Partitions Numériques de I Just Can pour Voix Soprano, Piano

Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...(+)

Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of ArriÃ¨re! Je rÃ©chauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilÃ¨ges (1925)â€‹. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â€œfudgedâ€ with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ€™ve provided.2. Iâ€™ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â€œsink or swimâ€ accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.Â 3. In addition to the composerâ€™s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible.Â 5. When known, Iâ€™ve noted alternate cuts that singers might like to take within certain arias.Â 6. In some cases Iâ€™ve modernized spelling conventions for easier readability (for example, by replacing â€œÃŸâ€ with â€œssâ€ in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. Iâ€™ve also replaced some text â€œcresc.â€ and â€œdim.â€ markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula.Â For more information, please visit http://ndipaolo.musicaneo.com .

$8.95 ≈ 8.24€

Civility

Civility #Voix Soprano, Piano #INTERMÉDIAIRE/AVANCÉ #Melanie B #Civility #Melanie B Guerin #SheetMusicPlus

Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...(+)

Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world todayâ€™s gone mad, they say,And I feel itâ€™s a fitting rebuke,No sooner youâ€™re meeting a stranger,Than heâ€™s telling you Put up your dukes, Thereâ€™s no longer a role for a peaceful soul,When youâ€™re caught between muscle and might,If youâ€™re gonna get through,Thereâ€™s just one thing to do,So you take a deep breath,And you join in the fight! Hit â€˜em again,If itâ€™s rough, make it rougher,Someoneâ€™s gotta suffer,But youâ€™ll be the one who survives,When theyâ€™re aiming to give you the worst,You can beat â€˜em by hitting â€˜em first!Then hit â€˜em again,Hit â€˜em again,Hit â€˜em again. Hit â€˜em again,Make it long, make it lasting,Theyâ€™re practically askingFor a pummeling right in the puss,Theyâ€™ll remember how right you areWhen you leave â€˜em a permanent scar,Hit â€˜em again,Hit â€˜em again,Hit â€˜em again. A swine who would sooner cut you than concede,But he wonâ€™t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findItâ€™s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure itâ€™s brutal, but is heNot a villain deserving of grief?Heâ€™s a louse and unless Iâ€™m mistook,All his geese should be thoroughly cooked!So hit him again,And thenâ€¦ Hit him again,Make him shake, make him shudder,When heâ€™s starting to sputter,Itâ€™s then you go in for the kill,Leave him all in a heap on the pitch,â€˜Til heâ€™s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!

$4.75 ≈ 4.37€

Halevi Songs (piano/vocal score only)

Halevi Songs (piano/vocal score only) #Voix Soprano, Piano #AVANCÉ #Elissa Brill Pashkin #Halevi Songs #Elissa Brill Pashkin #SheetMusicPlus

Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...(+)

Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.

$8.99 ≈ 8.28€

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