Partitions Numériques de Sketch 2 pour Saxophone Alto et Piano

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Sketch 2
Non classifié 70

Piano & claviers
Piano seul 118
Piano Facile 11
2 Pianos, 4 mains 9
Piano, Voix et Guitare 5
Orgue 5

Piano, Voix 3
1 Piano, 4 mains 2
Instruments en Do 1
Piano Quatuor: piano, violon, alto, violoncelle 1
Piano Trio: piano, violon, violoncelle 1

+ 5 instrumentations

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Guitares
Guitare notes et tablatures 11
Guitare 5
4 Guitares (Quatuor) 1
Dulcimer 1

Voix
Chorale SATB 7
Chorale 3 parties 1
Chorale Unison 1

Vents
Clarinette (partie séparée) 43
Saxophone (partie séparée) 36
Flute (partie séparée) 12
Hautbois (partie séparée) 8
Flûte traversière et Piano 6

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 5
Quatuor de Saxophones: 4 saxophones 5
Quatuor de Clarinettes: 4 clarinettes 4
2 Clarinettes (duo) 3
Flûte, Hautbois, Clarinette, Basson 3
Ensemble de Clarinettes 3
Hautbois, Piano (duo) 3
3 Saxophones (trio) 2
Clarinette 2
2 Saxophones (duo) 2
2 Flûtes traversières (duo) 2
Flûte et Guitare 2
Clarinette et Piano 2
Saxophone Alto et Piano 2

Quatuor de Flûtes : 4 flûtes 2
Ensemble de saxophones 2
3 Clarinettes (trio) 2
3 Hautbois 1
2 Flûtes traversières, Piano 1
Cor anglais, Piano 1
Clarinette, Guitare (duo) 1
Clarinette Basse, Piano 1
Saxophone Baryton, Piano 1
Flûte, Violoncelle 1
Saxophone Tenor et Piano 1
Hautbois 1
Piccolo, Piano 1
Saxophone Soprano et Piano 1
Flûte, Violon et Violoncelle 1
Trio de Flûtes: 3 flûtes 1
Quatuor de Flûtes à bec 1
Flûte traversière 1
2 Clarinettes, Piano 1

+ 33 instrumentations

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Cuivres
Trombone (partie séparée) 29
Cor (partie séparée) 17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 16
Trompette (partie séparée) 12
Tuba (partie séparée) 9

Cornet A Pistons 6
Cor 5
Quatuor de Cuivres: 2 trompettes, Cor, trombone 4
Quatuor de Cuivres : 2 trompettes, trombone, tuba 4
Euphonium, Piano (duo) 2
Trombone et Piano 2
Trompette, Piano 2
Cor anglais, Piano 1
3 Cors (trio) 1
3 Trombones (trio) 1
Quatuor de cuivres: 4 cors 1
2 Trombones (duo) 1
Trompette 1
2 Euphoniums et 2 Tubas 1
Tuba 1
2 Trompettes (duo) 1
3 Trompettes (trio) 1
Trombone basse 1

+ 18 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 38
Violon (partie séparée) 8
Violon et Piano 7
Violoncelle, Piano 6
Harpe 3

2 Violons (duo) 3
Violoncelle (partie séparée) 3
Contrebasse (partie séparée) 3
Alto, Piano 2
Alto seul 2
Violon 2
Violoncelle , Guitare (duo) 2
Quatuor à cordes: 4 violons 1
4 Violoncelles 1
Trio à Cordes: violon, alto, violoncelle 1
Trio à cordes: 3 altos 1
Trio à cordes: 3 violins 1
Alto, Guitare (duo) 1
Trio à Cordes: 3 violoncelles 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Alto (partie séparée) 1

+ 16 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 87
Percussion (partie séparée) 16
Orchestre 8
Orchestre de chambre 7
Percussion 3

Orchestre à Cordes 2
Ensemble Jazz 2
Timbales (partie séparée) 2
Jazz combo 2
Ensemble de cuivres 2
Orchestre, Violon 1
Cloches 1
Ensemble de Percussions 1
Xylophone 1

+ 9 instrumentations

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Sketch 2

Saxophone Alto et Piano

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2 partitions trouvées

Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano

Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano #Saxophone Alto et Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...(+)

Alto Saxophone,Piano - Level 3 - SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 18.37€

Three Blues, for Alto Saxophone and Piano

Three Blues, for Alto Saxophone and Piano #Saxophone Alto et Piano #INTERMÉDIAIRE/AVANCÉ #Alan Bullard #Three Blues, for Alto Saxophon #Colne Edition / BullardMusic #SheetMusicPlus

Alto Saxophone,Piano - Level 4 - SKU: A0.1470967 Composed by Alan Bullard. 20th Century,Blues,Classical. Score and part. 20 pages. Colne Edition / Bulla...(+)

Alto Saxophone,Piano - Level 4 - SKU: A0.1470967 Composed by Alan Bullard. 20th Century,Blues,Classical. Score and part. 20 pages. Colne Edition / BullardMusic #1048592. Published by Colne Edition / BullardMusic (A0.1470967). These colourful blues-inspired sketches were written for three players and teachers who all worked alongside Alan Bullard at the School of Music at Colchester Institute at the time, as well as teaching at various London music colleges and performing around the world. Each movement depicts one aspect of the character of the dedicatee – the laid-back Stuart Allen, the reflective Charles Hine, and the lively Angela Fussell. 1. Carefree Blues (for Stuart Allen)2. Meditative Blues (for Charles Hine)3. Agile Blues (for Angela Fussell) They have had many successful and characterful performances over the years: this version is newly published with some slight revisions, and a change of key for two of the movements.This download contains the score and the separate sax part. A version of this piece, for Clarinet in B flat, is also available (CE83) COLNE EDITION CE84www.colneedition.co.ukwww.alanbullard.co.uk.

$6.99 ≈ 6.44€

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