Partitions Numériques de A Pub With No Beer pour Piano seul

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A Pub With No Beer
Non classifié 5

Piano & claviers
Piano seul 3

Accordéon 1
Piano, Voix 1

Guitares
Ligne De Mélodie, (Paroles) et Accords 3
Guitare 1
Banjo 1

Voix
Chorale SATB 1

Vents
2 Saxophones (duo) 3
Flûte, Hautbois, Clarinette, Basson 2
2 Clarinettes (duo) 1
Quintette de Clarinettes: 5 clarinettes 1
Quatuor de Clarinettes: 4 clarinettes 1

Hautbois, Basson (duo) 1

+ 1 instrumentations

Retracter

Cuivres
Trompette, Tuba (duo) 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Trombone, Tuba (duo) 1
Tuba et Piano 1

Cordes
Violon, Violoncelle (duo) 1
Alto, Violoncelle (duo) 1

Percussions & orchestre
Orchestre à Cordes 1
Ensemble de cuivres 1

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Artistes :
• Beer, Madison

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A Pub With No Beer

Piano seul

Partitions à imprimer

3 partitions trouvées

Introspection 1

Introspection 1 #Piano seul #INTERMÉDIAIRE/AVANCÉ #Contemporain #the same standard, it can't be #Eric Paul Nolte #Introspection 1 #Eric Paul Nolte #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte ...(+)

Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me.Â The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook.Â You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio.Â I have composed these pieces with the skills of intermediate to early-advanced pianists in mind.Â This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.

$3.99 ≈ £3.03

Bei Mir Bist Du Schon (means That You're Grand)

Bei Mir Bist Du Schon (means That You're Grand) #Piano seul #INTERMÉDIAIRE #Louis Prima & Keely Smith #Robert Blond #Buy Me a Beer, Mr #Bei Mir Bist Du Schon #robert blond #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.948586 By Louis Prima & Keely Smith. By Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Robert Blond. Contempor...(+)

Piano Solo - Level 3 - SKU: A0.948586 By Louis Prima & Keely Smith. By Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Robert Blond. Contemporary. Score. 4 pages. Robert blond #3913943. Published by robert blond (A0.948586). A.k.a. My Mere Bits of Shame; Buy Me a Beer, Mr. ShanePiano solo adheres throughout to composer's melody, suitable for sing-a-longsContrasting tempos: straight bounce; syncopated bounce (swing); slow marcato including bass riff with flatted 5ths and minor 2nds for playfully roguish effectStylized intro and endingKey change quote from Learn Your Lessons Well (Godspell), no repeats.

$4.99 ≈ £3.79

Anna Bishop's Polka Rondino

Anna Bishop's Polka Rondino #Piano seul #Charles Bochsa] #Various #(2) John Anderson My Joe #Anna Bishop's Polka Rondino #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Piano - SKU: LV.136 Composed by Various. Clothing & dress, Portraits. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan...(+)

Piano - SKU: LV.136 Composed by Various. Clothing & dress, Portraits. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.136). [cover Anna Bishop's Polka Rondino. No. 9 of The Gems of Madame Anna Bishop's Concerts]. Inside Madame Bishop's Quadrille. (1) Il Crociato; (2) John Anderson My Joe; (3) The Guadalquiver; (4) The Last Rose of Summer; (5) La Linda. [By Charles Bochsa]. (1) Celebrated Cavatinia by Meyerbeer. Published [n.d.] by in n.p. Composition of five da capo movements with piano instrumentation. Subject headings for this piece include Clothing & dress, Portraits. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

$5.99 ≈ £4.55

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