score. 5 pages. Elena Fortin #4717613. Published by Elena Fortin (A0.744622). Winter StormYears ago, I played the Bach Prelude in C Minor (BMV 999) in the RCM books. It can now be found in the Level 6 Repertoire Book of the Celebration Series by the Royal Conservatory of Music. As a creative challenge, I thought to myself: What would happen if I took the Prelude, and put it ALL in the left hand. And what would happen if some furious diva decided to play a melody over the top of this prelude? This piece is the result: a fantastic, Chopinesque remix of JS Bach. I stayed true to the Prelude wherever possible, sticking to the glorious harmonies that were explored by his genius. The melody came out stormy–and since I live in Canada, it became the perfect title. Winter Storm.The piece is challenging as a solo recital piece, but well-worth learning if you are a fan of Bach and Chopin. The left hand never stops–and has some challenging leaps and booming bass notes. The right hand is challenged with odd rhythmic subdivisions, 3’s against 2’s being one of my favourites, as well as a challenging 11 against 4 flurry of notes. Further challenges include a RH double note pattern at the end, trills, and ornaments. If you want an extra challenge, you could always play it faster–my speed in the video is conservative, only because I was trying to make sure I got the correct notes! Please visit my website: www.the-piano-studio.com to check out what I'm up to. If you would like to keep up to date with my work, please subscribe to my YouTube Channel here: https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg
$4.99 ≈
4.63€
Blue Moon
Blue Moon
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Piano seul
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AVANCÉ
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Elvis Presley
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Timothy Stapay/Liberace
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Blue Moon
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1198287 By Elvis Presley. By Lorenz Hart and Richard Rodgers. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,...
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Piano Solo - Level 5 - SKU: A0.1198287 By Elvis Presley. By Lorenz Hart and Richard Rodgers. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #797475. Published by Timothy Stapay (A0.1198287). Blue Moon is arranged as played by famous piano artist, Liberace. This piano solo arrangement has all of the runs and ornamentations; just as performed by this legendary pianist.Blue Moon is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad. Blue Moon became an international number-one hit for the doo-wop group the Marcels, on the Billboard 100 chart and in the UK Singles Chart, and later that same year, an instrumental version by the Ventures charted at No. 54. Over the years, Blue Moon has been covered by many artists, including versions by Frank Sinatra, Jo Stafford, Ella Fitzgerald, Elvis Presley, Bobby Vinton, Sam Cooke, the Platters, Liberace, Dean Martin, Yvonne De Carlo, the Supremes, Cyndi Lauper, New Edition, Bob Dylan, Chromatics, and Rod Stewart. See Lyrics below:Blue moon, you saw me standin' aloneWithout a dream in my heart, without a love of my ownBlue moon, you knew just what I was there forYou heard me sayin' a prayer forSomeone I really could care forAnd then there suddenly appeared before meThe only one my arms will holdI heard somebody whisper please adore meAnd when I looked, the moon had turned to goldBlue moon, now I'm no longer aloneWithout a dream in my heartWithout a love of my ownAnd then there suddenly appeared before meThe only one my arms will ever holdI heard somebody whisper please adore meAnd when I looked, the moon had turned to goldBlue moon, now I'm no longer aloneWithout a dream in my heartWithout a love of my ownBlue moon, now I'm no longer aloneWithout a dream in my heartWithout a love of my ownWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
8.33€
Jesus Shall Reign Where'er the Sun
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99 ≈
4.63€
Drivin'!
Drivin'!
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Piano seul
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AVANCÉ
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Kathleen Ryan
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Drivin'!
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1206657 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Contemporary,Pop. Score. 11 pages. Indigo Mesa Music LLC #804...
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Piano Solo - Level 5 - SKU: A0.1206657 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Contemporary,Pop. Score. 11 pages. Indigo Mesa Music LLC #804835. Published by Indigo Mesa Music LLC (A0.1206657). Piano solo as composed and performed by Kathleen Ryan on her CD Drivin‘!Kathleen’s notes: “This is a piece written by my car (my first car, the little red Toyota Tercel that considered itself to be a sports car). Back in the day, when my solo performing career was just getting off the ground, I hit the first composing dry spell of my entire life. As I am certainly not prone to exaggeration or wild mood swings, I naturally knew that never again would I compose another piece of music; and, needless to say, I found that a bit depressing.“While driving home from a gig, through the Iowa vastness, I was brooding over the loss of my fledgling career as a musician, when I noticed that my car’s odometer read 22122. I have always loved symmetric numbers! And I quickly realized that 22122 can be notes of the scale, say D-D-C-D-D. I listened to that, then saw that the odometer had turned over to 22123: D-D-C-D-E. The rest, as they say, is history. Oh, the total stops (rests) near the beginning are stop signs; you’ll find several in every midwestern town you are wishing you could speed through! I should also say (because my first car would like me to): whenever in this piece I was a bit stuck for music, all I had to do was get out on the open road and drive a bit and more music would come. Which is the other reason I say the piece was written by my car.“The music travels through a landscape that is totally unexpected, before having a mellow time in the big city that night. (Again, true to life on the road in my first car.)â€Advanced. Must be able to handle syncopation, large reaches, leaps—and perform with attitude.
$5.25 ≈
4.87€
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