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Vous avez sélectionné:
Mark King
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Piano seul
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50 partitions trouvées
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26
Schumann : 3 Romances, Opus 28 - Romance n° 1: Sehr markiert
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Piano seul
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AVANCÉ
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Classique
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Schumann
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3 Romances, Opus 28
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Tomplay
Telechargez la partition Piano 3 Romances, Opus 28 - Romance n° 1: Sehr markiert de Schumann. Partition pour Piano seul -- Classique...
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Telechargez la partition Piano 3 Romances, Opus 28 - Romance n° 1: Sehr markiert de Schumann. Partition pour Piano seul -- Classique
3.99€
Schumann : 3 Romances, Opus 28 - Romance n° 3: Sehr markiert
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Piano seul
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AVANCÉ
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Classique
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Schumann
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3 Romances, Opus 28
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Tomplay
Telechargez la partition interactive 3 Romances, Opus 28 - Romance n° 3: Sehr markiert de Schumann - Application disponible sur PC, Mac, Android et iPad -- ...
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Telechargez la partition interactive 3 Romances, Opus 28 - Romance n° 3: Sehr markiert de Schumann - Application disponible sur PC, Mac, Android et iPad -- Classique
3.99€
Schumann : Nachtstücke, Opus 23 – II. Markiert und lebhaft
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Piano seul
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AVANCÉ
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Classique
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Schumann
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Nachtstücke, Opus 23 – II.
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Tomplay
Telechargez la partition Piano Nachtstücke, Opus 23 – II. Markiert und lebhaft de Schumann. Partition pour Piano seul -- Classique...
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Telechargez la partition Piano Nachtstücke, Opus 23 – II. Markiert und lebhaft de Schumann. Partition pour Piano seul -- Classique
3.99€
Johnny Marks : Rudolph, the Red-Nosed Reindeer (niveau difficile, piano solo)
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Piano seul
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AVANCÉ
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Noël
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Johnny Marks
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Rudolph, the Red
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Tomplay
Telechargez la partition Piano Rudolph, the Red-Nosed Reindeer (niveau difficile, piano solo) de Johnny Marks. Partition pour Piano seul -- Musique de Noël...
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Telechargez la partition Piano Rudolph, the Red-Nosed Reindeer (niveau difficile, piano solo) de Johnny Marks. Partition pour Piano seul -- Musique de Noël
4.99€
The Last Time I Saw Paris
The Last Time I Saw Paris
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Piano seul
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AVANCÉ
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Classique
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,...
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Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$8.99 ≈
8.16€
Carson Cooman: Kayser Variations for piano
Carson Cooman: Kayser Variations for piano
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Piano seul
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AVANCÉ
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Carson Cooman
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Carson Cooman: Kayser Variatio
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.533691 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score. 13 pages. Musik Fabrik Music Publis...
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Piano Solo - Level 5 - SKU: A0.533691 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score. 13 pages. Musik Fabrik Music Publishing #3038633. Published by Musik Fabrik Music Publishing (A0.533691). This work, Kayser Variations, was written as a tribute to Margaret Kayser, long-timechemistry teacher (for 16 years) at Allendale Columbia School in Rochester, New York onthe event of her retirement from teaching.This work takes a variations on a theme form but uses the concept of placing the choraletheme itself in the middle of the work (instead of its customary place at the beginning),surrounded on both sides by variations. The theme is God Save the King/Queen, thenational anthem of the United Kingdom.The pitch material of the variation accompaniment is derived, at some points, from subscriptsand coefficients from chemical formulae and balanced chemical equations.Each of the variations also pokes fun at a different element, style, or method of 20th centurymusic competition. So this work is also a parody of sorts.This work should be performed with a slight break (almost a breath) between each variation.Dynamic markings are provided as a guide but performers should use their own judgment.Pedal should be used by the performer where appropriate. This work should always beperformed in its entirety. The variations should never be played on their own.
$12.95 ≈
11.76€
Hommages III. Sonata No. 1 'Gothic'
Hommages III. Sonata No. 1 'Gothic'
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages III. Sonata No. 1 'Go
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. David Fraser #968...
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Piano Solo - Level 5 - SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. David Fraser #968426. Published by David Fraser (A0.1384065). David Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The inspiration for the second movement comes from the German fairy tale Hansel and Gretel by the Brothers Grimm. The music begins with Hansel and Gretel walking into the witchâ??s house made of gingerbread, cake, and candy. The children have a sense of unease and fright once they enter the house, which is demonstrated in the music by the eeriness and darkness of the harmonies. The term oscuro is found at the beginning of the music â?? this is the Italian word for dark. The repeat, which begins at measure 25, is marked sempre sotto voce which translates to always under the voice, meaning always in a hushed tonal quality and dynamic volume. This section represents the children trying to tip-toe out of the house without the witch taking notice. The repeat is almost identical to the beginning section, with the exception of measures 39 and 40 which have ties in the right hand; the similar measures 15 and 16 in the first section do not have these ties. The right-hand trills in measures 53 through 55 symbolize the children attempting to quietly turn a key to unlock the door, which would lead them to freedom.This is the full version of the Sonata, containing all three movements, and is the third piece from 'Hommages: Suite pour le Piano'. 39 pages. ISMN 979-0-800277-00-9.
$9.99 ≈
9.07€
The Bells of Weimar
The Bells of Weimar
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Piano seul
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AVANCÉ
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Dan McCoy and William Byrd
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The Bells of Weimar
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Dan McCoy
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1284426 Composed by Dan McCoy and William Byrd. Contemporary,Early Music,Historic,Renaissance,Traditional. Score. 17 page...
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Piano Solo - Level 5 - SKU: A0.1284426 Composed by Dan McCoy and William Byrd. Contemporary,Early Music,Historic,Renaissance,Traditional. Score. 17 pages. Dan McCoy #875598. Published by Dan McCoy (A0.1284426). Composed in dedication to Prof. Bernhard Klapprott and Prof. Myriam Eichberger as well as their students at the Early Music Department of The University of Music founded by Franz Liszt in Weimar, Germany.During the early 21st century, the Weimar Rathaus, or City Hall, marked each quarter hour by chiming the so-called Westminster Quarters, clearly announced in the opening measures of The Bells of Weimar. This piece is a re-working of Renaissance composer William Byrd's The Bells, which appeared in The Fitzwilliam Virginal Book, an important collection of 16th-17th-century keyboard music from England. Byrd's original two-note bell theme, which runs throughout his entire piece, has been replaced with Westminster Quarters in this neo-Renaissance mash-up, altering the ensuing harmonies in a striking way.- from the Preface to the forthcoming collection of music by Dan McCoy entitled, The Weimar Virginal Book, expanded edition (2024).
$8.99 ≈
8.16€
Hommages and Prelude No. 1
Hommages and Prelude No. 1
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #96...
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Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99 ≈
27.24€
Piano Sonata No. 8 in C minor, Op. 13. "Pathétique" - Beethoven - 1st movement
Piano Sonata No. 8 in C minor, Op. 13. "Pathétique" - Beethoven - 1st movement
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Piano seul
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Diamond S Music
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Piano Sonata No. 8 in C minor,
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Diamond S Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.790152 Composed by Ludwig van Beethoven. Arranged by Diamond S Music. Classical,Concert. Score. 14 pages. Diamond S Music...
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Piano Solo - Level 5 - SKU: A0.790152 Composed by Ludwig van Beethoven. Arranged by Diamond S Music. Classical,Concert. Score. 14 pages. Diamond S Music #4269079. Published by Diamond S Music (A0.790152). Piano Sonata No. 8 in C minor, Op. 13 - 1st Movement, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. Although commonly thought to be one of the few works to be named by the composer himself, it was actually named Grande sonate pathétique (to Beethoven's liking) by the publisher, who was impressed by the sonata's tragic sonorities. Prominent musicologists debate whether or not the Pathétique may have been inspired by Mozart's piano sonata K. 457, since both compositions are in C minor and have three very similar movements. The second movement, Adagio cantabile, especially, makes use of a theme remarkably similar to that of the spacious second movement of Mozart's sonata. However, Beethoven's sonata uses a unique motif line throughout, a major difference from Haydn or Mozart’s creation. This is the original Beethoven arrangement of this sonata., commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. Although commonly thought to be one of the few works to be named by the composer himself, it was actually named Grande sonate pathétique (to Beethoven's liking) by the publisher, who was impressed by the sonata's tragic sonorities. Prominent musicologists debate whether or not the Pathétique may have been inspired by Mozart's piano sonata K. 457, since both compositions are in C minor and have three very similar movements. The second movement, Adagio cantabile, especially, makes use of a theme remarkably similar to that of the spacious second movement of Mozart's sonata. However, Beethoven's sonata uses a unique motif line throughout, a major difference from Haydn or Mozart’s creation. This is the original Beethoven arrangement of this sonata. The Full Sonata (all 3 movements) is avail at: S0.482163Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.95 ≈
4.50€
Time Travel Phantasie
Time Travel Phantasie
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Piano seul
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AVANCÉ
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Contemporain
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Sy Brandon
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Time Travel Phantasie
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Sy Brandon
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.754920 Composed by Sy Brandon. 20th Century,Contemporary. Score. 18 pages. Sy Brandon #3218433. Published by Sy Brandon (...
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Piano Solo - Level 5 - SKU: A0.754920 Composed by Sy Brandon. 20th Century,Contemporary. Score. 18 pages. Sy Brandon #3218433. Published by Sy Brandon (A0.754920). This composition was commissioned by May Phang. It was premiered at the 2013 Greencastle Summer Music Festival. Time Travel Phantasie is based on Mark Twain’s A Connecticut Yankee in King Arthur’s Court where a 19th century mechanic from Hartford Connecticut travels back to 6th century England. It has five sections that are all connected; Prologue, The Eclipse, The Holy Fountain, Sir Launcelot and the Knights to the Rescue, and Postlude.
$7.99 ≈
7.26€
Piano Sonata No. 8 in C minor, Op. 13. "Pathétique" - Beethoven - 3rd movement
Piano Sonata No. 8 in C minor, Op. 13. "Pathétique" - Beethoven - 3rd movement
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Piano seul
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Diamond S Music
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Piano Sonata No. 8 in C minor,
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Diamond S Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.790154 Composed by Ludwig van Beethoven. Arranged by Diamond S Music. Classical,Concert,Standards. Score. 11 pages. Diamo...
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Piano Solo - Level 5 - SKU: A0.790154 Composed by Ludwig van Beethoven. Arranged by Diamond S Music. Classical,Concert,Standards. Score. 11 pages. Diamond S Music #4269089. Published by Diamond S Music (A0.790154). Piano Sonata No. 8 in C minor, Op. 13 - 3rd Movement - Beethoven, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. Although commonly thought to be one of the few works to be named by the composer himself, it was actually named Grande sonate pathétique (to Beethoven's liking) by the publisher, who was impressed by the sonata's tragic sonorities. Prominent musicologists debate whether or not the Pathétique may have been inspired by Mozart's piano sonata K. 457, since both compositions are in C minor and have three very similar movements. The second movement, Adagio cantabile, especially, makes use of a theme remarkably similar to that of the spacious second movement of Mozart's sonata. However, Beethoven's sonata uses a unique motif line throughout, a major difference from Haydn or Mozart’s creation. This is the original Beethoven arrangement of this sonata. The Full Sonata (all 3 movements) can be purchased at: S0.482163Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.95 ≈
4.50€
Piano Sonata No. 8 in C minor, Op. 13. "Pathétique" - Beethoven - 2nd movement
Piano Sonata No. 8 in C minor, Op. 13. "Pathétique" - Beethoven - 2nd movement
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Piano seul
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Diamond S Music
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Piano Sonata No. 8 in C minor,
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Diamond S Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.790153 Composed by Ludwig van Beethoven. Arranged by Diamond S Music. Classical,Concert. Score. 7 pages. Diamond S Music ...
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Piano Solo - Level 5 - SKU: A0.790153 Composed by Ludwig van Beethoven. Arranged by Diamond S Music. Classical,Concert. Score. 7 pages. Diamond S Music #4269085. Published by Diamond S Music (A0.790153). Piano Sonata No. 8 in C minor, Op. 13 - 2nd Movement - Beethoven, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. Although commonly thought to be one of the few works to be named by the composer himself, it was actually named Grande sonate pathétique (to Beethoven's liking) by the publisher, who was impressed by the sonata's tragic sonorities. Prominent musicologists debate whether or not the Pathétique may have been inspired by Mozart's piano sonata K. 457, since both compositions are in C minor and have three very similar movements. The second movement, Adagio cantabile, especially, makes use of a theme remarkably similar to that of the spacious second movement of Mozart's sonata. However, Beethoven's sonata uses a unique motif line throughout, a major difference from Haydn or Mozart’s creation. This is the original Beethoven arrangement of this sonata. The Full Sonata (all 3 movements) can be purchased at: S0.482163Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.95 ≈
4.50€
Whispering
Whispering
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Piano seul
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AVANCÉ
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Carmen Cavallaro
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Whispering
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1375207 By Carmen Cavallaro. By Vincent Rose. Arranged by Timothy Stapay/Carmen Cavallaro. Broadway,Film/TV,Jazz,Musical/...
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Piano Solo - Level 5 - SKU: A0.1375207 By Carmen Cavallaro. By Vincent Rose. Arranged by Timothy Stapay/Carmen Cavallaro. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #959822. Published by Timothy Stapay (A0.1375207). This arrangement of Whispering is written in the style of piano artist, Carmen Cavallaro.  It contains many of his trademark flourishes, including octave runs and lush chord constructions.Learn to play this famous piano solo in the style of one of the greatest popular pianists of all time! Whispering was most famously recorded by Paul Whiteman and his Ambassador Orchestra on August 23, 1920, for the Victor Talking Machine Company.  His version was an eleven-week  No.1 hit in the United States, which stayed 20 weeks in the charts, and sold in excess of two million copies.  In 2020, Whiteman's rendition was selected by the Library of Congress for preservation in the National Recording Registry for being culturally, historically, or aesthetically significant.
$7.99 ≈
7.26€
Jazz Nocturne
Jazz Nocturne
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Piano seul
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AVANCÉ
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Dana Suesse
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Zellev
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Jazz Nocturne
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1414692 Composed by Dana Suesse. Arranged by Zellev. 20th Century,Blues,Broadway,Film/TV,Jazz,Musical/Show. Score. 5 page...
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Piano Solo - Level 5 - SKU: A0.1414692 Composed by Dana Suesse. Arranged by Zellev. 20th Century,Blues,Broadway,Film/TV,Jazz,Musical/Show. Score. 5 pages. Zellev Music #996473. Published by Zellev Music (A0.1414692). Key Signature: Eâ™ majorTime Signature: 4/4Tempo: Moderato misteriosoDifficulty: AdvancedDana Suesse (1911-1987) was an American Composer. She was born in Kansas, Missouri but moved with her mom to New York when she was 15.While in New York, Suesse studied piano under Alexander Siloti, Franz Liszt's last surviving pupil. She studied composition under Rubin Goldmark, one of George Gershwin's teachers, and spent three years studying with Nadia Boulanger after World War II. In 1931, bandleader Paul Whiteman (following Gershwin's Rhapsody in Blue) commissioned her to write Concerto in Three Rhythms.On December 11, 1974, Suesse and her husband produced a symphony concert at Carnegie Hall, devoted exclusively to her compositions. (In the 1990s, Robert Stern produced a CD of the concert using masters from Voice Of America.) On July 31, 1975, the Newport Music Festival (Rhode Island) presented four of her works in their concert series. A year after the Carnegie Hall concert, Suesse and her husband moved to the U.S. Virgin Islands.After her husband's death in 1981, Suesse moved back to New York, the city where she had spent her most creative years. She took two apartments in the Gramercy Park Hotel and continued to write plays and songs for the theatre. Just before her death from a stroke on October 16, 1987, she was writing a new musical, putting the finishing touches on Mr. Sycamore, which had been optioned for off-Broadway, and was looking for a New York home for a straight play, Nemesis.
$8.00 ≈
7.27€
Starscapes
Starscapes
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Piano seul
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AVANCÉ
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Contemporain
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Lackey, Mark
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Starscapes
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Julian Date Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1025183 Composed by Lackey, Mark (1966- ). 20th Century,Concert,Contemporary. Score. 20 pages. Julian Date Music #4412709...
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Piano Solo - Level 5 - SKU: A0.1025183 Composed by Lackey, Mark (1966- ). 20th Century,Concert,Contemporary. Score. 20 pages. Julian Date Music #4412709. Published by Julian Date Music (A0.1025183). With Mark Lackey's Starscapes (2013, revised 2015) the pianist paints colorfully imagined alien worlds, now bold, now capricious, now stark and frozen, now delicate and vaporous. Harmony negotiates between the dodecaphony of classical serialism, the mystical stasis of minimalism, and a rich tonal romanticism, and melodies emerge that range from jagged to lyrical. A strong pulse propels the work throughout, even with occasional shifts in tempo and frequent changes of meter. With regard to register, the frequent use of the lowest notes and the highest notes on the instrument creates a sense of space, of the surreal. Technically the piece uses only conventional, on-the-keys playing, yet it makes considerable demands on the performer, making this an ideal work for a piano recital.
$3.99 ≈
3.62€
Chopin’s last composition: Mazurka in F minor op.68 No. 4
Chopin’s last composition: Mazurka in F minor op.68 No. 4
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Piano seul
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AVANCÉ
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Frederic Chopin
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T
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Chopin’s last compositio
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1393752 Composed by Frederic Chopin. Arranged by T. Ling. 19th Century,Instructional,Romantic Period. Score. 2 pages. Tho...
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Piano Solo - Level 5 - SKU: A0.1393752 Composed by Frederic Chopin. Arranged by T. Ling. 19th Century,Instructional,Romantic Period. Score. 2 pages. Thomas Swee Chin #977223. Published by Thomas Swee Chin (A0.1393752). Chopin's last Mazurka, Op. 68 No. 4, is a poignant farewell, imbued with both nostalgia and introspection. The piece opens with a melancholic melody, characterized by its bittersweet harmonies and delicate ornamentation. As the music unfolds, Chopin weaves intricate rhythms and rich harmonies, evoking the spirit of the Polish folk dance, the mazurka, while also infusing it with a sense of farewell and resignation. The closing passages, with their wistful melodies and gentle cadences, convey a sense of longing and acceptance, as if bidding a fond farewell to the listener. Throughout the piece, Chopin's masterful craftsmanship shines, revealing his deep emotional depth and unparalleled ability to capture the complexities of the human experience in music. Marked at the ending repeat sign senza fine - repeat without end. As if he he knew it was his last, and fittingly a mazurka - music from his home land - Poland.
$6.80 ≈
6.18€
Motion, Op. 8 No. 3
Motion, Op. 8 No. 3
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Piano seul
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AVANCÉ
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Contemporain
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Chan Wei Tuck
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Motion, Op. 8 No. 3
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Chan Wei Tuck
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1142318 Composed by Chan Wei Tuck. 20th Century,Classical. Score. 9 pages. Chan Wei Tuck #742693. Published by Chan Wei T...
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Piano Solo - Level 5 - SKU: A0.1142318 Composed by Chan Wei Tuck. 20th Century,Classical. Score. 9 pages. Chan Wei Tuck #742693. Published by Chan Wei Tuck (A0.1142318). ISMN 979-0-9021-1054-9. “Commissioned by UCSI University for the International Piano Festival and Competition 2022â€. Programme Note: Motion marks the departure from a standstill point after a decision has been made. The opening section reveals an amount of zeal followed by moments of conflicting thoughts. The rocking back-and-forth accompaniment along with occasional discordant figures, depicts extrospection and query. The work concludes with a decisive ending, culminating the sum of all things. More details at https://www.wtchan.com.
$3.99 ≈
3.62€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano seul
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AVANCÉ
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
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Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
3.62€
Piano Set (Op. 87, 2013)
Piano Set (Op. 87, 2013)
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Piano seul
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AVANCÉ
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Contemporain
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R
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Piano Set
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R.A. Moulds
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.940882 Composed by R.A. Moulds. Contemporary. Score. 34 pages. R.A. Moulds #4278495. Published by R.A. Moulds (A0.940882)...
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Piano Solo - Level 5 - SKU: A0.940882 Composed by R.A. Moulds. Contemporary. Score. 34 pages. R.A. Moulds #4278495. Published by R.A. Moulds (A0.940882). This small collection was written with the expressed intention that it should be a collaboration between the composer and the performer. To that end, although the pieces are meant to be played as a set, the ordering of the pieces in performance should be completely left to the performer’s discretion, even though they have been presented in the order in which they were composed. Performers should also feel free to regard all metronome markings as suggestions, and rubato and other expressive interpretations are very much encouraged, even when they are not marked. I have abandoned both descriptive titles and most indications of expression with the hope that artists and listeners alike will bring their own sensibilities, and even indications of tempo have been minimized.
$8.99 ≈
8.16€
Warsaw Concerto
Warsaw Concerto
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Piano seul
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AVANCÉ
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Richard Addinsell
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ROBERT VAN HORNE
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Warsaw Concerto
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.914964 Composed by Richard Addinsell. Arranged by ROBERT VAN HORNE. 20th Century,Film/TV,Instructional,Romantic Period,St...
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Piano Solo - Level 5 - SKU: A0.914964 Composed by Richard Addinsell. Arranged by ROBERT VAN HORNE. 20th Century,Film/TV,Instructional,Romantic Period,Standards. Score. 23 pages. White Piano International Publishing #5955201. Published by White Piano International Publishing (A0.914964). WARSAW CONCERTO (A New Piano Solo Arrangement) by Richard Addinsell Arranged by Robert Van Horne 23 pagesPublished by White Piano International Publishing 2020 As a graduate from the Philadelphia Musical Academy in 1971, I included in my repertoire light Classical piano music. After watching the 1941 movie DANGEROUS MOONLIGHT and hearing the majestic and haunting piano and orchestra piece The Warsaw Concerto, I arranged this new advanced piano solo version. There are 23 easy-to-read pages as well as patterned arpeggios that are different than the original score. The pages are clearly notated with suggested fingerings and sostenuto pedal markings. The damper pedal is not marked, but can be used at the discretion of the performer. Rubato, tempo and dynamic passages are indicated throughout the score. This is a wonderful arrangement for advanced students, professional pianists, or piano teachers. ASCAP Member Website: www.robertvanhorne.com Email: rvh@robertvanhorne.com Â
$9.95 ≈
9.04€
Etude 1.0 + 2.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
Etude 1.0 + 2.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
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Piano seul
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AVANCÉ
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Michael Bomier
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Etude 1.0 + 2.0 for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862547 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2034415. ...
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Piano Solo - Level 5 - SKU: A0.862547 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2034415. Published by Michael Butkus-Bomier (A0.862547). The whole step and the major third are quite euphonious, and even fit into some keys where their usage in a tonal setting facilitates mirror fingerings and symmetry. E major, having four sharps, is just such a key. The scalar passages are strictly mirror-fingered. The octave displacement of the note in between the root and 3rd of the scale is also used throughout, in either hand. Tempo here is only a suggestion, as it may be a bit quick, the 9ths that change direction throughout being the chief technical challenge. The melody is, by default, the top notes of these octave-displaced figures. There are also thirds with broken octaves for accompaniment as well. Running time is approx.3 mins, 30 secs.,longer at a slightly slower pace. Pedaling is not specifically marked, but is given with general instructions rather than with traditional markings. MBB.
$2.50 ≈
2.27€
Still Crazy After All These Years
Still Crazy After All These Years
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Piano seul
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AVANCÉ
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Rock
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Simon And Garfunkel
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Mark Manning
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Still Crazy After All These Ye
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faucetmusic
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.946018 By Simon And Garfunkel. By Paul Simon. Arranged by Mark Manning. Pop,Rock. Score. 5 pages. Faucetmusic #6093055. P...
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Piano Solo - Level 5 - SKU: A0.946018 By Simon And Garfunkel. By Paul Simon. Arranged by Mark Manning. Pop,Rock. Score. 5 pages. Faucetmusic #6093055. Published by faucetmusic (A0.946018). For experienced pianists looking for an advanced level piano solo of a great classic, this is the arrangement for you. .
$4.99 ≈
4.53€
JUST AROUND CHRISTMAS
JUST AROUND CHRISTMAS
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Piano seul
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AVANCÉ
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New Age
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Mark William Manning
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JUST AROUND CHRISTMAS
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faucetmusic
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.946017 Composed by Mark William Manning. New Age. Score. 14 pages. Faucetmusic #6605185. Published by faucetmusic (A0.946...
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Piano Solo - Level 5 - SKU: A0.946017 Composed by Mark William Manning. New Age. Score. 14 pages. Faucetmusic #6605185. Published by faucetmusic (A0.946017). In this solo piano piece for the advanced player, experience the feelings of a winter scene in a snowy small town in the days leading up to Christmas. Add this to your contemporary repertoire! And for piano teachers looking for material for their advanced students, this is a wonderful selection to offer. .
$4.99 ≈
4.53€
The Ride of the Valkyries for Piano Solo
The Ride of the Valkyries for Piano Solo
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Piano seul
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AVANCÉ
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Wagner, R
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Michael Bomier
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The Ride of the Valkyries for
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862650 Composed by Wagner, R. Arranged by Michael Bomier. 20th Century,Concert,Halloween,Romantic Period,Standards. Score...
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Piano Solo - Level 5 - SKU: A0.862650 Composed by Wagner, R. Arranged by Michael Bomier. 20th Century,Concert,Halloween,Romantic Period,Standards. Score. 12 pages. Michael Butkus-Bomier #3585619. Published by Michael Butkus-Bomier (A0.862650). Ride of the Valkyries has had such a fine life of its own, apart from its opera of origin. From action serials to cartoons, to the concert orchestral stage, its restless and relentless melody, and the accompaniment of turbulent foreboding is known to us all. Here is a piano solo version that keeps that upper violin line going all the way through, and puts the melody in the bass. Organ arrangements have the advantage of us as pianists, since they can use their feet. Alas, we have but our two hands, and they will be busy here heralding the guardians of Vahalla and making the accompaniment at the same time. In the original key. Clear spellings and playable spans throughout. Some chord symbols to mark upper-register arpeggios. MBB.
$3.99 ≈
3.62€
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