Partitions Numériques de At Last Modern classical pour Guitare

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At Last Modern classical
Non classifié 2

Piano & claviers
Piano seul 3
Piano Facile 2
Piano, Voix 1
Instruments en Do 1
Orgue 1

Piano Quatuor: piano, violon, alto, violoncelle 1

+ 1 instrumentations

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Guitares
Ukulele 5
Guitare 2

Guitare notes et tablatures 1

Voix
Voix Soprano, Piano 3
Chorale SATB 1
Chorale SSAA 1

Vents
Saxophone Soprano et Piano 2
Hautbois, Piano (duo) 1
Flûte, Hautbois, Clarinette, Basson 1
Clarinette Basse 1
Clarinette et Piano 1

Saxophone Alto et Piano 1
Flûte traversière et Piano 1

+ 2 instrumentations

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Cuivres
2 Trompettes (duo) 1
Cor et Piano 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 2
Violon et Piano 2
Alto, Piano 1
Violoncelle, Piano 1
Trio à Cordes: 3 violoncelles 1

Percussions & orchestre
Orchestre 2
Orchestre d'harmonie 2

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At Last Modern classical

Guitare

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2 partitions trouvées

Nadir

Nadir #Guitare #Apostolos Paraskevas #Nadir #Silver Sickle Publications #SheetMusicPlus

Solo Guitar - SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #62...(+)

Solo Guitar - SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.

$8.99 ≈ £6.96

Handbook of Guitar and Lute Composers

Handbook of Guitar and Lute Composers #Guitare #DÉBUTANT #Classique #Hanna Annala #Handbook of Guitar and Lute Co #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

By Hanna Annala. For Guitar (Classical). Classic. 172 pages. Published by Mel Bay Publications - Digital Sheet Music ...(+)

By Hanna Annala. For Guitar (Classical). Classic. 172 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743536. In compiling this landmark sourcebook, Finnish guitarists Hannu Annala and Heiki Matlik consulted more than 70 music texts as well as dozens of composer resumes acquired from the musical information centers of several countries. During the writing process, which lasted for more than three years, they received additional information from many modern composers, including Leo Brouwer and Reginald Smith Brindle among others. In addition, several internationally renowned performing guitarists provided valuable information; these include Magnus Andersson (Sweden), Remi Boucher (Canada), Margarita Escarpa (Spain), Aleksander Frauchi (Russia) and David Tanenbaum (USA) among others.The authors' aim was to write a well-structured book with separate chapters for each instrument, such as the Renaissance and Baroque guitar, the Renaissance and Baroque lute, the vihuela, etc. This unique structure enables the reader to easily discover which composers wrote for a certain instrument during any given period. In addition to the composers one would expect to find in such a comprehensive listing, the book documents several historical and modern composers for whom little previous information has been available. The book's list of more than 400 guitar and lute concertos dating from the Baroque era to the present day is a totally unprecedented. Short introductions regarding guitar and lute-like instruments as well as their basic histories are provided at the beginning of the book. The authors hope that the Handbook of Guitar and Lute Composers will serve as a practical guide for both amateurs and professionals, encouraging further study of the history of these instruments and expanding the repertoire heard on today's concert stage.

$19.99 ≈ £15.47

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