Partitions Numériques de All Over Popular Dance pour Guitare

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All Over Popular Dance
Non classifié 55

Piano & claviers
Piano seul 116
Piano, Voix 18
Piano Facile 16
Piano, Voix et Guitare 7
2 Pianos, 4 mains 1

Piano Trio: piano, violon, violoncelle 1

+ 1 instrumentations

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Guitares
Ukulele 4
Mandoline 3
Guitare notes et tablatures 3
Guitare 3

4 Guitares (Quatuor) 2

Dulcimer 1
Paroles et Accords 1

+ 2 instrumentations

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Voix
Chorale SATB 5

Vents
Flûte traversière et Piano 17
2 Saxophones (duo) 14
Hautbois, Piano (duo) 12
Saxophone Alto et Piano 10
Saxophone Tenor et Piano 10

Clarinette et Piano 10
Saxophone Baryton, Piano 10
Saxophone Soprano et Piano 9
Flûte traversière 8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 7
Saxophone (partie séparée) 7
2 Flûtes traversières (duo) 7
2 Clarinettes (duo) 7
Saxophone, Clarinette (duo) 6
Clarinette 5
Hautbois (partie séparée) 5
Cor anglais, Piano 5
Clarinette, Violon (duo) 4
Clarinette Basse, Piano 4
Saxophone Alto 4
Saxophone Tenor 4
Clarinette, Trompette (duo) 2
Quatuor de Saxophones: 4 saxophones 2
Hautbois, Clarinette (duo) 2
Quatuor de Clarinettes: 4 clarinettes 2
Flûte, Hautbois, Clarinette, Basson 2
Flûte, Trompette (duo) 2
Flûte, Saxophone (duo) 2
Flûte, Violon 2
Hautbois, Flûte 2
2 Hautbois (duo) 2
Quatuor de Flûtes à bec 1
Flûte, Clarinette (duo) 1
Trio de Flûtes: 3 flûtes 1
Clarinette et Alto 1
Quatuor de Flûtes : 4 flûtes 1
Ensemble de Clarinettes 1
3 Flûtes à bec (trio) 1
Hautbois, Basson (duo) 1
Flûte, Alto (duo) 1

+ 35 instrumentations

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Cuivres
Trompette, Piano 8
Cor et Piano 7
Trombone et Piano 7
Euphonium, Piano (duo) 7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 6

Trompette 5
Cor anglais, Piano 5
2 Trombones (duo) 4
Tuba 4
Trompette, Saxophone (duo) 4
Tuba et Piano 3
2 Trompettes (duo) 3
Trompette, Trombone (duo) 2
Cor 2
2 Cors (duo) 1
2 Euphoniums (duo) 1

+ 11 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 13
Violoncelle, Piano 12
Violoncelle 8
Violon et Piano 8
Alto, Piano 7

2 Violoncelles (duo) 5
Contrebasse, Piano (duo) 4
Contre Basse 4
Violon 4
2 Violons (duo) 4
Violon, Violoncelle (duo) 4
2 Altos (duo) 3
Trio à Cordes: 2 violons, violoncelle 3
Alto seul 3
Violon, Alto (duo) 2
Trio à Cordes: violon, alto, violoncelle 2
Violon, Clarinette, Piano (trio) 1
4 Violoncelles 1
Violon, Guitare (duo) 1
Alto (partie séparée) 1

+ 15 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 5
Orchestre à Cordes 5
Orchestre de chambre 3
Ensemble de cuivres 2
Ensemble Jazz 2

Orchestre 1
Quintette de Cuivres: autres combinaisons 1
Cloches 1

+ 3 instrumentations

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Vous avez sélectionné:

All Over Popular Dance

Guitare

Partitions à imprimer

3 partitions trouvées

Romance Variations

Romance Variations #Guitare #Classique #Rico Dwight Stover #Romance Variations #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

By Rico Dwight Stover. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Publications - Digital Sheet Music ...(+)

By Rico Dwight Stover. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619114036. The Romance Anonimo ("Anonymous Romance") is one of the most popular pieces in the classical guitar repertoire. Also known as Spanish Romance, Romance de Amor, Jeux interdits and Estudio de Rubira, this 19th century work has continually delighted lovers of the instrument around the world and has become a standard part of guitar pedagogy.In this Mel Bay publication guitarist/composer Rico Stover offers his original composition Romance Variations in a 25 page score of the work with accompanying audio. Different "flavors" of guitar styles are heard in these variations which are inspired by guitarists/composers whom Rico admires: Mateo Carcassi, Joe Pass, Heitor Villalobos, Luiz Bonfa, Chet Atkins and Atahualpa Yupanqui.After a short introduction, the Romance theme is heard, after which the variations commence. Each variation follows the minor/major pattern:Variation 1: Arpegiado - classical arpeggiosVariation 2: Bordoneo - bass line texturesVariation 3: Villalobosiana - in the style of the masterVariation 4: Bossanova - Brazilian syncopationsVariation 5: Chet's Pick - country style fingerpickingVariation 6: Aire de Danza - Latin American dance rhythmsThe essay "Romance Anonimo: Who Composed It?" explores the different theories regarding the question of authorship, including an analysis of seven different editions of the Romance that date from 1900 to 1958.

$14.99 ≈ 13.52€

Bourrée in E MInor

Bourrée in E MInor #Guitare #INTERMÉDIAIRE/AVANCÉ #Classique #Johann Sebastian Bach #Richard Hirsch #Bourrée in E MInor #Richard Hirsch #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Indivi...(+)

Solo Guitar - Level 4 - SKU: A0.1340077 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Classical,Instructional,Standards. Individual part. 3 pages. Richard Hirsch #925741. Published by Richard Hirsch (A0.1340077). I offer the famous BourrÃ©e from Bachâ€™s First Suite for Lute in E minor notated for solo acoustic guitar. The notation is accompanied by tablature and extensive left and right hand fingering as an aid to the student. The fingering aims to be as economical and as ergonomic as possible. If played according to the tablature and left hand fingering, the left hand flows smoothly from one position to another over the fretboard. This is especially important in the second part of the piece where Bach takes us on a tour of the harmonic space related to the key of E minor.Â The piece is a good introduction to the full potential of the fretboard as there are many alternative left hand fingerings, among which I have chosen those I feel fit together and enable flow best. Notice especially how the little finger plays an important role in guiding the left hand from one position to another. The fingering for the right hand is also good for the practice of alternating the index and middle fingers in the melody while the thumb plays the bases.This piece has become part of the standard repertoire for classical guitar, but is also a piece that sounds equally good on a steel string acoustic guitar. The steel strings make the piece sound like it is being played on a harpsichord. I first heard the piece as a boy of 15 back in 1960 in a recording by Chet Atkins playing on a steel string electric guitar!The piece has been transcribed from the original score for Lute and notated for guitar by many guitarists over the years. I hope my version contributes to its continued popularity, making the piece even more accessible and relevant to intermediate students of acoustic guitar.I have chosen a tempo of 130bpm for the notation which I think gives the piece a lively but not overly stressed quickness appropriate for a courtly dance.

$4.99 ≈ 4.50€

Verde Selva

Verde Selva #Guitare #Flamenco #Juan Serrano #Brian Hayes #Verde Selva #Brian Hayes #SheetMusicPlus

Composed by Juan Serrano. Arranged by Brian Hayes. Contemporary. Individual part. 8 pages. Brian Hayes #6702893. Published by Brian Hayes...(+)

Composed by Juan Serrano. Arranged by Brian Hayes. Contemporary. Individual part. 8 pages. Brian Hayes #6702893. Published by Brian Hayes
I hope you will enjoy this note-for-note transcription of the wonderful Verde Selva by the great Flamenco guitarist, Juan Serrano, from his 1965 RCA Victor recording Popular Music of Spain and the Old World. Verde Selva is a rumba, a rhythmic dance that has its origins in Cuba, becoming a part of the flamenco tradition in the 19th century in Andalusia, Spain. The playing technique used by Serrano in Verde Selva is often referred to as Rumba Melodica due to its use of arpeggiated chords rather than the rhythmic strumming that is typically associated with rumbas. As it is typical for Flamenco guitarists to improvise and change their pieces with subsequent performances, Juan Serrano\'s Verde Selva evolved over the span of his career, resulting in two versions of the piece; the first, featured on the 1965 vinyl LP Popular Music of Spain and the Old World (the basis for this transcription) and the second, in the 1981 Mel Bay publication Juan Serrano - Flamenco Concert Selections, which included Juan Serrano\'s own transcription of his then current version of the piece, along with the recorded track on the included audio CD. Although it is this 1981 version that is performed by guitarists, today, it is my fondness of the 1965 Popular Music of Spain and the Old World recording that inspired me to transcribe this rendition of Serrano\'s Verde Selva, a transcription which had not before been released to the public. Although this transcription is note-for-note to the original recording, liberties were taken only in one regard in that repeats were added in some sections to give more length to this beautiful piece.

$7.99 ≈ 7.21€

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