Partitions Numériques de Stand Out Fit In pour Chorale TTBB

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Stand Out Fit In
Non classifié 102

Piano & claviers
Piano seul 60
Piano Facile 12
Piano, Voix et Guitare 11
Piano, Voix 8
Instruments en Do 3

Orgue 2
Orgue, Piano (duo) 1

+ 2 instrumentations

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Guitares
Guitare notes et tablatures 3
Guitare 2
2 Guitares (duo) 2
Banjo 2
Ukulele 2

4 Guitares (Quatuor) 2
Ensemble de guitares 1
Dulcimer 1

+ 3 instrumentations

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Voix
Chorale SATB 13
Chorale 3 parties 3
Chorale 2 parties 2
Chorale TTBB 2

Voix duo 2

Chorale SSAA 1
Voix Soprano 1
Voix basse, Piano 1

+ 3 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 46
Quintette de Saxophone: 5 saxophones 42
Ensemble de Clarinettes 5
Quintette de Flûte : 5 flûtes 4
Quatuor de Saxophones: 4 saxophones 4

Hautbois, Piano (duo) 3
Flûte, Hautbois, Clarinette, Basson 3
Flûte à bec Soprano 3
Saxophone Tenor et Piano 2
Flûte à bec Alto, Piano 2
Flûte traversière et Piano 2
Quatuor de Clarinettes: 4 clarinettes 2
Quatuor de Flûtes : 4 flûtes 2
Saxophone Soprano et Piano 2
Saxophone Alto et Piano 2
Clarinette 1
Flûte, Clarinette et Basson 1
2 Flûtes traversières (duo) 1
Clarinette Basse, Piano 1
Clarinette et Piano 1
Flûte traversière 1
Quintette de Clarinettes: 5 clarinettes 1
Saxophone Baryton, Piano 1
3 Clarinettes (trio) 1
Flûte à bec Alto 1
Flûte à Bec 1

+ 21 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 7
Ensemble de Trombones 4
Trombone et Piano 3
Euphonium, Piano (duo) 2

Cor et Piano 2
Trompette 2
Ensemble de Trompettes 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Euphonium, Tuba (duo) 1
Trompette, Piano 1
2 Euphoniums et 2 Tubas 1
Quatuor de cuivres: 4 trompettes 1

+ 8 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 8
Harpe 4
Ensemble de Violons 4
Ensemble d'Altos 4
Quintette à cordes: 2 violons, alto, violoncelle, basse 4

Violon 3
Violoncelle, Piano 2
4 Violoncelles 2
Contre Basse 2
Alto, Piano 2
Contrebasse, Piano (duo) 1
Violon et Piano 1
2 Violons (duo) 1
Violon, Violoncelle (duo) 1
Alto seul 1
Trio à Cordes: 3 violoncelles 1
2 Violoncelles (duo) 1

+ 12 instrumentations

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Percussions & orchestre
Orchestre 6
Ensemble Jazz 4
Ensemble de cuivres 3
Orchestre d'harmonie 2
Vibraphone 1

Cloches 1
Orchestre de chambre 1
Batterie 1

+ 3 instrumentations

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Stand Out Fit In

Chorale TTBB

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2 partitions trouvées

The Story Of Reuben Clamzo & His Strange Daughter

The Story Of Reuben Clamzo & His Strange Daughter #Chorale TTBB #FACILE #Arlo Guthrie #Craig Hanson #The Story Of Reuben Clamzo &am #Edition Craig Hanson #SheetMusicPlus

Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...(+)

Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. â€˜Is that you kids?â€™ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the shipâ€¦ You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you knowâ€”them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For â€¦he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

$3.99 ≈ ¥28.99

Bring Me Sunshine

Bring Me Sunshine #Chorale TTBB #INTERMÉDIAIRE #Willie Nelson #Nathan Jones #Wise #Bring Me Sunshine #Nathan Jones Music #SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1422424 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Nathan Jones. 20th Century,Come...(+)

Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1422424 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Nathan Jones. 20th Century,Comedy,Pop. 8 pages. Nathan Jones Music #1003763. Published by Nathan Jones Music (A0.1422424). Originally arranged for Rechoir (SATB) to perform at a member's wedding, the arrangements is now available for TTBB, arranged for The Morriston Orpheus Choir.This jovial choral arrangement of 'Bring Me Sunshine' is sure to get feet tapping, and bring a smile to any audience. This piece would fit well into any Spring or Summer programme, or even into a Winter one, if you're trying to cheer everyone up!Made famous in the UK as the signature tune of Morcambe & Wise.This arrangement is for standard TTBB with no splits, slightly simplified rhythms (compared to the SATB version) and identical repeats, all to aid learning. The melody moves between the sections, giving everyone a chance to shine!Intended for choirs of intermediate ability.Essential skills for this piece - Smiling and having fun!The YouTube link is of a live performance by Swansea University Choral Society (SATB). I updated the arrangement following this recording (which is the one available for sale here), but the video gives the gist of the cheery feel and an idea of the harmony.

$3.50 ≈ ¥25.43

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