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Vous avez sélectionné:
Final Call
avancé
Orchestre d'harmonie
Partitions à imprimer
18 partitions trouvées
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1
Symphony No. 3 “avec orgue” (“with organ”) — finale
Symphony No. 3 “avec orgue” (“with organ”) — finale
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Camille Saint-Saens
#
Adam Griggs
#
Symphony No. 3 “avec org
#
Adam Griggs
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1453972 Composed by Camille Saint-Saens. Arranged by Adam Griggs. 19th Century,Classical,Romantic Period. 165 pages. Ad...
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Concert Band - Level 4 - SKU: A0.1453972 Composed by Camille Saint-Saens. Arranged by Adam Griggs. 19th Century,Classical,Romantic Period. 165 pages. Adam Griggs #1033159. Published by Adam Griggs (A0.1453972). Arrangement of the symphony's second movement for concert band / wind orchestra. Includes parts and full score. Note in particular that material Saint-Saëns assigned to the cor anglais has been reallocated.Most of the scherzo has been cut. The closing bars that remain serve as a brief, sweet introduction before the organ comes crashing in.Metronome marks have been adjusted, and are based on the 1957 recording by Paul Paray and the Detroit Symphony Orchestra. Recordings vary considerably with regard to tempo, and directors are encouraged to listen widely and experiment.Editorial amendments include modern percussion notation, shorthand piano parts for ease of study, ample cue notes, and well-padded page turns whenever possible.Musically, kindly indulge an added final crescendo in the timpani part, as lifted from Edo de Waart's riveting 1984 recording with the San Francisco Symphony.With acknowledgement and thanks to the teams behind IMSLP, MuseScore and GNU LilyPond.
$80.00 ≈
71.96€
Call to the Stars
Call to the Stars
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Garrett Melick
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Call to the Stars
#
Moof Miser
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1024917 Composed by Garrett Melick. Contemporary. Score and parts. 69 pages. Moof Miser #3627687. Published by Moof Mis...
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Concert Band - Level 4 - SKU: A0.1024917 Composed by Garrett Melick. Contemporary. Score and parts. 69 pages. Moof Miser #3627687. Published by Moof Miser (A0.1024917). Call to the Stars tells the story of a young woman who wants to see the universe. The songs four main sections detail first her longing for space, the creation and launch of her ship, her emotions as she sees Earth from space, and finally as she takes off through the galaxy, ready for her adventure.
$20.00 ≈
17.99€
Schubert: Symphony No.5 in Bb (FINALE)
Schubert: Symphony No.5 in Bb (FINALE)
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Franz Schubert
#
Michael L
#
Schubert: Symphony No.5 in Bb
#
WLM - Music
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1019624 Composed by Franz Schubert. Arranged by Michael L. Wirgler. Classical. Score and parts. 130 pages. WLM - Music ...
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Concert Band - Level 4 - SKU: A0.1019624 Composed by Franz Schubert. Arranged by Michael L. Wirgler. Classical. Score and parts. 130 pages. WLM - Music #4730167. Published by WLM - Music (A0.1019624). Schubert wrote this symphony in 1816-17. Characteristically it was like Mozart whose music he adored. Schubert was a tragic person in music history having died at the age of 32 but leaving behind a great body of word including over 600 songs. This finale of the symphony has a happy and lighthearted feel about it. (sample is smaller that complete piece)
$59.00 ≈
53.07€
Elegy-Field of Blood
Elegy-Field of Blood
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Jordan Eismeier
#
Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - ...
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Concert band - Grade 4 - SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00 ≈
10.79€
Elegy-Field of Blood
Elegy-Field of Blood
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Jordan Eismeier
#
Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Mu...
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Concert band - Grade 4 - SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00 ≈
71.96€
Piece For Jazz Bassoon And Orchestra
Piece For Jazz Bassoon And Orchestra
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Henry Mancini
#
John Ivor Holland
#
Piece For Jazz Bassoon And Orc
#
John Ivor Holland
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1287477 Composed by Henry Mancini. Arranged by John Ivor Holland. 20th Century,Blues,Contemporary,Contest,Festival,Jazz...
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Concert Band - Level 4 - SKU: A0.1287477 Composed by Henry Mancini. Arranged by John Ivor Holland. 20th Century,Blues,Contemporary,Contest,Festival,Jazz. Score and Parts. 140 pages. John Ivor Holland #878499. Published by John Ivor Holland (A0.1287477). Henry Mancini wrote this unusual ‘jazz bassoon concerto’ in 1980 for Hollywood session musician Ray Pizzi (the so-called ‘godfather’ of modern jazz bassoon); he can be heard on the original ‘Star Wars’ (1977) soundtrack, also on ‘Predator 2’ (as the voice of the beast). This whirlwind piece takes us through the whole range of the instrument, starting with skittish jumping octaves, a free improvisation (book-ended by ‘shouts’ from the band), a very sultry slow section (featuring Mancini’s trademark chromatic harmony) a magnificent and dramatic final chorus, closing with an extended cadenza to further show off the instrument in this unusual disguise. This arrangement calls for a small beat quartet of keys, Fender bass and drums to accompany the solo bassoon; a suggested solo has been provided for the first section, but the final cadenza has been left blank for complete artistic creation. For further information about this, please contact the arranger, who can make suggestions, as necessary (johnivorholland@gmail.com). Created in memory of Ray Pizzi (1943-2021).
$69.99 ≈
62.96€
Rhapsody for Concert Band
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00 ≈
17.99€
Bantu
Bantu
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Bantu
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755105 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 105 pages. Sy Brandon #3385171. Published by...
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Concert Band - Level 4 - SKU: A0.755105 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 105 pages. Sy Brandon #3385171. Published by Sy Brandon (A0.755105). Bantu was a finalist in the 2014 Sul Ross State University Wind Ensemble Composition Competition.and timbre changes to create a composition reflective of the excitement of this celebration. It is influenced by the African poem form of the same name. A bantu consists of several two-line stanzas where the second line is a metaphor of the first, therefore creating a call and response-type structure. This composition uses frequent imitation, which is a form of call and response. It is metaphorical in that the imitation is not literal, rather it is transformed with subtle changes. Additionally, the composition is influenced by African music with its use of driving rhythms, syncopation, and open harmony.
$29.99 ≈
26.98€
The Palatka Port March - Score Only
The Palatka Port March - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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David M
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The Palatka Port March - Score
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.123968...
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Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00 ≈
9.00€
The Palatka Port March
The Palatka Port March
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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David M
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The Palatka Port March
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart...
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Concert Band - Level 4 - SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00 ≈
44.98€
Fanfarria del Destino
Fanfarria del Destino
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Wesley Besancon
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Wesley Besancon
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Fanfarria del Destino
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1402010 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. 21st Century,Contemporary,Contest,Festival...
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Concert Band - Level 4 - SKU: A0.1402010 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. 21st Century,Contemporary,Contest,Festival,New Age. 140 pages. Wesley Besancon #985209. Published by Wesley Besancon (A0.1402010). This new and exciting composition is a celebratory fanfare called Fanfarria de Destino '' meaning Fanfare of Destiny ''. This fanfare, however, is geared mostly toward  Woodwinds. The brass takes background and counter-melody, while woodwinds take melody.  There are, however, several sections where the brass takes the wheel! At the end, a standard brass chorale ends the composition, with woodwinds giving off the final ounce of melodic content. The fanfare is supposed to be as magnificent as the person who it is dedicated to.
$89.99 ≈
80.95€
Among My Souvenirs (Humoresque) - #2 Brass & Percussion Parts
Among My Souvenirs (Humoresque) - #2 Brass & Percussion Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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way of an old Sousa concert pr
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John Philip Sousa
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Kevin R
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Among My Souvenirs
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Freedom Band Press
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.987645 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 61 pages. Freedom Band P...
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Concert Band - Level 4 - SKU: A0.987645 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 61 pages. Freedom Band Press #45615. Published by Freedom Band Press (A0.987645). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00 ≈
31.48€
Among My Souvenirs (Humoresque) - #1 Woodwind Parts
Among My Souvenirs (Humoresque) - #1 Woodwind Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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way of an old Sousa concert pr
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John Philip Sousa
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Kevin R
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Among My Souvenirs
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Freedom Band Press
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.987644 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 66 pages. Freedom Band P...
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Concert Band - Level 4 - SKU: A0.987644 Composed by John Philip Sousa. Arranged by Kevin R. Tam. 20th Century. Score and parts. 66 pages. Freedom Band Press #45613. Published by Freedom Band Press (A0.987644). John Philip Sousa shall forever be regarded as the March King. However, his body and scope of work extend well beyond the marches which made him so famous. In a rough accounting of Sousa’s body of work, marches make up only the second most numerous of his efforts – some 135 march compositions versus over 320 arrangements and transcriptions for Band. Outside of his marches, most of the Sousa catalog, including his humoresques, remains unpublished and largely unheard today. By way of an old Sousa concert program, we learn the narrative of his humoresque Among My Souvenirs. In it, the Nichols song Among My Souvenirs is lengthened into a sketch. Among his souvenirs is a photograph, letters and a broken heart. As he meditates, he goes back to a time before he was broken-hearted and remembers when he and his beloved were softly singing Twinkling Stars are Laughing, Love. Next, his mind reverts to the time when he was Seeing Her Home, recalling the songs of years gone by at Aunt Dinah’s Quilting Party – he was Seeing Nellie Home. After this, he travels to the Far East, and visions of The Road to Mandalay come to him. From there, he meditates on the Sweet Mysteries of Life and, finally, arrives at the closing picture in which he is once more Among my Souvenirs.
$35.00 ≈
31.48€
For God and Country (Score)
For God and Country (Score)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Amy Dunker
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Several U
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For God and Country
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Amy Dunker
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.969830 Composed by Amy Dunker. Contemporary,Holiday,Patriotic. Score and parts. 20 pages. Amy Dunker #3873213. Publishe...
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Concert Band - Level 4 - SKU: A0.969830 Composed by Amy Dunker. Contemporary,Holiday,Patriotic. Score and parts. 20 pages. Amy Dunker #3873213. Published by Amy Dunker (A0.969830). For God and Country was written in honor of Lt. Aloysius Schmitt for the Loras College Wind Ensembles, Glenn Pohland, director. The Catholic chaplain and Columbia College (now Loras College) graduate gave his life helping twelve of his shipmates exit a porthole on the side of the U.S.S. Oklahoma as it took enemy torpedo fire, rolled over and finally faltered on the morning of December 7, 1941.Throughout the work, the Navy Hymn Eternal Father, Strong to Save is a reoccurring motive. Several U.S. Navy bugle calls are also used in the work including portions of Abandon Ship, Man Overboard, Man Torpedo Defense Battery and Watertight Doors. The work ends with a quiet and solemn rendition of the Navy Hymn in various solo instruments. Duration: 9:00
$10.00 ≈
9.00€
For God and Country (Score and Parts)
For God and Country (Score and Parts)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Amy Dunker
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For God and Country
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Amy Dunker
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.969831 Composed by Amy Dunker. Contemporary,Holiday,Patriotic. Score and parts. 63 pages. Amy Dunker #3873217. Publishe...
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Concert Band - Level 4 - SKU: A0.969831 Composed by Amy Dunker. Contemporary,Holiday,Patriotic. Score and parts. 63 pages. Amy Dunker #3873217. Published by Amy Dunker (A0.969831). For God and Country was written in honor of Lt. Aloysius Schmitt for the Loras College Wind Ensembles, Glenn Pohland, director. The Catholic chaplain and Columbia College (now Loras College) graduate gave his life helping twelve of his shipmates exit a porthole on the side of the U.S.S. Oklahoma as it took enemy torpedo fire, rolled over and finally faltered on the morning of December 7, 1941.Throughout the work, the Navy Hymn Eternal Father, Strong to Save is a reoccurring motive. Several U.S. Navy bugle calls are also used in the work including portions of Abandon Ship, Man Overboard, Man Torpedo Defense Battery and Watertight Doors. The work ends with a quiet and solemn rendition of the Navy Hymn in various solo instruments. Duration: 9:00
$65.00 ≈
58.47€
Joy In A Minor Key
Joy In A Minor Key
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Elena Kats-Chernin
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John Ivor Holland
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Joy In A Minor Key
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1274787 Composed by Elena Kats-Chernin. Arranged by John Ivor Holland. 21st Century,Classical,Contemporary. Score and P...
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Concert Band - Level 4 - SKU: A0.1274787 Composed by Elena Kats-Chernin. Arranged by John Ivor Holland. 21st Century,Classical,Contemporary. Score and Parts. 72 pages. John Ivor Holland #866938. Published by John Ivor Holland (A0.1274787). The composer writes: 'While composing Joy in a Minor Key I attempted to achieve a fleeting, light, poetic, almost never touching the ground quality. The piece is written in my favourite form of rondo waltz with a coda'. The composition was commissioned by an Australian patroness for the 50th birthday of her husband, who had recently recovered from serious illness. On first hearing the atmospherically ambivalent sounds, she then felt more reminded of her mother, a great lover of music, to whose memory Joy in a Minor Key was finally dedicated. This arrangement for concert band has been created as part of a project to expand the repertoire of music by women from around the world.
$49.99 ≈
44.97€
March Of the Forest
March Of the Forest
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Max Gray
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March Of the Forest
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Max Gray
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1031388 Composed by Max Gray. 20th Century,Contemporary. Score and parts. 70 pages. Max Gray #3213667. Published by Max...
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Concert Band - Level 4 - SKU: A0.1031388 Composed by Max Gray. 20th Century,Contemporary. Score and parts. 70 pages. Max Gray #3213667. Published by Max Gray (A0.1031388). A concert band piece great for your young middle school/high school band! March Of the Forest starts with a cheery flute solo/wartime march, then becomes darker and transitions into a very involved, intricate section featuring a Hungarian dance, then ends with a grandiose finale featuring several callbacks to earlier in this piece.
$50.00 ≈
44.98€
"French Cancan" from Parisiana for wind ensemble - Score Only
"French Cancan" from Parisiana for wind ensemble - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Germaine Tailleferre
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Paul Wehage
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"French Cancan" from
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1086611 Composed by Germaine Tailleferre. Arranged by Paul Wehage. Classical,Contemporary,Contest,Festival. Score and p...
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Concert Band - Level 4 - SKU: A0.1086611 Composed by Germaine Tailleferre. Arranged by Paul Wehage. Classical,Contemporary,Contest,Festival. Score and parts. 31 pages. Musik Fabrik Music Publishing #690814. Published by Musik Fabrik Music Publishing (A0.1086611). In 1953, Tailleferre received a commission from the Royal Ballet in Copenhagen for a new ballet score. The work was intended as a holiday production and was supposed to depict various Parisian scenes in a sort of Postcard from Parisatmosphere. Tailleferre enlisted her son-in-law Jean-Luc Derudder to design the sets and wrote a score full of the sort of popular music that Tailleferre knew from her childhood: polka, quadrilles, waltzes etc. In the Finale of this work, which she called a divertissement choréographique,, she chose the popular form of the French Cancan. Scored for pic112bscl1/2sxA/sxT/sxB/2hrn/2Bbtpt/2tbn/tuba/timp/2perc, this item is the score only.
$13.95 ≈
12.55€
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