Partitions Numériques de Flute Romantic pour Guitare

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Flute Romantic
Non classifié 2 799

Piano & claviers
Piano, Voix 62
Piano seul 56
Piano Facile 43
Instruments en Do 35
Piano, Voix et Guitare 20

Accompagnement Piano 18
Piano Quatuor: piano, violon, alto, violoncelle 8
Piano Trio: piano, violon, violoncelle 7
Orgue 6
Orgue, Piano (duo) 2
1 Piano, 4 mains 1
Piano grosses notes 1

+ 7 instrumentations

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Guitares
Guitare notes et tablatures 11
Ligne De Mélodie, (Paroles) et Accords 11
Guitare 3

Guitare, Flûte, Clarinette 3

Voix
Chorale SATB 25
Chorale 2 parties 10
Chorale 3 parties 4
Voix duo 3
Voix duo, Piano 3

Chorale SSAA 3
Chorale Unison 2
Voix haute 1
Chorale TTBB 1

+ 4 instrumentations

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Vents
Flûte traversière et Piano 2 243
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1 139
Flûte, Hautbois, Clarinette, Basson 662
Flûte traversière 555
2 Flûtes traversières (duo) 508

Quatuor de Flûtes : 4 flûtes 488
Flûte et Guitare 360
Flûte, Clarinette (duo) 240
Ensemble de Flûtes 171
Trio de Flûtes: 3 flûtes 153
Flûte, Violon 99
Flûte, Clarinette et Basson 87
Flûte, Violoncelle 77
Quintette de Flûte : 5 flûtes 63
Flûte, Hautbois (duo) 61
Hautbois, Piano (duo) 58
Flûte, Hautbois, Clarinette (trio) 56
Flûte, Violon, Piano 48
Flûte, Violoncelle, Piano (trio) 45
Flûte, Hautbois, Basson 44
Flûte, Trompette (duo) 44
Flute (partie séparée) 39
Flûte, Clarinette, Piano (trio) 35
2 Flûtes traversières, Piano 32
Flûte, Basson et Piano 32
Hautbois, Flûte 29
Flûte, Alto (duo) 25
Clarinette et Piano 22
Flûte, Trombone (duo) 22
Saxophone Alto et Piano 21
Flûte, Violon et Violoncelle 19
Hautbois, Clarinette, Basson (trio d'anches) 17
Flûte et Trio à cordes 16
Quatuor de Clarinettes: 4 clarinettes 15
2 Clarinettes (duo) 14
Flûte, Violon, Guitare 13
Flûte et Quatuor à Cordes 12
Flûte, Saxophone (duo) 11
Flûte, Hautbois, Piano (trio) 11
Flûte, Clarinette, Cor, Basson (Quartet) 11
3 Clarinettes (trio) 11
Quatuor de Saxophones: 4 saxophones 11
Flûte traversière, Orgue (duo) 9
Hautbois (partie séparée) 8
Flûte, trombone et piano 7
Flute, harpe et violon 6
Piccolo, Piano 6
Flûte, Alto et Piano 6
2 Saxophones (duo) 6
Flûte, Violon, Violoncelle et Piano 6
Clarinette, Guitare (duo) 6
Ensemble de Clarinettes 5
Clarinette Basse, Piano 5
Quintette de Clarinettes: 5 clarinettes 4
Saxophone Soprano et Piano 4
Flûte, Violoncelle, Guitare 4
3 Saxophones (trio) 4
Saxophone Alto 4
Saxophone Tenor et Piano 3
Hautbois, Basson (duo) 3
Clarinette 3
Flûte, alto et harpe 3
Flûte, Alto et Violoncelle 2
Quatuor de Flûtes à bec 2
Flûte traversière, Orchestre 2
Flûte, Tuba (duo) 2
Ensemble à vent 2
Saxophone Baryton, Piano 2
Flûte, Guitare, Piano 2
Cor anglais, Piano 2
Quintette de Clarinette: Clarinette, Quatuor à Cordes 1
Quintette de Saxophone: 5 saxophones 1
2 Flûtes traversières, Guitare 1
Clarinette, Violon (duo) 1
Flûte, Clarinette, Violon (trio) 1
Flûte à bec Alto 1
Clarinette, Basson (duo) 1
2 Saxophones, Piano 1
Piccolo 1
2 Hautbois (duo) 1
2 Clarinettes, Basson 1
Flûte de Pan 1
Flûte, Hautbois, Violon 1
Flûte à bec Soprano 1

+ 79 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 8
Euphonium, Piano (duo) 6
Trombone et Piano 5
Trompette, Piano 5
2 Trompettes (duo) 4

Trompette 3
Trombone 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Tuba 2
Cor anglais, Piano 2
Cor 2
Cor et Piano 2
Trompette, Trombone (duo) 1
Trombone et orchestre 1
Tuba et Piano 1
Ensemble de Trombones 1

+ 11 instrumentations

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Cordes
Violon et Piano 60
Harpe, Flûte (duo) 38
2 Violons (duo) 21
Quatuor à cordes: 2 violons, alto, violoncelle 18
Violoncelle, Piano 14

Violon, Alto (duo) 14
Alto, Piano 14
Harpe 13
Violon, Violoncelle (duo) 12
Violon 12
Violon, Guitare (duo) 11
Flûte, Contrebasse (duo) 7
Violoncelle 6
Trio à Cordes: violon, alto, violoncelle 4
Contre Basse 3
Trio à Cordes: 2 violons, violoncelle 3
2 Altos (duo) 3
Alto seul 3
Violon (partie séparée) 2
Alto, Guitare (duo) 2
Trio à cordes: 3 violins 2
Violoncelle , Guitare (duo) 2
2 Violoncelles (duo) 2
Contrebasse, Piano (duo) 2
Violoncelle (partie séparée) 1
2 Violons, Piano 1
Contrebasse (partie séparée) 1
2 Harpes (duo) 1

+ 23 instrumentations

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Percussions & orchestre
Orchestre 353
Orchestre de chambre 150
Orchestre d'harmonie 125
Ensemble Jazz 34
Orchestre à Cordes 29

Ensemble de cuivres 6
Piano et Orchestre 2
Percussion (partie séparée) 1
Ensemble d'École 1
Xylophone 1
Fanfare 1

+ 6 instrumentations

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Flute Romantic

Guitare

Partitions à imprimer

3 partitions trouvées

Suite for guitar and orchestra (mp3)

Suite for guitar and orchestra (mp3) #Guitare #Contemporain #David Warin Solomons #Suite for guitar and orchestra #David Warin Solomons #SheetMusicPlus

Guitar - SKU: A0.1059303 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 650. David Warin Solomons #511059. Publ...(+)

Guitar - SKU: A0.1059303 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 650. David Warin Solomons #511059. Published by David Warin Solomons (A0.1059303). Performance of my suite for guitar and orchestra by AndrÃ¡s CsÃ¡ki and the Budapest Scoring Symphonic Orchestra under PÃ©ter IllÃ©nyi in 2015. The suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm It has elements of Romantic and Renaissance music, flamenco, Latin American, a bit of Celtic square dancing, classical minuets and a general joie de vivre mixed with a little spirituality. Dreaming is a romantic getting to know you scene between guitar and orchestra, with slow harmonic progressions in the strings and melodic imitations and dialogues between guitar and woodwind and then also between guitar and harp. A simple waltz follows, in which the flutes take up new melodies and the guitar initially just provides accompaniment but joins in the conversation as the movement progresses. The Sanctus and Benedictus section reflects the rhythms of the Latin words of the mass, with the Osanna after each main part being a little faster and reminsicent of some of the lute works of Vincenzo Galilei. The harmonic ideas of the Sanctus also colour the slower parts of the last movement, Distant Storm, but the main part of this final movement is a rhythmically exciting dialogue between the various sections of the orchestra and the guitar, leading to an abrupt conclusion, possibly the first thunderclap of a distant but approaching storm, or possibly just a bit of fun. Score and parts:https://www.sheetmusicplus.com/title/20143223?aff_id=175705

$3.50 ≈ 3.14€

Berceuse (Faure) arr. for classical guitar quartet

Berceuse (Faure) arr. for classical guitar quartet #Guitare #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #John Pinno #Berceuse #John Pinno #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.775447 Composed by Gabriel Faure. Arranged by John Pinno. Concert,Holiday,Romantic Period,Wedding. Individual part. 16 p...(+)

Solo Guitar - Level 4 - SKU: A0.775447 Composed by Gabriel Faure. Arranged by John Pinno. Concert,Holiday,Romantic Period,Wedding. Individual part. 16 pages. John Pinno #3235395. Published by John Pinno (A0.775447). An arrangement of Berceuse by Gabriel Faure (1846-1924), from his Dolly Suite, op.36, for classical guitar quartet by John Pinno. This comes with a full score, plus fully fingered individual guitar parts.For any questions, concerns, etc., email John Pinno at jpinno093@hotmail.com. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745

$8.00 ≈ 7.17€

The Vampire: A Dramatic Theme

The Vampire: A Dramatic Theme #Guitare #INTERMÉDIAIRE/AVANCÉ #Sol Paul Levy #Eric J Roth #The Vampire: A Dramatic Theme #Eric J Roth #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 ...(+)

Solo Guitar - Level 4 - SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records â€“ which was the first music company to produce the disc record â€“ and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordonâ€™s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levyâ€™s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.

$3.99 ≈ 3.58€

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