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--INSTRUMENTS--
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1
Steam Powered Rocket - Concert Band/Orchestra Flexible Instrumentation
Steam Powered Rocket - Concert Band/Orchestra Flexible Instrumentation
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Kyle Vanderburg
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Steam Powered Rocket - Concert
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NoteForge
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1002843 Composed by Kyle Vanderburg. Contemporary. Score and parts. 73 pages. NoteForge #6873139. Published by NoteForg...
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Concert Band - Level 3 - SKU: A0.1002843 Composed by Kyle Vanderburg. Contemporary. Score and parts. 73 pages. NoteForge #6873139. Published by NoteForge (A0.1002843). In 2021, I took some classes in publishing, which required that I learn how to use some printing equipment from the 1890s and earlier. Through this, I discovered the world of steam thresher's reunions: annual regional meetings of steam engine enthusiasts that draw thousands across the upper midwest. Combined with news stories about various billionaires funding space travel, I found myself wondering what space travel might be like if the space race happened several decades earlier. What if the same technology that modernized agriculture took us to the moon? What might rockets powered by steam sound like? Steam Powered Rocket is a bit of alternate history, taking us from liftoff to orbit and back to earth.
$40.00 ≈
¥288.86
Clair de Lune
Clair de Lune
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Augusta Holmes
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John Ivor Holland
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Clair de Lune
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1444294 Composed by Augusta Holmes. Arranged by John Ivor Holland. 19th Century,Chamber,Classical. 40 pages. John Ivor ...
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Concert Band - Level 3 - SKU: A0.1444294 Composed by Augusta Holmes. Arranged by John Ivor Holland. 19th Century,Chamber,Classical. 40 pages. John Ivor Holland #1024207. Published by John Ivor Holland (A0.1444294). Augusta Mary Anne Holmès (16 December 1847 – 28 January 1903) was a French composer of Irish descent. In 1871, Holmès became a French national and added the accent to her last name. She wrote the texts to almost all of her vocal music herself, including songs, oratorios, the libretto of her opera ('La Montagne noire') and the programmatic poems for her symphonic poems including 'Irlande' and 'Andromède'. Despite showing talent at the piano, she was not allowed to study at the Paris Conservatoire, but took lessons privately. Like other female composers from the nineteenth century including Fanny Mendelssohn and Clara Schumann, Holmès published some of her earlier works under a male pseudonym (Hermann Zenta) because women in European society at that time were not taken seriously as artists and were discouraged from publishing. 'Clair de Lune' is the second of the 'Trois Petites Pièces' for flute and piano, composed in 1896, bring together the homelands dear to Holmès’ heart: Ireland, her country of origin, and France, her country of adoption. Arranged for concert band as part of an ongoing project to bring more music by women composers into the worldwide repertoire.
$49.99 ≈
¥361.00
The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
¥216.64
3 Comic Strip Impressions
3 Comic Strip Impressions
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Bill Malcolm
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Bill Malcolm
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3 Comic Strip Impressions
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Bill Malcolm
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.786177 Composed by Bill Malcolm. Arranged by Bill Malcolm. Contemporary. Score and Parts. 190 pages. Bill Malcolm #4847...
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Concert Band - Level 3 - SKU: A0.786177 Composed by Bill Malcolm. Arranged by Bill Malcolm. Contemporary. Score and Parts. 190 pages. Bill Malcolm #4847417. Published by Bill Malcolm (A0.786177). I wrote these comic strip impressions some years ago to feature a contrabassoon I had just acquired. The market for such music is almost non-existent, so I re-arranged them for concert band. The comic strips were all once in the Los Angeles times but for various reasons got pulled. Program notes and a condensed score are included. If printed front to back all parts should come out with correct page turns (which accounts for some of the shameless advertising and blank pages I included make sure this happens). Playing times are 3:27, 2:50, and 2:37 respectively.
$55.00 ≈
¥397.18
No Time To Die for Concert Band
No Time To Die for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Pop musique
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Billie Eilish
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Graham Boag
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No Time To Die for Concert Ban
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SheetMusicPlus
By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 120 pages. Published by Graham Boag ...
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By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 120 pages. Published by Graham Boag
No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast.
The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved "if any Bond things come up?whatever we have to do we will do". When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them "intensely uninspired" and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded.
Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was "so cool" and "really, really helpful." Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that "there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves". Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.
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