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Excerpt from the Last Part of Ariadne Auf Naxos
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00 ≈
¥49.82
The Fundamentals Fretboard Knowledge
The Fundamentals Fretboard Knowledge
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Guitare
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INTERMÉDIAIRE
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Gary Wolk
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Gary Wolk
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The Fundamentals Fretboard Kno
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Gary Wolk Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.851251 By Gary Wolk. By Gary Wolk. Arranged by Gary Wolk. 20th Century,Contemporary,Instructional,Jazz,Traditional. Indi...
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Solo Guitar - Level 3 - SKU: A0.851251 By Gary Wolk. By Gary Wolk. Arranged by Gary Wolk. 20th Century,Contemporary,Instructional,Jazz,Traditional. Individual part. 34 pages. Gary Wolk Music #457913. Published by Gary Wolk Music (A0.851251). This book is designed to help the guitarist gain more knowledge of the entire guitar fretboard (or fingerboard) It explores the fret board from open strings to the 22nd fret. As with most stringed instruments there may be two to three places to play the same note, as well as multiple places to play chords. It goes deeper into movable chord forms, and scales up the neck.
$12.99 ≈
¥92.46
Playing Easy Guitar Christmas Carols Book 2
Playing Easy Guitar Christmas Carols Book 2
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Guitare
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INTERMÉDIAIRE
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Noël
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Dennis Greensmith
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Playing Easy Guitar Christmas
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Dennis Greensmith
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.954708 Arranged by Dennis Greensmith. Christmas. Individual part. 16 pages. Dennis Greensmith #3637775. Published by Den...
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Solo Guitar - Level 3 - SKU: A0.954708 Arranged by Dennis Greensmith. Christmas. Individual part. 16 pages. Dennis Greensmith #3637775. Published by Dennis Greensmith (A0.954708). Playing Easy Guitar Christmas Carols Book 2. Solo Guitar Intermediate level.Playing Easy Guitar Christmas Carols Book 2 is the second book in the series with Eleven popular Christmas songs that have been arranged at intermediate stage guitar players (who are playing at around Grades 3 and 4 level) who can already read music who wish to widen their repertoire. For those who already play to a higher level this book will provide enjoyable sight reading material. The book follows on from my Christmas Carols Book 1 and demonstrates how the introduction of harmony notes, chords and barre chords start to offer a wider choice of playing options to improve the depth of sound in a composition.This book is part of a series of books that are designed for finger style playing on a guitar suited to the nylon string classical guitar thought can also be played on the steel string acoustic guitar. Each book has been carefully developed so that each piece of music complements the standard syllabuses such as Trinity College London. Book 2 has the same musical standard as Grades 3 and 4 in terms of composition arrangement and moving higher up the guitar neck to give a greater range of notes that can be played.Please visit www.greensmith.info Christmas Carols Book 2 to see demonstrations and tuition vides on the songs . Further songs and teaching material can be found at www.guitarfingers.co.uk
$12.99 ≈
¥92.46
Jazz Guitar Scales & Modes
Jazz Guitar Scales & Modes
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Guitare
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INTERMÉDIAIRE
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Methode : Gammes & Accords
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Jazz
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Vincent Bredice
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Phrases
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Jazz Guitar Scales & Modes
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Mel Bay Publications - Digital Sheet
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SheetMusicPlus
Guitar (jazz and contemporary) - Intermediate - Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. 156 pages. Mel Bay Publ...
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Guitar (jazz and contemporary) - Intermediate - Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. 156 pages. Mel Bay Publications - Digital Sheet Music #93722EB. Published by Mel Bay Publications - Digital Sheet
ISBN 9781619119727.
Perhaps one of the most comprehensive books of its type on the market, this exhaustive and intelligent presentation of the myriad of scales and modes makes this a must have text for the guitarist who is interested in developing his skills of jazz improvisation. The highly acclaimed author/teacher and performer Vincent Bredice very carefully moves the student through all the common modes. Each mode is explored thoroughly by using chord and arpeggio studies in a variety of positions and/or inversions. This outstanding text is a wonderful resource for one's library as well as an excellent teaching and learning tool. Since a good musician must hear sounds quickly and accurately, in addition to enhancing one's technical and improvising ability, Jazz Guitar Scales and Modes, will help tremendously with ear training as well. The author emphasizes the importance of being able to play and understand modal scales in first position before moving them up the neck using pattern fingerings. Contains excellent studies lines.
$24.99 ≈
¥177.87
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