Partitions Numériques de Arise, arise pour Guitare

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Arise, arise
Non classifié 186

Piano & claviers
Piano seul 56
Piano, Voix 44
Piano, Voix et Guitare 33
Piano Facile 26
Orgue 25

Piano (partie séparée) 5
Instruments en Do 2
Accompagnement Piano 2
2 Pianos, 4 mains 1
1 Piano, 4 mains 1
Accordéon 1
Orgue, Piano (duo) 1

+ 7 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 14
Guitare notes et tablatures 4
Paroles et Accords 2
Guitare 2

Basse electrique 1

Voix
Chorale SATB 172
Chorale 3 parties 27
Chorale 2 parties 18
Chorale Unison 14
Chorale 11

Chorale TTBB 11
Voix duo, Piano 9
Chorale SSATB 2
Chorale SSAA 1
Voix haute 1
Chorale SSAATTBB 1
Voix seule 1
Voix Soprano, Piano 1

+ 8 instrumentations

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Vents
Flûte traversière 17
Saxophone (partie séparée) 8
Clarinette 6
Clarinette (partie séparée) 6
Flûte traversière et Piano 6

Hautbois (partie séparée) 5
Flute (partie séparée) 5
Saxophone Alto 4
Saxophone Alto et Piano 3
Flûte, Hautbois, Clarinette, Basson 3
Hautbois, Piano (duo) 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
Quatuor de Clarinettes: 4 clarinettes 2
Clarinette et Piano 2
Ensemble de saxophones 1
Quatuor de Saxophones: 4 saxophones 1
Clarinette, Trompette (duo) 1
Saxophone et Orgue 1
Saxophone Tenor et Piano 1
Ensemble De Flûte à bec 1
Saxophone Soprano et Piano 1
5 Flûtes à bec 1
Quintette de Saxophone: 5 saxophones 1
2 Flûtes traversières (duo) 1

+ 19 instrumentations

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Cuivres
Trompette (partie séparée) 13
Trombone (partie séparée) 11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 9
Cor (partie séparée) 4
Trompette, Piano 3

Quatuor de Cuivres 3
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Trompette 1
Ensemble de Trombones 1
Cor 1
Tuba (partie séparée) 1
4 Tubas 1
Tuba et Piano 1
Trombone et Piano 1
Tuba 1
Trombone 1
Cor et Piano 1

+ 12 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 20
Violon (partie séparée) 11
Violon et Piano 8
Contrebasse (partie séparée) 8
Violoncelle (partie séparée) 7

Violon 6
Alto (partie séparée) 5
Alto, Piano 3
Violoncelle, Piano 3
Violon, Violoncelle (duo) 2
Harpe 2
Harpe, Voix 2
Harpe (partie séparée) 2
Contre Basse 1
Violon, Alto (duo) 1
Violoncelle 1
2 Violoncelles (duo) 1
Violon, Orgue 1
2 Violons (duo) 1
4 Contrebasses 1
4 Violoncelles 1

+ 16 instrumentations

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Percussions & orchestre
Orchestre 18
Cloches 12
Orchestre à Cordes 11
Ensemble de cuivres 9
Orchestre d'harmonie 9

Percussion (partie séparée) 5
Orchestre de chambre 4
Timbales (partie séparée) 1
Timbales 1
Ensemble de Percussions 1
Fanfare 1

+ 6 instrumentations

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Arise, arise

Guitare

Partitions à imprimer

2 partitions trouvées

EASY RENAISSANCE GUITAR MUSIC - Volume 3

EASY RENAISSANCE GUITAR MUSIC - Volume 3 #Guitare #DÉBUTANT #Renaissance #Various #EASY RENAISSANCE GUITAR MUSIC #Socrates Arvanitakis #SheetMusicPlus

Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arv...(+)

Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces.
I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).
The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.
The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.
Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher?s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.

Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.

NAVIGATION INDEXES ? External and Internal links

The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.
The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.
The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.
The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.
Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.

This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

$15.00 ≈ 13.96€

Volume 7 - Melodic Aural Tradition of the English Speaking World - Songs 163 - 189

Volume 7 - Melodic Aural Tradition of the English Speaking World - Songs 163 - 189 #Guitare #INTERMÉDIAIRE #Folklorique/Traditionel #Traditional/Anonymous #Socrates Arvanitakis #Volume 7 - Melodic Aural Tradi #SheetMusicPlus

Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. 151, Classical, Folk, Traditional. Individual part. 47 pages. Socrates Arvanita...(+)

Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. 151, Classical, Folk, Traditional. Individual part. 47 pages. Socrates Arvanitakis #752557. Published by Socrates Arvanitakis
This is the seventh volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.

$25.00 ≈ 23.27€

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