Partitions Numériques de Jesus Is Here pour Clarinette, Harpe (duo)

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Jesus Is Here
Non classifié 212

Piano & claviers
Piano seul 127
Piano, Voix et Guitare 68
Orgue 40
Piano, Voix 21
Piano Trio: piano, violon, violoncelle 4

2 Pianos, 4 mains 2
Accompagnement Piano 2
1 Piano, 4 mains 2
Instruments en Do 2
Piano Facile 1
Piano (partie séparée) 1

+ 6 instrumentations

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Guitares
Guitare 4
Ligne De Mélodie, (Paroles) et Accords 4
Guitare notes et tablatures 2
Basse electrique 1

Voix
Chorale SATB 81
Chorale 3 parties 21
Chorale 2 parties 7
Chorale TTBB 5
Voix duo, Piano 4

Chorale Unison 4
Voix moyenne, Piano 4
Voix duo 2
Chorale SSAA 1

+ 4 instrumentations

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Vents
Hautbois, Piano (duo) 56
Saxophone Alto et Piano 44
Flûte traversière et Piano 35
Clarinette et Piano 32
Saxophone Baryton, Piano 26

Saxophone Tenor et Piano 25
2 Saxophones (duo) 23
2 Flûtes traversières (duo) 13
Saxophone, Clarinette (duo) 11
2 Clarinettes (duo) 8
Clarinette, Violon (duo) 8
Clarinette, Trompette (duo) 6
Flûte, Trompette (duo) 5
2 Saxophones, Piano 5
Flûte, Clarinette (duo) 5
Hautbois, Basson (duo) 5
2 Hautbois (duo) 5
Hautbois, Clarinette (duo) 5
Clarinette et Alto 4
Flûte, Violon 4
Hautbois, Flûte 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4
Flûte, Saxophone (duo) 3
Clarinette 3
Flûte traversière 3
Flûte, Alto (duo) 3
Flûte, Basson et Piano 3
3 Saxophones (trio) 3
Flûte, Hautbois, Clarinette, Basson 2
Ensemble de Flûtes 2
Quatuor de Clarinettes: 4 clarinettes 2
Ensemble de Clarinettes 2
Saxophone Soprano et Piano 2
Flûte irlandaise 2
Saxophone Tenor 2
Saxophone Baryton 2
Hautbois (partie séparée) 2
Saxophone Alto 2
Clarinette, Basson (duo) 2
Hautbois 2
Ensemble De Flûte à bec 2
Clarinette, Basson, Piano (trio) 2
Flûte, Alto et Piano 1
Quatuor de Flûtes : 4 flûtes 1
Clarinette (partie séparée) 1
3 Clarinettes (trio) 1
Saxophone (partie séparée) 1
Flute, harpe et violon 1
Flûte à bec Alto 1
Quatuor de Saxophones: 4 saxophones 1
2 Flûtes traversières, Harpe 1
Flûte, Hautbois, Clarinette (trio) 1
Flûte, Trombone (duo) 1
Flûte, Violoncelle, Piano (trio) 1
Clarinette, Alto et Piano (trio) 1
Clarinette, Guitare (duo) 1
2 Flûtes traversières, Piano 1
Saxophone Soprano 1
Flûte à bec Soprano, Piano 1
Flûte à bec Tenor 1
Ensemble de saxophones 1
Quintette de Flûte : 5 flûtes 1
Clarinette, Harpe (duo) 1

+ 58 instrumentations

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Cuivres
Trombone et Piano 41
Cor et Piano 31
Trompette, Piano 25
Trompette 12
2 Cors (duo) 10

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 7
Trompette, Saxophone (duo) 7
Quatuor de Cuivres 6
2 Trompettes (duo) 4
Trompette, Trombone (duo) 4
2 Trombones (duo) 3
Tuba 3
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Tuba et Piano 2
Trombone 2
Cor 2
3 Trompettes (trio) 2
Trombone (partie séparée) 1
Trombone, Violon (duo) 1
Trompette (partie séparée) 1
Quatuor de cuivres: 4 cors 1
Ensemble de Cors 1
Quatuor de cuivres: 4 trombones 1
Quatuor de cuivres: 4 trompettes 1

+ 19 instrumentations

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Cordes
Alto, Piano 43
Violon et Piano 42
Violoncelle, Piano 33
Quatuor à cordes: 2 violons, alto, violoncelle 14
2 Altos (duo) 8

Violon, Alto (duo) 8
2 Violons (duo) 7
Violon, Violoncelle (duo) 5
Violon 5
Harpe 5
2 Violoncelles (duo) 4
2 Harpes (duo) 4
Alto seul 4
Violoncelle 4
Piano Trio: Violon, Alto, Piano 3
Contrebasse, Piano (duo) 2
Contre Basse 2
Trio à Cordes: violon, alto, violoncelle 2
Harpe, Violon (duo) 1
4 Violoncelles 1
Violoncelle, Orgue 1
Violon, Basson (duo) 1
Alto, Violoncelle (duo) 1

+ 18 instrumentations

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Percussions & orchestre
Cloches 17
Orchestre d'harmonie 10
Ensemble de cuivres 9
Orchestre 8
Orchestre à Cordes 5

Jazz combo 2
Batterie 1
Ensemble Jazz 1

+ 3 instrumentations

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Jesus Is Here

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Clarinette, Harpe (duo)

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Bach-Gounod: Ave Maria for Clarinet & Harp

Bach-Gounod: Ave Maria for Clarinet & Harp #Clarinette, Harpe (duo) #INTERMÉDIAIRE #Bach-Gounod #James M #Bach-Gounod: Ave Maria for Cla #jmsgu3 #SheetMusicPlus

Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holid...(+)

Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265157. Published by jmsgu3 (A0.552194). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria. Firstly, we have the version that faithfully follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 23. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. The score is 7 pages long.Â This version features the Schwencke measure.Â Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubertâ€™s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.Â Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.Â Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival Â Â Â Â Â Â Â Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

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