Partitions Numériques de A Great Man Is Hard to Find pour Guitare

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A Great Man Is Hard to Find
Non classifié 6

Piano & claviers
Piano seul 4
Piano Facile 2
Piano, Voix et Guitare 2
Piano, Voix 2
Instruments en Do 1

2 Pianos, 4 mains 1

+ 1 instrumentations

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Guitares
Guitare 3

2 Guitares (duo) 1

Voix
Chorale 3 parties 2
Chorale SATB 1
Chorale TTBB 1

Vents
Flûte traversière 2
Hautbois (partie séparée) 2
Clarinette 2
Flûte, Hautbois, Clarinette, Basson 1

Cuivres
Trompette 2
Cor 1

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 4
Violon, Violoncelle (duo) 3
Violon 2
Contre Basse 1
Trio à Cordes: violon, alto, violoncelle 1

Trio à Cordes: 2 violons, violoncelle 1
Violon, Alto (duo) 1
Alto seul 1

+ 3 instrumentations

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Percussions & orchestre
Orchestre 2
Ensemble de cuivres 2
Orchestre d'harmonie 1
Ensemble Jazz 1

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A Great Man Is Hard to Find

Guitare

Partitions à imprimer

3 partitions trouvées

Jesus, Joy of Man's Desiring

Jesus, Joy of Man's Desiring #Guitare #INTERMÉDIAIRE/AVANCÉ #Classique #Johann Sebastian Bach #Richard Hirsch #Jesus, Joy of Man's Desiring #Richard Hirsch #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individ...(+)

Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bachâ€™s all-time favourite Jesus, Joy of Manâ€™s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven.Â I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bachâ€™s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking Â (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate Â fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.

$4.99 ≈ 4.61€

Tanguillo de Cádiz Guitar 2

Tanguillo de Cádiz Guitar 2 #Guitare #INTERMÉDIAIRE #Flamenco #Traditional #Richard Hirsch #Tanguillo de Cádiz Guitar 2 #Richard Hirsch #SheetMusicPlus

Guitar,Instrumental Duet - Level 3 - SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World....(+)

Guitar,Instrumental Duet - Level 3 - SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World. 3 pages. Richard Hirsch #855138. Published by Richard Hirsch (A0.1262076). I offer an arrangement in D major of the traditional Flamenco Tanguillo de CÃ¡diz as a second guitar to accompany my arrangement of the Tanguillo for solo guitar. The solo guitar arrangement is written in A major. To work as guitar 1 in the duet, the solo version must be played with the capo at the fifth fret to transpose the score to D major. This is normal practice in Flamenco guitar playing. The guitarist simply plays the score as if the capo were the nut. The tones/notes are then referred to as if they were being played in the first position, but they sound of course different.I created the arrangement in D major to accompany a student I taught to play the solo version so we could play and perform together. It was a lot of fun working on the arrangement and we had a great time playing the Tanguillo as a duet. It was also a big hit with audiences. I particularly recommend this arrangement for instructors teaching the solo version to intermediate students of Flamenco guitar, especially young students who will find it easier to play the Tanguillo at the fifth fret in D major. It is a great inspiration for Â students to play along with their instructor, making music together. The arrangement also, of course, works just as well as a duet for two students or two experienced guitarists.The D minor section contains the typical Andalusian cadence found in the more â??jondoâ? styles of Flamenco and serves as a first introduction to these darker more serious â??sonidos negrosâ? as Manuel de Falla referred to them. The many taps or â??golpesâ? found in the score are, as I said in the description of the Tanguillo solo, not absolutely essential, but they definitely add more â??punchâ? to the performance and give the arrangement a more earthy Gitano Andaluz character.

$3.99 ≈ 3.68€

Royal Winter Music

Royal Winter Music #Guitare #AVANCÉ #Contemporain #Hans Werner Henze #Royal Winter Music #Schott Music - Digital #SheetMusicPlus

Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Guita...(+)

Guitar - difficult - Digital Download First Sonata on Shakespearean Characters. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Guitar Archive. Downloadable. Duration 25 minutes. Schott Music - Digital #Q4978. Published by Schott Music - Digital
My idea of developing music from Richard of Gloucester's monologue 'Now is the winter of our discontent', and of generating more music from that material, was conceived during the 1960s. Ten years later it took a more concrete form, when Julian Bream suggested to me that I should write a substanial new guitar work for him. More time went by, and only having finished 'We Come to the River' could I begin to realise our plan. Then began a collaboration with the instrumentalist that went through various phases, from which I gained a more profound knowledge of the technicalities and of the sound-world of the guitar. I would even go so far as to say that this collaboration gave me a new concept of how to write for an instrument with a rich tradition. The guitar is a 'knowing' or 'knowledgeable' instrument, with many limitations but also many unexplored spaces and depths within these limits. It possesses a richness of sound capable of embracing everything one might find in a gigantic contemporary orchestra. but one has to start from silence in order to notice this: one has to pause, and completely exclude noise.
The dramatis personae of this piece enter through the sound of the guitar as if it were curtain. Through masks, voices and gestures, they speak to us of great passion, of tenderness, sadness and comedy: strange events in people's lives. Into this, the whispering voices of spirits are mingled. The epilogue is spoken by Oberon, pacified and reconciled, as though Nature had been subjected to Man.
- Hans Werner Henze.

$19.99 ≈ 18.45€

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