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28 partitions trouvées
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Prelude 12 in Bb Minor Dorian
Prelude 12 in Bb Minor Dorian
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 12 in Bb Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
(+)
Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
5.53€
Prelude 2 in A Minor Aolian
Prelude 2 in A Minor Aolian
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 2 in A Minor Aolian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden...
(+)
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.53€
Prelude 4 in D Minor Phrygian
Prelude 4 in D Minor Phrygian
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 4 in D Minor Phrygian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden ...
(+)
Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.53€
Prelude 5 in Bb Major Lydian
Prelude 5 in Bb Major Lydian
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 5 in Bb Major Lydian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden ...
(+)
Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.53€
Prelude 13 in F# Major Ionian
Prelude 13 in F# Major Ionian
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 13 in F# Major Ionian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
(+)
Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.53€
Prelude 8 in C Minor Aolian
Prelude 8 in C Minor Aolian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 8 in C Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
5.53€
Bachiana Dodecafonica - 6 Preludes and Fugues for Solo Piano
Bachiana Dodecafonica - 6 Preludes and Fugues for Solo Piano
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Piano seul
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AVANCÉ
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Contemporain
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Richard St
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Bachiana Dodecafonica - 6 Prel
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Richard St. Clair
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.939695 Composed by Richard St. Clair and Richard St. Clair. 20th Century,Contemporary. Score. 31 pages. Richard St. Clair...
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Piano Solo - Level 5 - SKU: A0.939695 Composed by Richard St. Clair and Richard St. Clair. 20th Century,Contemporary. Score. 31 pages. Richard St. Clair #3000997. Published by Richard St. Clair (A0.939695). 6 preludes and fugues, each set of prelude and fugue based on a twelve-tone row derived from preludes of J. S. Bach in the Well-Tempered Clavier. Thus, the music has both tonal and atonal features. Total duration: 19 minutes. The MP3 Audio Clip is a computer-generated soundfile.
$18.99 ≈
17.54€
Prelude in F# Major: A Glorious Adventure
Prelude in F# Major: A Glorious Adventure
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Piano seul
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AVANCÉ
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Kalynn Fleischman
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Prelude in F# Major: A Gloriou
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Kalynn Fleischman
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1000208 Composed by Kalynn Fleischman. Concert,Contemporary,Instructional,Standards. Score. 5 pages. Kalynn Fleischman #6...
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Piano Solo - Level 5 - SKU: A0.1000208 Composed by Kalynn Fleischman. Concert,Contemporary,Instructional,Standards. Score. 5 pages. Kalynn Fleischman #6620553. Published by Kalynn Fleischman (A0.1000208). Here is the 15th of 30 preludes. It's in a tough time signature and fairly fast. .
$3.99 ≈
3.69€
Prelude
Prelude
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Piano seul
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AVANCÉ
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Nikolay Artcibouchev
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Yury Chugunov and Zellev
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7 March [O
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Prelude
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1239146 Composed by Nikolay Artcibouchev. Arranged by Yury Chugunov and Zellev. 20th Century,Classical,Contemporary,Grung...
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Piano Solo - Level 5 - SKU: A0.1239146 Composed by Nikolay Artcibouchev. Arranged by Yury Chugunov and Zellev. 20th Century,Classical,Contemporary,Grunge,Lent. Score. 3 pages. Zellev Music #834550. Published by Zellev Music (A0.1239146). Key Signature: C♯ minorTime Signature: 12/8Tempo: Moderato assai (very moderately (126))Difficulty: AdvancedNikolai Vasilievich Artsybushev (Russian: Ðиколай ВаÑильевич Ðрцыбушев; 7 March [O.S. 23 February] 1858 – 15 April 1937) was a Russian jurist, music publisher and promoter, and minor composer. His name is sometimes seen as Artsibushev, Artsybuchev, Artzibushev, Artzybushev, Artchibousheff, Arcybusev, etc.Artsybushev was born at Tsarskoye Selo in 1858. His legal studies were at the Imperial School of Jurisprudence in Saint Petersburg, after which he practised in St Petersburg as an attorney. He also dabbled in music composition, and Nikolai Rimsky-Korsakov gave him private lessons in music theory after Mily Balakirev said his works showed some promise.He also became acquainted with the music publisher Mitrofan Belyayev and participated in his regular weekly gatherings called Fridays (Vendredis). To mark these occasions, a group of 10 composers including Artsybushev collaborated on a 16-part suite for string quartet, called Les Vendredis. His contribution was a Serenade in A major. He also collaborated with others on Variations on a Russian Theme, in versions for both string quartet and orchestra.He was a member of the St Petersburg City Council. After Belyayev's death in 1903 he became chairman of the board of the Belyayev publishing house, in which capacity he had significant dealings with Alexander Scriabin. From 1908 to 1917 he was President of his city's branch of the Russian Musical Society, and later succeeded Rimsky-Korsakov as President of the Board of Trustees for the Society for the Encouragement of Russian Musicians.In 1920 he moved to Paris and became a director of the Belyayev publishing house there. He died in Paris in 1937, aged 79.His works other than those mentioned above are now little known, but include:-Polka caractéristique, Op. 4, orchestra-Valse-Fantaisie, Op. 9, orchestra-Scherzo in C, orchestra (this had its premiere at the same concert at which Rimsky-Korsakov's-Capriccio Espagnol was premiered)-Piano pieces-Orchestral and other arrangements of works by:--Borodin--Glazunov (Suite for string quartet, Op. 35)--Mussorgsky (Night on Bald Mountain, for piano 4-hands;world premiere recording) and--Rimsky-Korsakov (Sinfonietta on Russian Themes, Op. 31).[https://en.wikipedia.org/wiki/Nikolai_Artsybushev].
$5.00 ≈
4.62€
Prelude in G# Minor: Blue Days (Blue Daze)
Prelude in G# Minor: Blue Days (Blue Daze)
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Piano seul
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AVANCÉ
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Kalynn Fleischman
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Prelude in G# Minor: Blue Days
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Kalynn Fleischman
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1000205 Composed by Kalynn Fleischman. Blues,Concert,Jazz,Standards. Score. 3 pages. Kalynn Fleischman #6618949. Publishe...
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Piano Solo - Level 5 - SKU: A0.1000205 Composed by Kalynn Fleischman. Blues,Concert,Jazz,Standards. Score. 3 pages. Kalynn Fleischman #6618949. Published by Kalynn Fleischman (A0.1000205). Here is the twelfth of thirty preludes. This is a fairly jazzy and bluesy prelude in 6/4 time. .
$3.99 ≈
3.69€
Prelude in A# Minor: Goblin Gigue
Prelude in A# Minor: Goblin Gigue
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Piano seul
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AVANCÉ
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Kalynn Fleischman
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Prelude in A# Minor: Goblin Gi
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Kalynn Fleischman
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1000213 Composed by Kalynn Fleischman. Concert,Contemporary,Halloween,Instructional,Standards. Score. 4 pages. Kalynn Fle...
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Piano Solo - Level 5 - SKU: A0.1000213 Composed by Kalynn Fleischman. Concert,Contemporary,Halloween,Instructional,Standards. Score. 4 pages. Kalynn Fleischman #6624611. Published by Kalynn Fleischman (A0.1000213). Here is a fun little romp that is fairly challenging to play. This is number 20 of 30 preludes. Hope you enjoy it!
$3.99 ≈
3.69€
Brother James' Air for solo piano
Brother James' Air for solo piano
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Piano seul
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AVANCÉ
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Musique Sacrée
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Scottish Psalter 1650
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Judith L
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Brother James' Air for solo pi
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Maggs
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1093848 Composed by Scottish Psalter 1650. Arranged by Judith L. Maggs. Christian,Religious,Sacred,Traditional. Score. 5 ...
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Piano Solo - Level 5 - SKU: A0.1093848 Composed by Scottish Psalter 1650. Arranged by Judith L. Maggs. Christian,Religious,Sacred,Traditional. Score. 5 pages. Maggs #697938. Published by Maggs (A0.1093848). Brother James' Air is a much loved setting of a poem based on the 23rd Psalm. This arrangement is a gently modernized harmonization of the traditional tune. It incorporates all 5 verses, beginning in Bb major and modulating to C major. (The 3rd verse is partially set in Bb minor.) Although arranged for advanced piano, it is not overly difficult. It would make a lovely prelude or special music for any church service. Note: This arrangement is included in my collection, “In Loving Memory,†also available on this site.
$2.99 ≈
2.76€
There'll Be Heavenly Music in the Air - original piano solo prelude
There'll Be Heavenly Music in the Air - original piano solo prelude
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Piano seul
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AVANCÉ
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Musique Sacrée
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Kevin G
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There'll Be Heavenly Music in
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Kevin G. Pace
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.701265 Composed by Kevin G. Pace (ASCAP). 20th Century,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Kevin G. Pace #...
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Piano Solo - Level 5 - SKU: A0.701265 Composed by Kevin G. Pace (ASCAP). 20th Century,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Kevin G. Pace #3044223. Published by Kevin G. Pace (A0.701265). A beautiful, original piano solo specifically written for use in worship services, but could certainly be used at home and any other venue. Professional quality piano music.
$3.95 ≈
3.65€
Prelúdio da Montanha Mágica / Prelude to The Magic Mountain
Prelúdio da Montanha Mágica / Prelude to The Magic Mountain
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Piano seul
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AVANCÉ
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Rudesindo Soutelo
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Prelúdio da Montanha M&
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1013230 Composed by Rudesindo Soutelo. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Publisher by R...
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Piano Solo - Level 5 - SKU: A0.1013230 Composed by Rudesindo Soutelo. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Publisher by Rudesindo Soutelo #6080217. Published by Publisher by Rudesindo Soutelo (A0.1013230). Rudesindo Soutelo:Prelúdio da Montanha Mágica / Prelude to The Magic Montain.Tribute to Thomas Mann. (1996) [6'40]ISWC: T-041.574.847-8ISMN: 979-0-9007529-5-6Première: 19-IX-2004. Museu de Belas Artes, Corunha(Galiza). Piano: Genaro Fernández.This work is a tribute to Thomas Mann, who published The Magic Mountain in 1924 and received the Nobel Prize for Literature in 1929.According to the author’s own words, the novel is a journey into decay which is lived in a mountain sanatorium dedicated to the cure of tuberculosis. But it is also the search for the idea of man, the concept of a future humanity through the prism of death.The uneven rhythmic pattern of the score (6+5+5/16 and 9+7/16) sifts the hope and generates restlessness. The generating complex {6,5,5,9,7} conforms the DNA of the whole work and is present in both formal structure and harmony or melody. The funerary sequence of the Gregorian, ‘Dies irae, dies illa’ (On the day of the wrath, that day), hangs throughout the piece until it becomes evident and dominates the spirit. The death precedes to a new life.---Esta obra é uma homenagem a Thomas Mann, quem publicou A Montanha Mágica em 1924 e recebeu o prémio Nobel de Literatura em 1929. Segundo as palavras do próprio autor, a novela é uma viagem à decadência que se vive num Sanatório de montanha dedicado a curar a tuberculose. Mas também é a busca da ideia do homem, o conceito de uma humanidade futura através do prisma da morte.O padrão rÃtmico desenquadrado da partitura (6+5+5/16 e 9+7/16) criva a esperança e gera inquietação. O complexo geratriz {6,5,5,9,7} conforma o ADN de toda a obra e está presente tanto na estrutura formal como na harmonia ou na melodia. A sequência fúnebre do gregoriano, ‘Dies irae dies illa’ (No dia do juÃzo final), paira ao longo da peça até se tornar evidente e dominar o espÃrito. A morte antecede a uma vida nova.
$8.00 ≈
7.39€
Motion Preludes
Motion Preludes
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Piano seul
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AVANCÉ
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Contemporain
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Paul SanGregory
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Motion Preludes
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1116362 Composed by Paul SanGregory. Contemporary. Score. 23 pages. Distant Engraver Music #717997. Published by Distant ...
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Piano Solo - Level 5 - SKU: A0.1116362 Composed by Paul SanGregory. Contemporary. Score. 23 pages. Distant Engraver Music #717997. Published by Distant Engraver Music (A0.1116362). This set of three short imaginative piano pieces take inspiration from different types of motion. The first, Brownian Movement evokes the jittery motion of tiny particles being bounced around by air molecules running into them. The second, Summer Brook creates the pleasant flow of a gentle stream. The third is called Rickety Roller Coaster and it mimics the unstable rising and falling of an imagined old-fashioned roller coaster made of wood and steel.
$8.00 ≈
7.39€
Naturszenen Op. 3, No. 10 "Der eisige Atem des Winters"
Naturszenen Op. 3, No. 10 "Der eisige Atem des Winters"
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Piano seul
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AVANCÉ
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Contemporain
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Michael Swedberg
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Naturszenen Op. 3, No. 10 &quo
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1048637 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishi...
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Piano Solo - Level 5 - SKU: A0.1048637 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishing #653046. Published by Niska Music Publishing (A0.1048637). The winds howl, hurling the snow through the air with a vengeance. It is near impossible to see your hand before your face as the storm rages on and the Icy Breath of Winter threatens to freeze the very blood in your veins. This prelude requires the pianist to have a keen understanding of the multiple voices needed to be brought out between the hands. There is a great deal of arpeggio work in the left hand and the quick tempo of the piece demands a strong technique and lightness of touch.
$3.99 ≈
3.69€
Three Pieces for Piano: In Memoriam Beveridge Webster
Three Pieces for Piano: In Memoriam Beveridge Webster
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Piano seul
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AVANCÉ
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Moshe S
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Three Pieces for Piano: In Mem
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ArtsAhimsa
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1253097 Composed by Moshe S. Knoll. 21st Century,Contemporary,Contest,Festival. Score. 51 pages. ArtsAhimsa #846842. Publ...
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Piano Solo - Level 5 - SKU: A0.1253097 Composed by Moshe S. Knoll. 21st Century,Contemporary,Contest,Festival. Score. 51 pages. ArtsAhimsa #846842. Published by ArtsAhimsa (A0.1253097). This is a large scale Tryptich, inspired by Debussy's Suite pour le Piano.It was begun in 2021 and it kept being re-written till 2023.I dedicate this Tryptich to the loving memory of the great American Pianistand pedagoge Mr. Beveridge Webster, who was my last teacher at Juilliard.The first piece is a Prelude, playful but not too carefree, the dance-like atmosphere gets interrupted several times by a serious, contemplativeChorale-like passage.The second piece, Nocturno-Fantasia is a desolated landscape of pain and despair,a reflection of the harsh times the human family has had to endure these last three years.The last movement, is a large-Scale Toccata in the Phrygian Mode, usingirregular time signatures.This Toccata must be played in strict tempo, to highlight those irregular rhythms.Dies Irae is referenced in both the second and third movements, discreetly, just beneath the surface.This Cycle of three can be performed as a unit, or as three separate pieces.It is designed to give virtuosi a new warhorse for competitions, certainlythe Toccata.I do believe this Toccata has great technical value for pianists as an Etude in articulationand rhythm.Beyond this, I hope that this music will express a wide range of human sufferings and aspirations, and that it will deliver an emotional catharsis for all potential listeners.With this composition I am joining the large group of composers who have created New Music these last few years, music testifying to the resilience of the human spirit in the face of adversity.
$30.00 ≈
27.72€
Elegie in Eb Minor (Classical Music for Tablet Series)
Elegie in Eb Minor (Classical Music for Tablet Series)
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Piano seul
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AVANCÉ
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Classique
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Stephen R Dalrymple
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Edited by Stephen R Dalrymple
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Elegie in Eb Minor
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.818281 By Stephen R Dalrymple. By Sergei Rachmaninoff. Arranged by Edited by Stephen R Dalrymple. Romantic Period....
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Instrumental Solo - Level 5 - SKU: A0.818281 By Stephen R Dalrymple. By Sergei Rachmaninoff. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 18 pages. Stephen R Dalrymple #4966281. Published by Stephen R Dalrymple (A0.818281). Élegié in E Flat Minor for solo piano (Classical Music for Tablet Series) ♫ by Sergei Vasilyevich Rachmaninoff (Opus 3.1) ♫ Rachmaninoff (born in 1873) , Russian composer, virtuoso pianist, and conductor, was considered one of the finest pianists of his day. His compositions belong to the Romantic period of music history. He graduated at the Moscow Conservatory in 1892. After the premiere of his First Symphony in 1897, the negative reaction by an important critic sent him into a tailspin of depression that lasted several years. ♫ In 1909 he performed a series of 26 performances with the Boston Symphony Orchestra in the USA. In 1914 he travelled to England for a concert tour. ♫ In February 1917 on the day the Socialist Revolution began in St Petersburg, he performed a benefit piano recital in Moscow for wounded Russian soldiers. When he returned home, he found that a group of Social Revolutionary Party members had seized his property as their own communal property. He had invested most of his earnings on the estate, but left it behind. Rachmaninoff's concert performance in Yalta on 5 September 1917 was to be his last in Russia. The chaos and tension of the October Revolution was daunting. He composed with the noise of gunshots and rallies in the background. He received an invitation to perform 10 recitals across Scandinavia. He accepted the offer, using it as an excuse to obtain permits so he and his family could flee Russia. ♫ He returned to the USA in November 1918 and America became his home. When he became an American citizen in 1943, Sergei Rachmaninoff said: “This is the only place on earth where a human being is respected for what he is and what he does, and it does not matter who he is and where he came from.†He died in March 1943 from cancer at the age of 70. (condensed from Wikipedia - October 2022) ♫ Rachmaninoff’s Opus 3 contains 5 piano pieces. The first is the Élegié in E Flat Minor, the second is the Prelude in C# Minor (one of his most famous piano compositions). This opus was finished in 1892, when he was 19 years old. The Prelude in C# Minor is loud, explosive, and declarative; the Élegié in E Flat Minor is soft, fluid, and contemplative. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Sequenced by the Editor ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.69€
Ravel - "Mother Goose" (Ma Mère l’Oye), arranged for Piano solo
Ravel - "Mother Goose" (Ma Mère l’Oye), - Piano solo
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Piano seul
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AVANCÉ
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Maurice Ravel
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Len Rhodes
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Ravel - "Mother Goose&quo
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Len Rhodes Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.739953 Composed by Maurice Ravel. Arranged by Len Rhodes. 20th Century,Concert,Holiday,Wedding. Score. 8 pages. Len Rhode...
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Piano Solo - Level 5 - SKU: A0.739953 Composed by Maurice Ravel. Arranged by Len Rhodes. 20th Century,Concert,Holiday,Wedding. Score. 8 pages. Len Rhodes Music #3570051. Published by Len Rhodes Music (A0.739953). Len Rhodes has transcribed Ravel's orchestral suite for piano solo. In his book Impressionism, author Pierre Courthion writes how Ravel's Mother Goose Suite seems like a musical commentary to Monet's Waterlilies. Len has titled his transcription - Reflections - containing the main movements from Mother Goose (Ma Mère l’Oye), with beautifully crafted segue's that create uninterrupted flow from movement to movement. Ravel originally wrote this ballet as a charming, delicate and imaginative suite of fairytale pieces. This transcription is a continuous work featuring - (i) the Prelude, (ii) Pavane de la Belle au Bois dormant (Pavane of the Sleeping Beauty), (iii) Les entretiens de la Belle et de la Bête (Conversation of Beauty and the Beast), (iv) Petit Poucet (Little Tom Thumb), and Le jardin féerique (The Fairy Garden). It is suitable for the more advanced (ABRSM grade 6/7) pianist, but will be appreciated by all lovers of Ravel, and Ma Mère l’Oye in particular. The music contains some larger chords so not entirely suitable for small hands. This is an extended work - 8 pages of music.
$5.99 ≈
5.53€
Jesus Shall Reign Where'er the Sun
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99 ≈
4.61€
Suite
Suite
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Piano seul
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AVANCÉ
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Ayden Kael McDonald
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Cadenza -
A minor
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Suite
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Ayden McDonald
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1024298 Composed by Ayden Kael McDonald. Concert,Contemporary,Standards. Score. 42 pages. Ayden McDonald #3532485. Publis...
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Piano Solo - Level 5 - SKU: A0.1024298 Composed by Ayden Kael McDonald. Concert,Contemporary,Standards. Score. 42 pages. Ayden McDonald #3532485. Published by Ayden McDonald (A0.1024298). A spectacle of brilliance and a virtuosic endurance. Seven movements containing a diapason of harmonic richness, technical stamina, presenting passion and intensity.Movements:Overture - D minorAir - F sharp minorPrelude - F sharp majorChaconne - C minorFugue - D flat majorFantasia - C minorToccata & Cadenza - A minor
$18.00 ≈
16.63€
In the Bleak Midwinter
In the Bleak Midwinter
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Piano seul
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AVANCÉ
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Noël
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Michael Swedberg
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Terrence Niska
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In the Bleak Midwinter
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages....
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Piano Solo - Level 5 - SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726553. Published by Niska Music Publishing (A0.1125813). Another arrangement that had its genesis as a vocal chart for Five By Design. However, this piece went on to be performed in our holiday show, “A Winter’s Evening.†I have always loved the Gustav Holst melody to Christina Rossetti’s poem, subsequently it was that setting that I chose to arrange for our group. When I was selecting pieces for my second collection of Christmas Preludes, I knew this would be among them. The piece starts out quite gently, and in my mind’s ear I hear a cello and oboe establishing a mood of utter serenity and calm as the snow gently falls outside the frost-covered window. Soon the oboe is joined by a clarinet as they play a duet while the cello continues the gentle sway of eighth notes. For the pianist, there must be great control of the left hand to keep it as calm as possible while the melody floats above, just as the snow falls to the earth. As the second verse begins, the right hand now plays a triplet pattern beneath the melody. It is a gentle breeze, stirred by the wings of angels and cherubim, upon which the crystalline flakes swirl and dance in the cold night air. All the while the left hand continues its steady motion of eighth notes. Halfway through the triplet pattern moves to the left hand and the right hand takes up the eighth notes while still keeping the melody above all. The verse comes to a close with a slowing of the tempo to emphasize the importance of what the poet states in the last lines of the poem: “Yet what I can I give Him, — Give my heart.†It is all that any of us can do, and all that we are asked to do.
$3.99 ≈
3.69€
Hybrid Studies
Hybrid Studies
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Piano seul
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AVANCÉ
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Classique
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Hakan Ali Toker
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Hakan Ali Toker
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Hybrid Studies
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Hakan Ali Toker
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1285388 By Hakan Ali Toker. By Frederic F. Chopin. Arranged by Hakan Ali Toker. 19th Century,20th Century,Classical,Roman...
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Piano Solo - Level 5 - SKU: A0.1285388 By Hakan Ali Toker. By Frederic F. Chopin. Arranged by Hakan Ali Toker. 19th Century,20th Century,Classical,Romantic Period. Score. 106 pages. Hakan Ali Toker #876505. Published by Hakan Ali Toker (A0.1285388). A set of 12 etudes, all based on music by Chopin. The first 10 etudes are created by cross-breeding music by Chopin with the work of another composer. The texture of one work has been applied to the harmony of another. The last two are created by a different approach: work by one composer has been recreated in the style of another. All based on ideas of Prof. Douglas HofstadterNo. 1: Texture of J. S. Bach's C Major Prelude BWV 846 from book I of the Well-tempered Clavier applied to the harmony of F. F. Chopin's C Major Etude Op. 10 no. 1No. 2: Vice versaNo. 3: Texture of J. S. Bach's ce minor Prelude BWV 847 from book I of the Well-tempered Clavier applied to the harmony of F. F. Chopin's c minor Etude Op. 25 no. 12Â No. 4: Vice versaNo. 5: Texture of F. F. Chopin's Etude Op. 10 No. 6 applied to the harmony of the composer's own Prelude in A Major Op. 28 no. 7No. 6: Variations on F. F. Chopin's Prelude in c minor Op. 28 no. 20, each variation based on a different etude by Chopin himselfNo. 7: Texture of F. F. Chopin's Etude in A Flat Major Op. 25 no.1 applied to the harmony and melody of F. Loewe's song I Could Have Danced All Night from My Fair LadyNo. 8: Texture of F. F. Chopin's Etude in C Major Op. 10 no.1 applied to the harmony of the the composer's own Etude in c minor Op. 25 no. 12No. 9: Vice VersaNo. 10: Texture of F. F. Chopin's Prelude in f# minor Op. 28 no. 8 and his Fantaisie-Impromptu in c# minor Op. 66 applied to the harmony and melody of A. DvorÌŒaÌk's Humoresque Op. 101 no. 7No. 11: S. S. Prokofiev's Waltz Op. 65 no. 6 in the style of F. ChopinNo. 12: F. F. Chopin's Waltz in f#minor Op. 69 no. 2 in the style of S. S. Prokofiev.
$20.00 ≈
18.48€
Pensées Nocturnes No. 1
Pensées Nocturnes No. 1
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Piano seul
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AVANCÉ
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Raphaël Novarina
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Pensées Nocturnes No. 1
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Raphaël Novarina
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1423054 Composed by Raphaël Novarina. 21st Century,Classical,Contemporary. Score. 10 pages. Raphaël Novarina #1004411. ...
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Piano Solo - Level 5 - SKU: A0.1423054 Composed by Raphaël Novarina. 21st Century,Classical,Contemporary. Score. 10 pages. Raphaël Novarina #1004411. Published by Raphaël Novarina (A0.1423054). Raphaël Novarina is a French composer and Pianist born in Paris in 1980, that composes in a variety of musical styles and setting, but mainly focuses on contemporary classical piano. Novarina also manages a music label. Novarina has an extensive collection of albums. His Solo Piano series has over ten albums of original solo piano music. The style of each album varies, but Novarina’s compositional styles are always based in the rich European classical tradition of forms and harmonic and melodic developments. Each album contains solid playing and themed around various forms. For example, Solo Piano VIII, is comprised of ten Etudes. While Solo Piano VII is all Funeral Marches. Now Novarina is releasing Solo Piano X, which has a theme of suites. The album contains ten suites composed by Novarina. A suite, in Western classical music, is an ordered set of instrumental pieces. Originating in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude. The separate movements were often thematically and tonally linked. In the Baroque era, the suite was an important musical form, also known as Suite de danses, Partita or Ouverture (after the theatrical “overture” which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach.
$8.00 ≈
7.39€
Joyful, Joyful, We Adore Thee
Joyful, Joyful, We Adore Thee
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Piano seul
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Paul Thurmond
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Joyful, Joyful, We Adore Thee
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828246 Composed by Ludwig van Beethoven. Arranged by Paul Thurmond. 20th Century,Christian,Classical,Sacred. Score. 5 pag...
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Piano Solo - Level 5 - SKU: A0.828246 Composed by Ludwig van Beethoven. Arranged by Paul Thurmond. 20th Century,Christian,Classical,Sacred. Score. 5 pages. Paul Thurmond #4969035. Published by Paul Thurmond (A0.828246). Tune: HYMN TO JOYUse: PreludeHymn to Joy is the main theme of the last movement of Ludwig van Beethoven’s most famous work, his Ninth Symphony, which premiered in 1824, only three years before his death. The tune has been paired with several different hymn texts, but the most popular one in most churches is Joyful, Joyful, We Adore Thee.Just six years later, around 1830, a young Polish composer living in Paris, Frédéric Chopin, composed his most famous work, the Nocturne in E-flat major. It’s a piece that’s beloved by pianists for its lovely melody set over a widely spaced accompaniment. The tune gets considerably more complex as it goes on.My setting goes through the melody three times. The first and third sections are fast, and are built on a kind of arpeggio-pattern-with-a-melody-on-top that Chopin was fond of using. The slow section in the middle starts with a total ripoff of the opening of Chopin’s Nocturne; it’s even in the same key! Instead of Chopin’s melody, though, I use Beethoven’s, and develop the tune as Chopin did, beginning plainly, then becoming increasingly ornate.This piece was a blast to write, and I hope you enjoy it, too.
$4.99 ≈
4.61€
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