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1
Hommages and Prelude No. 1
Hommages and Prelude No. 1
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #96...
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Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99 ≈
27.62€
Hommages IV. L'océan {The Ocean}
Hommages IV. L'océan {The Ocean}
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages IV. L'océan {The Oce
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1384073 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 40 pages. David Fraser #968...
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Piano Solo - Level 5 - SKU: A0.1384073 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 40 pages. David Fraser #968434. Published by David Fraser (A0.1384073). The fourth piece David Fraser wrote, â??L'océan' {The Ocean}, dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.This is the full version of â??L'océan' which is the fourth piece from 'Hommages: Suite pour le Piano'. 40 pages. ISMN 979-0-800277-00-9.
$9.99 ≈
9.20€
(they Long To Be) Close To You
(they Long To Be) Close To You
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Piano seul
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AVANCÉ
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The Carpenters
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Timothy Stapay
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(they Long To Be) Close To You
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1230943 By The Carpenters. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwrite...
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Piano Solo - Level 5 - SKU: A0.1230943 By The Carpenters. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #826633. Published by Timothy Stapay (A0.1230943). This arrangement of Close To You is written as performed by famous piano artist, Liberace.(They Long to Be) Close to You is a song written by Burt Bacharach and Hal David. The best-known version is that recorded by American duo the Carpenters for their second studio album Close to You (1970) and produced by Jack Daugherty. Released on May 14, 1970, the single topped both the US Billboard Hot 100 and Adult Contemporary charts. It also reached the top of the Canadian and Australian charts and peaked at number six on the charts of both the UK and Ireland. The record was certified gold by the Recording Industry Association of America (RIAA) in August 1970. Lyrics:[Verse 1]Why do birds suddenly appearEvery time you are near?Just like me, they long to beClose to you[Verse 2]Why do stars fall down from the skyEvery time you walk by?Just like me, they long to beClose to you[Bridge]On the day that you were born the angels got togetherAnd decided to create a dream come trueSo they sprinkled moon dust in your hair of goldAnd starlight in your eyes of blue[Verse 3]That is why all the girls in town (Girls in town)Follow you (Follow you) all around (All around)Just like me, they long to beClose to you[Bridge]On the day that you were born the angels got togetherAnd decided to create a dream come trueSo they sprinkled moon dust in your hair of goldAnd starlight in your eyes of blue [Verse 3]That is why all the girls in town (Girls in town)Follow you (Follow you) all around (All around)Just like me, they long to beClose to youJust like me (Just like me), they long to beClose to you[Outro]Wha, close to youWha, close to youHa, close to youWha, close to youWha, close to youWha, close to youWha, close to youWhaWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
8.28€
Open My Eyes, That I May See
Open My Eyes, That I May See
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Piano seul
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AVANCÉ
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Raluca Bojor
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Raluca Bojor
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Open My Eyes, That I May See
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Raluca Bojor
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1089944 By Raluca Bojor. By Clara H. Scott. Arranged by Raluca Bojor. Praise & Worship,Sacred,Spiritual,Traditional. Scor...
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Piano Solo - Level 5 - SKU: A0.1089944 By Raluca Bojor. By Clara H. Scott. Arranged by Raluca Bojor. Praise & Worship,Sacred,Spiritual,Traditional. Score. 4 pages. Raluca Bojor #694168. Published by Raluca Bojor (A0.1089944). This is the prefect piano hymn arrangement to play on Pentecost Sunday (or any other Sunday, for that matter). In this text, the author invites the Holy Spirit to transform her life by opening her eyes, her mouth, her ears. Each stanza ends with “illumine me, Spirit divine!†May that be our motto every day of our lives! The piano arrangement is structured in three sections (one style for each verse). In the first section the hands stay close to the middle register and the voicing is modest. And the oom-pah-pah rhythms will give it a light bounce that will bring a smile to whoever plays or listens. On the second verse the hands move to a higher register where the music suddenly becomes more delicate. Think of a music box! Lastly, on the third verse we pull all the stops! Large leaps in the left hand between the bass note and the chords plus full chords and octaves in the right hand. Download the PDF sheet music now:.
$6.00 ≈
5.52€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano seul
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AVANCÉ
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
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Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
3.67€
Canoe for solo piano
Canoe for solo piano
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Piano seul
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AVANCÉ
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Adrienne Inglis
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Canoe for solo piano
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Adrienne Inglis
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. 24 pages. Adrien...
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Piano Solo - Level 5 - SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. 24 pages. Adrienne Inglis (ASCAP) #713232. Published by Adrienne Inglis (ASCAP) (A0.1110965). Colorful, challenging piano solo traces an Ojibwe family’s harrowing journey by canoe down the Brule River and across Lake Superior to safety Canoe (2022) by Adrienne Inglis (ASCAP) For solo piano Duration 9:22 Difficulty 5 advanced Canoe (2022) by Adrienne Inglis (ASCAP), commissioned by Dr. Joseph Choi for solo piano, tells a harrowing story through music of the composer’s Ojibwe ancestor, Wabegiah, and her three young children. Wabegiah grew up at Upper Lake St. Croix in Wisconsin, married the French trader Mr. Couture, and had three children. Mr. Couture died suddenly just as the tensions with the Sioux became quite threatening. To protect her children from being killed by the Sioux, she took them on the long journey in a birch bark canoe down the Brule River and along the coast of Lake Superior all the way to Sault Ste. Marie. As you would expect, much of the music represents water, but it also captures moments during their flight. Loud dissonant chords mark Mr. Couture’s death and Wabegiah’s grief. The unsettling fear motive in Locrian mode predominates as they begin to flee. As they head away from danger, the courage theme follows them downstream. In a dissonant conversation with an Ojibwe man on the Brule River, he refused to give the hungry travelers food, but told them to continue to the river’s mouth to find Wabegiah’s aunt and uncle. The restful and nourishing family time on the shores of Lake Superior allows for variations on the family theme, playful, sleepy, and reflecting on the coming of autumn. With the courage theme as the subject, a fugue tracks their difficult passage across Lake Superior to the safety of Sault Ste. Marie. Recounted by Eliza Morrison, a daughter from Wabegiah’s second marriage, this journey took place in the early 1830s. The three children were born in 1828, 1829, and 1830. The youngest of the children was Angelique, the composer’s great great grandmother.
$9.99 ≈
9.20€
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