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Fanfare for Organ
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Vous avez sélectionné:
Fanfare for Organ
Piano seul
Partitions à imprimer
4 partitions trouvées
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Music for First Piano
Music for First Piano
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Piano seul
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AVANCÉ
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Contemporain
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Alexandra Eddy
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Music for First Piano
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Alexandra Eddy Project
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1025463 Composed by Alexandra Eddy. 20th Century,Contemporary. Score. 18 pages. Alexandra Eddy Project #4887035. Publishe...
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Piano Solo - Level 5 - SKU: A0.1025463 Composed by Alexandra Eddy. 20th Century,Contemporary. Score. 18 pages. Alexandra Eddy Project #4887035. Published by Alexandra Eddy Project (A0.1025463). The title of this 14-minute piece reflects the fact that it was commissioned by my dear late friend Edwin Good to perform on his beautiful Thomas and Barbara Wolf copy of the very first piano. (Cristofori, 1700). It is playable on the modern piano as well. The movements are as follows: 1. In Medias Res: Fanfare (begins at 0:00 in the mp3 file) is a showy, energetic, brief, humorous beginning.2. Ricercar (begins at 0:33 in the mp3 file) uses the imitative techniques of 16th century instrumental music, with modern harmonies.3. For JSB (begins at 3:25 in the mp3 file) was composed in loving homage to Johann Sebastian Bach.4. Burlesca (begins at 6:15 in the mp3 file) is another moment of humor and energy.5. Nocturne (begins at 8:04 in the mp3 file) is, of course, night music.6. Passacaglia (begins at 11:04 in the mp3 file) continues without break from the Nocturne. In the left hand, a pattern of several notes repeats many times, organizing the music. Simultaneously, the right hand quotes fragments from the other movements.NOTE: The mp3 file is automated, but gives a rough sense of the music.
$9.95 ≈
¥72.15
Cortege (Solo piano/organ version)
Cortege (Solo piano/organ version)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Robert A
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Cortege
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Robert A. Howard
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.998799 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score. 7 pages. Robert A. Howard #6056437. Publ...
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Piano Solo - Level 4 - SKU: A0.998799 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score. 7 pages. Robert A. Howard #6056437. Published by Robert A. Howard (A0.998799). Essentially a slow funeral march, Cortège features poignant stark textures and clear battle references in the use of fanfares and military motifs. The work's opening and closing sections suggest an approaching and passing procession. Cortège appears here in its solo piano/organ version. It was originally conceived as a short orchestral tone poem (or overture) to commemorate the centenary of World War I. The original orchestral version is also available via Sheet Music Plus. This piano/organ version is highly accessible and is appropriate for most advanced pianists, including students and professional players.
$5.99 ≈
¥43.44
Seven Pieces in Twentieth-Century Styles
Seven Pieces in Twentieth-Century Styles
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00 ≈
¥36.26
Trumpet tune in D
Trumpet tune in D
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Piano seul
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FACILE
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Henry Purcell
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Jose Valladares
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Trumpet tune in D
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1368477 Composed by Henry Purcell. Arranged by Jose Valladares. 19th Century. Score. 1 pages. Circlesquare Music #952824....
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Piano Solo - Level 2 - SKU: A0.1368477 Composed by Henry Purcell. Arranged by Jose Valladares. 19th Century. Score. 1 pages. Circlesquare Music #952824. Published by Circlesquare Music (A0.1368477). Trumpet Tune in D by Henry Purcell is a vibrant and majestic piece known for its grandeur and brilliance. Henry Purcell was one of the most significant English composers of the Baroque era, renowned for his ability to blend the Italian and French styles of Baroque music with a uniquely English flavor. Although he is best known for his vocal and choral works, his instrumental music, including pieces like the Trumpet Tune in D, has left a lasting impression for its elegance and expressiveness.Here's more information about the Trumpet Tune in D by Henry Purcell:Baroque Style: As a composition from the Baroque period, the Trumpet Tune in D embodies the grandeur, ornamentation, and rhythmic drive characteristic of the era. The piece is likely to feature a prominent and regal melody, typical of Baroque trumpet tunes, which were often used in ceremonial and festive occasions.D Major Key: The key of D Major is known for its bright and triumphant sound, making it a popular choice for music that conveys victory, celebration, and majesty. The Trumpet Tune in D would utilize the brilliant and resonant qualities of this key to create a majestic and uplifting atmosphere.Instrumentation: Originally composed for the trumpet and organ, the Trumpet Tune in D showcases the trumpet's capacity for fanfare and brilliance. The piece might also be arranged for various instrumental combinations, including solo keyboard instruments like the piano or harpsichord, highlighting Purcell's melodic and harmonic ingenuity.Rhythmic Vitality: The piece is likely characterized by a driving rhythm and a clear, march-like tempo, which adds to its ceremonial and regal character. The rhythm would emphasize the regal and celebratory nature of the piece, making it both compelling and memorable.Contrast and Dynamics.
$8.99 ≈
¥65.19
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