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--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
DRUM
expert
Ensemble de Percussions
Partitions à imprimer
20 partitions trouvées
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1
Skat Drum
Skat Drum
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Ensemble de Percussions
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AVANCÉ
#
Contemporain
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Rennard Stafford
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Skat Drum
#
Tempo X Percussion and Publications
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1019790 Composed by Rennard Stafford. Contemporary. Score and parts. 2 pages. Tempo X Percussion and Publication...
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Percussion Ensemble - Level 5 - SKU: A0.1019790 Composed by Rennard Stafford. Contemporary. Score and parts. 2 pages. Tempo X Percussion and Publications #5771629. Published by Tempo X Percussion and Publications (A0.1019790). A snare drum piece that is rhythmically flashy with rudimental fills. Skat drum is great for solo festivals and competitions as well as recitals. .
$7.99 ≈
7.21€
Spectrum - Drumline Cadence
Spectrum - Drumline Cadence
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Ensemble de Percussions
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AVANCÉ
#
Contemporain
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Casey Spencer
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Casey Spencer
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Spectrum - Drumline Cadence
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Casey Spencer
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1104091 Composed by Casey Spencer. Arranged by Casey Spencer. 20th Century. Score and parts. 2 pages. Casey Spen...
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Percussion Ensemble - Level 5 - SKU: A0.1104091 Composed by Casey Spencer. Arranged by Casey Spencer. 20th Century. Score and parts. 2 pages. Casey Spencer #707352. Published by Casey Spencer (A0.1104091). Groovy, advanced level drumline cadence for pep band.
$2.00 ≈
1.80€
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
#
Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00 ≈
45.10€
Spicy Ramen - Drumline Cadence
Spicy Ramen - Drumline Cadence
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Ensemble de Percussions
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AVANCÉ
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Soul/R&B
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Jason Guzman
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Spicy Ramen - Drumline Cadence
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Jason Guzman
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.899760 Composed by Jason Guzman. Hip-Hop,Pop,R & B. Score and parts. 11 pages. Jason Guzman #2918419. Published ...
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Percussion Ensemble - Level 5 - SKU: A0.899760 Composed by Jason Guzman. Hip-Hop,Pop,R & B. Score and parts. 11 pages. Jason Guzman #2918419. Published by Jason Guzman (A0.899760). Fun cadence for an extremely advanced bassline.
$15.00 ≈
13.53€
Siege of Busanjin 1592
Siege of Busanjin 1592
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Ensemble de Percussions
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AVANCÉ
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Tsoof Baras
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Siege of Busanjin 1592
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1013926 Composed by Tsoof Baras. Contemporary,Standards,World. Score and parts. 46 pages. Tsoof Baras #6662693. ...
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Percussion Ensemble - Level 5 - SKU: A0.1013926 Composed by Tsoof Baras. Contemporary,Standards,World. Score and parts. 46 pages. Tsoof Baras #6662693. Published by Tsoof Baras (A0.1013926). Players - 7Instrumentation - Bass Drums (x2), Bongos, Concert Toms (x8), Snare Drums (x2)The Siege of Busanjin was a battle fought at Busan between Japanese and Korean forces on April 14, 1592.Japanese forces surrounded the fort of Busan and within hours the Korean fort was decimated.This piece for drumming ensemble embodies the brutality and power of the Siege of Busanjin and draws inspiration from traditional Taiko drumming ensembles. Driving rhythms and large movements combine with extreme rhythmic precision to bring an enormous piece for drumming ensemble.
$70.00 ≈
63.14€
A Quarter Of A Whip
A Quarter Of A Whip
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Rennard Stafford
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A Quarter Of A Whip
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Tempo X Percussion and Publications
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1019783 Composed by Rennard Stafford. Contemporary. Score and parts. 4 pages. Tempo X Percussion and Publication...
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Percussion Ensemble - Level 5 - SKU: A0.1019783 Composed by Rennard Stafford. Contemporary. Score and parts. 4 pages. Tempo X Percussion and Publications #5771427. Published by Tempo X Percussion and Publications (A0.1019783). An advanced snare drum piece for the crafty snare drummer. .
$6.50 ≈
5.86€
Choo Buzz Diddle Train
Choo Buzz Diddle Train
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Ensemble de Percussions
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AVANCÉ
#
Contemporain
#
Rennard Stafford
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Excellent for skillbuilding
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Choo Buzz Diddle Train
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Tempo X Percussion and Publications
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1019780 Composed by Rennard Stafford. Contemporary. Score and parts. 1 pages. Tempo X Percussion and Publication...
(+)
Percussion Ensemble - Level 5 - SKU: A0.1019780 Composed by Rennard Stafford. Contemporary. Score and parts. 1 pages. Tempo X Percussion and Publications #5771441. Published by Tempo X Percussion and Publications (A0.1019780). An Advanced snare drum piece with collegiate and professional hybrid rudiments and standout sticking built for the skilled snare drummer. Excellent for skillbuilding. .
$3.50 ≈
3.16€
Four Forces (First movement) I. Strong Forces
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00 ≈
270.59€
Four Forces (Second movement) II. Weak Forces
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00 ≈
135.29€
RICHARD STRAUSS - SUITE DER ROSENKAVALIER, OP. 59 - PERCUSSION SET
RICHARD STRAUSS - SUITE DER ROSENKAVALIER, OP. 59 - PERCUSSION SET
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Ensemble de Percussions
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AVANCÉ
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Classique
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Richard Strauss
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Edition Testore
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RICHARD STRAUSS - SUITE DER RO
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Edition Testore
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.819533 Composed by Richard Strauss. Arranged by Edition Testore. 20th Century,Classical,Romantic Period,Standard...
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Percussion Ensemble - Level 5 - SKU: A0.819533 Composed by Richard Strauss. Arranged by Edition Testore. 20th Century,Classical,Romantic Period,Standards. Score and parts. 29 pages. Edition Testore #5828355. Published by Edition Testore (A0.819533). SUITE from Opera DER ROSENKAVALIER, OP. 59FULL ORCHESTRASET OF PARTS:Percussion: timpani, bass drum and cymbals, triangle, tambourine, glockenspiel, ratchet, tenor drum, snare drum, celesta.
$29.50 ≈
26.61€
Concentrate
Concentrate
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Ensemble de Percussions
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AVANCÉ
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Remco op den Dries
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Concentrate
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TmDrums
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.992501 Composed by Remco op den Dries. Standards. Score and parts. 46 pages. TmDrums #6664645. Published by TmDr...
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Percussion Ensemble - Level 5 - SKU: A0.992501 Composed by Remco op den Dries. Standards. Score and parts. 46 pages. TmDrums #6664645. Published by TmDrums (A0.992501).
$3.99 ≈
3.60€
One
One
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Ensemble de Percussions
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AVANCÉ
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Remco op den Dries
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One
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TmDrums
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.992544 Composed by Remco op den Dries. Standards. Score and parts. 20 pages. TmDrums #6664779. Published by TmDr...
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Percussion Ensemble - Level 5 - SKU: A0.992544 Composed by Remco op den Dries. Standards. Score and parts. 20 pages. TmDrums #6664779. Published by TmDrums (A0.992544).
$3.99 ≈
3.60€
Seekers Of The Truth
Seekers Of The Truth
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Jack Siegel
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Seekers Of The Truth
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Jack Siegel
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.947770 Composed by Jack Siegel. Contemporary. Score and parts. 80 pages. Jack Siegel #2094127. Published by Jack...
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Percussion Ensemble - Level 5 - SKU: A0.947770 Composed by Jack Siegel. Contemporary. Score and parts. 80 pages. Jack Siegel #2094127. Published by Jack Siegel (A0.947770). A very energetic fanfare for brass and percussion. It would work very well as a contest piece with an advanced drum and bugle corp. It was originally written for and performed by the Dallas Wind Symphony.
$24.99 ≈
22.54€
UNITY
UNITY
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Ensemble de Percussions
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AVANCÉ
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Brad Watson
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S
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UNITY
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S.Parker
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.900371 Composed by Brad Watson. Arranged by S.Parker. Holiday,Jazz,Sacred,Wedding,World. Score and parts. 2 page...
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Percussion Ensemble - Level 5 - SKU: A0.900371 Composed by Brad Watson. Arranged by S.Parker. Holiday,Jazz,Sacred,Wedding,World. Score and parts. 2 pages. S.Parker #3132919. Published by S.Parker (A0.900371). UNITY is a Calypso, Soul Calypso (Soca) piece originally written for Steel Drum. This arrangement is written with piano accompaniment and can be played with any suitable C instrument/instruments.
$4.99 ≈
4.50€
Earth
Earth
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Ensemble de Percussions
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AVANCÉ
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Ryan Kemmer
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Earth
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Ryan Kemmer
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1024652 Composed by Ryan Kemmer. Latin,World. Score and parts. 26 pages. Ryan Kemmer #3399391. Published by Ryan...
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Percussion Ensemble - Level 5 - SKU: A0.1024652 Composed by Ryan Kemmer. Latin,World. Score and parts. 26 pages. Ryan Kemmer #3399391. Published by Ryan Kemmer (A0.1024652). For steel drum ensemble.
$40.00 ≈
36.08€
The Wacky Ripper
The Wacky Ripper
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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D
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The Wacky Ripper
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Tempo X Percussion and Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1019784 Composed by D.R. Stafford. Contemporary. Score and parts. 9 pages. Tempo X Percussion and Publications #...
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Percussion Ensemble - Level 5 - SKU: A0.1019784 Composed by D.R. Stafford. Contemporary. Score and parts. 9 pages. Tempo X Percussion and Publications #5771585. Published by Tempo X Percussion and Publications (A0.1019784). This amazing snare drum solo is for the elite percussionists and the utmost professional. It features time-signatures such as 24/64, 11/16, 6/32, and 13/8.
$12.99 ≈
11.72€
Another Place
Another Place
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Publi...
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Percussion Ensemble - Level 5 - SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00 ≈
31.57€
City Lights
City Lights
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Rennard Stafford
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City Lights
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Tempo X Percussion and Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1019786 Composed by Rennard Stafford. Contemporary. Score and parts. 3 pages. Tempo X Percussion and Publication...
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Percussion Ensemble - Level 5 - SKU: A0.1019786 Composed by Rennard Stafford. Contemporary. Score and parts. 3 pages. Tempo X Percussion and Publications #5771599. Published by Tempo X Percussion and Publications (A0.1019786). A great battery drumline piece for stadium grooves, standup show performances and competitions. .
$8.95 ≈
8.07€
Alexandriana for Percussion Ensemble
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99 ≈
9.01€
One Hour to Madness
One Hour to Madness
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
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Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99 ≈
4.50€
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