Partitions Numériques de conductor pour Clarinette Basse, Piano

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conductor
Non classifié 1 411

Piano & claviers
Piano seul 114
Piano, Voix 31
1 Piano, 6 mains 24
Piano Facile 19
Instruments en Do 18

Piano, Voix et Guitare 12
2 Pianos, 4 mains 11
Orgue 9
Piano Trio: piano, violon, violoncelle 9
1 Piano, 4 mains 8
Accordéon 2
Orgue, Piano (duo) 2
Piano (partie séparée) 2
Piano Quatuor: piano, violon, alto, violoncelle 2
Accompagnement Piano 1
Piano Quatuor: piano, 2 violons, violoncelle 1

+ 11 instrumentations

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Guitares
Guitare 9
4 Guitares (Quatuor) 5
2 Guitares (duo) 3
Guitare, Violon, Violoncelle (trio) 3
Dulcimer 2

Ligne De Mélodie, (Paroles) et Accords 2
3 Guitares (trio) 2
Piano, Guitare (duo) 2
Mandoline 1
Orchestre à Plectres 1
Ukulele 1

+ 6 instrumentations

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Voix
Chorale SATB 342
Chorale TTBB 175
Chorale 3 parties 50
Chorale 2 parties 38
Chorale SSAA 29

Chorale Unison 26
Chorale 4
Chorale SSAATTBB 2
Chorale SSATB 2
Voix duo, Piano 1
Voix seule 1
Voix Tenor, Piano 1
Voix moyenne, Piano 1
Voix duo 1
Soli, choeur mixte et accompagnement 1

+ 10 instrumentations

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Vents
Flûte traversière et Piano 51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 42
Clarinette et Piano 28
Saxophone Alto et Piano 21
Saxophone (partie séparée) 17

Clarinette 17
Quatuor de Flûtes : 4 flûtes 17
Saxophone Tenor et Piano 17
Hautbois, Piano (duo) 16
Quatuor de Clarinettes: 4 clarinettes 16
Saxophone Soprano et Piano 15
Flûte, Hautbois, Clarinette, Basson 14
3 Flûtes à bec (trio) 12
Quatuor de Flûtes à bec 12
Quatuor de Saxophones: 4 saxophones 11
Ensemble de Clarinettes 10
2 Saxophones (duo) 10
Flûte traversière 8
Quintette de Saxophone: 5 saxophones 8
Saxophone Alto 8
Ensemble de Flûtes 8
3 Clarinettes (trio) 8
Clarinette (partie séparée) 7
Cor anglais, Piano 7
2 Clarinettes (duo) 7
Trio de Flûtes: 3 flûtes 7
2 Flûtes traversières (duo) 6
Hautbois (partie séparée) 6
3 Saxophones (trio) 6
Saxophone Baryton, Piano 6
Clarinette, Guitare (duo) 6
2 Flûte à bec (duo) 4
5 Flûtes à bec 4
Flute (partie séparée) 4
Flûte à bec Soprano 4
Cor Anglais 3
Ensemble de saxophones 2
Flûte à Bec 2
Flûte, Hautbois, Clarinette (trio) 2
Clarinette, Violon (duo) 2
Flûte, Clarinette (duo) 2
Ensemble à vent 2
Hautbois, Clarinette, Basson (trio d'anches) 1
Hautbois, Flûte 1
Ensemble De Flûte à bec 1
Clarinette, Trompette (duo) 1
Hautbois 1
Saxophone Baryton 1
Flûte, Violoncelle, Piano (trio) 1
Flûte à bec Alto 1
Hautbois, Basson (duo) 1
2 Hautbois (duo) 1
Flûte, Violon 1
Flûte, Saxophone (duo) 1
Saxophone, Clarinette (duo) 1
Quintette de Flûte : 5 flûtes 1
Saxophone et Orchestre 1
Clarinette et Alto 1
Clarinette Basse, Piano 1

Flûte et Guitare 1
Clarinette, Basson (duo) 1
Quintette de Clarinettes: 5 clarinettes 1

+ 57 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 35
Trompette, Piano 18
Quatuor de Cuivres : 2 trompettes, trombone, tuba 16
Trompette 16
Trompette (partie séparée) 16

Trombone (partie séparée) 14
Trombone et Piano 10
Cor anglais, Piano 7
Quatuor de cuivres: 4 trombones 7
Cor (partie séparée) 7
Cor et Piano 6
Quatuor de cuivres: 4 cors 5
Quatuor de Cuivres 4
Quatuor de cuivres: 4 trompettes 4
Euphonium, Piano (duo) 4
Tuba et Piano 4
Trombone 4
Cor 4
Tuba 3
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
2 Trompettes (duo) 3
Cor Anglais 3
Tuba (partie séparée) 2
2 Trombones (duo) 2
Ensemble de Trombones 2
3 Trompettes (trio) 2
Trompette, Saxophone (duo) 2
3 Cors (trio) 1
Trio de Cuivres 1
Trombone basse et Piano 1
Trompette, Trombone (duo) 1
Tuba et Orgue 1
Ensemble de Cors 1
Quatuor de cuivres: 2 trompettes, 2 trombones 1
Euphonium, Tuba (duo) 1
2 Tubas (duo) 1

+ 31 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 154
Violon et Piano 39
Violoncelle, Piano 32
Alto, Piano 23
Harpe 15

Violoncelle (partie séparée) 9
Violon 9
Quatuor à cordes : 4 altos 7
Violon, Guitare (duo) 7
2 Harpes (duo) 7
Violon (partie séparée) 6
Violon, Violoncelle (duo) 6
Alto, Guitare (duo) 6
4 Violoncelles 5
Alto (partie séparée) 4
Contrebasse, Piano (duo) 4
2 Violons (duo) 4
Alto seul 3
Trio à Cordes: violon, alto, violoncelle 3
2 Violoncelles (duo) 3
Trio à Cordes: 2 violons, alto 2
Contre Basse 2
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Violoncelle 2
Violoncelle , Guitare (duo) 2
2 Altos (duo) 2
Trio à cordes: 3 violins 2
Quatuor à cordes: 4 violons 2
2 Violoncelles, Piano 1
Trio à cordes: 3 altos 1
Harpe et Piano 1
Trio à Cordes: 2 violons, violoncelle 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Violon, Alto (duo) 1
4 Contrebasses 1
Trio à Cordes: 3 violoncelles 1
Alto, Violoncelle (duo) 1
Contrebasse (partie séparée) 1

+ 33 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 1 567
Ensemble Jazz 672
Orchestre 532
Fanfare 304
Orchestre à Cordes 249

Orchestre de chambre 73
Cloches 49
Ensemble de cuivres 35
Ensemble de Percussions 17
Jazz combo 13
Percussion (partie séparée) 9
Instrumentation Flexible 6
Xylophone 2
Batterie 2
Piano et Orchestre 2
Orchestre, Violon 1
Marimba 1
Timbales (partie séparée) 1
Quintette de Cuivres: autres combinaisons 1

+ 14 instrumentations

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Clarinette Basse, Piano

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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano

Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano #Clarinette Basse, Piano #INTERMÉDIAIRE #Classique #Felix Bartholdy Mendelssohn #James M #Mendelssohn: Song Without Word #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...(+)

Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 â€“1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.Â Artistic Standing Â Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitismÂ brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.

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