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Prenominal Preludes for Piano: Vol. 2

Prenominal Preludes for Piano: Vol. 2 #Piano seul #INTERMÉDIAIRE/AVANCÉ #Graham Yates #2 #Prenominal Preludes for Piano: #Graham Yates #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.887978 Composed by Graham Yates. Concert,Contemporary,Standards. Score. 12 pages. Graham Yates #6027709. Published by Gra...(+)

$9.99 ≈ 9.14€

Sonata, Op 27, No 2 Sonata Quasi una Fantasia (Moonlight Sonata)

Sonata, Op 27, No 2 Sonata Quasi una Fantasia (Moonlight Sonata) #Piano seul #Classique #Ludwig van Beethoven #Arte Nova Music Lab #Sonata, Op 27, No 2 Sonata Qua #Arte Nova Music Lab #SheetMusicPlus

Piano Solo - SKU: A0.742469 Composed by Ludwig van Beethoven. Arranged by Arte Nova Music Lab. Classical,Concert,Standards,World. Score. 6 pages. Arte N...(+)

$5.00 ≈ 4.57€

Cuban Gold

Cuban Gold #Piano seul #Contemporain #Jeffrey Hoover #The pages #Cuban Gold #Musicart Publications #SheetMusicPlus

Piano Solo - SKU: A0.971664 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 16 pages. Musicart Publications #5992091. Published by Musicar...(+)

Piano Solo - SKU: A0.971664 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 16 pages. Musicart Publications #5992091. Published by Musicart Publications (A0.971664). Cuban Gold for solo piano. 5 min. 15 sec. There is also an optional painting that may be projected in performance if desired. Please contact the composer directly for a jpg. The poem may also be used in performance or reprinted in a program, in place of traditional program notes. The pages of this score are arranged to be printed double-sided, with correct page turns.Program Note/Poem Cuban Gold White mist rising from a broad field of green, Sun breaking the horizon then rose smoke curling into the sky. Steel ringing in rhythm to voices, the sound of metal slicing through wood in all its sweetness. A hot brilliant mid-day sun on the street. Ducking into the doorway, then tuning the piano. It must be a special day.The clock and church bell sounding in unison, the end of Tuesdayâ€™s labor.Humidity saturates El Tropicano, with the upright piano and a half-glass of amber. The piano montuno and bass tumbao, along with a half-complete catch of drums telegraph out the rhythms for the Casino dancing. Tall ivory women and shorter browner men in white hats, moving across the floor. â€˜Still time for one more dance. Old Havana at Midnight: Cuban Gold.Cuban Gold poem copyright 2019, Jeffrey Hoover All Rights ReservedJeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hooverâ€™s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hooverâ€™s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteContacting Musicart PublicationsCarlos Rio, Editormusicart.publications.editor@gmail.com

$9.95 ≈ 9.10€

Prenominal Preludes for Piano: Vol. 1
Prenominal Preludes for Piano: Vol. 1 #Piano seul #INTERMÉDIAIRE #Graham Yates #Prenominal Preludes for Piano: #Graham Yates #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.887977 Composed by Graham Yates. Concert,Contemporary,Standards. Score. 8 pages. Graham Yates #6027705. Published by Grah...(+)

Piano Solo - Level 3 - SKU: A0.887977 Composed by Graham Yates. Concert,Contemporary,Standards. Score. 8 pages. Graham Yates #6027705. Published by Graham Yates (A0.887977). These short piano solos were commissioned as part of the first annual Christmas in July showcase in 2019. The composition encodes the donorâ€™s first name (praenomen) as a musical motif, which is stated before the start of each piece. I also enjoyed imagining ways that each piece could reflect an aspect of each subject: 1. Barbara is a classy woman who I imagine has quite a social calendar; 2. Rachel manages three energetic children (two are my students) yet remains cool-headed; 3. John is a former adult student with an interest in new age piano music; 4. Marjorie is an effervescent personality and a logical thinker; 5. Angela is a thoughtful friend and is full of pep; and 6. Jean is a fellow church pianist who enjoys that genreâ€™s sentimental style. These compositions can, of course, be enjoyed for their own merits.

$8.99 ≈ 8.22€

Feu follet
Feu follet #Piano seul #AVANCÉ #Contemporain #1909, Landowska and her husban #Wanda Landowska #Zellev #Feu follet #Zellev Music #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages...(+)

Piano Solo - Level 5 - SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule fÃ¼r Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champÃªtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.

$3.79 ≈ 3.47€

A pedra e o mar
A pedra e o mar #Piano seul #Sergio Roberto de Oliveira #A pedra e o mar #Sergio Roberto de Oliveira #SheetMusicPlus

Piano Solo - SKU: A0.962317 Composed by Sergio Roberto de Oliveira (1970 - 2017). Contemporary,Latin,World. Score. 12 pages. Sergio Roberto de Oliveira ...(+)

Piano Solo - SKU: A0.962317 Composed by Sergio Roberto de Oliveira (1970 - 2017). Contemporary,Latin,World. Score. 12 pages. Sergio Roberto de Oliveira #3115357. Published by Sergio Roberto de Oliveira (A0.962317). Nominated for the 2011 Latin Grammy in the category of Best Contemporary Classical Composition and for the 2012 Latin Grammy for the CD PrelÃºdio 21 - String Quartets for which he participated as producer and composer, Sergio Roberto de Oliveira has been actively participating in the Brazilian and international music scenes over 17 years as a composer. His work has made an impact outside Brazil, particularly in the USA and England, with lectures, interviews, concerts and musical publications. He is one of the most active and most widely performed composers in Brazilian contemporary music. His work has been widely disseminated by groups such as Quarteto RadamÃ©s Gnattali, Duo Santoro, MÃºsica Nova, GNU, Quarteto Colonial, and many others.In England his performers included two of the leading British musicians: baroque flutist Stephen Preston and recorderist John Turner. His piece Expresso for solo alto recorder was published by the Peacock Press and was featured in concerts of The North West Composers' Association and The British Academy of Composers and Songwriters, and his CD Sem Espera was released in London (upon the invitation of the Brazilian Embassy) and in Manchester (at the University of Salford).In the United States the works of Oliveira have been part of the scene since 1999, with dozens of concerts and commissions by groups such as MÃ©lomanie (who included Angico, by Oliveira, in their latest CD). Other American performers of his works include the Ciompi Quartet, Tracy Richardson, Susan Fancher, Tom Moore, and many others. Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in MÃ©xico, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers PrelÃºdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto RadamÃ©s Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording. He died from pancreatic cancer in 2017.

$4.27 ≈ 3.91€

The Magician (piano solo with optional poems, paintings, and movement)
The Magician (piano solo with optional poems, paintings, and movement) #Piano seul #AVANCÉ #Jeffrey Hoover #16 piano solo. #The Magician #Musicart Publications #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.971642 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 45 pages. Musicart Publications #4276221. Published ...(+)

Piano Solo - Level 5 - SKU: A0.971642 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 45 pages. Musicart Publications #4276221. Published by Musicart Publications (A0.971642). In five movements. 16 piano solo. 18 min. 30 sec. with poetic narration. Score, 53 pages. For solo piano, with optional poems, paintings, and movement. In The Magician, each movement is based on the development of a single sound, idea, or process. The work also possesses cyclic material; musical ideas that are carried to successive movements and are further transformed in a new context. As with other works by Jeffrey Hoover, the music of The Magician is connected to other artworks - paintings and poems (and sometimes dance/movement) also created by the composer. In the music and connected art forms, the ideas of creative energy and transformation are explored in sound, images, words, and movement.Jeffrey Hoover's work- music ranging from soloist to symphony orchestra -has received recognition through the prestigious Trieste prize, the Luigi Russolo composition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hooverâ€™s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hooverâ€™s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.

$24.95 ≈ 22.82€

Almost Heard for solo piano
Almost Heard for solo piano #Piano seul #INTERMÉDIAIRE #Contemporain #Ashlee T Busch #Almost Heard for solo piano #Ashlee T Busch #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.782639 Composed by Ashlee T Busch. 20th Century,Contemporary. Score. 8 pages. Ashlee T Busch #4781317. Published by Ashle...(+)

Piano Solo - Level 3 - SKU: A0.782639 Composed by Ashlee T Busch. 20th Century,Contemporary. Score. 8 pages. Ashlee T Busch #4781317. Published by Ashlee T Busch (A0.782639). Commissioned for the 2019 Arizona State University Dance/Composition Collaborative Premieres Concert, Almost Heard is a gentle, mournful musical exploration of lost love. The accompanying dance was choreographed and premiered by Elisa Reed. Premiere piano performance by Rosa LoGuidice.

$4.99 ≈ 4.56€

Walking in Man Gong
Walking in Man Gong #Piano seul #INTERMÉDIAIRE/AVANCÉ #Liz Nedela #Walking in Man Gong #Liz Nedela #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.938012 Composed by Liz Nedela. Contemporary,Contest,Festival,Instructional,Multicultural,World. Score. 5 pages. Liz Nedel...(+)

Piano Solo - Level 4 - SKU: A0.938012 Composed by Liz Nedela. Contemporary,Contest,Festival,Instructional,Multicultural,World. Score. 5 pages. Liz Nedela #5801571. Published by Liz Nedela (A0.938012). Based on two pentatonic scales, this student favorite is a fun and interpretive piece to play! It is originally intended to be a stroll in jazz cool style; however, students like to make it run! Make it fun for you! This piece was written for the intermediate student composers on Washington State. It contains themes of the commissioned piece written for the WSMTA Composer of the Year 2014.

$3.00 ≈ 2.74€

Theme from Piano Concerto - Level 2 piano arrangement
Theme from Piano Concerto - Level 2 piano arrangement #Piano seul #DÉBUTANT #Amy Beach #Cameron Smith #Theme from Piano Concerto - Le #Cameron E Smith #SheetMusicPlus

Easy Piano - Level 1 - SKU: A0.902457 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Romantic Period,Standards. Score. 1 pages. ...(+)

Easy Piano - Level 1 - SKU: A0.902457 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996589. Published by Cameron E Smith (A0.902457). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 2, Late ElementaryDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the earliest beginner. Arranged by Cameron Smith.This is a late elementary level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 14 measures. Right hand and left hand change positions. Eighth-notes, quarter-notes, half-notes and whole notes.Technique: Moving positions are introduced. Left hand chords and intervals. Three accidentals. There are also level 1, 3 and 4 arrangements of this piece available.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States to be world famous. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 1900 years. Learn more about the project at PennyLazarusPianoStudio.com.

$1.99 ≈ 1.82€

Theme from Piano Concerto - Level 1 piano arrangement
Theme from Piano Concerto - Level 1 piano arrangement #Piano seul #DÉBUTANT #Amy Beach #Cameron Smith #Theme from Piano Concerto - Le #Cameron E Smith #SheetMusicPlus

Easy Piano - Level 1 - SKU: A0.902458 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Sc...(+)

Easy Piano - Level 1 - SKU: A0.902458 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996573. Published by Cameron E Smith (A0.902458). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 1 Early ElementaryDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the earliest beginner.This is an early elementary level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 14 measures. Right hand is in a 5-finger, middle C position. Left hand is in a 5-finger position, one note below middle C. Eighth-notes, quarter-notes, half-notes and dotted half-notes.Technique: 5th finger stretch in the right hand is introduced. 5-finger scales. No accidentals. There are also level 2-4 arrangements of this piece available.History: This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States to become world famous. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.

$1.99 ≈ 1.82€

Zvonimir Nagy: Vestiges for piano
Zvonimir Nagy: Vestiges for piano #Piano seul #AVANCÉ #Zvonimir Nagy #Zvonimir Nagy: Vestiges for pi #Musik Fabrik Music Publishing #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.534405 Composed by Zvonimir Nagy. Concert,Contemporary,Standards. Score. 28 pages. Musik Fabrik Music Publishing #3459139...(+)

Piano Solo - Level 5 - SKU: A0.534405 Composed by Zvonimir Nagy. Concert,Contemporary,Standards. Score. 28 pages. Musik Fabrik Music Publishing #3459139. Published by Musik Fabrik Music Publishing (A0.534405). A native of Croatia, the American composer Zvonimir Nagy has been the recipient of music honors and awards, most notably the Seattle Symphony Orchestra Composition Prize and Swan Prize in Music Composition. Nagy received a doctor of music composition degree from Northwestern University (USA); he also studied music at Texas Christian University, the Ã©cole Normale de Musique (France), and the Academy of Music-University of Zagreb (Croatia). Nagy's compositions are inspired by the intersection of music aesthetics and perception. He explores various contexts and critical perspectives that illuminate ideas on music and its impact on the mind. His music is frequently commissioned and performed throughout the United States and Europe. Nagy has taught on the faculties of Northwestern and St. Xavier University in Chicago (USA) and has presented at music conferences, workshops, and colloquia. Currently, he serves as Assistant Professor of Music at Duquesne University in Pittsburgh, Pennsylvania. He is also the Cathedral Organist at St. Joseph Cathedral in Wheeling, West Virginia. Nagy continues to perform as a solo and collaborative organist and pianist.ï»¿

$25.95 ≈ 23.74€

Theme from Piano Concerto - Level 4 piano arrangement
Theme from Piano Concerto - Level 4 piano arrangement #Piano seul #INTERMÉDIAIRE #Amy Beach #Cameron Smith #Theme from Piano Concerto - Le #Cameron E Smith #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.902460 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Sc...(+)

Piano Solo - Level 3 - SKU: A0.902460 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996637. Published by Cameron E Smith (A0.902460). Basic Info:Piano Solo Sheet Music, digital downloadFormat: Level 4, IntermediateDetailed Description:Piano concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an intermediate level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 20 measures. Right hand melody in between G4 and C5, left hand accompaniment in broken chords and block chords. Eighth-notes, quarter-notes, dotted quarter-notes, half-notes and whole notes.Technique:Left hand accompaniment arpeggios with crossing fingerings are introduced. Flats and sharps are mixed. Independence of hands. There are also level 1, 2, and 3 arrangements of this piece available.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States to become world famous. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.

$1.99 ≈ 1.82€

Theme from Piano Concerto - Level 3 piano arrangement
Theme from Piano Concerto - Level 3 piano arrangement #Piano seul #FACILE #Amy Beach #Cameron Smith #Theme from Piano Concerto - Le #Cameron E Smith #SheetMusicPlus

Easy Piano - Level 2 - SKU: A0.902459 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Sc...(+)

Easy Piano - Level 2 - SKU: A0.902459 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996609. Published by Cameron E Smith (A0.902459). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 3, Early IntermediateDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an early intermediate level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 20 measures. Right hand plays the melody and left hand accompanies in broken arpeggios. Eighth-notes, dotted quarter-notes, quarter-notes, half-notes, dotted half-notes and whole notes.Technique: Fingering crossing over and under the thumb is introduced. Sharps and flats are mixed. There are also level 1, 2, and 4 arrangements of this piece available. History: This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's.Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.

$1.99 ≈ 1.82€

The Drumfire Was Incessant, and Continued All Night With Unabated Fury
The Drumfire Was Incessant, and Continued All Night With Unabated Fury #Piano seul #AVANCÉ #Andrew Harrison #The Drumfire Was Incessant, an #Phantom Dog Music #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.1226201 By Andrew Harrison. By Andrew Harrison. 21st Century,Classical,Contemporary,Historic. Score. 31 pages. Phantom Do...(+)

Piano Solo - Level 5 - SKU: A0.1226201 By Andrew Harrison. By Andrew Harrison. 21st Century,Classical,Contemporary,Historic. Score. 31 pages. Phantom Dog Music #822230. Published by Phantom Dog Music (A0.1226201). The Drumfire Was Incessant, and Continued All Night With Unabated Fury is a solo piano piece, inspired by Newton Wanlissâ€™s harrowing account of the Battle of Pozieres in his 1929 war biography The History of the 14th Battalion, A.I.F. The Battle of Pozieres ran between July and August 1916, as part of the First World Warâ€™s Somme Offensive. The composition focuses on the days leading up to August 9th, 1916, when my great-great uncle Private Leslie Robins, an infantryman in the 14th Battalion, was shot and wounded.In the early stages of writing the piece, whilst conducting preliminary research into the Battle of Pozieres, I was struck by the disparity between the British High Commandâ€™s notion of formulating a â€˜planâ€™ for the battle, and the actuality of what occurred once soldiers â€˜went over the topâ€™ into no-manâ€™s land. This dichotomous concept â€“ exerting control over an inherently fluid and dynamic situation â€“ I found to be most intriguing. It segued neatly into my aesthetic explorations of the role of improvisation (a dynamic process) within a larger notated context (a controlled environment). I decided that this dichotomy would play a fundamental role within the piece.Australian pianist Zubin Kanga commissioned The Drumfireâ€¦ for his 2012 Spectrum concert series. The piece was given its world premiere on August 11th 2012 at the Melbourne Recital Centre, and was also performed at the Independent Theatre in Sydney on August 16th 2012.

$59.99 ≈ 54.88€

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