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What Can I Say
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Vous avez sélectionné:
What Can I Say
expert
Piano seul
Partitions à imprimer
9 partitions trouvées
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1
Ray Charles : What'd I Say (niveau difficile, piano solo)
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Piano seul
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AVANCÉ
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Jazz
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Ray Charles
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What'd I Say
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Tomplay
Telechargez la partition Piano What'd I Say (niveau difficile, piano solo) de Ray Charles. Partition pour Piano seul -- Jazz...
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Telechargez la partition Piano What'd I Say (niveau difficile, piano solo) de Ray Charles. Partition pour Piano seul -- Jazz
5.99€ ≈
$6.65
Ray Charles : What'd I Say (niveau difficile, avec orchestre)
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Piano seul
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AVANCÉ
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Jazz
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Ray Charles
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What'd I Say
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Tomplay
Telechargez la partition Piano What'd I Say (niveau difficile, avec orchestre) de Ray Charles. Partition pour Piano avec accomp. orchestre -- Jazz...
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Telechargez la partition Piano What'd I Say (niveau difficile, avec orchestre) de Ray Charles. Partition pour Piano avec accomp. orchestre -- Jazz
5.99€ ≈
$6.65
Con Te Partiro (time To Say Goodbye)
Con Te Partiro (time To Say Goodbye)
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Piano seul
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AVANCÉ
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Contemporain
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Andrea Bocelli
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Con Te Partiro
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.744638 By Andrea Bocelli. By Francesco Sartori. Arranged by Arranged by Elena Fortin. Contemporary. Score. 6 pages. Elena...
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Piano Solo - Level 5 - SKU: A0.744638 By Andrea Bocelli. By Francesco Sartori. Arranged by Arranged by Elena Fortin. Contemporary. Score. 6 pages. Elena Fortin #6788601. Published by Elena Fortin (A0.744638). Con te Partiro (Time to Say Goodbye)Music and Lyrics by Francesco Sartori and Lucio Quarantotto. This piece was made famous by Andrea Bocelli and is arranged for advanced pianists by arranger Elena Fortin.This 5 page arrangement is written in the key of D major, with a modulation to the key of A major towards the end of the song. The piece is a beautiful, expressive one and should always be played cantabile (in a singing style).The arrangement explores sweeping arpeggios in the left hand, full chordal textures, rhythm figures of three notes vs. four notes or two notes, and is written in a classical style.Book authors often comment to say that sometimes the characters in their books do the unexpected. I could say the same about this piece! I intended it to be a romantic-style interpretation, but with world events being what they are--the ending asserted itself in a Tchaikovsky-piano-concerto-like style... The ending is full of power and hope.The piece would be appropriate at memorials, church services, and as a recital piece--the pieces I have been choosing to arrange are ones that I consider to be timeless, have deep meaning, and are filled with hope.For other arrangements, please visit my publisher page here: https://www.sheetmusicplus.com/publishers/elena-fortin/10717?aff_id=507765You can keep up to date with my projects on my website: www.the-piano-studio.comPlease subscribe to my YouTube channel here: https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg
$4.99
Say Something
Say Something
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Piano seul
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AVANCÉ
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Contemporain
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Justin Timberlake feat
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Steve Burks
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some repetition was omitted
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Say Something
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Steven L. Burks
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.902512 By Justin Timberlake feat. Chris Stapleton. By Chris Stapleton, Justin Timberlake, Larrance Dopson, Nate Hills, an...
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Piano Solo - Level 5 - SKU: A0.902512 By Justin Timberlake feat. Chris Stapleton. By Chris Stapleton, Justin Timberlake, Larrance Dopson, Nate Hills, and Timothy Mosley. Arranged by Steve Burks. Contemporary. Score. 9 pages. Steven L. Burks #6339515. Published by Steven L. Burks (A0.902512). This advanced arrangement can be programmed for advanced piano students' concerts and recitals, as a change of pace from standard piano literature.Care must be taken in determining fingering for this arrangement, particularly in the right hand, which performs polyphonic double duty between the vocal line and the supporting harmony.It is essential to listen to the original recording in order to make sense of what might otherwise seem odd considered in light of traditional voice-leading practice.The duration of this abbreviated arrangement is approximately 3:28; some repetition was omitted. The form of this arrangement does not match that of the recording strictly, but once the player has internalized the piece, repeats and formal alterations can be executed according to preference. Lyrics are included for reference and orientation in the form.I am a member of ASCAP. You may email me at steveburks@outlook.com. Thanks for listening.
$4.99
Mon Homme
Mon Homme
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Piano seul
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AVANCÉ
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Edith Piaf
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Timothy Stapay/Liberace
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Mon Homme
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1434239 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Timothy Stapay/Liberace. Broa...
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Piano Solo - Level 5 - SKU: A0.1434239 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Timothy Stapay/Liberace. Broadway,Contest,Festival,Film/TV,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #1014454. Published by Timothy Stapay (A0.1434239). Mon Homme (My Man) is the famous song sung by Barbra Streisand in the movie Funny Girl It is arranged as performed by Barbra's good friend, Liberace. Liberace helped give Barbra Streisand her start in the early days of Las Vegas and he recognized her talent very early.My Man, is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz. The English lyrics were written by Channing Pollock. Funny Girl is a 1968 American biographical-musical film directed by William Wyler and written by Isobel Lennart, adapted from her book for the stage musical of the same title. It is loosely based on the life and career of comedienne Fanny Brice.A major critical and commercial success, Funny Girl became the highest-grossing film of 1968 in the United States and received eight Academy Award nominations. Streisand won Best Actress, tying with Katharine Hepburn (The Lion in Winter). In 2006, the American Film Institute ranked the film No. 16 on its list commemorating AFI's Greatest Movie Musicals.[FANNY]Oh, my man, I love him so[FANNY, spoken]He'll never knowAll my life is just despairBut I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am his[FANNY]Forever moreIt cost me a lot but that's one thing that I've gotIt's my manCold and wet tired you betBut all that I soon forget, with my manHe's not much for looksAnd no hero out of books, he's my manTwo or three girls has heThat he likes as well as me but I love himOh my man I love him so, he'll never knowAll my life is just despair but I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am hisForever more.
$8.99
Jesus Shall Reign Where'er the Sun
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
Fight Song
Fight Song
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Piano seul
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AVANCÉ
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Pop musique
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Rachel Platten
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Elena Fortin
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Fight Song
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.744629 By Rachel Platten. By Dave Bassett and Rachel Platten. Arranged by Elena Fortin. Pop. Score. 5 pages. Elena Fortin...
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Piano Solo - Level 5 - SKU: A0.744629 By Rachel Platten. By Dave Bassett and Rachel Platten. Arranged by Elena Fortin. Pop. Score. 5 pages. Elena Fortin #6063897. Published by Elena Fortin (A0.744629). Every year, I post arrangements and videos of songs that I consider to be important either in the way they touch listeners, in how they are used, or iif they have stood the test of time. This arrangement is my first one for the 2020-2021 school year.And what a year it has been! With the global pandemic, many are struggling with physical illness or health challenges, personal trial, loss, or life's difficulties. Like many others, in these challenging times, I turn to music. ...like a small boat...sending big waves into motion Fight Song, written by Rachel Platten and Davve Bassett, has become an anthem of faith and belief for any person that is going through a challenge and brings comfort to many. The song was recorded in 2014 and won iHeartRadio's Music Award for Best Lyrics. When I pick songs to arrange, they are often ones that play over and over in my brain. I've been working on this one for several weeks. My arrangement is for the early advanced player. The arrangement starts quite simply but builds and builds into powerful repetitions of the chorus with arpeggios in the left hand and in the right hand and lots of fun crashing chords. It makes use of the powerfull bass end of the piano too! I hope that you enjoy it! If you like this sheet music please check out my other arrangements at SheetMusicPlus. Here is the link to my publisher page: https://www.sheetmusicplus.com/publishers/elena-fortin/10717 You can also check out some of my other videos from my Youtube channel here https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg Please feel free to subscribe if you want to keep up with what I am doing! You can contact me, or see what I am up to on my website https://the-piano-studio.com. Drop by and say hi!
$4.99
Blue Moon
Blue Moon
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Piano seul
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AVANCÉ
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Elvis Presley
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Timothy Stapay/Liberace
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Blue Moon
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1198287 By Elvis Presley. By Lorenz Hart and Richard Rodgers. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,...
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Piano Solo - Level 5 - SKU: A0.1198287 By Elvis Presley. By Lorenz Hart and Richard Rodgers. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #797475. Published by Timothy Stapay (A0.1198287). Blue Moon is arranged as played by famous piano artist, Liberace. This piano solo arrangement has all of the runs and ornamentations; just as performed by this legendary pianist.Blue Moon is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad. Blue Moon became an international number-one hit for the doo-wop group the Marcels, on the Billboard 100 chart and in the UK Singles Chart, and later that same year, an instrumental version by the Ventures charted at No. 54. Over the years, Blue Moon has been covered by many artists, including versions by Frank Sinatra, Jo Stafford, Ella Fitzgerald, Elvis Presley, Bobby Vinton, Sam Cooke, the Platters, Liberace, Dean Martin, Yvonne De Carlo, the Supremes, Cyndi Lauper, New Edition, Bob Dylan, Chromatics, and Rod Stewart. See Lyrics below:Blue moon, you saw me standin' aloneWithout a dream in my heart, without a love of my ownBlue moon, you knew just what I was there forYou heard me sayin' a prayer forSomeone I really could care forAnd then there suddenly appeared before meThe only one my arms will holdI heard somebody whisper please adore meAnd when I looked, the moon had turned to goldBlue moon, now I'm no longer aloneWithout a dream in my heartWithout a love of my ownAnd then there suddenly appeared before meThe only one my arms will ever holdI heard somebody whisper please adore meAnd when I looked, the moon had turned to goldBlue moon, now I'm no longer aloneWithout a dream in my heartWithout a love of my ownBlue moon, now I'm no longer aloneWithout a dream in my heartWithout a love of my ownWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99
Greensleeves 2012
Greensleeves 2012
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Piano seul
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AVANCÉ
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Classique
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Public Domain, as performed
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Isadar
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Greensleeves 2012
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Mainya Music Publishing
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SheetMusicPlus
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age...
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:
"Greensleeves 2012"
- taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)
Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.
Note: ?Greensleeves 2012? is a revisited and evolved arrangement which like my earlier version, was inspired by ? and also pays ?homage? to ? Liz Story?s brilliant take on this timeless piece.
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album review by: Michael Diamond (http://michaeldiamondmusic.com):
Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled ?O Christmas.? Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, ?good things come to those who wait.?
One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or ?off the beaten path? as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album ?In Search For The Meaning Of Christmas,? yet this new CD mines even deeper in its quest for interesting and unusual choices.
The album begins with a track called ?Good Christian Men.? Steeped in history, the song dates back to 14th century Germany and its Latin title was originally ?In Dulci Jubilo? before it was translated into English in the 1800?s. Isadar?s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, ?Teddy Bears Picnic,? which although not technically a Christmas song, has been interwoven by Isadar with ?March Of The Toys? to tie it in with the holidays ? a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is ?O Christmas Tree? and is sure to have listeners humming along with it?s familiar refrain.
A track entitled ?Still? is an innovative rendition of the classic ?Still, Still, Still? which Isadar has put his own spin on, or as he jokingly puts it ?jazzed up shamelessly.? No such liberties were taken on the classic ?O Come, O Come, Emmanuel,? however. This song provides a showcase for Isadar?s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon ? a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled ?Song Of The Wise Men.? It has been said that: ?Christmas is, above all, a children?s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.? This theme is well reflected in Isadar?s choice of ?O Come Little Children,? based on a carol from the 1800?s.
Among my favorite tracks on the album are the wistful strains of ?Greensleeves 2012,? which Isadar interprets with elegance and grandeur and also pays ?homage? to Liz Story?s brilliant take on this enduring composition. This is followed by a rendition of ?Masters In This Hall,? which can best be described as, well? ?masterful.? The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on ?We Wish You A Merry Christmas,? Isadar characterizes it as ?an uninhibited melancholy arrangement.? While I don?t know if ?melancholy? is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar?s creativity and distinctive rendering of the song.
?O Christmas? is an exceptional holiday collection, not only for Isadar?s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar?s distinctive piano style, I?m sure that fans will want to include ?O Christmas? in their collection and make it a part of their holiday tradition.
$5.99
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