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Vous avez sélectionné:
Something Just Like This
expert
Piano seul
Partitions à imprimer
5 partitions trouvées
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1
Something Just Like This
Something Just Like This
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Piano seul
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AVANCÉ
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The Chainsmokers
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Yo Matsumoto
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Something Just Like This
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Yo Matsumoto
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1399415 By The Chainsmokers. By Andrew Taggart, Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged b...
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Piano Solo - Level 5 - SKU: A0.1399415 By The Chainsmokers. By Andrew Taggart, Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Yo Matsumoto. Contest,Disco,Festival,New Age,Pop,Singer/Songwriter. Score. 2 pages. Yo Matsumoto #982699. Published by Yo Matsumoto (A0.1399415). This is a beautiful melodic song that represents 2017.This arrangement is relatively easy to play.*This song was created as a medley, so the reference video is also a medley. Due to copyright issues, we only sell sheet music one song at a time.
$5.00 ≈
¥35.48
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano seul
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AVANCÉ
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
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Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
¥28.31
Cornus - A Fantasy Ballade for Piano
Cornus - A Fantasy Ballade for Piano
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Piano seul
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AVANCÉ
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Aris Antoniades
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Cornus - A Fantasy Ballade for
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Aris Antoniades
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.942946 Composed by Aris Antoniades. Concert,Contemporary. Score. 14 pages. Aris Antoniades #3914555. Published by Aris An...
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Piano Solo - Level 5 - SKU: A0.942946 Composed by Aris Antoniades. Concert,Contemporary. Score. 14 pages. Aris Antoniades #3914555. Published by Aris Antoniades (A0.942946). Cornus - A Fantasy Ballade for Piano, composed by Aris Antoniades.Cornus is the name of the forest that surrounds the Army Unit I was stationed at, during the first year of my military service back in my homeland, Cyprus. The magical sounds of nature and the myths surrounding this forest were what kept me company during many cold, endless nights of sentry guard duty. On such nights, I would often let my imagination soar, making up stories and music. It was during one of those moments of spontaneous inspiration that I came up with the opening motif for this piece.The piece tries to musically depict the different feelings a questing knight experiences when he sets off into the depths of the forest and back. Just like all typical chivalric romances, the hero discovers something remarkable while he travels - something that has the power to change him forever. Although by the end of the story the hero returns back to where he started, he is now a different person since the adventure forced him to undergo a catharsis.
$12.95 ≈
¥91.89
Bloom
Bloom
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Piano seul
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AVANCÉ
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Damien Gauci
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Bloom
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1425804 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 10 pages. Damien Gauci #1006564. Published by Dami...
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Piano Solo - Level 5 - SKU: A0.1425804 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 10 pages. Damien Gauci #1006564. Published by Damien Gauci (A0.1425804). I rarely start by writing a composition with the name in mind but it’s something that I try to do more often and it’s something that I for this piece. When I came up with the name ‘Bloom’ I really wanted to write a piece or at least an opening section that sounded like that word, where the music blooms out like a flower. The first and last section are the same and are just a chordal pattern that rises up from the left hand into the right hand. This kind of writing is simple but quite effective as it slowly evolves over time as the chords change and allows for reflective mood.The middle section does go in a bit of a different direction but I still wanted to infuse elements from the first section into this section as well as use the gesture of ‘Bloom’ in some way. This sections still evolves in it’s own way but I would say I wrote it in a more through-composed style with different little themes that come and go. I hope you are able to image the music ‘Bloom’ when you listen to it.
$1.99 ≈
¥14.12
"Liebesschmerz Fuge" for piano Op. 95
"Liebesschmerz Fuge" for piano Op. 95
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Piano seul
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AVANCÉ
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Contemporain
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Gary Noland
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"Liebesschmerz Fuge"
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Freeland Publications
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.980449 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 39 pages. Freeland Publications #3246459. Publi...
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Piano Solo - Level 5 - SKU: A0.980449 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 39 pages. Freeland Publications #3246459. Published by Freeland Publications (A0.980449). Duration: ca. 15-20 minutes. Lush extended tonal language. Highly chromatic and contrapuntal. An innovative fugue unlike any other in the literature. This work was begun in 1981 and underwent revisions on and off for 28 years until it was finally completed in 2009. This piece is intended only for first-rate virtuoso pianists. Written comments: Gary, this is wonderful! I am a Bach freak ... clearly you are as well (meant as a big compliment smile emoticon ). Love the title too heart emoticon.-Kurt Werderman. Completely charming. I get the Liebes part, but the other half seems entirely too much tongue-in-cheek fun for Schmerz. smile emoticon You wrote a brilliant piece that sounds so spontaneous it is hard to believe it had such a long gestation period as 28 years.-Rodney Punt. Here is to me really deep music of very high quality. I listened three times. The fugue has the kind of complexity and positive ambiguity which awakens my curiosity to listen again and again. The episodes are for me personally something of the most beautiful modern music written for piano I remember just now.-Frank David. Here is a link to a MIDI realization thereof: https://www.youtube.com/watch?v=3MGGAgzu4Xk
$14.99 ≈
¥106.36
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