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Vous avez sélectionné:
Saint Claude
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1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l?acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ?angel of corrections? [?l?ange des Corrections?] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ?angel of corrections? [?l?ange des Corrections?] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
Claude Debussy: La Passion: extraite du Martyre de Saint Sébastien for solo piano, completed by Robe
Claude Debussy: La Passion: extraite du Martyre de Saint Sébastien for solo piano, completed by Robe
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: La Passion: ex
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.534659 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 6 pages. Musik Fabrik Music Publ...
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Piano Solo - Level 4 - SKU: A0.534659 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 6 pages. Musik Fabrik Music Publishing #5732787. Published by Musik Fabrik Music Publishing (A0.534659). This piece is an unused movement, probably a first draft of La Passion, the third of the ‘Fragments symphoniques’ in Le Martyre de Saint Sébastien (1911). Nicolas Horvath’s 2020 Grand Piano recorindg of this anguished but beautiful piece, and knowing how pushed for time Debussy was when he composed Le Martyre it is surprising that he progressed so far with a piece that he subsequently replaced.
$10.35
Claude Bolling : Saint-Louis Rag
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Piano seul
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AVANCÉ
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Jazz
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Claude Bolling
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Saint
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Tomplay
Telechargez la partition Piano Saint-Louis Rag de Bolling. Partition pour Piano seul -- Jazz...
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Telechargez la partition Piano Saint-Louis Rag de Bolling. Partition pour Piano seul -- Jazz
3.99€ ≈
$4.33
Christine and The Queens : Saint Claude
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Piano seul
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Christine and The Queens
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Saint Claude
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Noviscore
Partitions piano solo
Partitions piano solo
4.99€ ≈
$5.41
Christine and The Queens : Saint Claude
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Piano seul
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Christine and The Queens
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Saint Claude
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Noviscore
Partitions piano solo
Partitions piano solo
4.99€ ≈
$5.41
Christine and The Queens : Saint Claude
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Piano seul
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Christine and The Queens
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Saint Claude
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Noviscore
Partitions piano solo
Partitions piano solo
4.99€ ≈
$5.41
Veni, Vidi, Vici (I came, I saw, I conquered); Grand Polka de Concert
Veni, Vidi, Vici (I came, I saw, I conquered); Grand Polka de Concert
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Piano seul
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Claude Melnotte
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Claude Melnotte
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Grand Polka de Concert
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Veni, Vidi, Vici
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.436 Composed by Claude Melnotte. Elephants, Advertisements, Signs, Circuses and shows. Lester S. Levy Collection. 9 pages. Published by ...
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Piano - SKU: LV.436 Composed by Claude Melnotte. Elephants, Advertisements, Signs, Circuses and shows. Lester S. Levy Collection. 9 pages. Published by Johns Hopkins University Sheridan Libraries (LV.436). Veni, Vidi, Vici (I came, I saw, I conquered); Grand Polka de Concert. By Claude Melnotte. Published 1871 by Kunkel Brothers in Saint Louis. Composition of polka; sectional with cadenza-like interludes with piano instrumentation. Subject headings for this piece include Elephants, Advertisements, Signs, Circuses and shows. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Debussy: Le Martyre de Saint SÌ©bastien (Transcr. Roques)
Debussy: Le Martyre de Saint SÌ©bastien (Transcr. Roques)
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Piano seul
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Classique
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Claude Debussy
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Four Hands
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Debussy: Le Martyre de Saint S
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Claude Debussy (1862-1918). For Piano Duets & Four Hands. Classical. Part. 10 pages. Published by Alfred Music. Digital Sheet Music...
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By Claude Debussy (1862-1918). For Piano Duets & Four Hands. Classical. Part. 10 pages. Published by Alfred Music. Digital Sheet Music
$1.99
Debussy: Le Martyre de Saint SÌ©bastien (Transcr. Roques)
Debussy: Le Martyre de Saint SÌ©bastien (Transcr. Roques)
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Piano seul
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Classique
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Claude Debussy
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Four Hands
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Debussy: Le Martyre de Saint S
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Claude Debussy (1862-1918). For Piano Duets & Four Hands. Classical. Part. 10 pages. Published by Alfred Music. Digital Sheet Music...
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By Claude Debussy (1862-1918). For Piano Duets & Four Hands. Classical. Part. 10 pages. Published by Alfred Music. Digital Sheet Music
$1.99
Debussy: Le Martyre de Saint SÌ©bastien (Transcr. Roques)
Debussy: Le Martyre de Saint SÌ©bastien (Transcr. Roques)
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Piano seul
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Classique
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Claude Debussy
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Four Hands
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Debussy: Le Martyre de Saint S
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Claude Debussy (1862-1918). For Piano Duets & Four Hands. Classical. Part. 8 pages. Published by Alfred Music. Digital Sheet Music...
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By Claude Debussy (1862-1918). For Piano Duets & Four Hands. Classical. Part. 8 pages. Published by Alfred Music. Digital Sheet Music
$1.99
Debussy: Le Martyre de Saint SÌ©bastien (Transcr. Roques)
Debussy: Le Martyre de Saint SÌ©bastien (Transcr. Roques)
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Piano seul
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Classique
#
Claude Debussy
#
Four Hands
#
Debussy: Le Martyre de Saint S
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Claude Debussy (1862-1918). For Piano Duets & Four Hands. Classical. Part. 18 pages. Published by Alfred Music. Digital Sheet Music...
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By Claude Debussy (1862-1918). For Piano Duets & Four Hands. Classical. Part. 18 pages. Published by Alfred Music. Digital Sheet Music
$1.99
Clair de Lune
Clair de Lune
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Piano seul
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Classique
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Claude Debussy
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Wedding
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Clair de Lune
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Claude Debussy. Arranged by Gerard Salesses and Olivier Toussaint. For piano. Classical; Wedding. 6 pages. Published by Hal Leonard - Digital Sheet Music...
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By Claude Debussy. Arranged by Gerard Salesses and Olivier Toussaint. For piano. Classical; Wedding. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
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