Partitions Numériques de In The First Light pour Ensemble de Percussions

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In The First Light
Non classifié 525

Piano & claviers
Piano seul 360
Piano, Voix 217
Piano Facile 76
Orgue 25
Piano, Voix et Guitare 24

Accompagnement Piano 10
Instruments en Do 9
Piano Trio: piano, violon, violoncelle 8
1 Piano, 4 mains 7
2 Pianos, 4 mains 5
Piano Quatuor: piano, violon, alto, violoncelle 4
Piano Quatuor: piano, 2 violons, violoncelle 1
Orgue, Trompette (duo) 1

+ 8 instrumentations

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Guitares
Guitare 38
Guitare notes et tablatures 19
2 Guitares (duo) 6
Ukulele 3
Ensemble de guitares 2

Mandoline, Guitare (duo) 1
Basse electrique 1
4 Guitares (Quatuor) 1
Mandoline 1
Banjo 1
Ligne De Mélodie, (Paroles) et Accords 1
3 Guitares (trio) 1
2 Dulcimers (duo) 1
Orchestre à Plectres 1

+ 9 instrumentations

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Voix
Chorale SATB 160
Chorale 3 parties 37
Chorale 2 parties 31
Chorale Unison 25
Chorale SSAA 17

Chorale TTBB 11
Voix Soprano, Piano 7
Voix Alto, Piano 2
Chorale SSAATTBB 1
Chorale 1
Soli, choeur mixte et accompagnement 1
Voix haute 1
Voix duo, Piano 1

+ 8 instrumentations

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Vents
Flûte traversière et Piano 41
Saxophone Alto et Piano 29
2 Saxophones (duo) 25
Quatuor de Clarinettes: 4 clarinettes 25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 24

Clarinette et Piano 21
Saxophone Soprano et Piano 21
Quatuor de Saxophones: 4 saxophones 21
Hautbois, Piano (duo) 20
Saxophone Tenor et Piano 16
2 Clarinettes (duo) 15
2 Flûtes traversières (duo) 15
Saxophone, Clarinette (duo) 14
Flûte, Hautbois, Clarinette, Basson 13
Flûte, Clarinette (duo) 12
Clarinette, Violon (duo) 12
Ensemble de Clarinettes 11
Clarinette 11
Clarinette, Trompette (duo) 9
Flûte, Violon 9
Saxophone Baryton, Piano 9
Cor anglais, Piano 8
Quintette de Clarinettes: 5 clarinettes 8
Clarinette (partie séparée) 7
Clarinette Basse, Piano 7
Ensemble de saxophones 7
Flûte, Alto (duo) 6
Ensemble de Flûtes 6
Flûte traversière 6
Hautbois, Basson (duo) 6
Flûte, Saxophone (duo) 6
2 Hautbois (duo) 6
Quatuor de Flûtes : 4 flûtes 6
Hautbois, Flûte 5
Quintette de Saxophone: 5 saxophones 5
Clarinette, Basson (duo) 5
Hautbois (partie séparée) 5
Hautbois, Clarinette (duo) 5
3 Clarinettes (trio) 5
Clarinette et Alto 5
Saxophone (partie séparée) 4
Flûte, Trompette (duo) 4
Trio de Flûtes: 3 flûtes 4
Clarinette, Violoncelle (duo) 4
Flûte et Guitare 4
Flûte à bec Soprano 3
Flûte, Violoncelle 3
Saxophone Alto 2
Quintette de Clarinette: Clarinette, Quatuor à Cordes 2
Saxophone et Guitare 2
3 Saxophones (trio) 2
Hautbois, Violoncelle 2
Quintette de Flûte : 5 flûtes 2
Flûte à bec Alto, Piano 2
Flûte, Clarinette, Piano (trio) 1
Flute (partie séparée) 1
Flûte, Clarinette et Basson 1
Flûte à Bec 1
Clarinette, Harpe (duo) 1
Flûte, Hautbois, Basson 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Flûte, Violon et Violoncelle 1
Hautbois, Guitare (duo) 1
Piccolo 1
Cor Anglais 1
Flûte à Bec, Piano 1
Hautbois, violon (duo) 1
Hautbois et alto (duo) 1

+ 63 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 34
Trombone et Piano 24
Quatuor de Cuivres : 2 trompettes, trombone, tuba 21
Trompette, Piano 13
Euphonium, Piano (duo) 11

Trompette, Saxophone (duo) 10
2 Trombones (duo) 10
Trompette 9
Cor anglais, Piano 8
Cor et Piano 8
Tuba 8
Cor 6
Ensemble de Trombones 6
2 Trompettes (duo) 6
Trombone (partie séparée) 6
Quatuor de Cuivres 5
Quatuor de cuivres: 4 trombones 5
Tuba et Piano 5
Trompette, Trombone (duo) 5
Trompette (partie séparée) 4
Cor (partie séparée) 3
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
Tuba (partie séparée) 3
3 Trombones (trio) 3
2 Euphoniums et 2 Tubas 2
2 Cors (duo) 2
Ensemble de Tubas 1
Trombone, Orgue 1
Trio de Cuivres 1
Cor et Harpe 1
2 Tubas (duo) 1
Trombone 1
Cor Anglais 1
Trompette, Harpe 1
Ensemble de Trompettes 1
Quatuor de cuivres: 4 cors 1

+ 31 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 102
Violon et Piano 50
Harpe 34
Violoncelle, Piano 32
Alto, Piano 21

Trio à Cordes: violon, alto, violoncelle 18
Violon 16
2 Violons (duo) 15
2 Violoncelles (duo) 14
Violon (partie séparée) 14
Violon, Violoncelle (duo) 11
Quintette à cordes: 2 violons, alto, violoncelle, basse 10
Violon, Alto (duo) 9
2 Altos (duo) 9
2 Harpes (duo) 5
Violoncelle (partie séparée) 5
Violon, Guitare (duo) 4
Contre Basse 4
Contrebasse, Piano (duo) 4
Alto seul 3
Trio à Cordes: 2 violons, violoncelle 3
Alto (partie séparée) 3
Contrebasse (partie séparée) 3
Trio à Cordes: 3 violoncelles 2
4 Violoncelles 2
Violoncelle 2
Harpe, Voix 2
Ensemble de Violons 1
Violon, Violoncelle, Clarinette 1
Ensemble d'Altos 1
Violoncelle, Orchestre 1
Alto et Basson 1
4 Contrebasses 1
Alto, Violoncelle (duo) 1
Harpe, Violoncelle (duo) 1
Harpe, Flûte (duo) 1
Violoncelle, Contrebasse (duo) 1
4 Harpes 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Harpe, Trombone (duo) 1
Alto et Harpe 1
Piano Trio: Violon, Alto, Piano 1
Violon, Basson (duo) 1
Violoncelle , Guitare (duo) 1

+ 39 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 309
Orchestre à Cordes 105
Orchestre 50
Ensemble de cuivres 32
Orchestre de chambre 25

Cloches 15
Ensemble Jazz 10
Percussion (partie séparée) 7
Jazz combo 4
Ensemble de Percussions 3

2 Marimbas 1
Piano et Orchestre 1
Batterie (partie séparée) 1
Marimba 1
Orchestre, Violon 1
Xylophone 1
Marimba, Piano (duo) 1

+ 12 instrumentations

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Vous avez sélectionné:

In The First Light

Ensemble de Percussions

Partitions à imprimer

3 partitions trouvées

Gravity for Septet

Gravity for Septet #Ensemble de Percussions #AVANCÉ #Contemporain #MohammadHadi Ayanbod #Gravity for Septet #Rimorarte Edition #SheetMusicPlus

Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...(+)

Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, Iâ€™ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, Iâ€™ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, Iâ€™ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we donâ€™t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. Iâ€™ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.

$16.99

What Universe Lies Within

What Universe Lies Within #Ensemble de Percussions #INTERMÉDIAIRE/AVANCÉ #Brandon Nelson #What Universe Lies Within #Brandon Nelson #SheetMusicPlus

Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Publ...(+)

Percussion Ensemble - Level 4 - SKU: A0.912929 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 8 pages. Brandon Nelson #2907437. Published by Brandon Nelson (A0.912929). For percussion duo. Required instruments: bells, vibraphone, xylophone, temple blocks, suspended cymbals (3 sizes). General programming. Advanced Intermediate level.Commissioned by Chris Nadeau for CAn-Duo. Premiered at Colorado State University, October 16, 2016.It is common knowledge that the universe we see is composed of tiny particles known as atoms. For much of scientific history, it was thought that atoms were made up of three indivisible particles: protons, neutrons, and electrons.Thanks to contemporary advances in physics, we now know that these particles are, in fact, made up of much smaller particles and that these constituents sometimes behave in ways that confound what we thought we knew of the physical universe.In this piece, I have portrayed one type of these subatomic particles, the quark. There are six types (or flavors) of quark: up, down, charm, strange, top, and bottom. These are differentiated by the type of charge they carry and their masses.The first movement is Strange Quark. This flavor has a negative charge and is relatively light. Much like the particle, this movement often behaves in unusual ways.Top Quark, the second movement, portrays the quark flavor that is by far the heaviest. Slow and massive, this particle allowed for the study of the famous Higgs boson.The final movement, Up Quark, is light and decays quickly, much like this particle that contributes to both protons and neutrons.The universe is indeed a wonder to behold and its scale is hardly comprehensible to the human mind. And yet, it is becoming increasingly apparent that there exists an entire universe yet to uncover in the most infinitesimal pieces of matter. It is my hope that the wonder and mystery this inspires be conveyed through this piece of music.

$9.99

Han River Fantasy Suite (2011), a chamber concerto for horn and percussion ensemble

Han River Fantasy Suite (2011), a chamber concerto for horn and percussion ensemble #Ensemble de Percussions #INTERMÉDIAIRE/AVANCÉ #Gary Powell Nash #Han River Fantasy Suite #Gary Powell Nash #SheetMusicPlus

Percussion Ensemble - Level 4 - SKU: A0.881252 Composed by Gary Powell Nash. African,Contemporary,World. Score and parts. 122 pages. Gary Powell Nash #3...(+)

Percussion Ensemble - Level 4 - SKU: A0.881252 Composed by Gary Powell Nash. African,Contemporary,World. Score and parts. 122 pages. Gary Powell Nash #3553601. Published by Gary Powell Nash (A0.881252). Han River Fantasy Suite is based on and inspired by Nashâ€™s first trip to Vietnam in 2007. Commissioned by a percussion and horn duo, it is a five movement chamber concerto with mvts 1 and 2 performed continuously, as are mvts 4 and 5, giving the aural perception of 3 movements. Mvt. 1, Dawning and mvt. 2, Morning Power Walks stem from Nashâ€™s morning routine during that particular journey as he walked along the Han River in Danang, Vietnam every morning. Mvt 1 is a slow and lyrical prelude, with vibraphone and chimes serving as melodic and colorful supporting lines for the horn solo and that immediately proceeds to Mvt. 2, a fast and somewhat fiery movement, alluding to a fast power walk. Mvt. 3. Moonlight Stroll is slow and lyrical, highlighted by bowed vibes and triangle being struck while placed on a timpani during a glissando in the middle section. Mvt. 4, Boat Ride is a fast and dance-like, composed in compound duple meter and transitions to mvt. 5, Going Home, in a slightly faster simple quadruple meter.

$50.00

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