Partitions Numériques de In The First Light pour Clarinette Basse, Piano

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In The First Light
Non classifié 167

Piano & claviers
Piano seul 141
Piano, Voix 29
Orgue 10
Piano, Voix et Guitare 7
Instruments en Do 3

Piano Trio: piano, violon, violoncelle 2
1 Piano, 4 mains 2
Piano Facile 1
Accompagnement Piano 1
Orgue, Trompette (duo) 1

+ 5 instrumentations

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Guitares
Guitare 9
Guitare notes et tablatures 7
2 Guitares (duo) 4
Ensemble de guitares 1
Banjo 1

Voix
Chorale SATB 54
Chorale 3 parties 12
Chorale SSAA 6
Chorale TTBB 4
Chorale 2 parties 3

Voix Soprano, Piano 1
Chorale 1

+ 2 instrumentations

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Vents
2 Saxophones (duo) 13
Saxophone Alto et Piano 10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 9
Saxophone, Clarinette (duo) 9
Quatuor de Clarinettes: 4 clarinettes 9

Flûte traversière et Piano 9
Ensemble de Clarinettes 8
2 Clarinettes (duo) 8
Hautbois, Piano (duo) 6
2 Flûtes traversières (duo) 6
Quintette de Saxophone: 5 saxophones 5
Quintette de Clarinettes: 5 clarinettes 5
Ensemble de Flûtes 5
Flûte, Clarinette (duo) 5
Ensemble de saxophones 5
Clarinette, Violon (duo) 5
Clarinette, Trompette (duo) 5
Flûte, Saxophone (duo) 4
Quatuor de Saxophones: 4 saxophones 4
Saxophone Soprano et Piano 4
Clarinette et Piano 3
2 Hautbois (duo) 3
Hautbois, Flûte 3
Flûte, Hautbois, Clarinette, Basson 3
Hautbois, Clarinette (duo) 3
Flûte, Violon 3
Saxophone Alto 2
Quintette de Flûte : 5 flûtes 2
Clarinette Basse, Piano 2

Quatuor de Flûtes : 4 flûtes 2
Saxophone Baryton, Piano 2
Clarinette et Alto 2
Saxophone Tenor et Piano 2
Flûte, Trompette (duo) 2
Saxophone et Guitare 2
3 Clarinettes (trio) 2
Flûte et Guitare 2
Flûte à bec Soprano 2
Clarinette, Violoncelle (duo) 1
Flûte, Violon et Violoncelle 1
Flûte traversière 1
Hautbois, Basson (duo) 1
Trio de Flûtes: 3 flûtes 1
Cor anglais, Piano 1
Hautbois (partie séparée) 1
Flûte, Clarinette et Basson 1
Clarinette 1
Flûte, Alto (duo) 1
Hautbois, Guitare (duo) 1
Flûte, Hautbois, Basson 1

+ 45 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 14
Quatuor de Cuivres : 2 trompettes, trombone, tuba 8
Trompette, Saxophone (duo) 6
Trombone et Piano 4
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3

Cor et Piano 3
2 Trombones (duo) 3
Trompette, Trombone (duo) 3
Euphonium, Piano (duo) 3
Trompette, Piano 3
2 Trompettes (duo) 3
Ensemble de Trombones 2
Quatuor de Cuivres 2
2 Euphoniums et 2 Tubas 1
Ensemble de Tubas 1
Quatuor de cuivres: 4 cors 1
Trompette (partie séparée) 1
Cor anglais, Piano 1
Trompette 1
Ensemble de Trompettes 1
Trombone, Orgue 1
2 Cors (duo) 1
Tuba 1
3 Trombones (trio) 1

+ 19 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 36
Violon et Piano 13
Trio à Cordes: violon, alto, violoncelle 7
Harpe 6
Violoncelle, Piano 6

Violon 5
Alto, Piano 5
Quintette à cordes: 2 violons, alto, violoncelle, basse 5
Violon, Alto (duo) 4
2 Harpes (duo) 4
2 Violoncelles (duo) 4
2 Altos (duo) 3
Violon, Violoncelle (duo) 2
2 Violons (duo) 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Ensemble d'Altos 1
Violoncelle (partie séparée) 1
Violon, Violoncelle, Clarinette 1
Ensemble de Violons 1
Violon, Guitare (duo) 1
4 Violoncelles 1

+ 16 instrumentations

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Percussions & orchestre
Orchestre à Cordes 31
Orchestre d'harmonie 26
Ensemble de cuivres 14
Orchestre 9
Ensemble Jazz 7

Cloches 4
Orchestre de chambre 3
Jazz combo 3
Xylophone 1

+ 4 instrumentations

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In The First Light

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Clarinette Basse, Piano

Partitions à imprimer

2 partitions trouvées

Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp

Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp #Clarinette Basse, Piano #INTERMÉDIAIRE #Classique #Ludwig van Beethoven #James M #Beethoven: Adagio from the Moo #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding...(+)

Bass Clarinet,Piano - Level 3 - SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #6274037. Published by jmsgu3 (A0.552224). The Adagio from Beethoven's Moonlight Sonata is highly significant in classical music. The first movement, Adagio sostenuto, is particularly renowned for its mysterious and gentle arpeggios, creating a unique and captivating atmosphere. It is often described as having a mesmerizing and heartbroken mood and is considered one of the most iconic and poetic pieces in the classical music repertoire. The movement is in C-sharp minor and is characterized by its slow, expressive, and emotional nature, lasting approximately 6 minutes. Beethoven's innovative approach to the structure and style of the Moonlight Sonata, as well as the emotional depth of the Adagio, have contributed to its enduring significance in the world of classical music.The nickname Moonlight Sonata traces back to the 1830s when German Romantic poet Ludwig Rellstab likened the first movement of Beethoven's Piano Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 to a boat floating in the moonlight on Switzerlandâ€™s Lake Lucerne. Beethoven called it Sonata quasi una fantasia, meaning sonata in the manner of a fantasy. The piece was completed in 1801 and published the following year. The nickname Moonlight Sonata has endured due to the mysterious, gently arpeggiated, and seemingly improvised nature of the first movement, which creates a unique and captivating atmosphere.

$24.95 ≈ 22.91€

Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano

Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano #Clarinette Basse, Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...(+)

Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 18.32€

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