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Vous avez sélectionné:
The Reason
expert
Piano seul
Partitions à imprimer
30 partitions trouvées
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1
26
The Downed Dragon
The Downed Dragon
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Piano seul
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AVANCÉ
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Various
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Anja Goller
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The Downed Dragon
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Anja Goller
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1454979 By Various. By John Powell. Arranged by Anja Goller. 21st Century,Celtic,Film/TV,Irish. Score. 4 pages. Anja Goll...
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Piano Solo - Level 5 - SKU: A0.1454979 By Various. By John Powell. Arranged by Anja Goller. 21st Century,Celtic,Film/TV,Irish. Score. 4 pages. Anja Goller #1034052. Published by Anja Goller (A0.1454979). This is a piano reduction of The Downed Dragon from the epic soundtrack to the How To Train Your Dragon movie by John Powell.I tried to include as much of the orchestra as possible. The transcription of the glissando clusters was a bit of a challenge, as the piano doesn't allow this at all. This is also the reason why this arrangement is marked as advances although the rest is not that hard to play.This arrangement has been done with the help of the original score.
$4.99 ≈
£3.89
Reason Of Affliction
Reason Of Affliction
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Piano seul
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AVANCÉ
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Edigles Guedes
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Reason Of Affliction
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Edigles Guedes
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1001126 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 6 pages. Edigles Guedes #60654...
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Piano Solo - Level 5 - SKU: A0.1001126 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 6 pages. Edigles Guedes #6065459. Published by Edigles Guedes (A0.1001126). It is a composition study. It is suitable for students of the advanced piano level. Work duration: 6:10 min. Inspired by the biblical verse: Mine eye mourneth by reason of affliction: LORD, I have called daily upon thee, I have stretched out my hands unto thee. (Psalm 88: 9).
$1.99 ≈
£1.55
I Have Stretched Out My Hands Unto Thee
I Have Stretched Out My Hands Unto Thee
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Piano seul
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AVANCÉ
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Edigles Guedes
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I Have Stretched Out My Hands
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Edigles Guedes
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1001127 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 7 pages. Edigles Guedes #60655...
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Piano Solo - Level 5 - SKU: A0.1001127 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 7 pages. Edigles Guedes #6065585. Published by Edigles Guedes (A0.1001127). It is a composition study. It is suitable for students of the advanced piano level. Work duration: 6:10 min. Inspired by the biblical verse: Mine eye mourneth by reason of affliction: LORD, I have called daily upon thee, I have stretched out my hands unto thee. (Psalm 88: 9).
$1.99 ≈
£1.55
I Have Called Daily Upon Thee
I Have Called Daily Upon Thee
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Piano seul
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AVANCÉ
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Edigles Guedes
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I Have Called Daily Upon Thee
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Edigles Guedes
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1001125 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 7 pages. Edigles Guedes #60655...
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Piano Solo - Level 5 - SKU: A0.1001125 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 7 pages. Edigles Guedes #6065501. Published by Edigles Guedes (A0.1001125). It is a composition study. It is suitable for students of the advanced piano level. Work duration: 6:10 min. Inspired by the biblical verse: Mine eye mourneth by reason of affliction: LORD, I have called daily upon thee, I have stretched out my hands unto thee. (Psalm 88: 9 - KJV).
$1.99 ≈
£1.55
A Week in November - Sally Whitwell
A Week in November - Sally Whitwell
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Piano seul
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AVANCÉ
#
Contemporain
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Sally Whitwell
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A Week in November - Sally Whi
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A...
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Piano Solo - Level 5 - SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in November… and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democrats’ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their ‘leader’, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesn’t seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, I’m happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, I’d felt that I probably wouldn’t be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Eno’s Oblique Strategies I’ve been able to find my creativity again. Starting a composition ‘habit’ is the best thing I’ve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020
$15.00 ≈
£11.69
Prelude 12 in Bb Minor Dorian
Prelude 12 in Bb Minor Dorian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
£4.67
Prelude 2 in A Minor Aolian
Prelude 2 in A Minor Aolian
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Piano seul
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AVANCÉ
#
Contemporain
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden...
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Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.67
Prelude 4 in D Minor Phrygian
Prelude 4 in D Minor Phrygian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.67
Prelude 5 in Bb Major Lydian
Prelude 5 in Bb Major Lydian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 5 in Bb Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.67
Prelude 13 in F# Major Ionian
Prelude 13 in F# Major Ionian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 13 in F# Major Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
£4.67
Prelude 8 in C Minor Aolian
Prelude 8 in C Minor Aolian
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Piano seul
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AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 8 in C Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
£4.67
The Christmas Song (Chestnuts Roasting On An Open Fire)
The Christmas Song (Chestnuts Roasting On An Open Fire)
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Piano seul
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AVANCÉ
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Noël
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Frank Sinatra
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Elena Fortin
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The Christmas Song
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Elena Fortin
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SheetMusicPlus
Piano Solo - Advanced - By Frank Sinatra. Arranged by Elena Fortin. 4 pages. Published by Elena Fortin ...
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Piano Solo - Advanced - By Frank Sinatra. Arranged by Elena Fortin. 4 pages. Published by Elena Fortin
The Christmas Song (Chestnuts Roasting On An Open Fire) for Advanced Piano Solo
This Christmas classic has music and lyrics by Mel Torme and Robert Wells. I have always loved this piece--it brings the spirit of all the good things that the season can bring! There is a reason why there are so many arrangements of this piece--it has a beautiful melody and invites oodles of creativeness when it comes to the harmony and arranging.
This arrangement is a challenging jazz piece that is played freely, with rubato. Challenges include jazzy runs, two against three rhythms, accelerandos and ritardandos, and should be played with great feeling and expression.
Feel free to pause where you want to spend a little more time, or where you want your audience to enjoy some different harmonies. Take your time learning the fast runs--there are patterns to discover! Work out a fingering that works for you.
YouTube video is available at: https://youtu.be/XE3Tbdzh2eU
You can see this piece (and others) on my YouTube Channel, "the-piano-studio.com", or visit me at www.the-piano-studio.com
Enjoy!
$4.99 ≈
£3.89
Rejoice, the Lord is King! PIANO SOLO
Rejoice, the Lord is King! PIANO SOLO
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Piano seul
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AVANCÉ
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Jeanni Gould
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Jeanni Gould
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again I will say, rejoice
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Rejoice, the Lord is King! PIA
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Jeanni Gould
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1428192 By Jeanni Gould. By Charles Wesley and Horatio Parker. Arranged by Jeanni Gould. Christian,Contemporary,Easter,Pr...
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Piano Solo - Level 5 - SKU: A0.1428192 By Jeanni Gould. By Charles Wesley and Horatio Parker. Arranged by Jeanni Gould. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 5 pages. Jeanni Gould #1008493. Published by Jeanni Gould (A0.1428192). YOU CAN PLAY THIS PIANO SOLO. Upbeat and bright, with big dynamic range from powerful to reverent. Rich and complex chords with gentle moments for contrast. Advanced level yet very accessible. Enjoy a big payoff when you perform this piece. Not too difficult and not too long.BACKSTORY Year 60 A.D. Oh my goodness! Paul was in prison in Rome, but wrote Rejoice in the Lord always; again I will say, rejoice. (Philippians 4:4) He continued. Let your reasonableness be known to everyone. The Lord is at hand; do not be anxious about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God. And the peace of God, which passes all understanding, shall keep your hearts and minds through Christ Jesus. UPDATE 1744 A.D. Charles Wesley with his brother John started the Methodist movement, but they were persecuted and suffered lives of hardship. Charles wrote this song to encourage his followers. He wanted them to not get discouraged and lose hope, but to be a singing, joyful people.
$2.99 ≈
£2.33
Drivin'!
Drivin'!
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Piano seul
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AVANCÉ
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Kathleen Ryan
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Drivin'!
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1206657 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Contemporary,Pop. Score. 11 pages. Indigo Mesa Music LLC #804...
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Piano Solo - Level 5 - SKU: A0.1206657 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Contemporary,Pop. Score. 11 pages. Indigo Mesa Music LLC #804835. Published by Indigo Mesa Music LLC (A0.1206657). Piano solo as composed and performed by Kathleen Ryan on her CD Drivin‘!Kathleen’s notes: “This is a piece written by my car (my first car, the little red Toyota Tercel that considered itself to be a sports car). Back in the day, when my solo performing career was just getting off the ground, I hit the first composing dry spell of my entire life. As I am certainly not prone to exaggeration or wild mood swings, I naturally knew that never again would I compose another piece of music; and, needless to say, I found that a bit depressing.“While driving home from a gig, through the Iowa vastness, I was brooding over the loss of my fledgling career as a musician, when I noticed that my car’s odometer read 22122. I have always loved symmetric numbers! And I quickly realized that 22122 can be notes of the scale, say D-D-C-D-D. I listened to that, then saw that the odometer had turned over to 22123: D-D-C-D-E. The rest, as they say, is history. Oh, the total stops (rests) near the beginning are stop signs; you’ll find several in every midwestern town you are wishing you could speed through! I should also say (because my first car would like me to): whenever in this piece I was a bit stuck for music, all I had to do was get out on the open road and drive a bit and more music would come. Which is the other reason I say the piece was written by my car.“The music travels through a landscape that is totally unexpected, before having a mellow time in the big city that night. (Again, true to life on the road in my first car.)â€Advanced. Must be able to handle syncopation, large reaches, leaps—and perform with attitude.
$5.25 ≈
£4.09
Prelude Impressions (for solo piano)
Prelude Impressions (for solo piano)
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Piano seul
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AVANCÉ
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Contemporain
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Paul SanGregory
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Prelude Impressions
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant ...
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Piano Solo - Level 5 - SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant Engraver Music (A0.977031). This set of three pieces is well-suited for advanced students or professional performers who enjoy creating and shaping mood, atmosphere and color on the piano. They were composed to commemorate the 150th anniversary of Claude Debussy’s birth. For that reason, they are based on various composing techniques and aesthetic ideas that he developed. Even so, there was no attempt to make them actually sound like Debussy’s music. In fact, while composing them I often felt like I was looking at Debussy’s techniques through the distorting lenses of music that came after him, but that he had influenced.I - Drifting Through ChangeOne sort of change in this piece comes from the interaction of two repeated rhythmic patterns of different lengths. Episodes of contrasting character then drift in and out of the piece creating more changes. The effect is as if one is floating quietly through empty space, but occasionally drifting past various objects or situations.II - Building CloudsTo me, the opening of this movement sounds like an idea from Debussy’s Nuages that has been turned inside out. Unlike Debussy’s more delicate clouds, however, the clouds of this piece grow turbulent and dramatic. III - Moonless HeathFor this movement, I imagine walking through an open untamed field on a dark moonless night and not being sure what I might be passing by. In terms of color and technique, this piece shows a more obvious relationship to Debussy’s music that the first two. It begins with a simple melody similar to that of his Bruyére, after which a Debussy-inspired ostinato gently moves the music forward. Structurally, the whole piece is an inverted palindrome so that a melody from the beginning returns in retrograde-inversion at the end, becoming a brief quote of Debussy’s music. Performance duration ca. 11 minutes.
$8.00 ≈
£6.23
Soaring On New Horizons
Soaring On New Horizons
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Piano seul
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AVANCÉ
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Contemporain
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Benjamin Amos
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Soaring On New Horizons
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Benjamin Amos
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1012015 Composed by Benjamin Amos. Contemporary. Score. 15 pages. Benjamin Amos #3545621. Published by Benjamin Amos (A0....
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Piano Solo - Level 5 - SKU: A0.1012015 Composed by Benjamin Amos. Contemporary. Score. 15 pages. Benjamin Amos #3545621. Published by Benjamin Amos (A0.1012015). Don't let the introduction deceive you, Soaring On New Horizons is a lively and thrilling piece. After the first melodic section, listen for the arpeggios to take-off to the adventure on new horizons. A very artistic piece, Soaring On New Horizons is uniquely geared to performance in which both the music and the performer fly (or at least his fingers do). Moreover, at a jaw-dropping finish, if fingers could fly, then they would have just dived into a stunning landing; and if they could breathe, they would most certainly be out of breath.One musical work that greatly influenced and inspired many of the musical techniques was Scherzo No.2 by Chopin.On the score side of things, 15 pages long, the music is in the key of E major and is mostly in 6/8 with many exceptions. Most arpeggios are written as a performer would efficiently play them (switching between hands)-- which makes the score an easier sight-read but also gives the appearance of choppiness rather than flow. This piece is without a doubt an advanced piece mainly for one reason: speed. With a relatively high tempo, changes in meter make timing difficult, but the real challenge comes with the lightning fast arpeggios in the second section.      .
$2.99 ≈
£2.33
Third Impromptu for Piano Solo (2022)
Third Impromptu for Piano Solo (2022)
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Piano seul
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AVANCÉ
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Moshe S
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Third Impromptu for Piano Solo
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ArtsAhimsa
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1253093 Composed by Moshe S. Knoll. 21st Century,Contemporary. Score. 16 pages. ArtsAhimsa #846839. Published by ArtsAhim...
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Piano Solo - Level 5 - SKU: A0.1253093 Composed by Moshe S. Knoll. 21st Century,Contemporary. Score. 16 pages. ArtsAhimsa #846839. Published by ArtsAhimsa (A0.1253093). This composition is written in honor of my mother, Sarah, who passed away on July 1st of 2019 after a long battlewith both idiopatic pulmonary fibrosis and congestive heart failure.The mood of the composition is predictably grim, somewhat in the Romantic tradition of Chopin and Liszt, although the musical idioms are more contemporary.The reason I am publishing it, is to supply an artistic composition that may serve as repertoire for solemnoccassions, and also as a tribute to my mother, who was instrumental in my becoming a musician.The middle section is more passionate, like a reminiscence of years gone by.I believe there is a niche for a composition like this, unfortunately.
$10.00 ≈
£7.79
Free Flow
Free Flow
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Piano seul
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AVANCÉ
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Alex Lewis
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Free Flow
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Alex Lewis
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.999484 Composed by Alex Lewis. 20th Century,Concert,Contemporary,Standards. Score. 8 pages. Alex Lewis #6302621. Publishe...
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Piano Solo - Level 5 - SKU: A0.999484 Composed by Alex Lewis. 20th Century,Concert,Contemporary,Standards. Score. 8 pages. Alex Lewis #6302621. Published by Alex Lewis (A0.999484). Free Flow is about the free flow of information. Freedom of speech is one of the most important pillars of a liberal society. And it seems as though that's being eroded too easily these days.I am reminded, ironically, of the quote by Henry Ford after showcasing the now-famous Model-T, You can have this vehicle in any color you want, as long as it's black. It seems as though the appropriate quote that the media has adopted is, You may have any opinion you want, as long as it's our opinion. I don't know why black was the only option for the Model-T, but perhaps there was a good excuse for it. There is no good reason to silence anybody's voice. What I want in this country is diversity. After all, doesn't everybody agree that diversity creates a better life than monotony? But I'm not just talking about Asians, Blacks, Whites, and others living in the same country. I'm not just talking about people of different ancestries working in the same economy. The pinnacle of diversity is when people of different philosophies and ideologies work together, collaborate together, and fight together. Censorship, then, is the greatest enemy of diversity. You may think censorship is needed. You may think censorship is justified. But censorship is used as a weapon against 'dangerous' people. I will clarify. Censorship is not being used against criminals, but against individuals with controversial ideas. Free Flow of information is the only safeguard against tyranny.
$5.99 ≈
£4.67
On wings of song
On wings of song
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Piano seul
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AVANCÉ
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Classique
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F
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Reimund Merkens
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On wings of song
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Reimund Merkens
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.910936 Composed by F. Liszt / F. Mendelssohn-Bartholdy. Arranged by Reimund Merkens. Romantic Period. Score. 4 pages. Rei...
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Piano Solo - Level 5 - SKU: A0.910936 Composed by F. Liszt / F. Mendelssohn-Bartholdy. Arranged by Reimund Merkens. Romantic Period. Score. 4 pages. Reimund Merkens #5986317. Published by Reimund Merkens (A0.910936). The original piano score is written by F. Liszt and the song is originally composed by F. Mendelssohn/Bartholdy for voice and piano. For me it is one of the most beautiful love songs of that century. The reason why I arrange this song based on F. Liszt piano transcription is that Liszt's score with its three staves is very difficult to read. I wrote the melody notes in my arrangement in normal size and the accompaining arpeggios in smaller size.
$5.49 ≈
£4.28
You Are the Reason [advanced] by Aldy Santos - Piano Solo
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Piano seul
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AVANCÉ
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Aldy Santos
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You Are the Reason [advanced]
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Musicnotes
Performed by: Aldy Santos: You Are the Reason [advanced] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet...
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Performed by: Aldy Santos: You Are the Reason [advanced] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 4 pages -- Instrumental Pop~~Solo Instrumental~~Pop~~Adult Contemporary~~Singer-Songwriter
$9.99 ≈
£7.78
Greensleeves 2012
Greensleeves 2012
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Piano seul
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AVANCÉ
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Classique
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Public Domain, as performed
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Isadar
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Greensleeves 2012
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Mainya Music Publishing
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SheetMusicPlus
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age...
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:
"Greensleeves 2012"
- taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)
Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.
Note: ?Greensleeves 2012? is a revisited and evolved arrangement which like my earlier version, was inspired by ? and also pays ?homage? to ? Liz Story?s brilliant take on this timeless piece.
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album review by: Michael Diamond (http://michaeldiamondmusic.com):
Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled ?O Christmas.? Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, ?good things come to those who wait.?
One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or ?off the beaten path? as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album ?In Search For The Meaning Of Christmas,? yet this new CD mines even deeper in its quest for interesting and unusual choices.
The album begins with a track called ?Good Christian Men.? Steeped in history, the song dates back to 14th century Germany and its Latin title was originally ?In Dulci Jubilo? before it was translated into English in the 1800?s. Isadar?s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, ?Teddy Bears Picnic,? which although not technically a Christmas song, has been interwoven by Isadar with ?March Of The Toys? to tie it in with the holidays ? a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is ?O Christmas Tree? and is sure to have listeners humming along with it?s familiar refrain.
A track entitled ?Still? is an innovative rendition of the classic ?Still, Still, Still? which Isadar has put his own spin on, or as he jokingly puts it ?jazzed up shamelessly.? No such liberties were taken on the classic ?O Come, O Come, Emmanuel,? however. This song provides a showcase for Isadar?s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon ? a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled ?Song Of The Wise Men.? It has been said that: ?Christmas is, above all, a children?s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.? This theme is well reflected in Isadar?s choice of ?O Come Little Children,? based on a carol from the 1800?s.
Among my favorite tracks on the album are the wistful strains of ?Greensleeves 2012,? which Isadar interprets with elegance and grandeur and also pays ?homage? to Liz Story?s brilliant take on this enduring composition. This is followed by a rendition of ?Masters In This Hall,? which can best be described as, well? ?masterful.? The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on ?We Wish You A Merry Christmas,? Isadar characterizes it as ?an uninhibited melancholy arrangement.? While I don?t know if ?melancholy? is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar?s creativity and distinctive rendering of the song.
?O Christmas? is an exceptional holiday collection, not only for Isadar?s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar?s distinctive piano style, I?m sure that fans will want to include ?O Christmas? in their collection and make it a part of their holiday tradition.
$5.99 ≈
£4.67
Pachelbel Variations
Pachelbel Variations
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Piano seul
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AVANCÉ
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Classique
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Johann Pachelbel, Bobby Brader
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Bobby Brader
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Variations) have been made
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Pachelbel Variations
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Bobby Brader
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.940864 Composed by Johann Pachelbel, Bobby Brader. Arranged by Bobby Brader. 20th Century,Baroque,Classical,Contemporary,...
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Piano Solo - Level 5 - SKU: A0.940864 Composed by Johann Pachelbel, Bobby Brader. Arranged by Bobby Brader. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score. 14 pages. Bobby Brader #3517689. Published by Bobby Brader (A0.940864). Pachelbel wrote the famous Canon in D Major over 300 years ago and, since then, countless arrangements (including Theme & Variations) have been made. This is my arrangement, in the key of F Major, and it ranges from reasonable and sight-readable to wild and virtuosic. Whether you plan to learn this piece for your recital or simply study the music, I believe you will be amused. Thank you for checking out my Pachelbel Variations! .
$4.99 ≈
£3.89
Mine Eye Mourneth
Mine Eye Mourneth
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Piano seul
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AVANCÉ
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Edigles Guedes
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Mine Eye Mourneth
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Edigles Guedes
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1001124 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 6 pages. Edigles Guedes #60653...
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Piano Solo - Level 5 - SKU: A0.1001124 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 6 pages. Edigles Guedes #6065391. Published by Edigles Guedes (A0.1001124). It is a composition study. It is suitable for students of the advanced piano level. Work duration: 5:42 min. Inspired by the biblical verse: Mine eye mourneth by reason of affliction: LORD, I have called daily upon thee, I have stretched out my hands unto thee. (Psalm 88: 9).
$1.99 ≈
£1.55
Étude (2013)
Étude (2013)
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Piano seul
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AVANCÉ
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Contemporain
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Paul SanGregory
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Étude
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.977029 Composed by Paul SanGregory. Contemporary. Score. 9 pages. Distant Engraver Music #3534581. Published by Distant E...
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Piano Solo - Level 5 - SKU: A0.977029 Composed by Paul SanGregory. Contemporary. Score. 9 pages. Distant Engraver Music #3534581. Published by Distant Engraver Music (A0.977029). This colorful and harmonically rich composition has been well-received by many audiences around the word. It was composed for Michael Tsalka, who enjoys playing early keyboards, and for that reason the quiet finger techniques of 18th-century keyboard music was its starting point. So unlike many etudes, the point here is not the development of difficult modern piano technique, but the parameters of harmony, rhythm and phrasing instead. In particular, the clear phrasing of contrasting and overlapping note groups is of special importance. It may sound more subtle and less flashy than a typical etude, but it can actually present a real challenge. My hope is that if one listens carefully, either as player or audience member, the various metric, harmonic and phrasing ambiguities contained in the steady gentle flow of eighth-notes will become a delightful etude for the musical mind. (duration ca. 4 minutes)
$5.00 ≈
£3.90
Piano Pieces
Piano Pieces
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Piano seul
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AVANCÉ
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Nikolai Andreyevich Roslavets
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Piano Pieces
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q7152 First Edition. Composed by Nikolai Andreyevich Roslavets. This edition: Sheet music. Downloadable. Duration 11 ...
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Piano - difficult - SKU: S9.Q7152 First Edition. Composed by Nikolai Andreyevich Roslavets. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q7152. Published by Schott Music - Digital (S9.Q7152). The piano pieces by Nikolay Andreyevitch Roslawez selected here and published for the first time complement the already published piano sonatas (ED 7941, ED 8391, ED 8392) and individual pieces (ED 7907). Created in the years 1919 and 1921, they represent the central phase of the composer's development and are characteristic of Roslawez' mature style. Although reminiscent of Skryabin in their musical language, the six miniatures 'Berceuse', 'Danse', 'Valse', '2 Préludes' and 'Poème' are technically easy to play and are suitable for piano lessons. Roslawez studied composition and violin in Moscow. He was one of the leading figures of the musical scene in the 1920s. Treated with increasing hostility for political reasons, up to being barred from pursuing his career, he spent the last years of his life in poverty.
$24.99 ≈
£19.47
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