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Vous avez sélectionné:
Ascending Music
Guitare
Partitions à imprimer
12 partitions trouvées
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1
Into the Labyrinth An Anatomy of Position Playing for Jazz Guitar
Into the Labyrinth An Anatomy of Position Playing for Jazz Guitar
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Guitare
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INTERMÉDIAIRE
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Jazz
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Methodes
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Into the Labyrinth An Anatomy
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Solos. Jazz. Ebook and online audio. 117 pages. Mel Bay Publications - Digital Sheet Music #31070MEB. Published by Mel Bay Publications - Digital Shee...
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Solos. Jazz. Ebook and online audio. 117 pages. Mel Bay Publications - Digital Sheet Music #31070MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513469270. 8.75x11.75 inches.
If youve ever wondered about the depth of thought vs. pattern playing that goes into jazz guitar improvisation, youll find the answer in this book. University of North Texas jazz guitar instructor and stellar musician, Davy Mooney is as fluid in writing about the physical and cerebral processes of jazz guitar improvisation as he is in playing over tunes, chord changes and modulations. Mooney describes the guitar fretboard as a labyrinth ruled by shapes and patterns. He recounts his own journey toward fretboard fluency beginning with the CAGED major scale positions and connecting them with ascending arpeggio shapes. The purpose of his book is to show you a way into the labyrinth, how to navigate it, and find your way out, should you so desire. Five is the magic number in this book. With five jazz chord progressions, fretboard scale and arpeggio diagrams in five positions, and transcribed eighth-note improvisations, Mooney illustrates how five giants of jazzMiles Davis, Wayne Shorter, Antonio Carlos Jobim, Thelonious Monk, and John Coltranemight have approached improvisation had they been jazz guitarists. Written in standard notation and fretboard diagrams for the intermediate to advanced guitarist already well-acquainted with jazz scale and chord theory. Includes access to online audio for all 60 etudes, play-along and improv examples.
$19.99 ≈
¥145.10
Mastering the Classical Guitar Book 2B
Mastering the Classical Guitar Book 2B
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Guitare
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INTERMÉDIAIRE
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Classique
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Wissam Abboud
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Mastering the Classical Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30686MEB. P...
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Composed by Wissam Abboud. Mastering The Classical Guitar. Classical. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30686MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119314.
Mastering the Classical Guitar Book 2B is the fourth book in a carefully graduated method series that uses a broad spectrum of technical exercises, music theory, chord studies, and repertoire to provide a solid technical foundation for the beginning to advanced-intermediate classical guitar student. This book is appropriate for students who have completed Books 1A, 1B and 2A and can read standard notation in the first and second positions. The book is written in three sections: Progressive Studies and Pieces, Technical Exercises, and Chords and Chord Progressions. Tips on how to integrate the three sections are given throughout the book. Mastering the Classical Guitar Book 2B introduces: notes on the second string, ascending and descending slurs, ornamentation, polyphony, and playing in the third and fifth positions. The bookas chord studies venture into new territory of seventh chords and jazz chord progressions. Teachers will welcome the generous number of attractive intermediate-level recital pieces by Aguado, Carulli, Carcassi, Coste, Giuliani, Mertz, Sor, and Tarrega. Written in standard notation only. Includes access to online audio.
$17.99 ≈
¥130.59
Technic Etudes
Technic Etudes
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Guitare
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AVANCÉ
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Classique
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William Bay
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Technic Etudes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (flatpicking) - Advanced - SKU: M0.WBM09EB Composed by William Bay. Classical. All styles. E-book. Mel Bay Publications - Digital Sheet Music #WB...
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Guitar (flatpicking) - Advanced - SKU: M0.WBM09EB Composed by William Bay. Classical. All styles. E-book. Mel Bay Publications - Digital Sheet Music #WBM09EB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM09EB). ISBN 9781619113626. 8.75x11.75 inches.The goal of these twenty etudes is to address various issues of guitar technique while presenting pieces that have melodic content, are interesting and fun to play and which can be used in concert or recital. Fragmented scale runs, scales ascending and descending several octaves, switching positions amidst musical phrases, arpeggio picking, string skipping and combining open and fingered strings are some of the issues addressed in these compositions.
$12.99 ≈
¥94.29
Menuet (from the Anna Magdalena notebooks)
Menuet (from the Anna Magdalena notebooks)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Rodrigo Faleiros
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Menuet
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Rodrigo Faleiros
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1444681 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individu...
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Solo Guitar - Level 4 - SKU: A0.1444681 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024546. Published by Rodrigo Faleiros (A0.1444681). Elevate your classical guitar skills with this intermediate-advanced level arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks. This sheet music intricately incorporates specific techniques such as ascending and descending slurs, chords, and barres, offering a comprehensive learning experience. Complete with fingerings, this arrangement is designed to challenge and refine your technical prowess and musicality.Key Features: Intermediate-Advanced Level: A step up for those ready to tackle more demanding guitar techniques and complex musical phrases. Advanced Techniques: Master the art of slurs, chords, and barres with an arrangement that emphasizes these essential guitar skills. Fingerings Included: Detailed fingerings are provided to ensure precision and ease of play, allowing you to focus on the execution of advanced techniques. This “Menuet” arrangement is a testament to the depth and versatility of the classical guitar, inviting you to push your boundaries and discover the nuances of Bach’s celebrated composition.For more arrangements that incorporate advanced guitar techniques, click here to further your mastery of the instrument.
$3.99 ≈
¥28.96
Single String Major Scale Study For Guitar
Single String Major Scale Study For Guitar
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Guitare
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Neal Fitzpatrick
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Neal Fitzpatrick
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Single String Major Scale Stud
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Neal Fitzpatrick Editions
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SheetMusicPlus
Solo Guitar - SKU: A0.955380 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Country,Jazz,Rock. Individual part. 6 pages. Neal ...
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Solo Guitar - SKU: A0.955380 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Country,Jazz,Rock. Individual part. 6 pages. Neal Fitzpatrick Editions #5739231. Published by Neal Fitzpatrick Editions (A0.955380). This study focuses on ascending diatonic major scales on each single string of the guitar. Each group begins with quarter notes and proceeds through various divisions of the beat. This exercise can hone your shifting acuity and precision while improving fretboard knowledge. These patterns are excellent workouts for any guitarist and for metal and jazz players in particular. These exercises can be played by both pick and finger style players. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$2.50 ≈
¥18.15
Sonata No. 6 "Kharkiv", Op. 48
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95 ≈
¥57.71
B2P Beginner to Pro Complete Method for Guitar: Book 1
B2P Beginner to Pro Complete Method for Guitar: Book 1
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Guitare
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DÉBUTANT
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Remo Moretto
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B2P Beginner to Pro Complete M
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Remo Moretto
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1300383 Composed by Remo Moretto. Blues,Instructional,Jazz,Rock. Individual part. 142 pages. Remo Moretto #890114. Publi...
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Solo Guitar - Level 1 - SKU: A0.1300383 Composed by Remo Moretto. Blues,Instructional,Jazz,Rock. Individual part. 142 pages. Remo Moretto #890114. Published by Remo Moretto (A0.1300383). B2P Book 1 is the 1st of 3 complete methods which has been written after years of study and teaching around the world. It is written in notation with tabs and fingerings to facilitate the learner's experience. Here you will learn to read music while playing the instrument, theory applied to the guitar, Major, minor, pentatonic scales, speed studies, arpeggios, hammer-on and pull-off (ascending and descending slurs ), tapping technique, chords, rhythm studies, and songs. All in a progressive order. No method written is so complete as this one!
$25.99 ≈
¥188.66
Twelve Studies in 12 Major Keys for Guitar
Twelve Studies in 12 Major Keys for Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Kenneth Pasciak
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Twelve Studies in 12 Major Key
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Kenneth Pasciak
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.820286 Composed by Kenneth Pasciak. Contemporary,Instructional,Standards. Individual part. 23 pages. Kenneth Pasciak #43...
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Solo Guitar - Level 4 - SKU: A0.820286 Composed by Kenneth Pasciak. Contemporary,Instructional,Standards. Individual part. 23 pages. Kenneth Pasciak #4312085. Published by Kenneth Pasciak (A0.820286). Twelve Studies in 12 Major Keys features twelve etudes for solo guitar. Each unique etude features a different major key, including rarely seen keys such as F#, Db, Ab, Eb and Bb. Beginning with a rag in C Major, Twelve Studies takes the performer through each key by ascending fifths. Highlights include: 2-against-3 study in G, a Terry Riley inspired etude in D, an up tempo waltz in Db, a quintuplet study in Eb and an Astor Piazzolla inspired piece in F major. For intermediate to advanced guitarists. Kenneth Pasciak Music Publishing, ASCAP
$6.99 ≈
¥50.74
Gioco. Sonata for guitar
Gioco. Sonata for guitar
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Guitare
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AVANCÉ
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Contemporain
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Victor Rebullida
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tpo
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Gioco. Sonata for guitar
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Victor Rebullida
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #60...
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Solo Guitar - Level 5 - SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
$6.00 ≈
¥43.55
Giuliani Reharmonized (Right-Hand Exercises for Guitar)
Giuliani Reharmonized (Right-Hand Exercises for Guitar)
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Guitare
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INTERMÉDIAIRE
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Methodes
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Mauro Giuliani, Kenneth Pascia
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Kenneth Pasciak
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Giuliani Reharmonized
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Kenneth Pasciak
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.820284 Composed by Mauro Giuliani, Kenneth Pasciak. Arranged by Kenneth Pasciak. Instructional. Educational Exercises. 29 pag...
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Guitar - Level 3 - SKU: A0.820284 Composed by Mauro Giuliani, Kenneth Pasciak. Arranged by Kenneth Pasciak. Instructional. Educational Exercises. 29 pages. Kenneth Pasciak #4293691. Published by Kenneth Pasciak (A0.820284). Giuliani Reharmonized - Twenty Studies: Harmonic Variations of Selected Exercises by Mauro Giuliani for Classical GuitarFirst published in 1812, Mauro Giuliani's Op. 1, Studio per la Chitarra, remains an indispensable resource for classical guitarists. Part I, Degli arpeggi esercizio per la mano destra (also known as 120 Exercises for the Right Hand), in particular, is arguably the direction toward which many performers, teachers and students turn when seeking to refine their right-hand technique.This collection of twenty studies builds upon selected exercises by Giuliani and adapts them to 13 major and 13 minor keys organized by ascending or descending fifths, as well as to various harmonic contexts that feature diatonic and chromatic sequences within particular keys.Kenneth Pasciak Music Publishingkenpasciak.comhttps://linktr.ee/kp_sheetmusic/
$7.99 ≈
¥58.00
Implosives, for two guitars
Implosives, for two guitars
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Haydn Reeder
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Implosives, for two guitars
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Haydn Reeder
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.953823 Composed by Haydn Reeder. 20th Century,Concert,Contemporary,Standards. Individual part. 4 pages. Haydn Reeder #30...
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Solo Guitar - Level 4 - SKU: A0.953823 Composed by Haydn Reeder. 20th Century,Concert,Contemporary,Standards. Individual part. 4 pages. Haydn Reeder #3005425. Published by Haydn Reeder (A0.953823). This work was originally written for solo guitar. The composer and performers have found that this arrangement for two guitars is more practical and therefore more effective.The ideas in the work sprang from my desire to exploit the 'natural' attributes of the guitar. The initial idea of calmly ascending and descending thirds and sixths is fairly soon consigned to accompanying a second idea which is a full-throated melody.From about a third of the way into the piece, both of these ideas are intermittently interrupted by what sound like explosions. In reality they are implosions as they often return the music to the calm initial idea. However, these implosions affect the other ideas. For instance, the impassioned low-pitched melody (second idea) is now animated by tremoli and ornamented. As for the initial idea, by the end of the piece its identity has changed significantly.
$3.00 ≈
¥21.78
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