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Greater Is He
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Vous avez sélectionné:
Greater Is He
Piano seul
Partitions à imprimer
8 partitions trouvées
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1
Southern Gospel Piano - Devotion
Southern Gospel Piano - Devotion
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Piano seul
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INTERMÉDIAIRE
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Southern Gospel Piano - Devoti
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Piano - Intermediate - SKU: M0.31086EB Gospel. E-book. 41 pages. Mel Bay Publications - Digital Sheet Music #31086EB. Published by Mel Bay Publications ...
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Piano - Intermediate - SKU: M0.31086EB Gospel. E-book. 41 pages. Mel Bay Publications - Digital Sheet Music #31086EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31086EB). ISBN 9781513477787. 8.75X11.75 inches.We all have experienced devotion at varying levels of intensity within our lives. Sometimes it is temporary, but in other cases it is lasting and perhaps even permanent. Devotion can be directed toward an idea, a purpose, plan, pet or person, a concept, a sport or hobby, a philosophy, or a feeling or relationship, but we all have known it in some measure. It can be so pathetically shallow as devotion to an object or possession, but its highest expression is found in devotion to the most noble of lasting and eternal values and in pursuit of knowing the awesome Creator of the universe- - - God himself. Hopefully, these piano pieces will inspire a greater measure of devotion from each of us.
Song List
:
All The Way My Savior Leads Me
He's Everything To Me
I Gave My Life For Thee
Is Your All On The Altar?
Jesus Paid It All
O Why Not Tonight?
Only Trust Him
Pass Me Not, O Gentle Saviour
Softly And Tenderly
$14.99 ≈
13.80€
Bock's Best - Volume 5
Bock's Best - Volume 5
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Piano seul
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Fred Bock
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Bock's Best - Volume 5
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Fred Bock Music Company
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SheetMusicPlus
Piano Solo Piano SKU: HL.8738374 Arranged by Fred Bock. Piano solos. Fred Bock Publications. General Worship, Sacred. 148 pages. Fred Bock Music Company ...
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Piano Solo Piano SKU: HL.8738374 Arranged by Fred Bock. Piano solos. Fred Bock Publications. General Worship, Sacred. 148 pages. Fred Bock Music Company #BG0941. Published by Fred Bock Music Company (HL.8738374). ISBN 9781934596142. UPC: 073999383744. 9.0x12.0x0.344 inches.50 outstanding piano arrangements that are challenging and rewarding for player and listener alike. Includes: Here I Am, Lord * I Walked Today Where Jesus Walked * Jesus, Name Above All Names * The Lord's Prayer * Majesty and Glory of Your Name * On Eagle's Wings * Victory in Jesus * and more. There is no duplication of titles within the Bock's Best series! Medium difficulty.
Song List
: A Balm in Gilead All Hail, King Jesus (Dave Moody) As the Deer (Marty Nystrom) Awesome God/I Exalt Thee (Richard Mullins/Pete Sanchez, Jr.) Emmanuel (Bob Mcgee) Gesu Bambino (Pietro A Yon) Glorify Thy Name (Donna Adkins) God So Loved the World (John Stainer) Grace Greater Than Our Sin (Daniel B Towner) Halle, Halle, Halle Have Thy Own Way, Lord (George C Stebbins) He Has Made Me Glad (Leona Von Brethorst) He Is Exalted (Twila Paris) His Is Lord Here I Am, Lord (Dan Schutte) Holy Ground (Geron Davis) How Excellent Is Thy Name (Dick & Melody Tunney, Paul Smith) Hymn of Promise (Natalie Sleeth) I Exalt Thee/Awesome God (Pete Sanchez, Jr./Richard Mullins) I Surrender All (Winfield S. Weeden) I Walked Today Where Jesus Walked (Geoffrey O'hara) I Will Call Upon the Lord (Michael O'shields) I Wonder As I Wander (John Jacob Niles) I'll Fly Away (Albert E Brumley) In the Garden (C. Austin Miles) Jesus, Name Above All Names (Naida Hearn) Just As I Am (William B Bradbury) Lord, Be Glorified/Sanctuary (Bob Kilpatrick/John Thompson & Randy Scruggs) Morning has Broken Old Friends (William J Gaither & J D Miller) On Eagle's Wings (Michael Joncas) Open Our Eyes, Lord (Bob Cull) Our God Reigns ( Leonard E Smith, Jr.) Pass It On (Kurt Kaiser) Praise the Name of Jesus (Roy Hicks, Jr.) Sanctuary/Lord, Be Glorified (John Thompson & Randy Scruggs/Bob Kilpatrick) Shine, Jesus, Shine (Graham Kendrick) Sing Hallelujah to the Lord (Linda Stassen) This Is the Day (Les Garrett) Turn Your Eyes Upon Jesus (Helen Lemmel) Victory in Jesus (Eugene M Bartlett, Sr) We Bring the Sacrifice of Praise (Kirk Dearman) We Gather Together What A Mighty God We Serve When the Roll Is Called Up Yonder (James M Black) Wonderful Grace of Jesus (Haldor Lillenas) Be Thou My Vision LORD'S PRAYER, THE (ALBERT HAY MALLOTTE) LOVE OF GOD, THE (FREDERICK H LEHMAN) MAJESTY AND GLORY OF YOUR NAME, THE (TOM FETTKE)
$29.99 ≈
27.62€
The Mevlidi Sherif Symphony ~ in English Piano Reduction
The Mevlidi Sherif Symphony ~ in English Piano Reduction
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Piano seul
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Contemporain
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Taylor Kroff
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The Mevlidi Sherif Symphony ~
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Listening Heart, LLC
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SheetMusicPlus
Piano Solo - SKU: A0.1029428 Composed by Taylor Kroff. Contemporary. Score. 113 pages. Listening Heart, LLC #4890651. Published by Listening Heart, LLC ...
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Piano Solo - SKU: A0.1029428 Composed by Taylor Kroff. Contemporary. Score. 113 pages. Listening Heart, LLC #4890651. Published by Listening Heart, LLC (A0.1029428). Mevlidi Sherif Symphony ~ in English Divine is beautiful and loves what is beautiful. Prophet Muhammad (pbuh) Our heartfelt prayer is that this music serves to awaken people of all religious traditions to the sacred musical treasures of Islam and that it contributes to interfaith harmony. CarolAnn Barrows & Taylor Kroff The Mevlidi Sherif, the finest expression of reverence for Muhammad (pbuh), forms an essential part in the religious instruction of most Turkish minds. We hope that this new symphony will foster an interest and understanding of the Muslim soul, even for many who have little direct contact with the world of Islam. Considering how Christians feel about their Christmas carols provides some understanding of what the Mevlidi Sherif (or mawlud) means to Muslims. Over 500 years ago Süleyman Çelebi, from the Great Mosque at Bursa, wrote the Mevlidi Sherif (then entitled Vesiletu’n-necat) so that Turks would have access to the magical, mystical story of their beloved Prophet Muhammad (pbuh), which had previously only been available in Arabic. Over the centuries this epic poem has been recited and sung in Mosques and in homes; on countless occasions of rejoicing and sorrow, such as births, weddings, house blessings, graduations, and especially to celebrate the Night of Power and the Birthday (mawlid) of Muhammad (pbuh). Some consider it to be the most frequently recited poem in the world. In 1942, as an act of interfaith and goodwill, Mr. F. Lyman MacCallum, a Christian missionary who was born in Turkey to missionary parents, translated into English this epic poem and published it in a journal dedicated to promoting East/West understanding. This was a remarkable artistic feat as MacCallum stayed true to the traditional Turkish poetic meter, mathnawī of fâ’ilâtün fâ’ilâtün fâ’ilün, as well as holding fast to the authentic meaning of the original text. In 2015, Dr. Timuçin Çevikoğlu, from Ankara University in Turkey, discovered MacCallum’s English translation of this most beloved poem. With the intention to help those in the west better understand the very heart of Islam, he invited sacred music singer, Ms. CarolAnn Barrows from Maui, Hawaii, USA to be the first person to ever sing the Mevlidi Sherif in English. He asked her to compose music that would appeal to western sensibilities. Ms. Barrows interviewed many composers to assist her. It wasn’t until she heard from Mr. Taylor Kroff from Austin, Texas, U.S.A., that she knew she’d found the right person for the task. Using digital technology they were able to work together, even though thousand of miles apart. They amended and re-translated the text of the original English version of the poem and composed the Mevlidi Sherif Symphony ~ in English. The recording is now available online all over the world. This music was born out of our desire to help non-Muslims appreciate the love all Muslims have for their Prophet Muhammad (pbuh); to create greater understanding and peace among nations. We are not suggesting that anyone change their faith, but rather that greater world peace will be achieved by understanding and accepting the faith of others. We pray that this music will serve to remove the boundaries which divide different religious faiths by bringing to full light the underlying wisdom with which they are all united. CarolAnn Barrows & Taylor Kroff
$50.00 ≈
46.04€
Sonata of Facility, Op. 135 (1st mvt.)
Sonata of Facility, Op. 135 (1st mvt.)
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Piano seul
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Samuel Wellman
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Sonata of Facility, Op. 135
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Samuel Wellman
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.882111 Composed by Wolfgang Amadeus Mozart. Arranged by Samuel Wellman. 20th Century,Contemporary. Score. 7 pages. Samuel...
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Piano Solo - Level 5 - SKU: A0.882111 Composed by Wolfgang Amadeus Mozart. Arranged by Samuel Wellman. 20th Century,Contemporary. Score. 7 pages. Samuel Wellman #3010567. Published by Samuel Wellman (A0.882111). This is a parody of Mozart's Sonata K. 545, first movement. Since he termed it 'Sonata facile,' I took 'facile' and made an English equivalent. What greater fun is there than taking an over-played work and turning it into laughs and giggles? My version starts with a bitonal setting, but quickly becomes something more complicated. The left hand gets involved; no more of this 'all-the- work-is-in-the-right-hand' stuff. Jazz chords intrude; Tchaikovsky makes an appearance (after all, he adored Mozart). It's a lark, a humorous lampoon. Humor in music is alive and well!
$5.00 ≈
4.60€
Notturno in G Minor - Level 4 piano arrangement
Notturno in G Minor - Level 4 piano arrangement
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Piano seul
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FACILE
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Fanny Mendelssohn Hensel
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Cameron Smith
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Notturno in G Minor - Level 4
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Cameron E Smith
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.902462 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Perio...
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Piano Solo - Level 2 - SKU: A0.902462 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards,World. Score. 1 pages. Cameron E Smith #5996723. Published by Cameron E Smith (A0.902462). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 4, IntermediateDetailed Description:Nocturne for piano in g minor composed by Romantic composer Fanny Mendelssohn Hensel. 19th century. German Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an intermediate level arrangement in the key of g minor and serves as an introduction to historic women composers of the Romantic period. 6/8 time signature. 11 measures. Right-hand is mostly in thirds, left-hand utilizes broken chord accompaniments. Sixteenth-notes, eighth-notes, dotted eighth-notes, quarter-notes, and dotted quarter-notes.Technique:6/8 time signature is introduced. Right-hand finger crossings in thirds. One accidental. There are also level 1, 2 and 3 arrangements of this piece available.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms and Tchaikovsky. Fanny Mendelssohn Hensel is the older sister of the well-known composer Felix Mendelssohn. Often attributed to be a greater pianist than he, Hensel wrote many works for the piano, as well as some chamber music, cantatas and oratorios. Due to the complications surrounding women composers at the time, much of her music was published under her brother's name.Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99 ≈
1.83€
IN THE CROSS - Worship Service Complete PACKAGE - 10 Hymn Arrangements with Overhead PDF Texts
IN THE CROSS - Worship Service Complete PACKAGE - 10 Hymn Arrangements with Overhead PDF Texts
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Reginald Heber, George Bennard
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Wanda J
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IN THE CROSS - Worship Service
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Wanda J. COOLEY
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.931662 Composed by Reginald Heber, George Bennard, Robert Lowry, Hassler/J.S. Bach, Isaac Watts,. Arranged by Wanda J. Co...
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Piano Solo - Level 4 - SKU: A0.931662 Composed by Reginald Heber, George Bennard, Robert Lowry, Hassler/J.S. Bach, Isaac Watts,. Arranged by Wanda J. Cooley. 20th Century,Contemporary,Easter,Sacred. Score. 150 pages. Wanda J. COOLEY #6252651. Published by Wanda J. COOLEY (A0.931662). IN THE CROSS is a COMPLETE WORSHIP SERVICE PACKAGE (total Presentation Time = 55 minutes) consisting of 10 Hymn Arrangements with PDF Words sequenced to unfold as the pianist plays. Templates are included: Posters, Invitations, Programs, Thank-you notes and a Coordinator's Kit so that the pianist's only assignment is the music! These hymns present the Gospel in churches, nursing homes, and prisons using one or more pianists. Congregational participation is enhanced through the Spoken Scriptures and the Preambles (stories) which precede the hymns. There are 62 pages of arrangements with 75 overhead pdf slides (sequenced with numerals), plus extras! Hymn Arrangements: Holy, Holy, Holy - Fairest Lord Jesus - The Old Rugged Cross - Nothing But the Blood - Whiter Than Snow - Are You Washed in the Blood? - O Sacred Head Now Wounded - Grace Greater Than Our Sin - Jesus, Keep Me Near the Cross - When I Survey the Wondrous Cross - And Can It Be? - Rejoice, the Lord Is King! - Children of the Heavenly Father - When He Cometh - Crown Him with Many Crowns.
$18.00 ≈
16.57€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l?acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ?angel of corrections? [?l?ange des Corrections?] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
35.87€
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ?angel of corrections? [?l?ange des Corrections?] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
35.87€
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