Partitions Numériques de Big Red pour Clarinette Basse, Piano

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Big Red
Non classifié 657

Piano & claviers
Piano grosses notes 782
Piano seul 314
Piano, Voix et Guitare 139
Piano Facile 118
Piano, Voix 94

Piano (partie séparée) 70
Accompagnement Piano 24
Instruments en Do 22
Orgue 19
Clavecin 11
1 Piano, 4 mains 5
Accordéon 3
Piano Quatuor: piano, 2 violons, violoncelle 1
Orgue, Piano (duo) 1
Accordéon, Voix 1
Piano Trio: piano, violon, violoncelle 1
1 Piano, 6 mains 1
Piano Quatuor: piano, violon, alto, violoncelle 1

+ 13 instrumentations

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Guitares
Guitare (partie séparée) 153
Guitare notes et tablatures 43
Guitare 18
Basse électrique (partie séparée) 17
Ligne De Mélodie, (Paroles) et Accords 11

Basse electrique 6
Paroles et Accords 5
Ukulele 4
Piano, Guitare (duo) 4
4 Guitares (Quatuor) 4
Dulcimer 2
Banjo 2
Mandoline 1
2 Guitares (duo) 1

+ 9 instrumentations

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Voix
Chorale SATB 143
Chorale 3 parties 50
Chorale 2 parties 27
Chorale TTBB 17
Chorale SSAA 13

Chorale Unison 8
Voix duo, Piano 8
Voix Alto, Piano 6
Voix moyenne, Piano 4
Chorale 2
Voix haute 2
Voix seule 2
Voix duo 1
Chorale SSAATB 1
Chorale, Orgue 1

+ 10 instrumentations

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Vents
Saxophone (partie séparée) 497
Clarinette (partie séparée) 94
Flute (partie séparée) 67
Quatuor de Saxophones: 4 saxophones 36
Flûte traversière 29

Flûte, Hautbois, Clarinette, Basson 26
Hautbois (partie séparée) 21
Clarinette 20
2 Saxophones (duo) 16
Saxophone Alto 15
Flûte traversière et Piano 14
2 Clarinettes (duo) 12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 10
Flûte, Violoncelle 10
Saxophone Alto et Piano 10
Quatuor de Clarinettes: 4 clarinettes 9
Saxophone, Clarinette (duo) 8
Ensemble de saxophones 8
Ensemble de Clarinettes 7
Hautbois, Piano (duo) 7
2 Flûtes traversières (duo) 7
Quintette de Saxophone: 5 saxophones 6
Clarinette, Trompette (duo) 6
Clarinette, Violon (duo) 6
Ensemble de Flûtes 6
Quintette de Clarinettes: 5 clarinettes 6
Clarinette et Piano 5
Saxophone Tenor et Piano 5
Flûte, Clarinette (duo) 4
Saxophone Baryton, Piano 4
2 Hautbois (duo) 4
Saxophone Soprano 4
Saxophone Tenor 4
Saxophone Soprano et Piano 4
Hautbois, Basson (duo) 4
Flûte, Trompette (duo) 3
Clarinette Basse, Piano 3

Flûte, Violon 3
Flûte, Alto (duo) 3
Hautbois, Clarinette (duo) 3
Hautbois, Flûte 3
Clarinette et Alto 3
Ensemble à vent 2
Cor anglais, Piano 2
Quatuor de Flûtes : 4 flûtes 2
Flûte, Saxophone (duo) 2
Cor Anglais 1
Quatuor de Flûtes à bec 1
Ensemble De Flûte à bec 1
Instruments en Mib 1
Quintette de Flûte : 5 flûtes 1
2 Flûte à bec (duo) 1
3 Clarinettes (trio) 1
Flûte à bec Soprano 1

+ 49 instrumentations

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Cuivres
Trombone (partie séparée) 427
Trompette (partie séparée) 318
Cor (partie séparée) 94
Tuba (partie séparée) 78
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 33

Quatuor de Cuivres : 2 trompettes, trombone, tuba 23
Trompette 15
Trombone 12
Trombone et Piano 8
Trompette, Piano 7
Trompette, Saxophone (duo) 6
Cor et Piano 6
2 Trombones (duo) 5
Quatuor de Cuivres 4
2 Cors (duo) 4
Euphonium, Piano (duo) 4
Tuba 3
Cor 3
2 Trompettes (duo) 3
Trombone basse et Piano 2
Cor anglais, Piano 2
Trompette, Trombone (duo) 2
Tuba et Piano 2
Ensemble de Cors 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Trombone, Orgue 1
Cor Anglais 1
Bass Clef Instruments 1
Trompette, Euphonium (duo) 1
Ensemble de Trombones 1
Instruments en Sib 1
Tuba ou Euphonium ou Saxhorn 1
Ensemble de Tubas 1
Quatuor de cuivres: 4 trombones 1

+ 29 instrumentations

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Cordes
Contrebasse (partie séparée) 92
Quatuor à cordes: 2 violons, alto, violoncelle 90
Harpe 44
Violon 37
Violon (partie séparée) 26

Violon, Violoncelle (duo) 24
Violon et Piano 23
Violoncelle (partie séparée) 17
2 Violoncelles (duo) 13
Violoncelle, Piano 13
Trio à Cordes: 2 violons, violoncelle 8
Alto (partie séparée) 8
Alto, Piano 7
Violoncelle 6
Contre Basse 5
2 Altos (duo) 4
2 Violons (duo) 4
Violon, Alto (duo) 4
Alto seul 4
Trio à Cordes: violon, alto, violoncelle 4
Quintette à cordes: 2 violons, alto, violoncelle, basse 3
Harpe et Piano 1
Ensemble de Violoncelles 1
Alto, Violoncelle (duo) 1
Trio à cordes: 3 violins 1

+ 20 instrumentations

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Percussions & orchestre
Ensemble Jazz 439
Orchestre d'harmonie 432
Batterie (partie séparée) 155
Orchestre 83
Fanfare 70

Orchestre à Cordes 62
Jazz combo 53
Percussion (partie séparée) 49
Ensemble de cuivres 36
Orchestre de chambre 27
Cloches 16
Timbales (partie séparée) 6
Ensemble de Percussions 6
Percussion 4
Batterie 3
Big band 1

+ 11 instrumentations

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Big Red

Clarinette Basse, Piano

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3 partitions trouvées

Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano

Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano #Clarinette Basse, Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...(+)

Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 18.39€

Burnin' Couches

Burnin' Couches #Clarinette Basse, Piano #Adam Phoenix White #Burnin' Couches #Adam Phoenix White #SheetMusicPlus

Bass Clarinet,Instrumental Solo,Piano - SKU: A0.1024235 Composed by Adam Phoenix White. 20th Century,Concert,Contemporary. Score and individual part. 13...(+)

Bass Clarinet,Instrumental Solo,Piano - SKU: A0.1024235 Composed by Adam Phoenix White. 20th Century,Concert,Contemporary. Score and individual part. 13 pages. Adam Phoenix White #2918177. Published by Adam Phoenix White (A0.1024235). A recital piece for collegiate or professional level Bass Clarinetists. Written for the Senior recital of Becky Belk at Colorado State University. The piece was inspired by an event that the newspapers called a riot and made a big to-do about, which dominated the local news cycle for several weeks. In reality, it was simply a handful of students who lit a couple couches on fire in the middle of the street, and other people came to watch.

$7.99 ≈ 7.36€

Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano

Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano #Clarinette Basse, Piano #INTERMÉDIAIRE/AVANCÉ #Latin/Musique du monde #The Andrews Sisters #Keith Terrett #Tico Tico #Music for all Occasions #SheetMusicPlus

Clarinet, Woodwind Duet - Advanced Intermediate - By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for...(+)

Clarinet, Woodwind Duet - Advanced Intermediate - By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fub�" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience!

Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Am�rico Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.

Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).

In Quebec the song has been used for several decades in commercials for Sico paint.

In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.

This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.

In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fub� was produced in 1952 by the Brazilian film studio Companhia Cinematogr�fica Vera Cruz, starring Anselmo Duarte as Abreu.

The title phrase also features in the lyrics to the song "O Pato" made famous by Jo�o Gilberto.

Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chor�es.

$12.99 ≈ 11.97€

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