Partitions Numériques de The Reason pour Guitare

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The Reason
Non classifié 29

Piano & claviers
Piano seul 31
Piano, Voix 2
1 Piano, 4 mains 1

Guitares
Guitare 3

Ligne De Mélodie, (Paroles) et Accords 1
Guitare notes et tablatures 1

Voix
Voix haute 2
Voix basse, Piano 2
Chorale SATB 2
Chorale 3 parties 1
Chorale TTBB 1

Chorale SSAATTBB 1
Voix moyenne, Piano 1

+ 2 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Flûte traversière 2
Flûte, Hautbois, Clarinette, Basson 2
Saxophone Soprano 1
Trio de Flûtes: 3 flûtes 1

Quatuor de Flûtes : 4 flûtes 1
Saxophone Alto 1
Clarinette et Piano 1
Saxophone Tenor et Piano 1
Saxophone Soprano et Piano 1
Quatuor de Clarinettes: 4 clarinettes 1
Saxophone Tenor 1

+ 7 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4
Trompette 2
Trombone 2
Quatuor de Cuivres 2
Trombone basse 1

Cor 1
Ensemble de Trombones 1
2 Trompettes (duo) 1

+ 3 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 6
Violon et Piano 3
Violon, Alto (duo) 2
Violoncelle, Piano 2
Alto, Violoncelle (duo) 1

2 Violoncelles (duo) 1
Violon, Violoncelle (duo) 1

+ 2 instrumentations

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Percussions & orchestre
Ensemble Jazz 9
Orchestre 4
Orchestre à Cordes 3
Batterie 2
Orchestre de chambre 2

Orchestre d'harmonie 2

+ 1 instrumentations

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The Reason

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3 partitions trouvées

Asturias - Leyenda.

Asturias - Leyenda. #Guitare #AVANCÉ #Classique #Isaac Albeniz #Daniel Clark #Asturias - Leyenda. #Daniel Clark #SheetMusicPlus

Solo Guitar - Level 5 - SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #64...(+)

Solo Guitar - Level 5 - SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #6441461. Published by Daniel Clark (A0.982529). The work draws on original and early piano editions as well as the first guitar transcription made by Severino GarciÌa Fortea who introduced key innovations familiar to most classical guitarists. Guitarists are encouraged to use this arrangement in consultation with the transcriptions by GarciÌa Fortea, AndreÌs Segovia, and Stanley Yates. Asturias is known for its abrupt chord interruptions which gives it its distinctive character. In the original, less well known, transcription for guitar by GarciÌa Fortea, these were plucked with the thumb and three fingers simultaneously. Segovia expanded the chord to a full six strings which is strummed. This six-string variation is now adopted as standard in nearly all classical guitar versions and the work of GarciÌa Fortea has all but been forgotten. Stanley Yates was aware of GarciÌaâ€™s version, though seems to have been misdirected by Segovia and did not appear to get hold of GarciÌaâ€™s work before making his own transcription. A key difference between the piano versions and guitar versions is the fact that the pedal note is missing immediately following the chords played on the first notes of the bar. This seems to be a pragmatic decision made due to the technical challenge of articulating a chord on the guitar and then immediately following up with a pedal note. It may have been also a decision to more strongly emphasise the chord. However, the composer clearly indicated that the chord should be as short as all of the other notes and hence it is reasonable to strike the chord and immediately lose it and start the pedal note.

$2.99 ≈ 2.71€

RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard

RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard #Guitare #AVANCÉ #Classique #Jean-Philippe Rameau #Maël Fauvy #RAMEAU - Nouvelles Suites de P #Mfp Éditions #SheetMusicPlus

Solo Guitar - Level 5 - SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 20 pages. Mfp Éd...(+)

Solo Guitar - Level 5 - SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 20 pages. Mfp Éditions #1037163. Published by Mfp Éditions (A0.1458187). Composer : Jean-Philippe RameauArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highter4 pieces for guitar : Sarabande, Les Trois Mains, L’Enharmonique, L’Égyptienne — 8 pages […] The effect that we experience in the twelfth measure of the reprise of the Enharmonic will perhaps not initially be to everyone's taste; However, we become accustomed to it as long as we give ourselves to it, and we even feel all the beauty of it when we have overcome the first repugnance that the lack of habit can cause in this case. The harmonic which causes this effect is not thrown at random; it is founded on reasons, and authorized by nature itself: for connoisseurs it is the most piquant thing; but the execution must support the intention of the Author, by softening the touch, and by suspending the Coulés more and more as we approach the striking feature, where we must stop for a moment. moment, […] ” Jean-Philippe Rameau, Preface, New Suites of Harpsichord Pieces.

$30.00 ≈ 27.15€

Malaguena (for solo guitar) (Standard Notation)

Malaguena (for solo guitar) (Standard Notation) #Guitare #AVANCÉ #Flamenco #Brian Hayes #Malaguena #Brian Hayes #SheetMusicPlus

Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Arranged by Brian Hayes. Score, Sheet Music Single. 9 pages. Published by Brian H...(+)

Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Arranged by Brian Hayes. Score, Sheet Music Single. 9 pages. Published by Brian Hayes
This is a flamenco guitar arrangement of Malague�a, a pianopiece written by Cuban pianist/composer Ernesto Lecuona. It was originallyadapted for solo Spanish/Flamenco guitar by Carlos Montoya in 1961 and is widely believed to have been originallywritten for the guitar. The fact that Lecuona wrote the piece in thestyle of Spain is likely what makes the Spanish guitar arrangement feel like itbelongs to the instrument. Anotherreason for its association with Spanish guitar is the fact that the main melodyfrom the piece was not Lecuona?s invention but was taken from the ?Malague�a? flamencoform, originating out of M�laga, Spain, in the 19th century. ?Malague�a,? andthe melodic lines associated with it, is one of the traditional styles of Flamenco/Andalusianmusic. This rendition is ?in the style of Sabicas,? a Spanish Gypsy guitaristwho is considered by many to be one of the finest flamenco solo guitarists of his time. Lecuona?sMalague�a is typically found as a solo piano piece in the key of C# Phrygian,whereas on the guitar, (as is the case with this arrangement) it isnormally arranged in E Phrygian.

$6.99 ≈ 6.33€

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