Partitions Numériques de Just The Way You Are pour Guitare

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Just The Way You Are
Non classifié 23

Piano & claviers
Piano seul 30
Piano, Voix et Guitare 2
1 Piano, 4 mains 1

Guitares
Basse electrique 4
Guitare notes et tablatures 2
Guitare 2

Voix
Voix Soprano, Piano 1
Chorale 2 parties 1
Chorale SAATB A Cappella 1
Chorale TTBB 1

Vents
Saxophone Alto 2
Saxophone Soprano 1
Saxophone (partie séparée) 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Saxophone Tenor 1

Clarinette 1
Flûte traversière 1

+ 2 instrumentations

Retracter

Cuivres
Trompette 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Trombone et Piano 1
Trombone 1

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 6
Harpe 1
2 Altos (duo) 1
Violon, Clarinette, Piano (trio) 1
Trio à Cordes: 2 violons, violoncelle 1

Percussions & orchestre
Orchestre 3
Cloches 2
Ensemble Jazz 2
Orchestre d'harmonie 1
Ensemble de cuivres 1

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Just The Way You Are

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2 partitions trouvées

"More... Jazz Licks at Your Fingertips" for Guitar

"More... Jazz Licks at Your Fingertips" for Guitar #Guitare #AVANCÉ #the end of the study, you can #Tony Benade #"More... Jazz Licks at Yo #Tony Benade #SheetMusicPlus

Solo Guitar - Level 5 - SKU: A0.809110 Composed by Tony Benade. Instructional,Jazz,Latin. Individual part. 96 pages. Tony Benade #3573821. Published by ...(+)

Solo Guitar - Level 5 - SKU: A0.809110 Composed by Tony Benade. Instructional,Jazz,Latin. Individual part. 96 pages. Tony Benade #3573821. Published by Tony Benade (A0.809110). Moreâ€¦ Jazz Licks at Your Fingertips is a sequel to Jazz Licks at your Fingertips This study contains over 80 jazz licks/phrases in several different keys. There are progressions on the ii7 - V7 in both major and minor keys. There are also major, minor 6th and 7ths as well as dominant, diminished and augmented chords. As you go on you will find licks on flatted and raised ninths, augmented 11ths and 13th chords. Most important however, are the Application Exercises. There are six jazz etudes which contain chord progressions found in many of the jazz standards. You will have the opportunity to use the licks in measures that deal with the chords that you have dealt with in the previous section. There are parts where you are asked to fill in your own licks in between the written melody. All the material that you have just worked on in the the last section can be used in each etude. By the end of the study, you can improve on the enitre song. It is a unique method that I have developed over the past 50 years. If you follow the method and work on all the exercises as directed, you will take your first steps in the Real way pros play jazz. There is even accompaniment provided for each etude. There are mp4s that are available at no extra cost if you have a device that will play them. There is also accompaniment provided at the end of the book if have musician friends play along with you. The process for obtaining the mp4s is explained at the beginning of the book under Application Exercises.

$29.95 ≈ ¥216.28

Gioco. Sonata for guitar

Gioco. Sonata for guitar #Guitare #AVANCÉ #Contemporain #Victor Rebullida #tpo #Gioco. Sonata for guitar #Victor Rebullida #SheetMusicPlus

Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...(+)

Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD MistÃºra. MÃºsica para guitarra. Cuatro autores contemporÃ¡neos aragoneses. Edited by Delicias DiscogrÃ¡ficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada

$6.00 ≈ ¥43.33

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