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Vous avez sélectionné:
2 guitarra
avancé
Guitare
Partitions à imprimer
8 partitions trouvées
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TRÉMOLO, para Guitarra
TRÉMOLO, para Guitarra
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Jose Manuel Jiménez Sánc
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TRÉMOLO, para Guitarra
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Jose Manuel Jiménez Sánchez
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1270235 Composed by Jose Manuel Jiménez Sánchez. 21st Century,Contemporary. Individual part. 2 pages. Jose Manuel ...
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Solo Guitar - Level 4 - SKU: A0.1270235 Composed by Jose Manuel Jiménez Sánchez. 21st Century,Contemporary. Individual part. 2 pages. Jose Manuel Jiménez Sánchez #862669. Published by Jose Manuel Jiménez Sánchez (A0.1270235).
$1.99 ≈
£1.54
Bambuco Opus 4 No 2 en La Mayor por Juan Carlos Cortés Aguirre
Bambuco Opus 4 No 2 en La Mayor por Juan Carlos Cortés Aguirre
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Juan Carlos Cortés Aguirre
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Bambuco Opus 4 No 2 en La Mayo
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.958666 Composed by Juan Carlos Cortés Aguirre. Contemporary,Standards. Individual part. 2 pages. Juan Carlos Corté...
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Solo Guitar - Level 4 - SKU: A0.958666 Composed by Juan Carlos Cortés Aguirre. Contemporary,Standards. Individual part. 2 pages. Juan Carlos Cortés Aguirre #4313309. Published by Juan Carlos Cortés Aguirre (A0.958666). Pieza breve para guitarra clásica, inspirado en el ritmo más caracterÃÂstico de la región andina colombiana: El Bambuco
$7.99 ≈
£6.18
La Cumparsita
La Cumparsita
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
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Aliqua
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Leo Baeza
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La Cumparsita
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Leo Baeza
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1426382 By Aliqua. By Enrique Pedro Maroni, Pascual Contursi, and Rodriguez Gerardo H Matos. Arranged by Leo Baeza. Clas...
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Solo Guitar - Level 4 - SKU: A0.1426382 By Aliqua. By Enrique Pedro Maroni, Pascual Contursi, and Rodriguez Gerardo H Matos. Arranged by Leo Baeza. Classical,Latin,Multicultural,Standards,Traditional,World. Individual part. 2 pages. Leo Baeza #1007098. Published by Leo Baeza (A0.1426382). Arreglo para guitarra nivel avanzado Fingerstyle.sigueme en YouTube LEO BAEZA - UKULELE PARA TODOS.
$4.99 ≈
£3.86
Calma Marina (Bambuco for solo guitar)
Calma Marina (Bambuco for solo guitar)
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Mario Londono
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Calma Marina
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Mario Londono
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1029174 Composed by Mario Londono. Contemporary,Folk,World. Individual part. 2 pages. Mario Londono #4732019. Published ...
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Solo Guitar - Level 4 - SKU: A0.1029174 Composed by Mario Londono. Contemporary,Folk,World. Individual part. 2 pages. Mario Londono #4732019. Published by Mario Londono (A0.1029174). Colombian bambuco for solo guitar. Bambuco Colombiano para guitarra solista. Comp. Mario Londono.
$4.99 ≈
£3.86
Bambuco Opus 4 No 1 en Mi menor por Juan Carlos Cortés Aguirre
Bambuco Opus 4 No 1 en Mi menor por Juan Carlos Cortés Aguirre
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Juan Carlos Cortés Aguirre
#
Bambuco Opus 4 No 1 en Mi meno
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Juan Carlos Cortés Aguirre
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.958665 Composed by Juan Carlos Cortés Aguirre. Contemporary,Standards. Individual part. 2 pages. Juan Carlos Corté...
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Solo Guitar - Level 4 - SKU: A0.958665 Composed by Juan Carlos Cortés Aguirre. Contemporary,Standards. Individual part. 2 pages. Juan Carlos Cortés Aguirre #4313285. Published by Juan Carlos Cortés Aguirre (A0.958665). Pieza breve para guitarra clásica, inspirado en el ritmo más caracterÃÂstico de la región andina colombiana: El Bambuco
$7.99 ≈
£6.18
Bambuco Opus 4 No 3 en Re menor por Juan Carlos Cortés Aguirre
Bambuco Opus 4 No 3 en Re menor por Juan Carlos Cortés Aguirre
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Juan Carlos Cortés Aguirre
#
Bambuco Opus 4 No 3 en Re meno
#
Juan Carlos Cortés Aguirre
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.958667 Composed by Juan Carlos Cortés Aguirre. Contemporary,Standards. Individual part. 2 pages. Juan Carlos Corté...
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Solo Guitar - Level 4 - SKU: A0.958667 Composed by Juan Carlos Cortés Aguirre. Contemporary,Standards. Individual part. 2 pages. Juan Carlos Cortés Aguirre #4313315. Published by Juan Carlos Cortés Aguirre (A0.958667). Pieza breve para guitarra clásica, inspirado en el ritmo más caracterÃÂstico de la región andina colombiana: El Bambuco
$7.99 ≈
£6.18
Caminito De La Escuela
Caminito De La Escuela
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Francisco Gabilondo Soler
#
Mario Londono
#
Caminito De La Escuela
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Mario Londono
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1029175 Composed by Francisco Gabilondo Soler. Arranged by Mario Londono. Contemporary. Individual part. 2 pages. Mario ...
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Solo Guitar - Level 4 - SKU: A0.1029175 Composed by Francisco Gabilondo Soler. Arranged by Mario Londono. Contemporary. Individual part. 2 pages. Mario Londono #4738179. Published by Mario Londono (A0.1029175). Arrenment for two guitar of Francisco Gabilondo Soler's Caminito de la Escuela.Arreglo para dos guitarras de Caminito de la Escuela de Francisco Gabilondo Soler Cri-Cri
$4.99 ≈
£3.86
Fandango de Huelva
Fandango de Huelva
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Flamenco
#
Traditional
#
Richard Hirsch
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Fandango de Huelva
#
Richard Hirsch
#
SheetMusicPlus
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Publis...
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms? Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González ?Triguito? in Madrid in the late 1960?s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99 ≈
£3.86
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