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Opera Non classifié 308 Piano & claviers Piano, Voix 410 Piano Facile 143 Piano seul 128 Piano, Voix et Guitare 79 Instruments en Do 24 1 Piano, 4 mains 12 Piano Trio: piano, violon, violoncelle 4 Piano grosses notes 4 2 Pianos, 4 mains 3 Accordéon, Voix 2 Piano Quatuor: piano, violon, alto, violoncelle 2 Orgue 2 Piano Quintette: piano, 2 violons, alto, violoncelle 1 Clavecin 1 Piano Quatuor: piano, 2 violons, violoncelle 1 Vents Flûte traversière et Piano 74 Clarinette et Piano 67 Hautbois, Piano (duo) 55 Saxophone Alto et Piano 35 Clarinette 33 Quatuor de Saxophones: 4 saxophones 32 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 29 Flûte traversière 26 Saxophone Soprano et Piano 22 Hautbois (partie séparée) 20 Quatuor de Flûtes : 4 flûtes 17 Quatuor de Clarinettes: 4 clarinettes 16 2 Saxophones (duo) 15 2 Flûtes traversières (duo) 15 Cor anglais, Piano 13 Flûte, Hautbois, Clarinette, Basson 12 Saxophone Tenor et Piano 11 Quintette de Clarinettes: 5 clarinettes 8 2 Clarinettes (duo) 8 Ensemble de Clarinettes 7 Quintette de Saxophone: 5 saxophones 6 3 Saxophones (trio) 6 Ensemble de Flûtes 5 Saxophone Alto 5 3 Clarinettes (trio) 5 Quintette de Flûte : 5 flûtes 4 2 Saxophones, Piano 4 Saxophone Baryton, Piano 4 Hautbois, Clarinette, Basson (trio d'anches) 4 Flûte, Clarinette (duo) 4 Saxophone Tenor 3 5 Flûtes à bec 3 Trio de Flûtes: 3 flûtes 3 Clarinette Basse, Piano 3 Hautbois, Basson (duo) 2 Flûte à Bec 2 Flûte et Guitare 2 Saxophone (partie séparée) 2 Flûte, Clarinette, Piano (trio) 2 Flûte, Clarinette et Basson 2 Clarinette, Basson (duo) 2 Quatuor de Flûtes à bec 2 Flûte, Hautbois, Basson 2 Clarinette, Violoncelle (duo) 2 2 Flûte à bec (duo) 2 Saxophone, Clarinette (duo) 2 2 Hautbois (duo) 2 Flûte, Hautbois, Piano (trio) 1 2 Flûtes traversières, Piano 1 Flûte traversière, Basse continue 1 Ensemble de saxophones 1 Flûte, Violon et Violoncelle 1 Flûte à bec, Guitare (duo) 1 Clarinette, Violon (duo) 1 3 Flûtes à bec (trio) 1 Flûte de Pan 1 Quintette de Clarinette: Clarinette, Quatuor à Cordes 1 Flûte à bec Alto 1 Hautbois, Harpe 1 Flûte, Violoncelle 1 Saxophone 1 Flûte, Saxophone (duo) 1 Clarinette, Harpe (duo) 1 2 Flûtes à bec, Guitare 1 Flûte, Violon 1 Piccolo, Piano 1 Flûte, Violon, Piano 1 Clarinette (partie séparée) 1 2 Clarinettes, Piano 1 Flûte à bec Soprano 1 Flûte, Hautbois, Clarinette (trio) 1 Clarinette, Trompette (duo) 1 Flûte à Bec, Piano 1 Cuivres Cor et Piano 46 Cor 41 Trompette, Piano 40 Trombone et Piano 38 Trompette 34 Tuba et Piano 27 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 24 Quatuor de Cuivres : 2 trompettes, trombone, tuba 19 Tuba 18 Trombone 18 Cor anglais, Piano 13 Ensemble de Trombones 9 2 Trombones (duo) 8 Euphonium, Piano (duo) 7 Quatuor de cuivres: 4 trombones 7 Ensemble de Trompettes 4 2 Trompettes (duo) 4 Ensemble de Cors 3 Quatuor de cuivres: 4 cors 3 Trompette, Trombone (duo) 3 Quatuor de cuivres: 4 trompettes 2 2 Cors (duo) 2 4 Tubas 2 3 Tubas (trio) 2 3 Cors (trio) 2 3 Trombones (trio) 2 Trompette (partie séparée) 2 Trombone, Cor (duo) 1 Tuba et Orgue 1 2 Euphoniums (duo) 1 Quatuor de Cuivres: 2 trompettes, Cor, trombone 1 Trompette, Saxophone (duo) 1 Quatuor de Cuivres 1 Euphonium, Tuba (duo) 1 Trompette, Trombone, Piano 1 2 Tubas (duo) 1 Trompette, Cor (duo) 1 Cor (partie séparée) 1 Cordes Violon et Piano 75 Violoncelle, Piano 61 Alto, Piano 58 Quatuor à cordes: 2 violons, alto, violoncelle 52 Violon 35 Violoncelle 25 Contrebasse, Piano (duo) 22 Contre Basse 19 Alto seul 16 Violon, Violoncelle (duo) 16 Harpe, Flûte (duo) 12 Harpe 11 Trio à Cordes: violon, alto, violoncelle 9 Alto (partie séparée) 8 Violon, Alto (duo) 7 4 Violoncelles 7 2 Violoncelles (duo) 6 2 Violons (duo) 6 2 Altos (duo) 5 Trio à Cordes: 3 violoncelles 4 Alto, Violoncelle (duo) 3 Quatuor à cordes: 4 violons 3 Trio à Cordes: 2 violons, violoncelle 3 Trio à cordes: 3 violins 2 Quatuor à cordes : 4 altos 2 Quintette à cordes: 2 violons, alto, violoncelle, basse 2 Violon, Basson (duo) 1 Piano Trio: Violon, Alto, Piano 1 2 Violons, Piano 1 Violon (partie séparée) 1 Flûte, Contrebasse (duo) 1 Harpe, Violon (duo) 1 Violon, Basse continue 1 Violon, Guitare (duo) 1 Trio à cordes: 3 altos 1 Autres
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O Holy Night for Tenor Sax & Piano
# Saxophone Tenor et Piano# DÉBUTANT# Noël# Adam# James M# O Holy Night for Tenor Sax &am# jmsgu3# SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. J...(+)
Piano,Tenor Saxophone - Level 1 - SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
Sullivan: The Lost Chord for Tenor Sax & Piano
# Saxophone Tenor et Piano# INTERMÉDIAIRE/AVANCÉ# Sir Arthur Seymour Sullivan# James M# dynamic control# Sullivan: The Lost Chord for T# jmsgu3# SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...(+)
Piano,Tenor Saxophone - Level 4 - SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
Ode to Joy by Beethoven for Tenor Sax
# Saxophone Tenor et Piano# DÉBUTANT# Classique# Classique# Ludwig van Beethoven# Ander# Ode to Joy by Beethoven for Te# Woods Only, Arrangements# SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.1160399 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Peri...(+)
Piano,Tenor Saxophone - Level 1 - SKU: A0.1160399 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760682. Published by Woods Only, Arrangements (A0.1160399). This arrangement adapted for tenor saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
# Saxophone Tenor et Piano# FACILE# Classique# Johann Sebastian Bach# James M# Bach: Bist du bei mir BWV 508 # jmsgu3# SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...(+)
Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
Nessun Dorma (Trio for Alto Sax, Tenor Sax and Piano)
# Saxophone Tenor et Piano# INTERMÉDIAIRE# Giacomo Puccini# John A# Nessun Dorma# John A. Dempsey# SheetMusicPlus
Alto Saxophone,Piano,Tenor Saxophone - Level 3 - SKU: A0.524308 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romant...(+)
Alto Saxophone,Piano,Tenor Saxophone - Level 3 - SKU: A0.524308 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. 18 pages. John A. Dempsey #5289587. Published by John A. Dempsey (A0.524308). This complete version of Puccini's lavish, memorably melodic aria from the opera Turandot is arranged here as a trio for alto sax, tenor sax and piano. Â Full of epic emotion and sweeping drama, this music is recommended for weddings, concerts and recitals; also appropriate for any number of public events and formal venues. 14 pages of music (that includes separate two-page parts for alto sax and tenor sax). Â Concert Key: Bb major. Â Sax Level: Intermediate. Â Piano Level: Advanced Intermediate
Bach: Wachet auf for Tenor Sax & Piano
# Saxophone Tenor et Piano# FACILE# Classique# Johann Sebastian Bach# James M# # Bach: Wachet auf for Tenor Sax# jmsgu3# SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...(+)
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
