Partitions Numériques de Reach Out pour Ensemble de Percussions

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Reach Out
Non classifié 383

Piano & claviers
Piano seul 293
Piano, Voix et Guitare 141
Piano Facile 118
Piano, Voix 107
Instruments en Do 59

Orgue 13
Piano grosses notes 7
Accordéon 2
Piano (partie séparée) 2
1 Piano, 4 mains 2
Clavecin 1
Ligne De Mélodie, Piano 1
2 Pianos, 4 mains 1

+ 8 instrumentations

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Guitares
Guitare notes et tablatures 65
Ligne De Mélodie, (Paroles) et Accords 28
Guitare 26
Paroles et Accords 14
Basse electrique 13

2 Guitares (duo) 6
Piano, Guitare (duo) 4
Dulcimer 4
Guitare (partie séparée) 3
Ukulele 3
Basse électrique (partie séparée) 2
3 Guitares (trio) 1
Mandoline 1

+ 8 instrumentations

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Voix
Chorale SATB 148
Chorale 3 parties 31
Chorale 2 parties 26
Chorale TTBB 24
Chorale SSAA 15

Chorale Unison 15
Voix Alto, Piano 6
Male Voice 5
Voix Soprano, Piano 5
Voix duo, Piano 5
Voix duo 4
Voix seule 4
Voix Tenor 1
Voix Mezzo-Soprano, Piano 1
Voix haute 1
Voix basse, Piano 1

+ 11 instrumentations

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Vents
Saxophone (partie séparée) 36
2 Saxophones (duo) 35
Clarinette 29
2 Flûtes traversières (duo) 27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 27

Saxophone, Clarinette (duo) 20
Flûte traversière et Piano 18
Quatuor de Saxophones: 4 saxophones 17
Saxophone Alto 15
Flûte traversière 15
Quatuor de Clarinettes: 4 clarinettes 14
Clarinette, Trompette (duo) 14
2 Clarinettes (duo) 14
Hautbois, Piano (duo) 14
Clarinette, Violon (duo) 14
Clarinette et Piano 13
Saxophone Alto et Piano 10
Saxophone Tenor et Piano 10
Flûte, Hautbois, Clarinette, Basson 10
Hautbois (partie séparée) 9
Hautbois, Basson (duo) 8
2 Hautbois (duo) 8
Clarinette et Alto 8
Ensemble de Clarinettes 7
Quintette de Saxophone: 5 saxophones 7
Flûte, Violon 7
Hautbois, Flûte 7
Flûte, Trompette (duo) 7
Flûte, Alto (duo) 7
Saxophone Soprano et Piano 6
Flûte, Saxophone (duo) 6
Hautbois, Clarinette (duo) 6
Flûte, Clarinette (duo) 6
Flute (partie séparée) 4
Flûte et Guitare 4
Quintette de Clarinettes: 5 clarinettes 4
Trio de Flûtes: 3 flûtes 4
Saxophone Baryton, Piano 3
Ensemble de saxophones 3
Clarinette Basse, Piano 3
Clarinette (partie séparée) 3
Flûte, Clarinette, Piano (trio) 2
Flûte, Hautbois, Clarinette (trio) 1
Flûte, Violon et Violoncelle 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle 1
Cor anglais, Piano 1
Quatuor de Flûtes : 4 flûtes 1
Saxophone et Orgue 1
Ensemble à vent 1
Quintette de Flûte : 5 flûtes 1
Flûte à bec Soprano 1
5 Flûtes à bec 1
3 Clarinettes (trio) 1
Ensemble de Flûtes 1

+ 50 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 32
Trompette 16
Trompette, Saxophone (duo) 15
Trompette (partie séparée) 12
Trombone et Piano 10

Trompette, Piano 10
Cor et Piano 9
Trombone (partie séparée) 9
2 Trombones (duo) 7
2 Trompettes (duo) 7
Euphonium, Piano (duo) 7
Tuba et Piano 5
Trompette, Trombone (duo) 5
Trombone 5
Quatuor de Cuivres : 2 trompettes, trombone, tuba 4
Quatuor de cuivres: 4 cors 3
Cor (partie séparée) 2
Cor 2
Trombone basse et Piano 1
4 Tubas 1
Quatuor de cuivres: 4 trombones 1
Quatuor de Cuivres 1
Cor anglais, Piano 1
Ensemble de Trombones 1
2 Tubas (duo) 1
Ensemble de Cors 1
Tuba (partie séparée) 1
Trio de Cuivres 1
Ensemble de Trompettes 1
Ensemble de Tubas 1
Euphonium, Tuba (duo) 1

+ 26 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 60
Violon 43
Violon et Piano 19
Violon, Violoncelle (duo) 19
Violoncelle, Piano 15

2 Violons (duo) 13
Alto, Piano 13
2 Violoncelles (duo) 11
Violoncelle (partie séparée) 10
Trio à Cordes: 2 violons, violoncelle 9
Alto seul 8
2 Altos (duo) 7
Trio à Cordes: violon, alto, violoncelle 6
Violon, Alto (duo) 6
Violon, Guitare (duo) 5
Contre Basse 4
Contrebasse (partie séparée) 4
Violoncelle 3
Harpe 3
Contrebasse, Piano (duo) 3
Alto (partie séparée) 2
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Violoncelle, Contrebasse (duo) 1
Alto et Harpe 1
4 Violoncelles 1
Violoncelle , Guitare (duo) 1
Alto, Guitare (duo) 1

+ 22 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 108
Orchestre 30
Fanfare 18
Orchestre à Cordes 17
Ensemble de cuivres 16

Ensemble Jazz 15
Batterie (partie séparée) 7
Batterie 7
Jazz combo 6
Percussion (partie séparée) 5
Orchestre de chambre 4
Cloches 3
Ensemble de Percussions 3

Vibraphone 1
Piano et Orchestre 1

+ 10 instrumentations

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Reach Out

Ensemble de Percussions

Partitions à imprimer

3 partitions trouvées

Asian Symmetries

Asian Symmetries #Ensemble de Percussions #INTERMÉDIAIRE #Dan Heslink # #Asian Symmetries #Pharaoh Publications #SheetMusicPlus

Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Pu...(+)

Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each playerâ€™s performance station must remain stationary, with all instruments in reach without moving the performerâ€™s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.

$4.99 ≈ 4.61€

In the Night (for percussion ensemble-sextet)

In the Night (for percussion ensemble-sextet) #Ensemble de Percussions #INTERMÉDIAIRE/AVANCÉ #James M #In the Night #Myles Music James Johnson #SheetMusicPlus

Percussion Ensemble - Level 4 - SKU: A0.995511 Composed by James M. Johnson. Contemporary,Latin,World. Score and parts. 36 pages. Myles Music James John...(+)

Percussion Ensemble - Level 4 - SKU: A0.995511 Composed by James M. Johnson. Contemporary,Latin,World. Score and parts. 36 pages. Myles Music James Johnson #3562065. Published by Myles Music James Johnson (A0.995511). In the Night was premiered during the 2017concert season by the Southern Utah University Percussion Ensemble, under the direction Dr. Lynn Vartan A beautiful piece that creates calm, exciting and energetic energy! Great for any concert program! Level: advanced high school, college students and beyond!Score comes with performance and program notes! for a quick viewing please visit either the website listed above or you tube channel.https://www.youtube.com/watch?v=mmP1pI-AELU&t=5sPlease report your performance to me. I can be reached at: jamesjohnsonfrankie@outlook.comIMPORTANT!Support creators by not illegally copying music. If you enjoy ANY piece please support and purchase.Thanks and happy music making!

$45.00 ≈ 41.57€

Gravity for Septet

Gravity for Septet #Ensemble de Percussions #AVANCÉ #Contemporain #MohammadHadi Ayanbod #Gravity for Septet #Rimorarte Edition #SheetMusicPlus

Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...(+)

Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, Iâ€™ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, Iâ€™ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, Iâ€™ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we donâ€™t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. Iâ€™ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.

$16.99 ≈ 15.70€

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