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Vous avez sélectionné:
Getting There
Piano seul
Partitions à imprimer
24 partitions trouvées
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1
Getting Around - Etude #5
Getting Around - Etude #5
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Bruce Dudley
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Bruce Dudley
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Getting Around - Etude #5
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Bruce Dudley
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1252357 By Bruce Dudley. By Bruce Dudley. Arranged by Bruce Dudley. Pop,Rock. Score. 5 pages. Bruce Dudley #846326. Publi...
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Piano Solo - Level 4 - SKU: A0.1252357 By Bruce Dudley. By Bruce Dudley. Arranged by Bruce Dudley. Pop,Rock. Score. 5 pages. Bruce Dudley #846326. Published by Bruce Dudley (A0.1252357). Getting Around (Etude #5) has a driving, straight 8th note feel that is reminiscent of certail 1980's rock bands such as Styx, Van Halen, and Journey. There is a middle section that offers a melodic study for the left hand, with pulsating quartal harmonies in the right hand.
$2.99
Rondo in C
Rondo in C
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Piano seul
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FACILE
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Ric Price
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Rondo in C
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Richard J Price
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1264703 Composed by Ric Price. 20th Century,Classical,Instructional. Score. 5 pages. Richard J Price #857533. Published b...
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Piano Solo - Level 2 - SKU: A0.1264703 Composed by Ric Price. 20th Century,Classical,Instructional. Score. 5 pages. Richard J Price #857533. Published by Richard J Price (A0.1264703). Music NotesThis is a piece I wrote to shape some concepts for my first/second year pianostudent daughter. I had the idea while listening to her practice by brute force –meaning the keys are repeated hit continuously at same tempo, same strength – almost as a pounding exercise. I thought nuance was not getting into her playing yet (as with most beginning students).  I wanted her to be aware of the musicality innate in a piece of music.Therefore, I loaded this piece up with all kinds of tempo changes, dynamics, etc. A little overkill, but printed music does suggest these things although it might not be written in.Concepts I was going for: Form: In this case a Rondo. Using classic ABACA. Key Relationships: C Major / A Minor. Sections B and C are in A minor, although written in key of C with the addition of sharps (leading tone G ♯). Hand Independence: Scales in one hand punctuated in the other. Scales: Scales found in both hands and the value of scales fingering in a real piece. Phrasing: How different notes are placed together to make a complete thought. Dynamics: Lots of changes written in there and how it relates to phrasing helping make the ‘complete thought.’ Articulation: Staccato vs Legato, voices opposing each other; again helping with the ‘complete thought.’ Tempo: That such a thing as flexible tempo helps with phrasing and completing that ‘complete thought’ we talked about. Pounding beat vs a larger beat: as interpretation such as dance (emphasizing the first beat instead of pounding by each beat. Notice by the tempo markings that a larger beat is called for by the markings (one beat per measure embracing the dance aspect.) Her former teacher is very talented, holds his Doctor's degree in Piano Performance and was absolutely terrific with her. That being said, Kara soon found out there were boys, and from that moment on the instructor never had a chance. She’s 38 now, loves to play this piece and still -- pounds it out. ☺.
$9.00
In dulci jubilo
In dulci jubilo
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Piano seul
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AVANCÉ
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Noël
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Traditional German Melody
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Terrence Niska
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In dulci jubilo
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.950927 Composed by Traditional German Melody. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishi...
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Piano Solo - Level 5 - SKU: A0.950927 Composed by Traditional German Melody. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6466295. Published by Niska Music Publishing (A0.950927). I again returned to ChopÃn for inspiration in this piece as the left hand opening is quite reminiscent of his Prelude Op. 28, No. 3 (though not nearly as fast). In fact, the first measure is identical to ChopÃn’s and they’re both in the same key. However, it immediately becomes apparent that this prelude is more inspired by George Winston than ChopÃn. My goal was to capture the sheer joy of the melody and the lyrics. In dulci jubilo translates as in sweet rejoicing and that’s what I wanted to bring to my arrangement. There is a somewhat extended opening section before getting to the actual melody found within a constant stream of sixteenth notes in the right hand: A challenge for the pianist to bring out the line amongst all those notes. There is also a secondary melody to be found in the left hand hidden among its own torrent of notes. There is an almost chorale-like closing for several bars before a final flourish brings the prelude to a joyous close.
$3.99
All Creatures of our God and King Late Intermediate Piano Solo
All Creatures of our God and King Late Intermediate Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Lasst Uns Erfreuen
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Amanda Tero
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eighth notes vs
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All Creatures of our God and K
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero...
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Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998921. Published by Amanda Tero (A0.1417376). Delight your audience with the All Creatures of our God and King piano solo, designed for late intermediate players. Ideal for church performances or recitals, this piece includes lively triplets in both hands, making it an exciting show-stopper.The late intermediate piano solo of All Creatures of our God and King includes popular elements like fast triplets, octaves, polyrhythms (2 against 3), and a dramatic ending.I arranged All Creatures of our God and King as a traditional hymn with a contemporary flair. The driving triplets give it a “rock†feel while low left hand octaves add depth of sound. There are a lot of patterns which makes this late intermediate solo easier to learn–the challenge is getting it up to speed fluently!For church services, recitals, and spring/summer music events, All Creatures of our God and King late intermediate piano sheet music solo will capture the listeners with delight and excitement.Similar in level to most Level 4-5 piano curricula and ABRSM Level 4.The basic format of All Creatures of our God and King late intermediate piano solo is: introduction, verse, interlude, verse, ending.6 pages. Key of C major.Approx. 2:00 performance time. Musical Elements In All Creatures of our God and King late intermediate piano solo Sheet Music Key of C major Time signature: 4/4 Tempo: fast, exuberant Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, eighth note triplets Note reading: right hand treble clef C4 to C7, left hand bass clef C1 to G4 Ledger lines (up to 5 lines) Harmonic octaves in left hand and right hand Triplets Polyrhythms (2 against 3; eighth notes vs. eighth note triplets) Fermata Practice Tips for All Creatures of our God and King late intermediate piano solo This is an exciting arrangement that the student may be tempted to play faster than possible. Encourage the student to breathe while they play to keep the tempo steady and manageable (I like recommending breathing in for one measure, out for one measure).There may be the temptation to have a heavy pulse for each beat, but focus on phrasing an entire measure or two.If the student struggles to bring out the measure for the first verse, experiment with “shadow playing,†where the student only plays the actual melody notes and “shadow plays†(puts their finger on the key, but doesn’t press down) all other notes.
$5.99
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart, Mozar
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Rob Bushnell
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Andante
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RBMusic
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic ...
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Piano Solo - Level 4 - SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic #6014617. Published by RBMusic (A0.752422). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$9.50
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 2)
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 2)
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Piano seul
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FACILE
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Classique
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Wolfgang Amadeus Mozart, Mozar
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Rob Bushnell
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Andante
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RBMusic
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6 pages. RBMusic ...
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Piano Solo - Level 2 - SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6 pages. RBMusic #6014595. Published by RBMusic (A0.752421). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$5.75
Robot Bluegrass
Robot Bluegrass
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ben Dockery
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Robot Bluegrass
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Ben Dockery
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.693010 Composed by Ben Dockery. Contemporary,Folk,Instructional,Standards. Score. 3 pages. Ben Dockery #3241725. Publishe...
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Piano Solo - Level 4 - SKU: A0.693010 Composed by Ben Dockery. Contemporary,Folk,Instructional,Standards. Score. 3 pages. Ben Dockery #3241725. Published by Ben Dockery (A0.693010). This fast angular piano piece (1 min. 5 sec) is the tenth in a series of impromptus inspired by the sounds of childhood, namely the soundtracks of early 90s video game systems like Nintendo. This composition captures the robotic, computerized quality that was common with many of the 8-bit soundtracks. Although composers were limited to writing thin textures, they often took advantage of the computer's ability to play virtuosic passages that would be nearly unimaginable for a living performer. The texture of this piece is almost entirely monophonic. The velocity of the 16th notes creates the impression of harmony in the same way virtuosic blue-grass flat-picking guitarist can. The greatest challenge to the performer is getting the alternating hands coordinated. Fingerings are important, but more so is deciding which hand to play specific melodic passages. Where these spots seemed most precarious, I provided suggestions. Elsewhere, it is helpful to recognize that any consecutively repeated note is best played with an alternate hand.Follow my work at www.bendockery.comThere you can sign up for my email list and get tons of free music! .
$2.99
Barren Landscape
Barren Landscape
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Ann Ruane
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Barren Landscape
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Ann Ruane-Lux Eterna Healing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1410282 Composed by Ann Ruane. Christmas,Holiday,New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #992700. Published...
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Piano Solo - Level 4 - SKU: A0.1410282 Composed by Ann Ruane. Christmas,Holiday,New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #992700. Published by Ann Ruane-Lux Eterna Healing (A0.1410282). There is a stark, mysterious nature to this piece, evoking a curiosity about the shadows. The monotony of the left-hand invites getting lost in thought as you wander. From the collection, Winter Wonder by Ann Ruane.
$3.50
Beyond The Sea
Beyond The Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bobby Darin
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Tobi A Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Sc...
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Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00
It is Time
It is Time
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Piano seul
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FACILE
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New Age
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Contemporain
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Bill Walker
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Bill Walker
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It is Time
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Bill Walker Music Publishing
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1118343 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Baroque,Classical,Contemporary,New Age. Score. 5 pages. ...
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Piano Solo - Level 2 - SKU: A0.1118343 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Baroque,Classical,Contemporary,New Age. Score. 5 pages. Bill Walker Music Publishing #719862. Published by Bill Walker Music Publishing (A0.1118343). In this piece of music for solo piano, a man is getting ready for bed when he notices Death is in his room. Death is there to take him to the next part of his journey. The man doesn't want to go. The man pleads with death to come get him later, but to no avail. In the end, the man, resigned to his fate, agrees to go with Death. It reminds me of old baroque death pieces. Key Signature: G minor. Time Signature: 2/2. Pages: 5. Published by Bill Walker Music Publishing. (For all the English grammar experts - the i in is is lower case on purpose. I just think it looks good.).
$4.99
Cashew On a Walk
Cashew On a Walk
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Emily Wood
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eswoodmusic@gmail.com).
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Cashew On a Walk
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Emily Sue Wood
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.907115 Composed by Emily Wood. Contemporary,Standards. Score. 4 pages. Emily Sue Wood #50955. Published by Emily Sue Wood...
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Piano Solo - Level 4 - SKU: A0.907115 Composed by Emily Wood. Contemporary,Standards. Score. 4 pages. Emily Sue Wood #50955. Published by Emily Sue Wood (A0.907115). About two minutes long, this charismatic solo piano piece was written for my dog Cashew, who can't go on walks without getting distracted. There are three sections that describe, in musical language, the different stages of Cashew's walk: happy excitement, frantic and angry barking at a much bigger dog, and exhaustion after an agonizing fifteen-minute trek. This short and quirky piece is perfect to teach to an intermediate level pianist. (Facebook page: Music by Emily Wood; eswoodmusic@gmail.com).
$2.25
Beethoven - Moonlight Sonata - Level D - (Key Map Tablature)
Beethoven - Moonlight Sonata - Level D - (Key Map Tablature)
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Piano seul
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Classique
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Ludwig van Beethoven
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John M
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Beethoven - Moonlight Sonata -
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - SKU: A0.984715 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 10 pages. Music Innovators Workshop...
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Piano Solo - SKU: A0.984715 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 10 pages. Music Innovators Workshop #4359373. Published by Music Innovators Workshop (A0.984715). This is the original version of this famous piece arranged on a key map tablature.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. (You can copy this title and paste it in the search at the top of page to go directly to it.) It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the first few pages simply by going to the look inside pages of the article.)
$2.00
Bach - Prelude in Eb Minor - WTC-1, No. 8 - (Key Map Tablature)
Bach - Prelude in Eb Minor - WTC-1, No. 8 - (Key Map Tablature)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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John M
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Bach - Prelude in Eb Minor - W
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.984697 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 8 pages. Music Innovators Worksh...
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Piano Solo - Level 4 - SKU: A0.984697 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 8 pages. Music Innovators Workshop #4356299. Published by Music Innovators Workshop (A0.984697). This key map tablature provides an excellent demonstration of how well key maps can handle pieces in which most of the notes are flats. It brings this wonderful piece well within reach of those who have all of the skills necessary to play the piece but have not yet learned how to read pieces with 6 flats. 8 Pages.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00
DRUG ADICTED WORLD
DRUG ADICTED WORLD
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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DRUG ADICTED WORLD
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066587 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 234. THEMIS KOUTRAS #4775163. P...
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Piano - SKU: A0.1066587 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 234. THEMIS KOUTRAS #4775163. Published by THEMIS KOUTRAS (A0.1066587). THIS IS A IN--TER--SEED--ING SONG OF PRAY praying singing to reach GOD so he helps all addicts on drugs and OR alcohol stop there addictions it is also a prophesy that the way the world is going it is getting worst and if something is not done for this problem the world all people can become Addicts in drugs or and alcohol that is if we do not do something about this as early as possible so i sing that perhaps we can do something about this problem that all people in the future will be drug and alcohol free from addictions.
$4.99
Bach - Fugue in C - Level E - (Key Map Tablature)
Bach - Fugue in C - Level E - (Key Map Tablature)
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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John M
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Bach - Fugue in C - Level E -
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.984695 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 6 pages. Music Innovators Worksh...
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Piano Solo - Level 5 - SKU: A0.984695 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 6 pages. Music Innovators Workshop #4356271. Published by Music Innovators Workshop (A0.984695). This is a very interesting 4 voice fugue. I like a lot - but I can't play it on this tablature - even though I can play it on traditional notation. I wonder if it's because I learned to play it first on the traditional notation, or if the complexity of the piece makes the tablature less effective than it is on less complex pieces. Actually, i'm fascinated by the way it looks on the tablature. The weaving of the melody lines is very interesting. It really is a visual work of art! 6 Pages.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00
Bach - Toccata in D Minor - Level C - Arr for Piano - (Key Map Tablature)
Bach - Toccata in D Minor - Level C - Arr for Piano - (Key Map Tablature)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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John M
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Bach - Toccata in D Minor - Le
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.984700 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 8 pages. Music Innovators Worksh...
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Piano Solo - Level 4 - SKU: A0.984700 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 8 pages. Music Innovators Workshop #4357045. Published by Music Innovators Workshop (A0.984700). This is a piano arrangement of the Toccata portion of the famous Toccata and Fugue in D minor. It is notated on a key map tablature. Additionally, this wonderful piece has been simplified by removing some notes, but it has not been shortened. In this arrangement, it is still a wonderful piece for those who have not yet gained the skill to play the full piano arrangement. This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00
Beethoven - The Smaller Rondo in C Major - (Key Map Tablature)
Beethoven - The Smaller Rondo in C Major - (Key Map Tablature)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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John M
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Beethoven - The Smaller Rondo
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.984709 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 10 pages. Music Innovator...
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Piano Solo - Level 4 - SKU: A0.984709 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 10 pages. Music Innovators Workshop #4357661. Published by Music Innovators Workshop (A0.984709). The great piece is notated on a key map tablature.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00
Bach - Fugue in D Minor - (Key Map Tablature)
Bach - Fugue in D Minor - (Key Map Tablature)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John M
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Bach - Fugue in D Minor -
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.984693 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 8 pages. Music Innovators Worksh...
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Piano Solo - Level 3 - SKU: A0.984693 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 8 pages. Music Innovators Workshop #4356277. Published by Music Innovators Workshop (A0.984693). This is a piano arrangement of the fugue from the famous Toccata and Fugue in D Minor for organ. The piece has been simplified, shortened and arranged on a key map tablature. 8 Pages.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00
Mean Machine
Mean Machine
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Piano seul
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INTERMÉDIAIRE
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Ben Dockery
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Mean Machine
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Ben Dockery
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.693008 Composed by Ben Dockery. Blues,Contemporary,Jazz,Standards. Score. 4 pages. Ben Dockery #3235561. Published by Ben...
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Piano Solo - Level 3 - SKU: A0.693008 Composed by Ben Dockery. Blues,Contemporary,Jazz,Standards. Score. 4 pages. Ben Dockery #3235561. Published by Ben Dockery (A0.693008). This intermediate piece for piano (2 min. 30 sec.) is the eighth in a series of impromptus inspired by sounds of childhood, namely themes from early 90s video game consoles like Nintendo. This composition is indicative of many of the bluesy soundtracks that also contain splashes of unexpected and quirky sonorities, giving it a bona fide unearthly quality. Think of a western shoot-out aboard an alien spaceship. Performers should keep the tempo rock-solid with no rubato. The syncopated ostinato bass pattern may take some getting used to at first, but it is essential to the entire arrangement. Many of the melodic figures have crescendos or decrescendos that are unconventional, e.g. a decrescendo under an ascending phrase. The middle section has a sixteenth note passage that should be fingered by alternating left and right hands as marked. Follow my work at www.bendockery.com. There you can sign up to my email list and get updates on new releases plus tons of free music!
$2.99
When You Are Old
When You Are Old
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Joseph Lim Yong Meng
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When You Are Old
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Joseph Lim Yong Meng
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1227702 Composed by Joseph Lim Yong Meng. Contemporary,New Age. Score. 4 pages. Joseph Lim Yong Meng #823661. Published b...
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Piano Solo - Level 3 - SKU: A0.1227702 Composed by Joseph Lim Yong Meng. Contemporary,New Age. Score. 4 pages. Joseph Lim Yong Meng #823661. Published by Joseph Lim Yong Meng (A0.1227702). Composed in Autumn April 1995, in Parkville, Mebourne Australia.Inspired by the poem When You Are Old written by William Butler Yeats, together with the presence of my piano coursemate Elaine Lim.When You Are Old When you are old and grey and full of sleep,And nodding by the fire, take down this book,And slowly read, and dream of the soft look,Your eyes had once, and of their shadows deep;How many loved your moments of glad grace,And loved your beauty with love false or true,But one man loved the pilgrim soul in you,And loved the sorrows of your changing face;And bending down beside the glowing bars,Murmur, a little sadly, how Love fledAnd paced upon the mountains overheadAnd hid his face amid a crowd of stars.This composition was written in 1995 but this poem had inspired me to think about what would be there for me when I am old?With the time and year slipping through my fingers unawares, too many sweet and bitter memories are getting faded.Dedicated this music to my parents in heaven and my long lost friend Elaine Lim.
$5.99
ADDICTION
ADDICTION
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Piano seul
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Contemporain
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Moni Bergo
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ADDICTION
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012700 Composed by Moni Bergo. Contemporary. Score. 8 pages. Moni Bergo #5742813. Published by Moni Bergo (A0.1012700). ...
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Piano Solo - SKU: A0.1012700 Composed by Moni Bergo. Contemporary. Score. 8 pages. Moni Bergo #5742813. Published by Moni Bergo (A0.1012700). Music and song composed by me♫ *'¨` * • .¸¸. ♫ ♫ * Addiction'¨` * • .¸¸. ♫ I seem you Free Instead I’m chained …. He approaches smiling I dislike him already there are few people on the subway but he sits right here. I ugly, a bit 'rickety conscious of my limitations I’m lost in the clouds and I do my own business He looks at me and is insistent but to me what he will wants? It 'a handsome man and elegant maybe he's short-sighted, who knows? From his piercing gaze I feel pierce and I'm already tired and in the face I want to shout Do you look like free but I’m in love Give me a piano, a guitar and I spend all day I become hysterical when they bring me on vacation because the seventh and turned just do not know do not chronically ill and I’m hopeless But I do not want drugs for this my addiction .. You should come and bursts into the veins with your chains hold me more I feel the boundless energy flows between the fingers and only you can and you ease my sorrows You are my mate in the darkest moments You will protect me by my excesses in this fake world spark you will be At the end decide his self and apostrophizes me so You're my new neighbor, my house is right there, and at evening you enchanted me and would listen to you for hours while you playing the piano with you I can fly and I know that maybe it's late But I would like to try I know that to children you give lesson and also I want to learn But that smart man! I like him already I tell him the story of the slap that he risked a little while ago He tells me he has a mate who loves him sweetly I'd take kicks diffident damn !! We free fly on our agreements in dissonance forgetting every problem, big trouble or task chronically ill of my own addiction which infects, spreads and enters into his life only souls and I bare his essence while listening him solmizate enters heaven in this room .. . Monica Bergo
$5.00
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