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Vous avez sélectionné:
After Last Night
avancé
Orchestre d'harmonie
Partitions à imprimer
4 partitions trouvées
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1
In A Chinese Temple Garden
In A Chinese Temple Garden
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Albert Ketelbey
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John Ivor Holland
#
In A Chinese Temple Garden
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John Ivor Holland
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1433990 By Albert Ketelbey. By Albert Ketelbey. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,Wor...
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Concert Band - Level 4 - SKU: A0.1433990 By Albert Ketelbey. By Albert Ketelbey. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. 85 pages. John Ivor Holland #1014221. Published by John Ivor Holland (A0.1433990). Albert William Ketèlbey (1875-1959) was an English composer, conductor and pianist, best known for his short pieces of light orchestral music. He was born in Birmingham and moved to London in 1889 to study at Trinity College of Music. After a brilliant studentship he did not pursue the classical career predicted for him, becoming musical director of the Vaudeville Theatre before gaining fame as a composer of light music and as a conductor of his own works. One of his earliest works in the genre, 'In a Monastery Garden' (1915), sold over a million copies and brought him to widespread notice; his later musical depictions of exotic scenes caught the public imagination and established his fortune. Such works as 'In a Persian Market' (1920), 'In a Chinese Temple-Garden' (1923), and 'In the Mystic Land of Egypt' (1931) became best-sellers in print and on records; by the late 1920s he was Britain's first millionaire composer. Ketèlbey's popularity began to wane during the Second World War and his originality also declined; many of his post-war works were re-workings of older pieces and he increasingly found his music ignored by the BBC. In 1949 he moved to the Isle of Wight, where he spent his retirement, and he died at home in obscurity. On the last night of the 2009 Proms season, the orchestra performed his 'In a Monastery Garden', marking the fiftieth anniversary of Ketèlbey's death—the first time his music had been included in the festival's finale. This arrangement of 'In a Chinese Temple-Garden' has been created with the modern concert band in mind and is sensitively cross-cued for smaller ensembles.
$69.99 ≈
63.16€
1917: The Halifax Disaster
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99 ≈
20.75€
Blu
Blu
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Ryuichi Sakamoto
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John Ivor Holland
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Blu
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John Ivor Holland
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1328892 By Ryuichi Sakamoto. By Ryuichi Sakamoto. Arranged by John Ivor Holland. 21st Century,Classical,Film/TV,Multicu...
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Concert Band - Level 4 - SKU: A0.1328892 By Ryuichi Sakamoto. By Ryuichi Sakamoto. Arranged by John Ivor Holland. 21st Century,Classical,Film/TV,Multicultural,World. 74 pages. John Ivor Holland #916902. Published by John Ivor Holland (A0.1328892). Ryuichi Sakamoto (å‚本 é¾) (1952-2023) was a Japanese composer, pianist, record producer, and actor who pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres. As a film score composer, Sakamoto won an Oscar, a BAFTA, a Grammy, and two Golden Globe Awards. 'Merry Christmas, Mr. Lawrence' (1983) marked his debut as both an actor and a film-score composer and his most successful work was 'The Last Emperor' (1987). 'Blu' (ブルー) was composed for an advert to mark the 50th anniversary of the Japanese clothing brand Aoyama Shouji and the title could be a reference to the colour of their business suits; the structure, after a quiet opening, is very reminiscent of Ravel's 'Bolero' and accompanies visuals of workers going about their day, gradually ending with a bit of a night out at the end before slumping into bed. There are some lovely moments for alto flute, cor anglais and tuned percussion; 'Blu' would be a great companion to a performance alongside 'Bolero' or other dance pieces.
$69.99 ≈
63.16€
Waltz of the Snowflakes
Waltz of the Snowflakes
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Steven Nunes
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Waltz of the Snowflakes
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Nagamon Publications
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1114491 Composed by Peter Ilyich Tchaikovsky. Arranged by Steven Nunes. 19th Century,Christmas,Classical,Holiday,Romant...
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Concert Band - Level 4 - SKU: A0.1114491 Composed by Peter Ilyich Tchaikovsky. Arranged by Steven Nunes. 19th Century,Christmas,Classical,Holiday,Romantic Period. 194 pages. Nagamon Publications #716375. Published by Nagamon Publications (A0.1114491). Pyotr Ilyich Tchaikovsky was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin. The Nutcracker is an 1892 two-act ballet originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story The Nutcracker and the Mouse King. The Nutcracker and the Mouse King is a story written in 1816 by Prussian author E. T. A. Hoffmann, in which young Marie Stahlbaum's favorite Christmas toy, the Nutcracker, comes alive and, after defeating the evil Mouse King in battle, whisks her away to a magical kingdom populated by dolls. This waltz is from the end of Act One. In the final scene of Act One, the mice retreat and the nutcracker is transformed into a handsome Prince. He leads Clara through the moonlit night to a pine forest in which the snowflakes dance around them, beckoning them on to his kingdom as the first act ends. The PDF contains the full score and all parts.
$55.00 ≈
49.63€
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