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Vous avez sélectionné:
Guitare Flamenco Intermediate
Guitare
Partitions à imprimer
15 partitions trouvées
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1
ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Isaac Albeniz
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Flavio Sala
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ASTURIAS by Albéniz - Transcr
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Flavio Sala
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SheetMusicPlus
Guitar, Classical guitar - Advanced Intermediate - Composed by Isaac Albeniz (1860-1909). Arranged by Flavio Sala. Impressionistic, Post-Romantic, R...
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Guitar, Classical guitar - Advanced Intermediate - Composed by Isaac Albeniz (1860-1909). Arranged by Flavio Sala. Impressionistic, Post-Romantic, Repertoire. Score. 7 pages. Published by Flavio Sala
Isaac Albniz (1860? 1909) , senza dubbio, il vero fondatore della musica spagnola moderna.
Bambino prodigioe instancabile viaggiatore, la sua opera impregnata dei colori e dei saporidella Spagna, paese che ha amato profondamente per tutta la vita. L?influenzadel Flamenco accertata: Albniz era un habitu delle taverne dove si cantavae suonava questo genere. ASTURIAS, ispirato dalla Granana (stile flamenco di Granada) uno di quei brani che ha superato i confinidella musica prettamente classica, raggiungendo un pubblico planetario.
Questatrascrizione, pur conservando alcune idee geniali di Andrs Segovia (latonalit di Mi minore, le terzine a partire dalla terza frase, gli armonicinella sezione centrale), presenta una scrittura chitarristica pi precisa, curatanei minimi particolari e una maggiore coerenza con l?originale. Diteggiature esoluzioni nuove per la mano sinistra danno vita a una partitura fresca, riccadi sonorit inedite.
Bojano, 16 Settembre 2020.
Flavio Sala.
* * *
Isaac Albniz (1860 - 1909) is, without doubt, the truefounder of modern Spanish music.
Child prodigy and tireless traveler, his works are full of colorsand flavors of Spain, a country he has deeply loved all his life. The influenceof Flamenco is proven: Albniz was a regular in taverns where this genre wassung and played. ASTURIAS, inspired by the Granana(flamenco style of Granada) is one of those pieces that went beyond theboundaries of purely classical music, reaching a global audience.
This transcription, while retaining some brilliant ideas ofAndrs Segovia (the key of E minor, the triplets starting from the third phrase,the harmonics in the central section), presents a more precise guitar writing,with attention to the smallest details and greater coherence with the original.New fingerings and solutions for the left hand give life to a fresh score, fullof new sounds.
Bojano, September 16,2020.
Flavio Sala.
$10.00 ≈
£7.74
The Art of Tremolo
The Art of Tremolo
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Flamenco
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Ioannis Anastassakis
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The Art of Tremolo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (classical and lute) - Intermediate-Advanced - A Comprehensive Analysis of the Tremolo Technique. Composed by Ioannis Anastassakis. Style. E-book. ...
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Guitar (classical and lute) - Intermediate-Advanced - A Comprehensive Analysis of the Tremolo Technique. Composed by Ioannis Anastassakis. Style. E-book. 150 pages. Mel Bay Publications - Digital Sheet Music #20394EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740702.
Here's yet another book that should be in every serious classical and flamenco guitarist's library; this time, Ioannis Anastassakis (The Art of Rasguedo) eliminates the guesswork on how to practice and perform the tremolo technique. The book addresses over 70 different approaches and methods to practice the tremolo with unprecedented advice from some of the greatest classical and flamenco guitarists including: Andres Segovia, John Williams, Sharon Isbin, Christopher Parkening, Pepe Romero, Scott Tennant, David Russell, Narciso Yepes, Stanley Yates, Stepan Rak, Juan Serrano, Manolo Sanlucar, Manolo Franco, Jose Antonio Rodriguez, Paco Serrano, and many more.
$24.99 ≈
£19.35
The Finest Pieces from his Repertoire
The Finest Pieces from his Repertoire
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Guitare
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INTERMÉDIAIRE
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Classique
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Narcisio Yepes
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The Finest Pieces from his Rep
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Schott Music - Digital
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SheetMusicPlus
Guitar - intermediate - Masters of the Guitar. Composed by Narcisio Yepes. This edition: Sheet music. Spanien, Gitarre, Sammlung. Guitar Archive. Do...
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Guitar - intermediate - Masters of the Guitar. Composed by Narcisio Yepes. This edition: Sheet music. Spanien, Gitarre, Sammlung. Guitar Archive. Downloadable. Schott Music - Digital #Q16340. Published by Schott Music - Digital
The Spanish guitarist Narciso Yepes (1927-1997) was one of the great masters of his instrument and was regarded as the greatest guitarist of Spain, apart from Andr.s Segovia and Emilio Pujol. Pupil of Vicente Asensio, he had a strong connection with the flamenco. in 1947, Yepes made the breakthrough with the performance of Joaqu.n Rodrigo's 'Concierto de Aranjuez'. As a composer, Yepes was internationally recognised because of his film music of 'Jeux interdits' (Ren. Cl.ment, 1952). Yepes added numerous transcriptions to the repertoire of the acoustic guitar. The newly compiled anthology contains the most beautiful pieces from the repertoire of this brilliant virtuoso.
$19.99 ≈
£15.48
Tanguillo de Cádiz Guitar 2
Tanguillo de Cádiz Guitar 2
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Guitare
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INTERMÉDIAIRE
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Flamenco
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Traditional
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Richard Hirsch
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Tanguillo de Cádiz Guitar 2
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Richard Hirsch
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World....
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World. 3 pages. Richard Hirsch #855138. Published by Richard Hirsch (A0.1262076). I offer an arrangement in D major of the traditional Flamenco Tanguillo de Cádiz as a second guitar to accompany my arrangement of the Tanguillo for solo guitar. The solo guitar arrangement is written in A major. To work as guitar 1 in the duet, the solo version must be played with the capo at the fifth fret to transpose the score to D major. This is normal practice in Flamenco guitar playing. The guitarist simply plays the score as if the capo were the nut. The tones/notes are then referred to as if they were being played in the first position, but they sound of course different.I created the arrangement in D major to accompany a student I taught to play the solo version so we could play and perform together. It was a lot of fun working on the arrangement and we had a great time playing the Tanguillo as a duet. It was also a big hit with audiences. I particularly recommend this arrangement for instructors teaching the solo version to intermediate students of Flamenco guitar, especially young students who will find it easier to play the Tanguillo at the fifth fret in D major. It is a great inspiration for  students to play along with their instructor, making music together. The arrangement also, of course, works just as well as a duet for two students or two experienced guitarists.The D minor section contains the typical Andalusian cadence found in the more â??jondoâ? styles of Flamenco and serves as a first introduction to these darker more serious â??sonidos negrosâ? as Manuel de Falla referred to them. The many taps or â??golpesâ? found in the score are, as I said in the description of the Tanguillo solo, not absolutely essential, but they definitely add more â??punchâ? to the performance and give the arrangement a more earthy Gitano Andaluz character.
$3.99 ≈
£3.09
Guitar Music - Melodies for Beginners
Guitar Music - Melodies for Beginners
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Guitare
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DÉBUTANT
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Numerous
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Robert Styles
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Guitar Music - Melodies for Be
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Robert Styles
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.921998 Composed by Numerous. Arranged by Robert Styles. Children,Folk,Pop,Standards,World. Individual part. 68 pages. Ro...
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Solo Guitar - Level 1 - SKU: A0.921998 Composed by Numerous. Arranged by Robert Styles. Children,Folk,Pop,Standards,World. Individual part. 68 pages. Robert Styles #3562181. Published by Robert Styles (A0.921998). This collection of music, which appears in four volumes, is designed to allow guitar players the opportunity to enjoy music of different cultures and styles. It includes Renaissance, Baroque, Classical, Romantic, Contemporary, Blues, Rock, Ragtime, Spanish, Flamenco, Brazilian, Eastern, Country and Western and Traditional Folk Music.The music has been written and arranged to be played using the classical guitar technique, often referred to as ‘finger-picking’, and has been ordered according to degree of difficulty. These books contain solo, duet and ensemble guitar pieces allowing players to develop and enjoy both solo and ensemble performance skills. ‘Melodies for Beginners’ is, as the title suggests, a collection of melodies for beginners (step one to grade one). ‘Book One’ is of elementary to intermediate standard (grade one to grade four). ‘Book Two’ is of intermediate to a more advanced standard (grade four to proficiency).I have been careful to make sure the music ‘Sits Comfortably Under the Fingers’. To this end suggested left-hand fingering has been included. Other interpretation markings have, in most cases, been omitted. Players are encouraged to use their own initiative and ideas based on the ‘feel’ of the music.Happy music making.Robert Styles
$9.95 ≈
£7.70
Guitar Music - Book Two
Guitar Music - Book Two
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Guitare
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INTERMÉDIAIRE
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Numerous
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Robert Styles
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Guitar Music - Book Two
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Robert Styles
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.921999 Composed by Numerous. Arranged by Robert Styles. Blues,Contemporary,Standards,World. Individual part. 138 pages. ...
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Solo Guitar - Level 3 - SKU: A0.921999 Composed by Numerous. Arranged by Robert Styles. Blues,Contemporary,Standards,World. Individual part. 138 pages. Robert Styles #3562187. Published by Robert Styles (A0.921999). This collection of music, which appears in four volumes, is designed to allow guitar players the opportunity to enjoy music of different cultures and styles. It includes Renaissance, Baroque, Classical, Romantic, Contemporary, Blues, Rock, Ragtime, Spanish, Flamenco, Brazilian, Eastern, Country and Western and Traditional Folk Music.The music has been written and arranged to be played using the classical guitar technique, often referred to as â??finger-pickingâ??, and has been ordered according to degree of difficulty. These books contain solo, duet and ensemble guitar pieces allowing players to develop and enjoy both solo and ensemble performance skills. â??Melodies for Beginnersâ?? is, as the title suggests, a collection of melodies for beginners (step one to grade one). â??Book Oneâ?? is of elementary to intermediate standard (grade one to grade four). â??Book Twoâ?? is of intermediate to a more advanced standard (grade four to proficiency).I have been careful to make sure the music â??Sits Comfortably Under the Fingersâ??. To this end suggested left-hand fingering has been included. Other interpretation markings have, in most cases, been omitted. Players are encouraged to use their own initiative and ideas based on the â??feelâ?? of the music.Happy music making.Robert Styles
$12.95 ≈
£10.03
Over The Rainbow
Over The Rainbow
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Film/TV
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicu...
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Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99 ≈
£3.86
What A Wonderful World
What A Wonderful World
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Guitare
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INTERMÉDIAIRE
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural...
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Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99 ≈
£3.86
Crystal Harmonics for Guitar
Crystal Harmonics for Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gohar Vardanyan
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Crystal Harmonics for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Classical guitar - Intermediate-Advanced - Composed by Gohar Vardanyan. Flamenco. E-book. 24 pages. Mel Bay Publications - Digital Sheet Music #3049...
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Classical guitar - Intermediate-Advanced - Composed by Gohar Vardanyan. Flamenco. E-book. 24 pages. Mel Bay Publications - Digital Sheet Music #30499EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619115842. 8.5 X 11 inches.
Crystal Harmonics for Guitar provides the guitarist with practical advice on playing harmonics and how to perform them with a crystal-clear tone. The material also covers various notation systems used by composers and publishers and includes examples of harmonics from regular guitar repertoire. Natural harmonic pitches and positions (by string and fret) are presented along with right-hand artificial harmonic techniques. In addition, you will learn how to tune the guitar with harmonics and how to practice passages which include them. This book can help guitarists interpret harmonics and provides composers with notational information to facilitate the reading process.
$9.99 ≈
£7.74
Tientos
Tientos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Flamenco
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Traditional
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Richard Hirsch
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Tientos
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Richard Hirsch
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SheetMusicPlus
Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultural, Traditional, World. Individual part. 8 pages. Richard Hirsch ...
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultural, Traditional, World. Individual part. 8 pages. Richard Hirsch #222095. Published by Richard Hirsch
An arrangement of the Flamenco style (palo) Tientos for solo acoustic guitar. The piece is based on traditional themes for the Tientos that I have expanded and elaborated on to weave together a self-contained composition that lies somewhere between Brahms? Hungarian Dances and Dvorak?s Slavic Dances. The composition is inspired by my studies with Juan Gonzlez ?Triguito? in Madrid in the late 1960s. The Tientos belongs to the Tango family of Flamenco styles and is a slow majestic Flamenco rhythm that can reach great emotional depth in the hands of skilled guitarists. The Tientos is notated in standard 4/4 measures that although seemly simple can be deceptively complex because of the nearly inexhaustible possibilities for rhythmic variation. Lots of tapping can be found in the notation together with melody and chords, but also alone at rests which I leave in the notation. The tapping is perhaps a vestige of the African origin attributed to the Tango family of Flamenco palos. The arrangement ends with a finale (macho) that moves from the Tientos through a few bars of Tango to a finish in Rumba Gitana, the fastest and liveliest member of the Tango family.The Tientos is played in a Phrygian modal that moves from D minor through C and B-flat to A or A7. This variant of the so-called Andalusian cadence is typical for gitano Flamenco palos.The piece can be played by students of Flamenco guitar at the intermediate to advanced levels and contains many essential elements of serious (jondo) Flamenco guitar playing.
$4.99 ≈
£3.86
Sonidos Negros
Sonidos Negros
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Flamenco
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Richard Hirsch
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Sonidos Negros
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Richard Hirsch
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SheetMusicPlus
Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch...
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Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch
A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called ?Andalusian? cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.
$6.99 ≈
£5.41
Sol y Sombra
Sol y Sombra
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Guitare
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INTERMÉDIAIRE
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Flamenco
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Traditional
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Richard Hirsch
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Sol y Sombra
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Richard Hirsch
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SheetMusicPlus
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #441703. Publis...
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #441703. Published by Richard Hirsch
An arrangement of traditional themes of the Flamenco style (palo) Alegrias de Baile (Alegrias for dance) that I acquired during my years of study with Juan Gonzlez ?Triguito? in Madrid in the late 1960s. The title of the piece that contains bright and happy passages in A major and slower more somber passages in A minor is taken from the name of a popular alcoholic drink that is a mixture of clear anisette (sol) and cognac (sombra). The composition is meant to resemble an Alegrias played in accompaniment to the dance, often performed by a solo woman dancer (bailaora) in a beautifully coloured long flowing dress. The piece finishes with a Macho por Buleras (finale) that is almost twice as fast as the passages in the introduction and middle parts. There is a long beautiful tremolo passage that rounds off the middle part before the jump into the finale. The piece is recommended for students of Flamenco guitar at the intermediate to advanced intermediate levels.
$4.99 ≈
£3.86
Fantasias Felinas
Fantasias Felinas
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Fantasias Felinas
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
10 Contemporary Classical Guitar Solos. World. Classical Guitar. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #30979ME...
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10 Contemporary Classical Guitar Solos. World. Classical Guitar. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #30979MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513470702. 8.75x11.75 inches.
In the authors words, this collection of 10 modern classical guitar pieces was composed to emulate the elusive, graceful, fragile, subtle, elegant, stealthy qualities of cats. Inspired by a rich tapestry of styles including classical, flamenco, jazz, pop, avant-garde, Balkan, and more generallyworld music, this book is perfect for anyone wishing to expand their guitar repertoire and technique. As cat fanciers abound, this collection is sure to please audiences and performers alike.The pieces consist mainly of notated improvisations, gently shaped to give them a sense of structure and completion. Five of the pieces are in drop-D or another scordatura tuning. Some have a simple folk-like form and harmony while others are more abstract. Written in standard notation only for the intermediate to advanced guitarist, performance notes and online audio recordings are provided for each cat-like composition.
$14.99 ≈
£11.61
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