Partitions Numériques de Des Press pour 4 Violoncelles

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Des Press
Non classifié 258

Piano & claviers
Piano Facile 212
Piano seul 142
Instruments en Do 39
Piano, Voix 26
Orgue 18

Piano, Voix et Guitare 16
1 Piano, 4 mains 12
Accompagnement Piano 4
Piano Trio: piano, violon, violoncelle 3
Piano Quatuor: piano, 2 violons, violoncelle 1

+ 5 instrumentations

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Guitares
Guitare notes et tablatures 31
Guitare 12
Ukulele 11
Basse electrique 3
Ligne De Mélodie, (Paroles) et Accords 2

Voix
Chorale SATB 57
Chorale Unison 41
Chorale 3 parties 22
Chorale 2 parties 16
Chorale TTBB 11

Chorale SSAA 3
Voix duo 2
Voix duo, Piano 1

+ 3 instrumentations

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Vents
2 Saxophones (duo) 88
Hautbois, Piano (duo) 73
Saxophone Alto et Piano 63
Flûte traversière et Piano 60
Flûte, Hautbois, Clarinette, Basson 56

Clarinette et Piano 53
Saxophone (partie séparée) 52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 51
Clarinette 51
Quatuor de Saxophones: 4 saxophones 48
Quintette de Saxophone: 5 saxophones 47
Saxophone Tenor et Piano 45
Flûte traversière 44
Saxophone Soprano et Piano 43
Saxophone Alto 41
Saxophone Baryton, Piano 40
Hautbois (partie séparée) 25
Hautbois 23
2 Clarinettes (duo) 22
Saxophone Tenor 19
Flûte à bec Soprano 18
Saxophone Soprano 18
Saxophone Baryton 18
2 Flûtes traversières (duo) 17
2 Hautbois (duo) 14
Flûte à Bec 10
Flûte à bec Tenor 9
Flûte à bec Alto 9
Clarinette, Basson (duo) 8
Hautbois, Violoncelle 8
Hautbois, Basson (duo) 8
Flûte, Violoncelle 7
Clarinette, Violoncelle (duo) 7
Cor anglais, Piano 7
Quatuor de Clarinettes: 4 clarinettes 7
Flûte, Clarinette (duo) 6
3 Saxophones (trio) 5
Clarinette, Violon (duo) 5
Trio de Flûtes: 3 flûtes 5
Flûte, Violon 5
Flûte à bec Soprano, Piano 4
Saxophone, Clarinette (duo) 3
3 Clarinettes (trio) 3
Clarinette Basse, Piano 3
Clarinette et Alto 3
2 Flûte à bec (duo) 2
Flûte, Alto (duo) 2
Quatuor de Flûtes : 4 flûtes 2
Quintette de Flûte : 5 flûtes 2
Hautbois et alto (duo) 2
Clarinette, Trompette (duo) 2
3 Flûtes à bec (trio) 2
Quintette de Clarinettes: 5 clarinettes 2
Clarinette, Tuba 1
Flûte, Tuba (duo) 1
Cor anglais et Harpe (duo) 1
Flûte, Trombone (duo) 1
Flûte à Bec, Piano 1
Clarinette, Contrebasse (duo) 1
Ensemble De Flûte à bec 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Ensemble de Flûtes 1
Hautbois, violon (duo) 1
Hautbois, Clarinette (duo) 1
Flûte et Trio à cordes 1
Hautbois, trombone (duo) 1
Hautbois, Flûte 1
Flûte, Saxophone (duo) 1
Hautbois, Violin, Alto et Violoncelle (Quatuor) 1
Flûte, Hautbois (duo) 1

+ 65 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 49
Trompette 47
Trompette, Piano 46
Trombone et Piano 44
Trombone 42

Cor et Piano 41
Tuba et Piano 40
Cor 40
Tuba 38
Quatuor de Cuivres: 2 trompettes, Cor, trombone 38
2 Trompettes (duo) 14
2 Trombones (duo) 13
2 Cors (duo) 10
Cor anglais, Piano 7
2 Tubas (duo) 7
Euphonium, Piano (duo) 6
Quatuor de Cuivres 4
Cor, Violoncelle (duo) 4
Trompette, Violoncelle (duo) 3
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Trompette, Saxophone (duo) 2
Trompette, Trombone (duo) 2
Quatuor de cuivres: 4 trombones 2
Trombone, Violon (duo) 1
Trompette (partie séparée) 1
Quatuor de cuivres: 2 trompettes, 2 trombones 1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 1
Cor anglais et Harpe (duo) 1
Trompette, Cor (duo) 1
Clarinette, Cor (duo) 1
Cor et Basson (duo) 1
Quatuor de cuivres: 4 cors 1
Trompette, Basson (duo) 1
Trompette et Guitare 1
Euphonium 1

+ 30 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 167
Violon et Piano 82
Alto, Piano 62
Violoncelle, Piano 52
Violon 50

Quintette à cordes: 2 violons, alto, violoncelle, basse 46
Contre Basse 39
Alto seul 37
Contrebasse, Piano (duo) 34
Violoncelle (partie séparée) 33
2 Violons (duo) 22
Trio à Cordes: violon, alto, violoncelle 20
2 Violoncelles (duo) 19
Violoncelle 19
Violon, Violoncelle (duo) 15
2 Altos (duo) 14
Alto, Violoncelle (duo) 7
Harpe 7
Violon, Alto (duo) 6
Alto (partie séparée) 6
2 Contrebasses (duo) 6
Violon, Basson (duo) 6
Quatuor à cordes: 4 violons 5
Trio à Cordes: 2 violons, violoncelle 5
Alto et Basson 4
Trio à cordes: 3 violins 3
Trio à Cordes: 3 violoncelles 3
Quatuor à cordes : 4 altos 3
Quintette à cordes: 2 violons, 2 altos, violoncelle 2
Harpe, Flûte (duo) 2
Trio à cordes: 3 altos 1
Violoncelle , Guitare (duo) 1
Piano Trio: Violon, Alto, Piano 1
Flûte, Contrebasse (duo) 1
4 Violoncelles 1

Violoncelle, Contrebasse (duo) 1
Violon, Tuba (duo) 1
Violon, Guitare (duo) 1

+ 33 instrumentations

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Percussions & orchestre
Orchestre à Cordes 63
Orchestre d'harmonie 15
Cloches 7
Orchestre de chambre 4
Xylophone, Piano 4

Ensemble Jazz 3
Percussion 3
Fanfare 3
Marimba 3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier 2
Ensemble de cuivres 2
Orchestre 2
Xylophone 1
Vibraphone 1
Ensemble de Percussions 1

+ 10 instrumentations

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Des Press

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4 Violoncelles

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Solage: Le basile for Cello Quartet

Solage: Le basile for Cello Quartet #4 Violoncelles #FACILE #Solage #James M #Solage: Le basile for Cello Qu #jmsgu3 #SheetMusicPlus

String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,H...(+)

String Quartet Cello,String Quartet - Level 2 - SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.Â The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherchÃ© one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â

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