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16 partitions trouvées
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1
Eleven Humoresques
Eleven Humoresques
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Piano seul
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AVANCÉ
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Joerg Widmann
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Eleven Humoresques
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q6749 Composed by Joerg Widmann. This edition: Sheet music. Downloadable. Duration 22 minutes. Schott Music - Digital #Q6749...
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Piano - difficult - SKU: S9.Q6749 Composed by Joerg Widmann. This edition: Sheet music. Downloadable. Duration 22 minutes. Schott Music - Digital #Q6749. Published by Schott Music - Digital (S9.Q6749). Referring to Robert Schumann, the title sets the general mood of these character pieces which alternate between Romantic and contemporary tonal language. This is how the composer stresses it in his preface: 'May the performer discover the specific tone of each of the pieces and make it sound sometimes scornful, sometimes dry, tinged with melancholy, yet always with humour and sensitivity.'.
$33.99 ≈
£26.77
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano seul
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AVANCÉ
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
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Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
£3.14
Wait (Verbs 1)
Wait (Verbs 1)
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Piano seul
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AVANCÉ
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Contemporain
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Kathleen Ryan
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Wait
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by...
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Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by Indigo Mesa Music LLC (A0.995799). Verbs is a set of 24 impressionistic preludes for piano left hand alone, composed by Kathleen RyanEach prelude evokes the energy and mood of its title verb. Thus, the preludes utilize a wide range of modern styles and harmonic languages.Wait - to be in readiness or expectation. These preludes hark back to earlier antecedents by Debussy, Rachmaninov, Chopin and J S Bach in their variety and appeal, creating an album rich in contrasts. Ryan’s composing style is eclectic, referencing jazz, contemporary classical, traditional classical, and American folk songs and hymns: Play, for example, is a vibrant anthem, redolent of sacred harp singing, while other Preludes are more contemplative, tender and wistful (Forgive, Bloom). Push is energetic and rumbling, suggesting bustling city life, Bounce scampers playfully around the keyboard with jazzy syncopations and colourful harmonies, and Tangle is redolent of some of Prokofiev’s more introspective ‘Visions Fugitives’. The album closes with the meditative Bless. Frances Wilson, The Cross-Eyed PianistVerbs: 24 Preludes for Piano Left Hand is a fascinating collection of pieces composed by Kathleen Ryan. The project originated in 2006 when [Keith] Porter-Snell asked Ryan to create a set of twenty-four piano preludes for left hand only, one in each key. In her search for a unifying theme, Ryan settled on the idea of verbs, one for each prelude, because a verb conveys a distinct quality of energy and motion. ... Ryan’s eclectic composing style contains elements of jazz, contemporary classical, traditional classical, and her own vision that includes making the piano sing. ... It is hard to believe that these preludes are played with only one hand, as they are full, rich, and sound like they move all over the piano keyboard. All of the titles are one-word verbs and the preludes range in duration from 34 seconds to a little more than four minutes. Some are light and playful and some are more complex and dramatic. All are very different from each other and specific to their individual ‘verbs.’ Kathy Parsons, MainlyPiano.com
$5.25 ≈
£4.14
Russian Dreams
Russian Dreams
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Piano seul
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AVANCÉ
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Contemporain
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Philip Le Bas
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Russian Dreams
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Philip Le Bas
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.818165 Composed by Philip Le Bas. 20th Century,Contemporary. Score. 7 pages. Philip Le Bas #3899011. Published by Philip ...
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Piano Solo - Level 5 - SKU: A0.818165 Composed by Philip Le Bas. 20th Century,Contemporary. Score. 7 pages. Philip Le Bas #3899011. Published by Philip Le Bas (A0.818165). Russian Dreams for solo piano by Philip Le Bas, 2018 This 4-minute stand-alone piano piece has a very definite Russian flavour! It begins in a reflective, romantic manner, building layer upon layer of drifting ideas, leading to a brief falling theme which gradually fades away. A much more dramatic kind of dream then emerges, requiring some virtuoso piano technique, running helter-skelter through images of Cossack dance, becoming wilder and more and more out of control, until it finally runs itself out. The original theme then returns with the addition of a sort left-over turbulence, which gradually dissolves into a peaceful ending.
$5.99 ≈
£4.72
Scenes from Literature: The Infernal Whirlwind
Scenes from Literature: The Infernal Whirlwind
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Piano seul
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AVANCÉ
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Christian Robert Hendricks
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Scenes from Literature: The In
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C.R. Hendricks
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1028659 Composed by Christian Robert Hendricks. 20th Century,Concert,Contemporary. Score. 14 pages. C.R. Hendricks #36648...
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Piano Solo - Level 5 - SKU: A0.1028659 Composed by Christian Robert Hendricks. 20th Century,Concert,Contemporary. Score. 14 pages. C.R. Hendricks #3664869. Published by C.R. Hendricks (A0.1028659). The first in a series of solo piano works inspired by scenes from literature, The Infernal Whirlwind is both a representation of and reaction to Canto V in Dante's Inferno. Dante and his guide Virgil enter the second level of Hell, where the souls of people who gave into lust are condemned. At first Dante hears but a faint sound of commotion, but upon fully entering the level he encounters a massive tempest of souls being buffeted about. He recognizes some famous figures here and there. Eventually, his attention is drawn to two figures, the primary one being Francesca da Rimini. She tells of how, after reading of Sir Lancelot, she and her brother-in-law allowed themselves to love each other. Dante, deeply moved by the pathos of Francesca's story and disturbed by the continuous whirlwind, faints.Composers such as Rachmaninov and Tchaikovsky have been inspired by Francesca da Rimini specifically, but The Infernal Whirlwind is more concerned with what the whirlwind itself represents: the control lust and desire held on these souls, both while living and in the afterlife. The central theme is a twelve-tone row, but the work is not truly serialist in construction or conception: It rather represents the winding, ranging, unsettled nature of passion itself, and of the whirlwind.The piece lasts about 5 minutes, and is for an advanced player. In the beginning it requires use of all three pedals (una corda, sostenuto, sustain). Perhaps the main influence is Liszt, and one could find useful a Lisztian approach to performance. .
$8.95 ≈
£7.05
Fantasie#1 The Fairies Escape (solo piano)
Fantasie#1 The Fairies Escape (solo piano)
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Piano seul
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AVANCÉ
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Dave Kenney
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Fantasie#1 The Fairies Escape
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davekenneymusic
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.966494 Composed by Dave Kenney. 20th Century,Contemporary,Romantic Period. Score. 22 pages. Davekenneymusic #3444709. Pub...
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Piano Solo - Level 5 - SKU: A0.966494 Composed by Dave Kenney. 20th Century,Contemporary,Romantic Period. Score. 22 pages. Davekenneymusic #3444709. Published by davekenneymusic (A0.966494). This advanced work is the first of a collection of Fantasies or miniature tone poems for piano . The piece is in three sections and has numerous influences, some Impressionistic, some Romantic and it always is difficult to try and fuse these styles while keeping them congruent. The shimmering opening portrays a fairie being chased by something or someone, which seems to gets closer and closer to her. This section ends with a series of dominant seventh/nine chords and a rallentando. The slower middle segment introduces a new melody and is where she is able to hide and catch her breath which then segues (via an accelerando) leading to her discovery and the chase resumes until her escape at the very end (I hope). The challenging left hand is the main engine for the melody, which is stated in the first measure and is presented again and again in different keys and accompaniment styles. The arpeggiated figures are influences of Ravel and Liszt but I tried to imbue it with a sense of delicacy even in some of the more powerful moments. This produces a light, which I imagine would coruscate in the evening forest. This work is appropriate for all pianist. The duration is approximately 6 minutes and 35 seconds.copyright 2017 davekenneymusic
$4.50 ≈
£3.54
Prelude Impressions (for solo piano)
Prelude Impressions (for solo piano)
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Piano seul
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AVANCÉ
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Contemporain
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Paul SanGregory
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Prelude Impressions
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant ...
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Piano Solo - Level 5 - SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant Engraver Music (A0.977031). This set of three pieces is well-suited for advanced students or professional performers who enjoy creating and shaping mood, atmosphere and color on the piano. They were composed to commemorate the 150th anniversary of Claude Debussy’s birth. For that reason, they are based on various composing techniques and aesthetic ideas that he developed. Even so, there was no attempt to make them actually sound like Debussy’s music. In fact, while composing them I often felt like I was looking at Debussy’s techniques through the distorting lenses of music that came after him, but that he had influenced.I - Drifting Through ChangeOne sort of change in this piece comes from the interaction of two repeated rhythmic patterns of different lengths. Episodes of contrasting character then drift in and out of the piece creating more changes. The effect is as if one is floating quietly through empty space, but occasionally drifting past various objects or situations.II - Building CloudsTo me, the opening of this movement sounds like an idea from Debussy’s Nuages that has been turned inside out. Unlike Debussy’s more delicate clouds, however, the clouds of this piece grow turbulent and dramatic. III - Moonless HeathFor this movement, I imagine walking through an open untamed field on a dark moonless night and not being sure what I might be passing by. In terms of color and technique, this piece shows a more obvious relationship to Debussy’s music that the first two. It begins with a simple melody similar to that of his Bruyére, after which a Debussy-inspired ostinato gently moves the music forward. Structurally, the whole piece is an inverted palindrome so that a melody from the beginning returns in retrograde-inversion at the end, becoming a brief quote of Debussy’s music. Performance duration ca. 11 minutes.
$8.00 ≈
£6.30
Capricious Fantasy (for solo piano)
Capricious Fantasy (for solo piano)
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Piano seul
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AVANCÉ
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Contemporain
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Paul SanGregory
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Capricious Fantasy
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.977032 Composed by Paul SanGregory. Contemporary. Score. 10 pages. Distant Engraver Music #3534595. Published by Distant ...
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Piano Solo - Level 5 - SKU: A0.977032 Composed by Paul SanGregory. Contemporary. Score. 10 pages. Distant Engraver Music #3534595. Published by Distant Engraver Music (A0.977032). Capricious FantasyAs per the request of pianist Michael Tsalka, this flowing, expressive and lyrical piece is based on motives from the music of Classical Bohemian composer Johann Baptist Wanhal. Motives from his Capriccio No. 3, for piano, are used as fundamental building blocks, but the style of their expression and development is radically different. Because motives from different sections or movements of Wanhal’s piece all appear in this single movement, the character and expression here is more changeable, less stable and some might even say more romantic than Wanhal’s capriccio. Technically, this piece borrows ideas of repetition and continuous flow from recent minimalist music, but the effect is more lyrical, flexible and dramatic than classic minimalism. It begins with the repetition of four chords that were derived from notes used in one of Wanhal’s melodic motives. New melodies based on that motive then enter with different phrase lengths, creating a gentle dialogue of independent voices. Eventually, a faster idea from the same capriccio is introduced, but it is first played slowly and freely before its tempo increases. The entire piece then continues unfolding as a freely flowing dialogue of moods, tempos and characters based on these three simple ideas and it culminates with fast notes and strong declarations before subsiding into a gentle ending that includes all three motives.Performance duration ca. 6 minutes.
$6.00 ≈
£4.73
Sonatina in Eb for Piano
Sonatina in Eb for Piano
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Piano seul
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AVANCÉ
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James Mayhew
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Sonatina in Eb for Piano
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James Mayhew
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.996523 Composed by James Mayhew. Classical,Contemporary,Romantic Period. Score. 17 pages. James Mayhew #6234489. Publishe...
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Piano Solo - Level 5 - SKU: A0.996523 Composed by James Mayhew. Classical,Contemporary,Romantic Period. Score. 17 pages. James Mayhew #6234489. Published by James Mayhew (A0.996523). This is a one-movement sonatina in Eb major (though a sonata might be a better description of its scale) lasting just over 10 minutes. It is Classical/Romantic in style. It begins with with a slow introduction, moving through a number of different ideas, until the exposition starts with the traditional structure of 1st subject, 2nd subject etc. However, the development forgets any trace of the classical themes from the exposition and goes on a whirlwind adventure through a large variety of different themes and passages, many of which are very virtuosic, and some are more modern in style with sections of perhaps phantasmagorical 7th chord shiftings. After a very explosive end to the development, a recapitulation rounds everything off with a return of the more formal and structured 1st and 2nd subjects, as if nothing had happened. The level is very advanced (though most certainly not unplayable!), and should work well performed in concert. .
$7.20 ≈
£5.67
Sentidos
Sentidos
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Piano seul
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AVANCÉ
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Juan Carlos Guerra González
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Sentidos
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1292669 Composed by Juan Carlos Guerra González. 21st Century,Classical. Score. 30 pages. Juan Carlos Guerra Gonzalez ...
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Piano Solo - Level 5 - SKU: A0.1292669 Composed by Juan Carlos Guerra González. 21st Century,Classical. Score. 30 pages. Juan Carlos Guerra Gonzalez #883223. Published by Juan Carlos Guerra Gonzalez (A0.1292669). Sentidos(for Piano Solo)Sentidos is a suite in 5 movements for piano solo. Each movement represents one of our senses. The work explores the role of our senses in music. Listeners will explore a beautiful range of colors and harmonies as the performer paints each movement with the sounds of the piano.Two movements (Picante, and Iridisencia) are advanced pieces, the first one in the style of a tocata and the other in a freestyle that changes harmonies quickly (as in the light reflected in the back of a compact disc). The other 3 movements might be suited for intermediate-advanced players.The movements are as follows:I. Petricor (The smell of wet soil)II. ChromestesiaIII. PicanteIV. Repeluzno (a short chill)V. Iridisencia Playing performance time is around 18 minutesMore info at: www.juancarlosguerra.com/sentidos
$29.99 ≈
£23.62
Aspirations Op. 1
Aspirations Op. 1
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Piano seul
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AVANCÉ
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Contemporain
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Tayren N
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Aspirations Op. 1
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Tayren N. Ben-Abraham
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1027238 Composed by Tayren N. Ben-Abraham. 20th Century,Concert,Contemporary. Score. 10 pages. Tayren N. Ben-Abraham #203...
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Piano Solo - Level 5 - SKU: A0.1027238 Composed by Tayren N. Ben-Abraham. 20th Century,Concert,Contemporary. Score. 10 pages. Tayren N. Ben-Abraham #2039327. Published by Tayren N. Ben-Abraham (A0.1027238). This solo piano work describes the unfulfilled aspirations of a person or group of people and aims to be as a meditation by which these aspirations can be offered at the time of performance together as one voice along with the performer. This work is suitable for recitals, to be placed as solo repertoire as part of a concert, and more. Aspirations is suitable for all audiences. It is suitable for performers who are at an advanced level of piano skills to the professional. The entire work lasts approximate 7 minutes long. This piece was written in January and February 2012 with the official finishing date being February 28, 2012. It is my first serious piece which was composed in my undergraduate studies at Valley City State University under my professor Jorge Variego. The first 22 bars were conceived a year earlier as a sketch. This piece is part of the Valley City Collection, which describes works of music I composed while living in Valley City, North Dakota. The piece in the beginning involves bitonality, the bass being in A minor and the melodic line being in F major. The main theme is given much room to develop and soon runs into the secondary theme at measure 45. At measures 48 to 50 the main theme returns only to introduce the third theme at measure 51 to 52 then returning to the first theme. At measure 73, another theme enters to transition back to the main theme that is a variation at measure 81 to the end. Mainly composed in 12/8 time, the work concludes in 4/4 time. Your Performing Rights Organization Your Social Media Channels and Contact Information.
$5.00 ≈
£3.94
Étude (2013)
Étude (2013)
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Piano seul
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AVANCÉ
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Contemporain
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Paul SanGregory
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Étude
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.977029 Composed by Paul SanGregory. Contemporary. Score. 9 pages. Distant Engraver Music #3534581. Published by Distant E...
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Piano Solo - Level 5 - SKU: A0.977029 Composed by Paul SanGregory. Contemporary. Score. 9 pages. Distant Engraver Music #3534581. Published by Distant Engraver Music (A0.977029). This colorful and harmonically rich composition has been well-received by many audiences around the word. It was composed for Michael Tsalka, who enjoys playing early keyboards, and for that reason the quiet finger techniques of 18th-century keyboard music was its starting point. So unlike many etudes, the point here is not the development of difficult modern piano technique, but the parameters of harmony, rhythm and phrasing instead. In particular, the clear phrasing of contrasting and overlapping note groups is of special importance. It may sound more subtle and less flashy than a typical etude, but it can actually present a real challenge. My hope is that if one listens carefully, either as player or audience member, the various metric, harmonic and phrasing ambiguities contained in the steady gentle flow of eighth-notes will become a delightful etude for the musical mind. (duration ca. 4 minutes)
$5.00 ≈
£3.94
Spirit of the Llano Estacado
Spirit of the Llano Estacado
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Piano seul
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AVANCÉ
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Contemporain
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Gary D
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Accompaniment
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Spirit of the Llano Estacado
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DR GARY D BELSHAW
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.796684 Composed by Gary D. Belshaw )ASCAP). 20th Century,Contemporary. Score. 176 pages. DR GARY D BELSHAW #3535423. Publ...
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Piano Solo - Level 5 - SKU: A0.796684 Composed by Gary D. Belshaw )ASCAP). 20th Century,Contemporary. Score. 176 pages. DR GARY D BELSHAW #3535423. Published by DR GARY D BELSHAW (A0.796684). Score for 2 Pianos 8 Hands, Solo & Accompaniment; TWO COPIES of the score for piano duo. 176 pages. Duration c. 19 minutes. A solo edition of this score provides only one copy of the score, suitable for solo study.A virtuosic concerto for piano and full orchestra, this work is complete in a sonata-arch form. The first exposition, and the final recapitulation, are in traditional harmonies with contemporary flavors. The second exposition exploits octatonic and other more contemporary scales. The development treats all the themes of both expositions in some of the most modern idioms.
$34.95 ≈
£27.53
Street Circus
Street Circus
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Piano seul
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AVANCÉ
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Contemporain
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Julianne Sharer
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Street Circus
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Resonant Shapes
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.998939 Composed by Julianne Sharer. Contemporary. Score. 54 pages. Resonant Shapes #5821001. Published by Resonant Shapes...
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Piano Solo - Level 5 - SKU: A0.998939 Composed by Julianne Sharer. Contemporary. Score. 54 pages. Resonant Shapes #5821001. Published by Resonant Shapes (A0.998939). Street Circus is a joyful piece for the advanced pianist, inspired by street performer acts. The continuous suite runs approximately 25 minutes, and features an Introduction and transitions between the acts. Players may also choose to perform one or more acts separately.Also available here as a piano duet: https://www.sheetmusicplus.com/title/street-circus-digital-sheet-music/21799651
$19.99 ≈
£15.75
GREEK SUITE FOR PIANO
GREEK SUITE FOR PIANO
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Piano seul
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AVANCÉ
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Contemporain
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Anon
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Marilena Zlatanou
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GREEK SUITE FOR PIANO
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Marilena Zlatanou
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.887051 Composed by Anon. Arranged by Marilena Zlatanou. Contemporary. Score. 15 pages. Marilena Zlatanou #3030869. Publis...
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Piano Solo - Level 5 - SKU: A0.887051 Composed by Anon. Arranged by Marilena Zlatanou. Contemporary. Score. 15 pages. Marilena Zlatanou #3030869. Published by Marilena Zlatanou (A0.887051). This Suite for piano solo, is an entity comprising of nine Greek folk-songs. The style of writing is contemporary combined with genuine Greek folk music tone colour. Duration 15 minutes. Individual songs may be performed separately, if desired, something that has occured and to great audience appreciation! The attached mp3 file is a converted sibelius file.For more inforamtion on the arranger (member of TONO, the Norwegian copyright org.), please visit website: www.zlatanou.netÂ
$10.00 ≈
£7.88
En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano seul
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AVANCÉ
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Ma...
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Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar?s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar?s best piano pieces; O Christmas, Isadar?s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar?s releases since his second piano album, 1999?s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar?s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar?s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with ?Broken Valentine,? a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. ?The Man Who Broke My Heart? is energetic and in constant swirling motion - also very free and from deep within. ?The Stairwell? is darker and much more mysterious, overflowing with Isadar?s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute ?Letting Go,? a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! ?En Face Du Miroir (Facing the Mirror)? is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with ?Blood ... Thicker Than Water,? again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar?s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar?s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn?t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9?x12? format with a stapled binding.
If you enjoy listening to Isadar?s music, I?m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
£4.72
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